Recognized Dealers Porcelain

Marine Whimsy: Vintage Piero Fornasetti "Conchiglie" (Shells) Plate #11 Circa 1960–1970 A vibrant and whimsical vintage porcelain plate designed by Piero Fornasetti, featuring the ...

Celestial Voyage: The Fornasetti "Mongolfiere" Balloon Plate (Motiv 1) 1980s This captivating porcelain plate by the visionary Piero Fornasetti (1913–1988) features the enchanting "...

A handsome Chinese porcelain lidded-urn or jar with baluster-form, and hand painted cobalt blue decoration of "shuang-xi" or "double happiness" symbol representing happiness in marri...

Surreal Distortion: Fornasetti "Themes & Variations" Plate #52 (Lina Cavalieri) Circa 1990s A striking and surreal porcelain wall plate from the iconic "Themes & Variations" (Tema e...

Qianlong Chinese Export Famille Rose Porcelain Botanical Tureen Circa 1770-80 This impressive octagonal soup tureen and cover is a superb example of Chinese Export Porcelain, demons...

Massive Rose Canton Porcelain Punch bowl, Edme Samson et Cie, Paris, circa 1880 The massive beautiful bowl with unusual steep sides is...

A Transatlantic Glimmer: Chinese Export Porcelain Pair of Maiden Candlesticks, Circa 1760–75 This exceptional pair of Chinese Export porcelain can...

Pair of Chinese Export Porcelain Cats with Turquoise Glaze This striking pair of Chinese porcelain figures, dating from the Early 20th Century, depicts two domesticated cats posed a...

This impressive pair of standing compotes by Chamberlain’s Worcester, made in England circa 1820, is decorated in the celebrated Dragons in Compartments pattern, sometimes also known...

This antique English porcelain sugar box, made around 1810 by Coalport Porcelain, is hand-painted in the richly colored and intricate Money Tree pattern, also known as the Rock and T...

A Qing Chinese porcelain vase with baluster-form, hand-painted with cobalt blue decoration of "shuang-xi" or "double happiness" symbol representing happiness in marriage, amid contin...

"Vivid Verdure": Set of 11 Vintage Green Majolica "Lotus" Plates, by The Haldon Group Dated 1983 A vibrant and collectible set of eleven vintage majolica-style pottery plates, produced by The Haldon Group in 1983. Modeled with a striking, high-relief "Lotus" pattern, these plates are a superb example of the late 20th-century revival of Victorian naturalism. Each plate is entirely covered in a rich, emerald green glaze that pools beautifully in the recesses of the molding, creating depth and highlighting the intricate details. The design features a central lotus flower surrounded by large, overlapping ribbed leaves with textured veins and curling stems. The Haldon Group was renowned in the 1980s for their high-quality decorative ceramics that paid homage to antique English and French faience, often rivaling the originals in modeling sharpness. Markings: Printed Mark: The reverse bears the distinctive black logo of The Haldon Group (a stylized "H") and the copyright date ©1983. Condition: Excellent vintage condition- The green glaze remains glossy and bright. No chips or cracks observed. Measurements: Diameter: 8 1/2 inches (21.6 cm) Historical Context: Founded in the late 20th century, The Haldon Group became famous for their "majolica" style wares, particularly their teapots and service ware. Their "Lotus" and "Cabbage" lines are highly sought after today by "Grandmillennial" style collectors who mix them with antique Dodie Thayer or Wedgwood green glazed...

A Canton Famille Rose 12.75-inch charger, the polychrome enameled surface depicting an active palace scene with a distinguished warrior and attendants being presented to the Emporer, the border with an arrangement of butterflies, flowers, and fruit on a gilded ground with four floral reserves with an alternating butterfly and bird (illustrated in J. Feller, p. 42, #2).* Book references Dr. John Quentin Feller, Chinese Export Porcelain in the 19th century: The Canton Famille Rose Porcelains. Salem...

