Tri-State Area - Art

KAWS Chocula Monster: A highly collectible & super decorative KAWS art toy, featuring the famed cereal character: Count Chocula. A playful exploration of KAWS’ love for this timeless pop cultural character featuring his signature motifs. New / never displayed; accompanied by full original packaging. Medium: Vinyl art toy. Approximately: 11.4 × 6.3 inches. New in original packaging. Published by the artist from a sold out edition of unknown. Further background: “Inspired by classic horror film characters, the Monster Cereals...

Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm). A classic example of a world ma...

Set in the luxurious Italian lake region of northern Italy, Lake Como is famously popular for it's exclusive resorts and private hideaways, frequented by jet setting crowds. It's ha...

Helen Frankenthaler Frankenthaler: The Darker Palette (Hand signed twice and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed and...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

Francis Mora is often considered to be the American artist who most depicted Hispanic culture in American and abroad. He made a trip to Spain in the early 1900's and created mostly ...

Etching "Souvenir d'Italie” by Jean Baptiste Camille printed on laid paper (partial watermark Annonay). rich impression size : sight 11.5 x 9 in. , matted 17 x 14 in. A remarkab...

6031 Colorful figurative painting of a lower Manhattan street fair Image 10.5x13.5"

'The Door': Rare early Basquiat, Keith Haring Street Art Photo by Fernando Natalici: 'The Door,' photographed, New York c.1979/1980, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Keith Haring together on one image (see upper right & left). Basquiat's tags appear in at least 3 places ('Salt', teepe & skull). The work combines the two most iconic Haring & Basquiat images of all: Haring's radiant baby & Basquiat’s crown; while also presenting the work of Whitney Biennial artist, David Wojnarowicz (Burning House mid upper left) & five time Brazilian Biennial artist Alex Vallauri (acrobat stencils across lower area). A true testament to the New York downtown art scene of the late 70's/early 80's. Archival Ink Jet Print on 310GM paper. Dimensions: 16 x 20 inches including borders (image 12x16 in). Hand signed and numbered from an edition of 20. Acquired directly from artist. Seller is an authorized dealer rep of Fernando Natalici. Excellent overall condition. Superb overall print quality. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s work was recently featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, recently exhibited at The Museum of The Moving Image. Related Categories Basquiat crown. Basquiat SAMO...

Artist: Alfonso Ossorio (Filipino, 1916-1990) Title: Amordie Year: 1983 Medium: Etching, signed and numbered in pencil Edition: 36 Image Size: 11 x 7 inches Paper Size: 18 x 12 in. ...

Nicely painted contemporary cafe interior scene. Oil on board. Framed. Signed.

Andy Warhol (After) Camouflage Self-Portrait 1986, 2020 Fine Bone China 10 1/2 × 10 1/2 inches Limited Edition of 175 Signed in plate, Authorized signature and edition details fired ...

MAN is a hand pulled, original limited edition relief print created using woodcut and serigraphy(silkscreen) printmaking techniques on white archival heavyweight paper, 100% acid free. Pencil signed, titled and dated in pencil on lower margin by Elizabeth Catlett, embossed with printers chop mark lower left, print documentation provided. MAN is an impactful portrait head woodcut depicting an indigenous Mexican male face carved by the renowned American and Mexican woman printmaker and sculptor, Elizabeth Catlett. Strong impression printed in rich black ink on white paper with a row of paper doll like cutout people silkscreened printed in gradient shades of yellow, orange, and brown beneath the Man's head, reminiscent of Mexican folk art paper-cutting, Artist: Catlett, Elizabeth (1915-2012) Title: Man Date: 1975, printed 2003 Medium: woodcut and color silkscreen Dimensions: 26 x 17.75 inches (paper size) Edition: 250 published by the Print Club of Cleveland, number 83, 2005 Mint condition, never been framed or mounted, hand signed, titled, dated by Elizabeth Catlett - Printers Proof aside from the numbered edition of 250 printed in 2003, print documentation/COA provided, from the master printers private collection About the artist - Elizabeth Catlett graduated from Howard University in Washington, D.C., in 1935, where she studied under a number of notable artists, including Lois Maillou Jones...

