Tri-State Area - Art

Artist: Georges Rouault Title: La Parade Year: circa 1925 Medium: Lithograph on Arches paper, signed and numbered in pencil Edition: 15/25 Image: 12.5 x 1...

NYC Cafe WPA American Scene Social Realism Regionalism Modernism Woman Artist Dorothy Eaton (1893-1968) New York City Cafe Scene, 1931. 20 x 29 inches ...

Offset lithograph poster Boldly signed in ink by Tracey Emin A collectors item when hand signed This exhibition was held in 2022 at he Carl Freedman Gallery in Tracey Emin's home tow...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. 'Beef' is one of the 32 paintings that comprise Andy War...

Modernist mixed media abstract portrait. Framed. Mixed media original collage. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, r...

"Homage to the Square - Portfolio 2, Folder 13, Image 1 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origi...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

Vintage Asian American modernist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in a giltwood molding. Excellent conditi...

Larry Poons, American (1937 - ) - Blue Composition, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 54/175, Image Size: 52.5 x 37 inches, Size: 57.5 x 4...

Opening invitation for a Jasper Johns exhibit titled The Seasons, Prints and related Works held at Brooke Alexander gallery from November 9th, 1991 to January 4th, 1992. Signature an...

4 from the 10 Horses portfolio by Lebadang (aka Hoi), Vietnamese (1922 - 2015) Year: 1974 Medium: Lithograph with Embossing, signed in pencil Edition: EA Size: 30 x 21 in. (76 x 53 cm)

Joe Durante - Lunar. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 11.25 x 17.75 inche...

Kazumasa Nagai, Japanese (1929 - ) - L'Affiche Japonaise, Year: 1979, Medium: Poster, Size: 40.5 x 28.5 in. (102.87 x 72.39 cm)

Heron Martinez, Attributed to, Mexican (1918 - 1990) - Tree of Life Candelabra, Medium: Hand painted ceramic sculpture, Size: 9 x 9 x 2.5 in. (22.86 x 22.86 x 6.35 cm)

Large European impressionist seascape sailboat oil painting by Thorolf Holmboe (1866 - 1935). Framed. Oil on canvas. Signed. Image size, 26H by 29L.

Kamil Kubik, Czech/American (1930 - 2011) - Museum of Natural History, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 14 x 18 inches, Size: 17.5 x 2...

Series: Flowers Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proof Tyler Shields is pho...

Herman Hershel Kahan (American, XX-XXI), Geometric Abstraction, Acrylic on Canvas, 2021, initialed "HK" lower right, signed and dated verso, unfra...

Artist: Dan Teis, American (1925 - 2002) Title: Blue Abstract with Leaves Year: 1978 Medium: Oil on Canvas, signed l.r. Size: 54 x 72 in. (137.16 x 182.88 cm)

Artist: Peter Max (1937) Title: Flower Jumper Over Sunrise II Year: 2001 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excell...

Keith Haring Pop Shop I (Littmann PP. 83), is the fourth and final print in the artist’s Pop Shop I portfolio of 1987. This silkscreen depicts two figures, one purple figure holding ...

Oscar Bluemner SoHo Canal, From Hill, January 30, 1919, 1919 Signed, Titled, Dated, and Monogrammed lower left Graphite on Paper 4 1/4 x 6 inches Provenance The artist Estate of the...

KAWS Original drawing held in Australian monograph, 2019 Original marker drawing held inside hardback monograph: Companionship in the Age of Loneliness Boldly signed and dated with ...

Larry Zox Lexington, 1973 Acrylic on canvas 61 x 49 inches Provenance: Andre Emmerich Gallery, New York Janie C. Lee Gallery, Houston, Texas Private Collection, Greenwood Village, Colorado Exhibited: New York, Andre Emmerich Gallery, Larry Zox: New Paintings, March 10 - 28, 1973. Houston, Texas, Janie C. Lee Gallery, Larry Zox, February - April, 1974. A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities." What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art. Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking in front of the Théâtre de l'Atelier with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a gold tone French style carved wood frame with hanging wire on verso ready to be displayed. Art measures 14 x 18 inches Frame measures 18 x 22.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

A charming, realistic oil painting of a classic canal scene in Amsterdam, rendered in a traditional 19th-century academic style with a warm, inviting atmosphere. A tall, elegant ‘bef...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

"Pergusa III Exhibition Poster" is a signed poster by American artist Frank Stella (1936-2024), dated 1983, edition 89/100. The work reproduces Stella's "Pergusa III" -- an intricate...

Resurrect Studio, “Tabasco,” Vintage Glass Sculpture, 26 x 19 x 12 in. “Tabasco” is a bold and commanding vintage glass sculpture by Resurrect Studio, the collaborative practice of ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Impressionist winter pastoral scene of a quaint snow covered home in Tinicum, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and h...

