317 results for "gingham"

Each with hand-caned rectangular seat over a plain seat rail raised on turned legs; with loose tufted gingham squab seat cushions.

A smart 8x10 Swedish style outdoor kilim, from the new texture of our Scandinavian flat weave Collection. Handwoven in performance polyester. Further...

This is an Expressionist Style Lithograph Painting by Joan Miro. It depicts a red and white gingham fabric like background with the drawing in black color of an abstract figure looki...

The entire chair was gently restored, the upholstery fabric is the finest Alpaca bouclé, in a soft cream and blue check. The Alpaca is from the Sandra Jorday Pima Alpaca collection....

Beautifully hand finished and expertly made. The skirt is lined with organza to add structure and shape. The bodice is lined with a pink silk gingham and had built in bust shapers. T...

Antique Swedish Baroque Double Chair-Back Settee in Grey Painted Wood with Gingham Upholstery, 18th–19th Century A wonderfully characterful Swedish double chair-back settee, dating...

CHRISTOPHER KANE virgin wool multicolor orchid plaid print dress IT38 XS Reference: ECLO/A00022 Brand: Christopher Kane Material: Virgin Wool, Blend Color: Multicolour Pattern: Gingh...

Kenneth Lane gold dipped vintage necklace with matching clip on earrings. Marked under each ornament, Kenneth Lane, made in the USA.

Black and White, American, Sky, Trees, b&w, black & white, architecture, florida, route, road, vignette, rural, americana, building, abandoned, deserted, small town, photograph, photography Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Hirst's Deckchairs use one of the artist's familiar motifs: a monochromatic background interrupted by a scattering of butterflies freezed in an eternal position. Damien Hirst Deckc...

English Country style (19th Century) carved walnut wall plaque with grape and floral design and bird.

A wonderful figural folk art sculpture of an O’Cedar Mop Man by contemporary Maine artist Harvey Peterson (20th/21st c). Peterson was born in Seattle, WA, and got his a BFA and MFA f...

19thc red & blue linen homspun pillows in fine condition. The inserts are down & feather fill.

A chic vintage Courreges shirt dress. The dress is in brown and white check with brown cotton edging. It has a 12'' slit on either side with a button ...

A colourful study of hollyhocks and daisies, placed alongside two lemons on gingham. Well presented in a large wooden frame with double card mount. Signed in graphite to the lower le...

Light Blue, Wool and Silk, 250 KPSI, Nain with Flower Medallion Design, Hand Knotted, Soft Pile, Oriental Rug Primary materials: Wool & Silk Latex: No Pile height: 0.25 Inches Style...

In good original condition.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Plaoma Picasso signature "X" silk scarf is finished with hand-rolled edges. The measurements are 34" x 35", with navy borders.

This late 1950s dress showcases many of the era’s fashionable hallmarks. We love the faux double-breasted front with chunky white plastic buttons and the boat neckline. The nipped-in...

Marbella Club 1976 - Slim Aarons Estate Stamped A guest takes a break from the sun at the Marbella Club, Marbella, Spain, 1976 16 x 16" inches / 41 x 41 cm paper size Estate Stam...

A French glass lamp in hand blown twisted glass, with a linen pleated blue gingham shade.

Figure of a Woman in Blood is a drawing realized by Joseph Colin in the early 20th century. Pastel drawing. Good conditions. Hand signed.

Artist: Joan Miro Title: L'Illetre Aux Carreaux Rouges Medium: Color lithograph on red & white cloth on Mandeure Chiffon mounted on board Size: 24.37 x 32.25 Inches Signed: Hand S...

This classic late 19th-century American crib quilt is a striking example of the textile artistry of the time, balancing traditional piecework with a bold, graphic sensibility. Until...

Beautiful and elegant Valentino Boutique short suit Vintage from the 90's Wool blend Black and white Check pattern Beautiful golden buttons Two buttons jacket Two pockets Shoulder/h...

This Moschino jacket is composed of a mixed combination of fabric patterns, there is a gingham base with a lace overlay and a silk polka dot scarf...

Christian Aujard shades of gray micro checkered cotton handkerchief with stitched edges, measures 18 inches by 18 inches. Made in France.

This sculpture represents the maiden of Nicomedia kept in a tower with three windows where her father locked her away. In her right hand she holds an open book that records her medit...

Bergere chair with original chevron chintz upholstery in good condition. Chair has lumbar pillow that is included.

Luisa Araluse de Matos- Historical Photo is a black and white vintage photo, realized in the 1960s. It belongs to historical album including photo reportages of historical moment and...

This is a beautifully graphic primitive American Schoolhouse quilt, dating to approximately 1930–1935, hand pieced from an assortment of Depression-era cottons and finished with earl...

Drawing inspiration from a classic 1950s Dunbar design, this Kirby dining side chair is from the foley&cox HOME Collection of custom furniture. Featuring elegantly tapered legs w...

This is a gorgeous black silk cocktail dress by Geoffrey Beene, from 1990. It has white lace detail on the sleeve and the hem line, an elastic waist, and a 16" length sleeve. The bel...

Blue and white gingham will never go out of style. This pair of arm. chairs have a grayish white painted finish. and feature many. of the lovely details characteristic of the Louis XVI style--a. squared. back, fluted, tapered legs, and beautifully carved die joins (where legs meet the base of the seat). The blue and white gingham give these traditional chairs...

Long skirt in white and orange check patten and one ruffle. Lining un til the ruffle.Snap in the middle front. Size M ( "a")

Gelatin silver print Signed and numbered, verso 14 x 11 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. In Close Relations, noted p...

Emporio Armani Cotton Black & white vichy check Back ouverture Breast band Two pockets Three buttons Length from shoulder cm 50 (19.6 inches) Original price euro 1200

1960S Sleep Tite Lime Green & Blue Cotton Pajamas

Animals' Napping And Pleasurable Rest is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Publish...

Illustration for True magazine, presumably published February 1956. Nighttime scene of policemen and bloodhounds investigating a murder on a cobblestone street. Approximate Date: 1956 Medium: Oil on Board Signature: Signed Lower Right Size: 22.70" x 16.20" Tom Lovell Biography: A Native American finding a Raggedy Ann doll...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features a guest taking a break from the sun at the Marbella Club, Marbella, Spain. This is an esta...

ANTIQUE FOLK ART RAG DOLL - BLACK AMERICANA/SUFFRAGETTE/CIVIL RIGHTS/WOMEN’S RIGHTS INTEREST An extremely charming doll, lovingly made from scraps of cloth with hand embroidered, s...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features a guest taking a break from the sun at the Marbella Club, Marb...

Mary Faulconer, American (1912 - 2011) - Ginger Beer II, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 17.5 x 12 inches, S...

A tribute to traditional trattoria table settings, this cotton check jacquard tablecloth is the perfect dining companion for both indoor and outdoor settings. It features contrasting...

Hamilton shirt is a masterpiece from a heritage American bespoke menswear shirt maker. Featuring a sophisticated spread collar and blue and green gingham plaid fabric, it represents ...

Brioni long-sleeve shirt features a sophisticated green, brown, and white gingham plaid pattern. Crafted in Italy from premium cotton, this garment offers a classic point collar styl...

Bessarabian is a flat woven pile rug that features an all-over blooming design that has a remarkable palette of light and brown wool. It enhances the glamour and elegance that this r...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

This original lithograph is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil from the edition of 75, at the lower left corner...