Takashi Murakami Flowers Skateboard Deck 2015: A vibrant, unique piece of Takashi Murakami flowers wall-art - this highly collectible limited edition Murakami skate...

Otono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...

Clinton Hill (1922-2003), created quintessential mid-century images. He lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, ...

A Rosenthal decorative plate created in collaboration with German artist Gunter Fruhtrunk dating from 1974. A modern design in Fruhtrunk's c...

Self Portrait in Painters Coveralls c. 1970 Signed, l.l. Vintage gelatin silver print 10 x 8 inches (25.4 x 20.3 cm) This work is offered by ClampArt in New York City.

Richard Diebenkorn 1984 Olympic Lithograph (Hand signed deluxe limited edition w/Olympic Committee COA), 1982 Offset Lithograph on Parsons Diploma Parchment paper 24 × 36 inches Edition of 750 Hand signed by Richard Diebenkorn in graphite pencil on the front (unnumbered) Published by Knapp Communications Corporation for Los Angeles Olympic Organizing Committee Accompanied by a letter of authenticity from the publisher. This is one of only 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics . However, the publisher is said to have destroyed many of the works that did not sell in the original marketing period, so only about 200-250 are said t remain. The Olympic Committee commissioned 15 nationally known artists, including West Coast artists like Sam Francis and Richard Diebenkorn, to create unique designs to promote the event. This was Diebenkorn's contribution to the portfolio. Hand signed Richard Diebenkorn prints (with the full signature) like this are extremely elusive and desirable. excellent provenance as it was acquired as part of the complete portfolio of limited edition hand signed Olympic prints, all held in the original box with colophon. All of the works in this rare portfolio, including this Diebenkorn lithograph...

Artist: Donald Roy Purdy, American (1924 - ) Title: Lady in Red Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 33 x 44 inches

This original exhibition poster was created for Neil Welliver’s 1989–1990 touring exhibition, presented jointly by the Colby College Museum of Art in Waterville, Maine, and The Butle...

Artist: Jose Antonio Velasquez, Honduran (1906 - 1983) Title: View from House - San Antonio de Oriente Year: 1962 Medium: Oil on Canvas, signed,...

Basquiat boxing poster 1997: This rare double-sided 1997 Basquiat boxing poster was published on occasion of the 1990s exhibition, “Jean-Michel Basquiat Works and Portraits” at Parco...

The 2000 Roland Garros poster by Antoni Tàpies is a compelling fusion of sport and abstract art. Its textured, abstract composition and philosophi...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistication and whimsy. Whether she’s shooting for brands like Dove, Diet Pepsi, Credit Suisse, L’Oreal, Tampax and Ligne Roset or diverse collaborative partners like Badgley Mischka, DSW, Kate Spade, Macy’s, Neiman Marcus and Target, Liz gives even the most familiar, everyday scene a fantastical twist. She transports us from the realm of the ordinary into the extraordinary. Starting with a no-nonsense approach, she lets the magic happen in front of the lens as simply as possible to keep the unexpected as human as possible. Liz’s personality is evident in her work as a photographer and director: at every turn, a sense of playfulness and polish, scaffolded by a carefully calculated vision. She meticulously compiles inspirations and influences, ranging from the everyday to the magnificent, making each image more inventive than the last. Liz Von Hoene is part of the Trunk Archive...

Wall Street, 1955-56 is a 19" x 13" limited edition print (8 of Ed 9) by photographer Leonard Freed. The work is signed verso (back of photo) by Brigitte Freed (wife of the photograp...

Radiating both opulence and emotional depth, "The More I See You, The More I Like You" is a captivating large-scale circular painting by artist Anastasia Gklava. This mesmerizing wor...

