1,005 results for "de stijl"

Cool balance, Canvas, mixed media, 80x110cm The work is sold without a frame.

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals...

Original vintage travel advertising poster - nach Amerika Sabena Belgische Fluglinien / America by Sabena Belgian Airlines featuring a colourful stylised image of a plane flying over...

"Elizabeth Stein Gallery A/P" is a color lithograph poster. This piece features an abstract and geometric design in yellow. Unsigned. 40" x 26" Born in Russia in 1907, Ilya Bolotowsky left his native country in his early childhood. The family was forced to emigrate as a result of his parent’s anti-Communist sentiments. They traveled first to Constantinople, then settled in New York City in 1923. Bolotowsky enrolled at the National Academy of Design in 1924. He tried out many styles in this period, ranging from the representational and classical to the abstract and expressionistic. In the early 1930s he became a designer of textiles. In 1932 Bolotowsky spent ten months in Europe. Although he was already familiar with prevailing modernist movements, the opportunity to study a wide range of these works and to meet some of the artists who had made them affected Bolotowsky profoundly. As a result of this trip, Bolotowsky began to synthesize aspects of Cubism with the abstract Surrealism of artists like Miro and Arp. These softer, floating forms gave way to a rectilinear geometry as he became more influenced by the Constructivists and Mondrian. Upon his return to the United States, Bolotowsky married his fellow painter Esphyr Slobodkina...

This gorgeous pair of armchairs was designed by the Spanish designer and sculptor Pete Sans and produced by BD Barcelona. The Spanish company founded in 1972 has produced designs b...

Wassily Kandinsky Woodcut in color on Dutch laid paper Cut from the folio Klänge, conceived 1911-1912, published in 1913 Kandinsky monograph lower right in plate Published by R. Pip...

A vintage exhibition poster for famed New Yorker artist, Saul Steinberg at The Corcoran Gallery of Art, Washington DC.

Bronze bowl with fluted patterns Axel Salto. Produced in 40 years.

Woman in a Fur Wrap Pen and ink heightened with white, c. 1920 Signed in ink lower right (see photo) Estate stamp verso (see photo) Provenance: estate of the artist ...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Cassina offers a new reinterpretation of the iconic model dated 1935: i...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with t...

Geometric elements, evoking the avant-garde textiles of the early 1900s, a theme which runs through the whole Hello Sonia Family, are now arranged harmoniously in a musical score...

The coat rack with an integrated umbrella stand was designed and made in the 1980s. The coat rack was made of tube steel pink and black lacquered and chromed metal. Good condition wi...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Frantisek Kupka, Czech (1871 -1957) - Bílé rytmy na černém, Year: 1912, Medium: Woodcut on gray wove paper, signed in the plate and stamp signed, Image Size: 10 x 16 inches, Size:...

Charlotte Perriand set of orange sheet metal panels from the arcs ski resort in 1968 perfect condition the interior designs made by Charlotte Perriand always bring an artistic dimen...

Ali plays with geometric shapes in the form of parasols on the beach in this aerial view painting of a crowded beach on a summer's day. Acrylic paint on Canvas Sold unframed Image ...

This large, horizontal painting measures 55 inches high and 90 inches wide. It is hand signed and dated by the artist on the back. It is stretched and ready to hang. The sides are painted black and it does not require framing. The fusion between angular geometric abstraction and softer, anatomical forms, like faces, spawned an original and intriguing new aesthetic. His innovative, fashion-forward style has been described as a modern synthesis of Op Art, Pop Art, Street Art, Geometric Expressionism and De Stijl. “I was curious to explore the relationship between a very controlled technical aesthetic and facial features, with the inherent symmetry of the latter providing a shared language between these two worlds.” Tim Christie is a New Zealand based designer and artist. His artwork adorns the walls of the new Hilton hotel in Wellington, New Zealand. He has developed some of New Zealand's most iconic brands including identities for The Interislander, Radio New Zealand, New Zealand Wine and the city of Invercargill. His work has been featured in New Zealand and Australian design...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with t...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

"Hill Top" Screenprint in Ink on Paper Dramatic abstracted landscape screen print by Sidney Jonas Budnick (American, 1921-1994), C. 1980. Procured as part of larger collection. Cond...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Botanical Still-Life with House Plants & Red Roses Dramatic abstracted botanical still life of house plants and red roses Lithograph by Sidney Jonas Budnick (American, 1921-1994), 19...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