Artist: Marc Chagall (1887–1985) Title: Landscape at Isbas (Paysage aux Isbas) Year: 1957 Medium: Lithograph on velin paper Paper Size: 9.06 x 7.875 inches (23.01 x 20 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered as issued Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 207. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Paysage aux Isbas (Landscape at Isbas), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This poetic and visionary composition unites Chagall’s deeply personal approach to landscape with the dreamlike imagery and emotional resonance that distinguish his mature work. In Paysage aux Isbas (Landscape at Isbas), the landscape becomes more than a description of place, transformed instead into a realm of memory, imagination, and poetic association. The composition reflects Chagall’s lifelong ability to dissolve the boundaries between observed reality and the inner world, allowing landscape, recollection, and fantasy to coexist within a single lyrical vision. The work captures the artist’s extraordinary ability to invest familiar surroundings with a sense of mystery and timelessness, transforming the natural world into an evocative meditation on place, memory, and belonging. The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, represents one of the great achievements in the collaboration between artist and master printer during the postwar period. Each lithograph in the volume reveals Chagall’s expressive range, from intimate reflection to mythic grandeur, united by his radiant use of color and emotional depth. The project brought together the visionary direction of Aimé Maeght and the technical brilliance of the Mourlot studio, producing works that stand as touchstones of 20th-century printmaking. This publication reflects the spirit of the modern livre d’artiste—where painter, poet, and craftsman worked in harmony to create art that transcends the boundaries of the page. Executed as a lithograph on velin paper, this work measures 9.06 x 7.875 inches (23.01 x 20 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, celebrated for its close collaboration with Chagall and its mastery of fine color lithography. The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, represents a landmark collaboration between Marc Chagall and two of the foremost names in 20th-century art publishing and lithography. The album presents a selection of color lithographs that highlight the artist’s poetic vision and technical mastery of the medium. Each work exemplifies Chagall’s distinctive approach to composition—where figures, animals, and symbols of love and faith intertwine in a dreamlike harmony of form and color. The lithographs were printed with exceptional fidelity and brilliance, capturing the immediacy and emotional depth of Chagall’s hand. This publication stands as one of the most significant artistic documents of the postwar period, bridging modernist experimentation and spiritual lyricism through the timeless language of color and imagination. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paysage...

Alexander Calder Lithograph c. 1973 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; contains center fold-line as originally issue...

Under the Boardwalk c. 1976 Vintage gelatin silver print 11 x 14 inches Arlene Gottfried was a New York City street photographer celebrated for her intimate and vibrant portrayals...

This screen print by Mark di Suvero pops with day-glo colors. Bright green lines on a hot pink and orange background make for a fun piece of art in any room. This print is signed and numbered by the artist. The print comes directly from the publisher, Lincoln Center Editions...

Skylight XXXVII Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 9/25 Image Size: 36 x 26 inches Size: 41.5 x 30 in. (105.41 x 76.2 cm)

Plate CCVI, Summer or Wood Duck, posthumous reproduction after John James Audubon from The Birds of America, the Amsterdam Edition, printed in Amsterdam, 1971-73. Original multicolor...

Indian Miniature Portrait a ruler of Jodhpur , early 19th century , inscribed on back. This Indian portrait in opaque pigments and watercolor heightened with gold and silver on wasl...

Louis Eilshemius', American (1864 -1941), early works were influenced by the Barbizon School and Corot among others. This oil on canvas painting from 1890-1910 is from the era when h...

Pablo Picasso, Spanish (1881 - 1973) - Graphic Exhibition: Gallery International. Year: circa 1975, Medium: Lithograph Poster, Size: 13 in. x 9 in. (33.02 cm x 22.86 cm), Reference: ...

Abstract Mountains (59) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 20 in. (40.64 cm x 50.8 cm)

Band Joyce Roybal, (1955) Date: circa 1980 Oil and Mixed media on Canvas, signed lower right Size: 36.5 x 24.5 in. (92.71 x 62.23 cm)

Vintage Spanish impressionist oil painting. Oil on canvas. Signed. Measuring: 21 by 28 inches overall, and 16 by 22.5 painting alone.

A stunning depiction of a lively scene in Paris "De Grands Augustins". There is a boat situated on the water near the busy street as figures are scene throughout. The tree lined stre...

Joann Gedney Untitled, circa 1960 Signed lower right Oil on canvas 34 x 36 inches Provenance Private Collection, New Jersey Joann Gedney emerged as a pioneering force in the art w...

A beautiful oil on canvas painting by French artist, L Francis. Francis was a Parisian painter known for his colorful cityscapes depicting the times of his generation. This painting ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

40x60 inches (100 x 150 cm) Edition of 15 Archival Pigment Print Unframed Certificate of Authenticity Signed by the artist Ask us for framing options. Björn Persson is an internat...

6080 Colorful Primative painting of a market square with people shopping. Signed lower left

Still Life depicting white orchids. Signed by the artist. Jean Hannon grew up in Boston and attended the School at the Museum of Fine Arts, Boston and L’Ecole des Beaux Arts, Paris....

Antique American school abstract oil painting. Oil on board. Signed verso. Framed. Measuring: 31 by 34 inches overall, and 26.5 by 29.5 painting alone. Excellent condition, ready to...

This large-format reproduction of the Acropolis in Athens, Greece was created as part of an ambitious project to produce the largest printed calendar in the world for the year 2000. ...

Ed Ruscha - ED IN BURGH - AMERICA'S COOLEST LIVING ARTIST, 2004 Scarce long sold out offset lithograph poster, published on the occasion of the Ed Ruscha exhibition at the Scottish ...

Leandro Franco 30 × 24 in. (75 × 60 cm) Edition of 10 Archival Pigment Print Unframed Certificate of Authenticity included Framing available upon request Other Available Sizes 16 ...

Wilson Irvine French Landscape, circa 1908 Signed lower right Oil on canvas 29 x 36 inches A prolific Impressionist with a penchant for atmospheric scenes, Illinois native Wilson I...

SULTRY by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. SULTRY is...

Artist: Peter Max (1937) Title: Protect Our Children Ver. II Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 13.81 x 17.12 inches Condition: Excel...

Artist: Larry Zox, American (1937 - 2006) Title: Moro II Year: 1981 Medium: Screenprint, Signed and numbered in Pencil Edition Size: 185 Size: 42.5 x 30 inches

This original poster, Goddess Depot by Robert Rauschenberg, was created for his 2005 exhibition at the University of Louisiana at Lafayette. It reflects Rauschenberg’s talent for ble...