Edwin Child Hillside Landscape, 1896 Signed and dated lower right Oil on canvas 18 x 28 inches Edwin Burrage Child was a prominent New England portraitis...

Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent Inscri...

Lynda Benglis Gold Leafed Bronze Wings, 1979 Lithograph on wove paper Hand signed, dated 1979 and numbered by Lynda Benglis on the front in bright green crayon. Bears publishers blind stamp Unframed and affixed to dark grey/black matting Hand signed, dated 1979 and numbered by Lynda Benglis on the front in bright green crayon. Bears publishers blind stamp. Published by Landfall Press; a rare limited edition print from the 1970s, depicting a sculptural installation by one of the most dynamic influential and important art world superstars of our time. The writing on the print: Gold Leafed Bronze Wings Black Concrete Obelisk...

Artist: Jonathan Singer, American (1949 - 2019) Title: Homage to Ilya Bolotowsky Year: 1979 Medium: Acrylic on Canvas, signed and dated lower right Size: 78 x 45.5 in. (198.12 x 11...

GOING TO CHURCH was the very first limited edition print created by the self-taught African American artist William Tolliver (b.1951-2000) in 1987. GOING TO CHURCH is an original han...

After Jean-Baptiste Van Loo, A Portrait of King Louis XV of France (1710-1774) A magnificent quality three-quarter length portrait of King Louis XV of France and Navarre, painted in the 18th century after Jean-Baptiste Van Loo. Oil on canvas, in the original carved and gilt wood frame. Canvas: 40" high x 32" wide Frame: 46.5" high x 39" wide Very good condition, ready to hang. No damages noted. The present composition follows a portrait of Louis XV painted by Jean-Baptiste Van Loo in 1726-1727, today in Versailles. (Oil on canvas. 198.5 by 143 cm. Inv. no. MV 6942.) There were several full-length portraits painted by Van Loo of the young Louis XV, and all were executed in the years of or after his majority, 1723, when he took full control of government, wresting power from the Régent, his great-uncle Philippe, Duc d'Orléans. A slightly larger version (205 by 171 cm), in which the pose and surrounding paraphernalia mirrors that of the present work, is in the Château de Versailles, while another, in which Louis stands more front-on, his pointing right index-finger now tucked in, and with a different background arrangement, is also in Versailles. Further versions of this latter are in Nice, Musée Chéret and the Musée de Perpignan. The composition of all of these full-lengths would appear to derive from Van Loo's large equestrian portrait of Louis XV, painted in collaboration with Charles Parrocel, which was commissioned in 1723 by the Surintendance for Charles de Lorraine. Louis is depicted in similar armour and costume, astride his horse, similarly turned three-quarters to the left and his right arm outstretched. Most subsequent depictions of Louis followed this original design, including, for example, Carle Van...

KAWS SHARE (Grey) & KAWS TAKE (Pink): Set of 2 KAWS figurative sculptures, each new & unopened and accompanied by original packaging. Medium: Painted Vinyl Cast Resin (applies to each). SHARE: 12.4 x 6.3 inches. TAKE: 13.4 x 6 inches. Condition: New, unopened in original box; excellent condition (applies to each). Each from a sold out edition of unknown. Stamped on the underside of each foot. Packed safely & professionally. We are a trusted leading seller in this category. KAWS uses two of his characters here to convey opposing human attitudes. In the sculpture TAKE, the BFF holds a child Companion defensively, pulling it back in a gesture of mistrust as if to prevent someone else from touching it; the child cowed looks to the ground, the fear is transferred. In SHARE, the Companion is secure and looks outward, holding but not attached to the toy in its hand. KAWS’ figures...