Richard Ginori “Pincio Green” Dinner Set This exquisite Pincio Green dinner set by Richard Ginori is distinguished by an imperial green band enriched with gold flowers and leaves, bordered by a green ribbon and a delicate pattern of small gold arches, all set against a pristine white porcelain background. Each piece in the set bears the Richard Ginori green...

This set of twelve hand-decorated porcelain plates, as a whole, forms the figure of Eva. You can use the ensemble for ornamental purposes or...

This set of 14 antique French porcelain dishes, attributed to Samson, is built around a strong cobalt blue and gilt border that gives t...

Elegant Pair: Yongzheng Flower Basket Plates This exquisite pair of Chinese Export Porcelain Plates dates to the highly regarded Yongzheng Period (1723–1735). The decoration uses a ...

Fantastic Opulence: Wedgwood Fairyland Lustre Charger "Garden of Paradise", Daisy Makeig-Jones (1881–1945), Circa 1920s A magnificent and large porcelain charger by Wedgwood, desig...

Radiant Archetype: The Fornasetti Sun Plate (Motiv 18) from the Iris Apfel Collection This rare and exceptional plate belongs to the globally recognized Themes & Variations (Tema e ...

Blue open crescent marks, probably painted by George Davis. Richly painted with 'Fancy Birds' within whimsical landscape vignettes, the blue border gilt with half-flowerheads and hus...

Continental German (19/20th Cent) blue porcelain square shaped vase with floral and heron design (impressed on base: Sarreguemines)

This is a hand-painted First-Period Worcester Porcelain sugar box from the 18th century. The lively floral design is painted in green, blue, purple, and gilt. We see purple stems and...

Regency Rarity: Spode Porcelain Dessert Service, Pattern 2314 This extensive and highly theatrical Spode Porcelain Dessert Service, dating to the peak of the Regency era around Circ...

Set of 12 French Victorian Limoges porcelain plates with scalloped edge and gilt bird scenes. (PRICED AS SET).  

A coveted collector’s item as early as the 1950s, Fornasetti cats surprise with the sophisticated decorations that colour their surroundings with sheer ...

"Thumb and Finger": Chamberlain Worcester Porcelain Floral Urn, Circa. 1800 A vibrant Chamberlain Worcester porcelain small urn, dating to the Regency period. The urn features a cy...

Spode New Stone China Dinner Service- Eighty Four Pieces, Pattern #3504, Circa 1820 The service is decorated in an Imari pattern in iron red light and...

With a soft turquoise ground, painted with a fine spray of flowers, with gilt scroll and dash borders. Comprising pair of covered tureens and stands, pair of vegetable tureens, well and tree platter...

Pair of covered fruit coolers, pair of covered sauce tureens, pair of open work baskets, 1 compote, 4 kidney-shaped dishes, pair of square dishes, pair of oval dishes, 16 plates.

This set of five Coalport Porcelain dinner dishes was made in England circa 1830. In the center of each one is a bouquet of exquisite hand-painted flowers. The close-up images show...

This 18th-century First Period Worcester Porcelain sugar box was hand painted featuring beautiful swags painted with green leaves, purple berries, and two-tone blue and yellow apples. Each swag is tied with a purple ribbon in an elegant bow. Green leaves and two-tone plums hang from each ribbon. The cover finial is crafted as a budding rose painted in gorgeous pinkish purple and yellow with two green leaves. The sugar box's border and cover are both adorned with a band of underglaze blue and a chain of golden ribbons and are gently lobed, which adds visual excitement as light plays over the curved surfaces. Made in England circa 1775, this sugar box is a gem! Dimensions: 5" tall x 4.5" diameter Condition: Excellent Marks: On the underside is the Worcester First Period crescent in underglaze blue (see last image). Early Worcester Porcelain marks are rarely seen—a blue crescent mark (seen here) dates pieces back to the 'First' or 'Dr Wall...

