Orange County - More Art

GREG MILLER "Sweet Dreams" Acrylic, Collage 40 x 80 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship with...

GREG MILLER "Carpe Diem" Acrylic, Collage 24 x 60 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship with t...

GREG MILLER "Day Dreamer" Acrylic, Collage 24 x 60 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship with ...

Reaching under full sail, including a jib-headed "kicker" topsail on the Jigger mast, the white-hulled barkentine THOMAS P. EMIGH is depicted approaching what appears to be the headl...

This period lithograph of the S.S. IMPERATOR includes its original period frame with plaque. There are a few nicks on the tin but the condition is overall excellent. SS IMPERATOR was a German ocean liner built for the Hamburg America Line. At the time of her completion in June 1913, she was the largest passenger ship in the world by gross tonnage, surpassing the new White Star liner OLYMPIC. IMPERATOR was the first of three successively larger Hamburg American liners that included SS Vaterland (later the United States Liner LEVIATHAN) and SS Bismarck (purchased and renamed MAJESTIC for the White Star Line transatlantic passenger service). IMPERATOR ran a transatlantic route for 14 months, until the outbreak of World War I, after which she remained in port in Hamburg. After the war, she was briefly commissioned into the United States Navy as USS IMPERATOR and employed as a troop transport, returning American troops from Europe. Following her service with the U.S. Navy, IMPERATOR was handed over to Britain's Cunard Line as part of war reparations, due to the loss of the RMS LUSITANIA...

ELLEN VON WIEGAND Cold and Quiet, Ed of 5 Linocut on Awagami Shiramine Paper (Unframed) 35.50 x 53 in. Ellen Von Wiegand’s body of work reverberates with a quest for self-assurance and serenity as she uses her own nude body within her stylized prints. In a new series of large scale, limited edition linocuts now on view at JoAnne Artman Gallery’s Laguna Beach location, her portraits feature a distinctive use of line to establish composition, as well as a tool to divide space and color into defined, physical boundaries. As opposed to digital prints, linocuts celebrate the long tradition of handmade editioned art that has been practiced for nearly two millennia. While woodblock printmaking goes back thousands of years, artists like Picasso popularized linocut in the early part of the 20th century due to wider availability of linoleum. “All parts of my process are done by hand, from the original drawing, to the carving, and final printing. In order to produce a work in multiple colors, separate blocks need to be carved and printed for each hue. As a result, creating a limited edition of colorful prints is quite time consuming and requires a great deal of patience. And while there are multiple prints created from the same plates, each one is truly an original work of art” Von Wiegand explains. Reminiscent of ancient Corinthian Black...

Ellen Von Wiegand’s body of work reverberates with a quest for self-assurance and serenity as she uses her own nude body within her stylized prints. In a new series of large scale, limited edition linocuts now on view at JoAnne Artman Gallery’s Laguna Beach location, her portraits feature a distinctive use of line to establish composition, as well as a tool to divide space and color into defined, physical boundaries. Ellen Von Wiegand Salty Skin and Dusky Sky (Ed. of 6) Linocut on Kozuke Paper 66 x 40 in. Image 70.25 x 44.25 in. Framed As opposed to digital prints, linocuts celebrate the long tradition of handmade editioned art that has been practiced for nearly two millennia. While woodblock printmaking goes back thousands of years, artists like Picasso popularized linocut in the early part of the 20th century due to wider availability of linoleum. “All parts of my process are done by hand, from the original drawing, to the carving, and final printing. In order to produce a work in multiple colors, separate blocks need to be carved and printed for each hue. As a result, creating a limited edition of colorful prints is quite time consuming and requires a great deal of patience. And while there are multiple prints created from the same plates, each one is truly an original work of art” Von Wiegand explains. Reminiscent of ancient Corinthian Black...

On the Faultline, Abstract Digital Manipulation Print on Paper, 2021 12" x 16" (HxW) printed on archival paper This work features an image of a desert mirage, digitally manipulated and abstracted in geometric shapes of orange and blue. Artist commentary: We recently drove out to Joshua Tree National Park. A stunning place to see desert plants...

Shibuichi, Abstract Digital Manipulation Print on Paper, 2021 16" x 12" (HxW) printed on archival paper This work features an abstracted, digitally manipulated image in shades of or...

Across The View, Abstract Digital Manipulation Print on Paper, 2021 12" x 16" (HxW) printed on archival paper This work features a digitally manipulated image of a colorful western ...

Unique piece - Original work Additional photos upon request

Artist: Let et Steph Title: Kidcup Botticelli Dimension: 35.4 x 23.6 in. / 90 x 60 cm Available in small, large and giant size. This work is unique in each size.