Piet Mondrian 400% & 100% Bearbrick: A unique, timeless Piet Mondrian collectible trademarked & licensed by the estate Piet Mondrian. The partnered collectible reveal the artist’s iconic 1921 grid imagery wrapping the figure in its entirety. The piece is housed in a standout Piet Mondrian collector's box. Bright vivid, highly decorative modern art imagery that stands out in any setting. Medium: Vinyl Figure. Year: 2021. Dimensions: 11 x 5 inches (includes a 1 inch companion figure of same). Condition: New and accompanied in its original box. Published by Medicom from a limited sold-out series of unknown. Licensed by the estate of Mondrian; stamped on the reverse. Further Background: BE@RBRICKs are a form of collectible toy that resemble a cross between LEGO and well, a bear. These block-style figurines boast teddy bear-style heads that have become an integral pillar of the collectible toy scene. In fact, it wouldn’t be so far-fetched to say that it almost single-handedly carved out the fad of toy collecting in modern times, treading the very fine line between toy and art. Since its inception, BE@RBRICKs have become one of the most recognizable characters in the world, and some of the most sought after. Please note exact patterns may vary. Piet Mondrian was a Dutch artist famous for his iconic Composition series of grid paintings composed of black lines, white grounds, and primary colors. In Broadway Boogie...

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

Untitled c. 1983 Signed and inscribed “A/P” in blue ink, verso Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm) This work is offered by CLAMP in New York City.

Abstract Non Objective Mid 20th Century American Modern Color Field 1950s James Daugherty (1887 – 1974) Abstraction 84-1/2 x 42-1/2 inches Signed and ...

Chuck Jones (American, 1912-2002) Untitled (Bugs Bunny), Second half of the 20th Century Hand painted animation film cel Sight: 10 x 12 in. Framed: 16 1/2 x 18 1/2 x 1 1/2 in. Stampe...

Artist: Jeanick Bouys, French (1950 - ) Title: No. 217 Year: 1983 Medium: Oil on Canvas, Signed on Verso Size: 42 x 52 inches (106.68 x 132.08 cm)

An abstract work done with gesso and acrylic paint on canvas, this mesmerizing work has an incredible depth and weight from the texture of the medium. Derick Smith has created an inc...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of un...

This beautify color photography was taken in Israel near Caesarea. It comes print only, but can also come framed or plexiglas mounted (additional cost). If you are interested, please...

A pop-art depiction of Marilyn Monroe done in a very urban style. The drips and fast brushwork make for a unique display of the artists more abstract technique. With bright pinks and...

Set of 3 Takashi Murakami Skateboard Decks 2018: A standout triptych of Takashi Murakami skate decks produced as a limited series. A brilliant...

Artist: Peter Max (1937) Title: Heart with Flag III Year: 2003 Edition: 440/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9.75 x 9.75 inches Condition: Excellent I...

This exhibition poster promoted a retrospective of drawings by Pop artist Roy Lichtenstein at James Goodman Gallery in New York in 1984. The work depict...

"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...

19th century English Antique oil portrait of a Terrier dog in an interior Earl was the brother of George Earl and the uncle of Maud Earl and Percy Earl. H...

Provenance: Private Collection, Paraguay. This unpublished Head of the Virgin is a new addition to the rich corpus of paintings by Giovanni Battista Tiepolo. While the artist freque...

Abstract (57) John F. Leonard American (1921–1987) Date: 1977 Oil on Board, signed l.r. Size: 16 in. x 20 in. (40.64 cm x 50.8 cm) Frame Size: 18.5 x 22.5 inches

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The te...

KAWS The Promise (set of 2 works): A unique KAWS Companion set in the artist’s signature black & grey color ways. KAWS The Promise features a blue &...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press in 1980, and features Frank Stella’s Polar...

Frank Weston Benson (American, 1862-1951) Untitled, 20th Century Etching Sight: 10 1/3 x 12 1/8 in. Framed: 16 3/4 x 19 x 1/2 in. Signed lower left Numb...

Hunt Slonem "Lorikeet" Multicolor Bird on Silver A single parrot on a metallic background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inches *Painting is framed -...

Antique American modernist Maine landscape oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 36H.