Under Construction: Fornasetti's Enigmatic Themes & Variations Plate, No. 200 Immerse yourself in the playful genius of Piero Fornasetti with this iconic porcelain plate, Number 20...

Scholar's Interior: A Chinese Export Porcelain Famille Rose 'Antiques' Bowl 1735-40 This extraordinary Chinese Export Porcelain bowl is a masterful and early example of the Famille Rose palette, dating to the transition from the Yongzheng to the early Qianlong period (circa 1735–1740). Its decoration serves as a sophisticated visual catalog of Chinese domestic...

"Conchological, each shaped based on that of a real shell and enriched in shades of pink, yellow and iron red. Literature: Robin Reilly, Wedgwood Vol. II, Page 25 Fig 13 and 14. 1 Argonauta Argo Compote and tellin Radiata Stand, 4 Angornia Covered Bowls with Serpoula Finials and Four Stands (1 stand Restored), 6 tellina radiata dishes (one as is), 3 pitolas (?) aestatus dishes (one as is), 1 large tellina radiata stand, 23 pecten japonicum plates, pair of tellina radiata dishes (both restored), pair covered creambowls (both restored). Wedgwood's 1878 Illustrated Catalogue of Ornamental Shapes [fig. 1] illustrated under the heading of 'Comports' the various shells that comprised the forms of its 'Wreathed Shell...

A beautiful and unique ceramic plate designed by Birger Kaipiainen for Arabia in Finland in the late 1950s - 1960s. The plate features a purple ananas filled with four-leaf clovers, ...

"Sicilian Surrealism": Fornasetti "Tema e Variazioni" Trinacria Plate, (Face with Three Legs), 1990's A striking and surreal porcelain wall plate from the iconic "Themes & Variatio...

The 18th Century First Period Worcester porcelain botanical kidney-shaped dish has a blue-scale ground with four large shaped panels and four smaller vase-shaped panels on the rim, all finely painted with flowers. The vase-form panels each have a single flower while the larger panels are painted with an assortment of flowers, each has a distinctive long stemmed flower...

Veiled Beauty: Fornasetti "Tema e Variazioni" Plate, Hands (Motiv 16) This visually arresting plate is a powerful example from Piero Fornasetti's (1913–1988) celebrated Themes & Var...

This pair of Paris porcelain botanical dishes is hand-painted with finely observed flowering plants rendered in soft purple-pink tones with fresh gree...

Antique German porcelain tureen with cover by Meissen German, Late 19th Century Height 20cm, width 25cm, depth 18cm This remarkable porcelain tureen, produced by Meissen in the la...

Rare oversized "White Ironstone" lidded soup tureen with appropriate and matching base plate. Hard to come by; this three piece "combo" due to it's age and large size and the likelih...

Iron-red uppercase Spode mark and pattern 2213. Richly painted in the Imari palette and enriched in pale-blue, green and gold with flowering shrubs and a tree, the border with alternate radiating panels of the same shrubs and of gilt double diamonds...

19th century blue guilloché enamel and gilt-metal casket French, 19th Century Height 11cm, width 15cm, depth 10cm This exquisite piece highlights the expert designs emerging from ...

This large Chinese Imari porcelain charger dates to the Qianlong period of the Qing dynasty, circa 1760. It is finely crafted with a beautiful, glossy white glaze and hand-painted in...

Antique Meissen 68-piece floral dinner service German, c. 1900 Largest serving dish: Height 6cm, width 52.5cm, depth 37.5cm Square salad bowl:...

French Garden on Porcelain: Flamen-Fleury’s Gilded Botanical Plates This elegant set of Paris Porcelain botanical plates is a prime example of the refined dinnerware produced by the...

Set of 12 English porcelain dinner plates, Royal Doulton, circa 1900.

Teatime Elegance: Chinese Export Famille Rose Teapot Stand ________________________________________ This charming Chinese Export Porcelain Teapot Stand i...

