Ohio

Clarence Holbrook Carter (American, 1904-2000) Cicada, c. 1960s Watercolor on scintilla 30 x 20 inches Clarence Holbrook Carter achieved a level of national artistic success that wa...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude male torso with washes of light aqua/sage green and accents of neon pink oil pastel. This is a part of Shap's '80s Interiors...

Mid Century Modern Walnut Desk with brass and walnut pulls' Brass caps on legs Chair opening 28.25 W x 25 H (drawer bottom to floor). 2 locks with 2 keys each. Touch up only on desk,...

LeRoy Neiman 1921-2012 Color Serigraph Monte Carlo 1982. Signed in pencil lower right and numbered 15/300. Double matted. Image size 27" W x 37" H, framed 46.5" W x 38" H. This piece...

This fabulous Georg Jensen sterling silver tazza features Jensen's iconic grape motif, a celebrated range of pieces which were inspired by the Art Nouveau aesthetic coupled with time the artist spent traveling in Italy. Georg Jensen was born in 1866 and trained as a sculptor at the Royal Danish Academy of Fine Arts, graduating in 1892. Jensen began his artistic career in ceramics and started working with silver in 1904. He went on to establish his own smithy in Copenhagen and like many others working during the Art Nouveau period, was strongly influenced by natural forms and structure found in flowers and plants. As mentioned above, Jensen spent time in Italy shortly after the turn of the century and developed an appreciation for ancient Roman silver work. He was also struck by the work of more recent Italian artists and was particularly influenced by those pieces which drew upon classical mythology, such as Baroque painter Caravaggio's 'Bacchus'. Jensen combined these influences with emerging Art Nouveau organic motifs, leading him to utilize the malleable qualities of silver to create his renowned Grape Collection. This form of this silver tazza was initially designed by Jensen in 1918. The piece has a round pedestal foot which rises to a thick columnar stem reminiscent of the twisting trunk...

A fine 36-piece midcentury China set with six 6-piece place settings designed by Paul McCobb with dark gray and black graphics produced in 1959-1960. The china is in a restaurant style which means it a heavier form and dish washer safe, retains the ink stamps to the bottom manufactured by the Jackson China...

Tea at the Ritz, New York Colored chalk, 1912 Signed with the estate stamp verso. (see photo) Authenticated by the artist's daughter, Mme Paulette Johnston. Image size: 10 5/8 x 10 1...

The Garden of Love (after Peter Paul Rubens [1577-1640]) Woodcut diptych, c. 1633-1636 Each of the two sheets is signed in the plate lower right A posthumous impression with tiny wor...

Bertu Side Table, Natural Wood Side Table, the Roma, Maple Bertu Side Table, Natural Wood Side Table, the Roma, Maple Please scroll down to read important instructions about our st...

These beautiful earrings feature a pair of 3.57 carat weight round emerald gemstones with natural earth mined diamonds, all set in solid 14K gold. These earrings can be a lovely May ...

Clarence Holbrook Carter (American, 1904-2000) Eye of the Desert, 1965 Collage, graphite and gouache on paper Signed and dated lower right 16 x 12 inches 25 x 21 inches, framed A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Extremely nice original vintage condition with minimal signs of age/use. Mid 1960’s 4 piece burled Credenza from famed Mastercraft. Beautiful piece. Extraordinary hardware. This piec...

This piece is a one-of-a-kind gorgeous bracelet...a "wow" piece! Yellow gold, 6 square sections with ornate filigree design each connected by three "o" rings. Beautiful detail! Ea...

French Stacks Linocut printed in color Unsigned Stamped verso “Imprimerie Arnera Archives/Non Signe” Printer: Jaime Arnera, Vallarius, France (their stamp verso) Condition: Printed ...

Designer: Laura Trenchard Manufacturer: Craft Associates Furniture Period/Model: Mid-Century Modern Specs: Walnut This Modern Craft Associates...

