Orange County - Art

Timothy Mulligan's "Reaching to the Sky" masterfully reimagines the Palm Desert Visitors Center in his signature abstraction style. The artwork highlights the building's striking tri...

Blessed with natural artistic ability and finding encouragement from her family at an early age, Sally Swatland has traveled the proper paths to find herself in a unique place: the foremost American woman painting children at the seashore. With a romanticized nod to yesteryear, Swatland's characters are innocent and fair, in an array of matching springtime and summery apparel. Adept with brush and palette knife, she blends many artistic influences and styles into her own unique presentations. This painting features a fair-haired young girl dipping her feet in the shallow waters along a rocky shoreline. The sea behind is a brilliant blue with small white-capped waves rolling into shore. The brushwork alternates between smooth strokes in the child's form and dress and more impasto work and sharper edges on the rocks and in the more active parts of the sea. The overall effect is that of being at the sea and finding serenity in the contrast between the calm shore and the always moving ocean. The seas' eternal inspiration form a common backdrop to many of Swatland's artistic works. Born in Washington D.C., her family moved to Greenwich, Connecticut and often summered at Tod's Point, Long Island Sound. She would go on to become an art major at Mount Saint Vincent College, study under Robert Schulz in the Art Students League of New York, and come to be represented early by Alistair Stair in his New York and Florida galleries...

Excellent attention to detail has brought forth a superb rendering of the armed American merchant marine freighter S.S. PLEIADES in wartime grey departing Le Havre during World War I...

Anthony Hunter "Waiting On The Lightning Painting" (Horizontal or Vertical) Gloss on Canvas (Unstretched) 44 x 44 in. Anthony Hunter was born in Lancashire, England 1987. He graduated from Leeds Metropolitan University in 2009 from the ‘Contemporary Art Course’ where he worked collaboratively with his twin brother focusing on painting and a little bit of performance. After graduating, Anthony and his brother landed a job sitting for Damien Hirst at the exhibition 'POP LIFE' at Tate Modern, London, which involved them sitting underneath a pair of Hirst’s spot paintings...

Anthony Hunter "It's A Scary Dragon Painting" (Horizontal or Vertical) Gloss on Canvas (Unstretched) 48 x 32 in. Anthony Hunter was born in Lancashire, England 1987. He graduated from Leeds Metropolitan University in 2009 from the ‘Contemporary Art Course’ where he worked collaboratively with his twin brother focusing on painting and a little bit of performance. After graduating, Anthony and his brother landed a job sitting for Damien Hirst at the exhibition 'POP LIFE' at Tate Modern, London, which involved them sitting underneath a pair of Hirst’s spot paintings...

This small and finely painted piece depicts the sidewheel steamer J.M.A. underway carrying passengers along the Hudson River. With flags snapping in the wind and whitecaps on the riv...

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

Archival Pigment Print COA Hand Signed by Michael Grecco

This highly detailed harbor scene features many ships of various types, something British Royal Naval officer and artist Commander Charles Lodder would have seen in his everyday life...

Richard MacDonald’s “Cheetah Bust, Atelier” reveals an intimate study of “Samburu”, the two and a half year old Nambian cheetah the artist used as the subject for his “Diana and the ...