This lovely soup tureen is decorated with two finely wrought gold bands of raised silhouettes of children in a celebratory procession. It is joyous! Some of the children play musical...

This pair of Derby porcelain plates was hand painted, showing beautiful summer flowers in bright polychrome enamels. They were painted by eminent Derby flower painter Leonard Lead ci...

A KPM porcelain model of a parrot German, late 19th century Measures: Height 23cm, width 12cm, depth 9cm Marked for KPM, the leading German porcelain makers, this charming and ...

Each piece finely painted with scattered cut roses within gilt line rims, comprising: A circular soup tureen, cover and stand, Two oval vegetable dishes, covers and liners, Six gradu...

A Monumental Meissen Porcelain Figural Group of Apollo and the Nine Muses on Mount Parnassus. Comprised of sixteen interlocking parts. Apollo standing holding a lyre and with Pegasus besides a tree, atop a rocky outcrop detailed with foliage and waterfalls above nine goddesses: Calliope, seated and shown writing, representing eloquence and epic poetry. Clio, seated with an open book and blowing a trumpet, representing history. Erato, seated and holding a kithara, representing science and the arts Euterpe, seated and holding a flute, representing music. Melpomene, seated holding a knife and with one hand to her head, representing tragedy. Thalia, seated and holding aloft mask, representing comedy and idyllic poetry. Urania, seated with telescope and globe, representing astronomy and astrology, Polyhymnia, standing with one hand raised and holding a book, representing sacred poetry. Terpsichore, standing, representing dance. Each piece exceptionally finely detailed and painted. The base portions with rocaille edges. On a later black polished wooden base. Multiple blue crossed swords marks. Each piece titled to underside. German, Circa 1880. Mount Parnassus, is a spur of the Pindus Mountains in central Greece and was sacred to the ancient Greeks and in mythology to Apollo, the god of music and poetry and of the Sun and light. Mount Parnassus the mythical centre of poetry, music, and learning in ancient Greece was a popular theme in Barqoue and Rococo art, often substitutable with Athena’s arrival at Mount Helicon from the fifth book of Ovid’s “Metamorphoses”, where she asks the Muses to show her the new spring which gushed forth from the spot where Pegasus “with his hoof of horn opened the earth” (V, 250-260). Here, the mountain, formed from rugged rock cliffs, culminates in a plateau on which the youthful Apollo stands and plays the lyre. The Castalian spring flows from beneath Pegasus’ hoof, representing the source of inspiration and attracting the nine muses, who embody the arts and inspire creation through song, music, and dance. Mount Parnassus was created at the Meissen porcelain manufactory as a table centrepiece and an earlier version, apparently with only five muses, is listed in the inventory of the pastry shop of the Meissen manufactory manager and cabinet minister Heinrich Graf Brühl in 1753. The storage in the pastry shop of approximately 3,000 objects and dishes, including many individual parts for centrepieces, is related to their function as table decorations, replacing decorations previously made by the confectioner from perishable materials such as sugar or wax. The purpose of this table decoration was as a feast for the eyes to accompany the feast of the banquet. The sculptural figurines often depicted a particular theme, with characters drawn from theatre and opera, from classical mythology or pastoral idylls. Allegories and mythological themes, such as the glorification of fine arts, were also popular. Stylistically, Mount Parnassus fits Kändler’s style of the 1740s, and was sold by Brühl in 1762 to Frederick the Great of Prussia who used mythology as a means of self-expression and had already ordered individual figures of Apollo and the Muses as table decorations in 1744. Today it is in the Museum of Applied Arts, Frankfurt (inv. no. M.L. 41). There is another version of Mount Parnassus, from the collection of Prince Alexander Dolgorukoff, in the Hermitage in Saint Petersburg. The present version dates to the second half of the nineteenth century when there was a great revival of Kändler rococo figurines which were reissued and a “Second Rococo”. Another nineteenth century example is in the collection of the Museo Francesco Borgogna, Italy (inv. 1906, XIII, 19-20). These nineteenth century versions were made by the Meissen factory using Kändler's period models. It is recorded that a new version of Mount Parnassus, dating to the 1880s, was part of the Royal Porcelain collection in Dresden: 'In the porcelain collection there is a new version from the 1880s based on the old models, the largest group of this genre, the Parnassus, which shows the named muses all around on the lower part of the rock, each practising their own art, while on the top there is Apollo with the lyre and next to it the Castalian spring rises from the hoofbeat of Pegasus. Each figure is executed individually with its rocky background, and all the pieces are then fitted together, as we have already seen in his earlier, larger compositions. The rock pieces are finished off like a pedestal at the bottom with Rococo ornaments.' (Jean Louis Sponsel, Kabinettstücke der Meissner Porzellan-manufaktur von Johann Joachim Kändler, Leipzig, 1900, pp. 203-204). Kunst und kunsthandwerk; monatsschrift herausgegeben vom Österreichischen museum fuer kunst und industrie, Vienna, 1894, v.7 pt.1, p.133. Kari Berling, Das Meißner Porzellan und seine Geschichte. Leipzig 1900, S. 99, 187-200. Helmuth Gröger, Johann Joachim Kaendler. Dresden, 1956. Peter W Meister, Franz Adrian Dreier, Figürliche Keramik aus zwei Jahrtausenden. Kat Museum für Kunsthandwerk, Frankfurt. Frankfurt 1964, Nr. 90. Rainer Rückert, Meißener Porzellan, 1710-1810. Kat. Ausst. Bayerisches Nationalmuseum München. München 1966. Stefan Bursche, Tafelzier des Barock. München 1974, Abb. 300. "Tafelaufsatz, Der Parnass", Auswahlkatalog, Museum für Kunsthandwerk (Frankfurt am Main, Germany), 1987, pp. 86-87. Alfred Ziffer, ‘Meissener Porzellanplastik für fürstliches Interieur und Zeremoniell’, Keramos, Issue 241/242, pp. 29–52. MEISSEN The production of Meissen porcelain began in 1710 at the manufactory at Meissen...