Arashi Rikan II in an Osaka Kabuki Scene Color woodcut, c. 1827 Signed middle left (see photo) Titled upper left (see photo) Format: oban Publisher: Honsei The actor, in character, d...

Make a bold impression with this gorgeous 9.43ct opal ring, showcasing a glowing 20x15mm opal framed by a halo of natural, earth-mined diamonds. Set in solid 14K gold, this statement...

Tommy's Pond Etching, aquatint and intaglio, 1966 Signed, dated and numbered in pencil Image/Plate size: 13 7/8 x 10 7/8 inches Sheet size: : 20 1/16 x 14 7/16 inches From: The Portf...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Horses in Landscape Watercolor and graphite on paper Signed lowe...

Clarence Holbrook Carter (American, 1904-2000) Quadratic, 1979 Acrylic and collage on textured paper Signed and dated lower right 30 x 22 inches 31.5 x 23.5 inches, framed A surreal...

CraftAssociates Sofa, Peabody Bracket Back Sofa, Upholstered This Lawrence Peabody Bracket Back Sofa for Craft Associates Furniture is expertly hand crafted and upholstered. This L...

Stunning Milo Baughman dining table features burled walnut parquet design top with chrome-plated pedestal base. The table includes 2 leaves. Measures 44" deep x 29" high x 66" long w...

A set of five divided or grill dinner pottery plates , two in blue and three in a bright orange . Coined California Pottery because of the style and manufactured in the state by the ...

Turn of the century drawing signed E. Rantz on laid paper. Watermark: Lalanne Frame: 29 3/4 x 24 Image: 24 3/4 x 18 3/4"

Derriere Le Miroir-No. 190-Page 14-15 Color lithograph, 1971 Unsigned (as issued) From: Derriere Le Miroir, No. 190, 1971 Publisher: Aime Maeght, Paris Printer: L’Imprimerie Arts, Pa...

Designed by Walter Dorwin Teague and Edwin W. Fuerst for the State Dinning Room for the 1939 New York World's Fair. The fluted stem design was inspirated by the columns of the Federa...

This beautiful pendant features a stunning 3ct sea blue oval aquamarine with natural earth-mined diamonds in solid 14k gold. A lovely design for your daily wear! This pendant also ma...

This outstanding hand painted 19th century French ceramic charger was made by Hautin Boulenger & Cie at Creil & Montereau. The highly detailed Aesthetic Movement charger features polychrome decoration depicting a Japanese quail perched in a flowering cherry tree bearing vivid green foliage. The bird's gaze is fixed on a colorful butterfly with intricately patterned wings which is located off to one side. The image is set on a gilt ground which bears a series of repeating raised gilt motifs. The charger's shoulder is finished in cobalt blue with stylized gilt hearts separated by light blue floral and foliate elements. The 4lb 11oz charger bears an impressed mark used by Creil et Montereau between 1876-1884. The foot rim is not pierced. This beautifully executed hand painted French charger...

This beautiful ring features a 2.28 carat oval star sapphire gemstone with natural earth mined diamonds set in solid 14K gold. This Star Sapphire ring makes a lovely September births...

This listing is for our 32" chair. All Modern Patio Furniture - The Bali Collection is beautifully constructed from solid wood in Ohio, USA. This silhouette is simple, modern, and sl...

Vintage twisted iron stem floor lamp. Four candelabra sockets with glass candle holders that have cut crystal drops. Five figural swan details around a green marble base. Double swan...

Mid-Century Modern iron, brass and nail Brutalist wall sculpture by Ron Schmidt circa 1960's. Fan pinwheel pattern. Very nice condition. Dimensions: 3.5" d...

Mid-Century Modern ebonized wood and chrome chair by DCM Eames. Very nice condition. Dimensions: 21" depth x 19" W x 29.5" H, seat height 17.5".

Designer: Craft Associates Manufacturer: Craft Associates Modern Furniture Period/Model: New Specs: Cast Bronze, 1/2" glass Craft Associates M...

Three Lilies Monotype on Arches wove paper, 1980 Signed, titled and dated in pencil by the artist Dimensions: 13 x 18-5/8" (33 x 47.2 cm.): Sheet dimensions are sight size; Plate: 11...

Contact us for designer/trade pricing. This Modern Patio Furniture - Suelo Slatted Ottoman is beautifully constructed in Ohio, USA. This silhouette is s...

A very rare rug from the 20th century Masters Collection by the Scandinavian Company EGE. The Art Line Collection with motifs from Pablo Picasso was commissio...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. PLEASE NOTE : These stumps will age naturally, and even more so being outdoors and exposed to the elements. Each is a solid log with its own unique character so we can not guarantee the finish won't fade or discolor as this varies per climate and log. These outdoor tree stump tables are made in the heart of Ohio with locally sourced wood. They can be used for a side table, a stool, or grouped together for a coffee table. Each table is handmade with a solid trunk of red cedar with a commercial-grade outdoor finish. Please specify your color choice when ordering - whitewash, black, or natural. IMPORTANT INFORMATION ABOUT OUR STUMPS... 1. Please unpack your stump immediately and leave it out of any packaging. These are real pieces of wood and need to breathe! 2. For OUTDOOR stumps : Though these are kiln dried and the wood can be used outdoors, sometimes when they arrive in different climates, humidity levels adjust and can affect the finish on top. We see this more often in direct sunlight. We do our very best and continue to make sure there are no issues, but we can not control climate. Solid wood and the elements are unpredictable and we will not be liable. The great thing about these logs is you can always sand them down and refinish. 3. Wood naturally moves. These are solid pieces and for that reason, they are prone to cracking. You may get more cracks or bigger cracks in the first few weeks as the wood acclimates to its new home and climate. 4. These stump tables have nylon glides (feet) underneath not only to make them easier to move around (they are heavy!), but also so there is nice air flow to the wood. The air flow is most effective on hard flooring. If you put these on rugs or carpeting, we suggest checking on the underside of your stump periodically to prevent any issues. 5. We are not liable for any damages to property or people. If you have any concerns or questions you need to discuss, please write or call. We are always available, honest, and transparent about our products. Thank you and I hope you love these! Specs Period/model: New and modern rustic Specs: Cedar stump...

Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli) Etching, 1775 Watermark: Double Circle Fleur de Lys A lifetime impression with the price etching in the plate Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions Reference: Hind 38 ii/IV Robison 38 ii/V with the price Wilton Ely 190 Condition: A fine Roman...

CraftAssociates Lounge Chair, Vancouver Modern Lounge Chair, Black, Walnut This Vancouver lounge chair for Craft Associates® Furniture are expertly crafted and upholstered. Each cha...

Set of 10 Lenox Gold Rim "Holiday" Tumblers Gold Rim .25" Lenox still makes "Holiday" and started in 1974. They are all in excellent condition with no chips, cracks, scratches, or s...

Joseph Glasco (American, 1925-1996) Seated Male, 1969 Ink on paper Signed and dated lower right 25 x 19.5 inches 27.5 x 22 inches, framed Joseph Glasco was born in Paul’s Valley, Okl...

This elegant late 19th century sterling silver bowl was made by Tiffany & Company. The silver bowl has an oval shape and the interior features ornate repousse decoration in the form ...

A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Fursten zu Oettingen-Wallerstein, Lugt 2715a, verso (see photo) Condition: Excellent Printed on 18th century laid paper Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...

Elegant mid-century modern walnut dresser by T.H. Robsjohn-Gibbings for Widdicomb features a curved front, captivating spear-shaped silver finish tipped pulls, and 6 deep drawers wit...