Large Antique French Sèvres Style Porcelain Dessert Service Turquoise Case French, Late 19th Century Smallest (plate): Height 3cm, diameter 23cm Largest (tureen): Height 17cm, widt...

Antique Meissen porcelain plaque after Correggio German, 19th Century Measures: Frame: Height 43cm, width 50cm, depth 10cm Plaque: Height ...

37 Piece French Victorian Limoges porcelain dinner service with yellow border and floral trim (PRICED AS SET)

The triptych comprises a trio of porcelain plaques, depicting the patron saints of the German city of Cologne (Köln) by the renowned Berlin manufacturer KPM (Konigliche Porzellan-Man...

18th-century Bow Porcelain Underglaze Blue Shell Sweetmeat or Pickle Dish, Circa 1755 The Bow factory sweetmeat or pickle stand has three clam dishes raised on a stand encrusted wi...

Antique parcel gilt and painted porcelain charger plate by Royal Vienna Austrian, late 19th Century Frame: Diameter 53.5, depth 3.5 Plaque: Diameter 49cm, depth 2.5cm This beautiful charger plate was crafted by the famous Royal Vienna Porcelain Manufactory. Royal Vienna was founded in 1718, making it one of the first factories to produce porcelain goods in Europe. Antique Royal Vienna items are today held in important art collections, including the Uffizi in Florence, the Metropolitan Museum of Art and the Frick Collection in New York. This charger is marked with the blue beehive-shaped shield of the Royal Vienna factory. The charger features a central painting, depicting the abdication of Mary, Queen of Scots. Mary was forced to renounce the Scottish throne...

Heavy Wedgewood cobalt blue Jasperware cheese plate with dome. The applied white bas relief depicts classical figural scenes with foliate motif against...