This Modern Patio Furniture - Chile ottoman is beautifully constructed from solid wood in Ohio, USA. The Chile collection's silhouette is simple, modern, and sleek with comfortable cushions. The wood frame is suitable for outdoor conditions and finished with a commercial grade exterior finish. Finish options include natural, grey-wash, dark walnut, and ebony (shown here in the walnut finish). The cushions are upholstered with a fast dry foam and mesh bottom for longevity in outdoor use. This specific wood species is for outdoor use; please contact for indoor options or customizations. Fabric is not included in the price of any outdoor piece. COM is required or can be sourced by us for an additional cost. Designer Inspiration: "I am inspired by my love for travel. So many places that inspire me have very minimal furniture...

The length of the necklace is 17.5 inches (44.5 cm). The size of the smooth round beads is 10 mm. Beads are a light green color. This is a naturally occurring glow-in-the-dark gemsto...

Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...

Own a piece of design history with the iconic Compass Dining Table designed by Adrian Pearsall for Craft Associates in 1952. This table features a stunning walnut base and a sleek a...

Mid 18th Century English George II Period Mule Dowry Chest / Trunk. The trunk is constructed from oak using mortise and tenon joinery. Features arched front paneling, a large lockab...

A complete Parzinger serving dish or chaffing dish set including bottom tray, stand, burner, pot with lid and wood handles and the Pyrex glass insert. A ...

Manufacturer: Pedersen & Hansen. Period or model: Mid-Century Modern. Specs: Teak. Condition: This Pedersen & Hansen Teak mirror is in excellent vi...

This rare Art Deco era hinged glass dresser box was made in Czechoslovakia and is part of the Ingrid series, named for the daughter of Henry Günther Schlevogt of the Curt Schlevogt glass manufactory and Charlotte Hoffman Schlevogt...

Berthe Etching with drypoint, 1883 Signed in the plate (see photo) This etching was inspired by an 1882/3 pastel which the artist included in his ambitious "Femme a Paris" exhibition at Galerie Sedelmeyer, Paris, in 1885. Reference: Beraldi 65 Wentworth 74, published state Tissot 76 Condition: Excellent Plate/Image size: 14 1/4 x 11 inches Sheet size: 19 1/2 x 15 inches Frame size: 23-1/2 x 20-1/4 inches Donald Morris Gallery, Birmingham, Michigan (Morris had a distinguished collection of Tissot prints...

Turn- about Color Aluminum plate lithograph from three plates Signed, titled, and numbered in pencil by the artist "Bon-a-tirer" impression (BAT) This is the finished example that the artist approved as the model for the edition. Published at Lakeside Studio with the master printer Jack Lemon. Condition: Very good, one ink stain in the large margin, from printing Image size: 18 3 /4 x 23 1/4" 47.63 x 59.06cm Sheet size: 22 x 29 7/8" "Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell Black...

Black Outline Multicolored Butterflies, Black Guardians. Multicolored

Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...

Modern walnut dresser - quick ship. All show samples are in excellent condition. Can ship immediately! This modern dresser - 1608 - Craft Associates Furniture is expertly crafted. The base is constructed by hand from hard wood and not machine. The walnut is then shaped by artisans and finished with a commercial grade matte finish. "Modernism means freedom - freedom to mix, to choose, to change, to embrace the new but to hold fast...

The length of the necklace is 21 inches (53 cm). The size of the faceted rondelle beads is 20 mm. The color of the beads is uniform, saturated, brightly black, and deep, with a bright glass shine. The color is authentic and natural. No thermal or other mechanical treatments were used. The beads are very high quality. The necklace is fastened with a fabulous, unique clasp. This is the little black dress of clasps. A beautiful vintage Swarovski jet crystal is the centerpiece. It is square with faceting around four sides and a smooth crown. The centerpiece is set in a sterling silver box clasp. This necklace alternates beads of Black Onyx with 3 mm sterling silver beads. The weight of the necklace is 265 grams. The pearl of this necklace is a GORGEOUS hand-painted bead by an artist that displays a Norway Forest cat...

Pairpoint reverse painted eight panel table lamp. Two sockets with acorn pulls on silver plated engraved foliage base. 16" shade decorated with floral desi...