Robert Mallet-Stevens studied at the École Spéciale d’Architecture in Paris from 1903 to 1906. In 1912, he exhibited his works at the Salon d’Automne and met architects Pierre Chareau (1853-1950) and René Herbst. In 1913, he designed a villa for Madame Paquin in Deauville and developed projects for exhibitions in Grand Lyon, London, Brussels, and San Francisco. From 1920 to 1921, he designed sets for the films Jettatura by Pierre-Gilles Veber and Le Secret de Rosette Lambert by Raymond Bernard. Mallet-Stevens received the commission for his first building, the Villa Noailles for Viscount Charles de Noailles in Hyères (Var department), in 1923. In 1924, he organized an exhibition of the Dutch artistic group De Stijl. The following year, he built the Alfa-Romeo showroom on Rue Marbeuf and the Pavillon du Tourisme at the Exposition Internationale des Arts Décoratifs et Industriels Modernes. From 1926 to 1927, he built the residential houses on Rue Mallet-Stevens in Auteuil (Paris). He founded the Union des Artistes Modernes in 1929 and designed the apartment of Tamara de Lempicka on Rue Méchain in the same year. Mallet-Stevens built a townhouse for his friend, artist Louis Barillet...

A fantastic vintage original oil painting on board. A chic Abstract tabletop still life in deep rich colors. Signed by the artist. Acquired from a Palm Beach estate.

This striking abstract drawing, rendered in colored pencil on paper, captures André van der Vossen’s mid-century exploration of dynamic form and vibrant color. Intersecting strokes o...

Fine Contemporary Moroccan Wool Rug 8'0" x 10'1''. Comprising both the nomadic Berber rugs of the Atlas Mountains, with very thick piles, coarse knotting and limited palettes, and th...

Hand-knotted in wool as a gift-sized rug, this 2x3 contemporary geometric rug joins Rug & Kilim’s Modern collection. Featuring a muted palette of slate gray and ivory cream, the layo...

As I explore my abstract visions, I try of course to put life, through a lens of color and shape. Here I am exploring Mondrian's De Stijl (The Style) period. So, in 'The Style'...

Folding screen realized based on a project designed by Giacomo Balla in 1916-18. Multilayer wood structure. Three panels linked with folding hinges. Silk-screen printing decoration ...

A monumental and very graphic table lamp from the 1980s, built like a piece of architecture from black lacquered wood. A series of slender, angled frames and slats rise from a heavy ...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example o...

Crate table design in the style of Gerrit Thomas Rietveld for Metz & Co, manufactured in Holland, circa 1950. Lacquered wood and glass top. In good original condition, preserving a beautiful patina. Gerrit Thomas Rietveld (24 June 1888-25 June 1964) was a Dutch furniture designer and architect. One of the principal members of the Dutch artistic movement called De Stijl, Rietveld is famous for his red and blue chair and for the Rietveld Schröder House...

Robert Mallet-Stevens (1886-1945) came from an art-loving family and was one of the most influential French avant-garde architects and designers. He met very early on René Herbst and...

Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in ...

Frank Lloyd Wright Coonley House Tile Hand-printed Wallpaper, Schumacher, 1976. Exceedingly rare, printed by Schumacher. Handprinted wall co...

Answer the Call, 1954 Gouache on board 31 × 24 in 78.7 × 61 cm Joseph Binder was an Austrian-born designer whose influence permeated Europe and the United States. He applied reductiv...

Circle of Life Lithograph on tan paper, c. 1910's Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 50" in pencil lower left (see photo) ...

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals...

Fabulous, fully upholstered armless Cesca side chair, a legendary piece of Bauhaus design originally created by Marcel Breuer in 1928 and became one of the world's most iconic chairs...

Gertrude Greene Composition, 1952 Signed, dated, and titled on stretcher reverse Oil on canvas 20 x 16 inches Provenance The artist Artist Estate Greene Art Foundation, New York G...

This original vintage poster, titled Building Materials, was created by Erik Nitsche in 1960 for General Dynamics and its Material Service division. Nitsche uses a geometric grid of ...

This is a colorful abstract yet cubist style artwork by outsider Texas artist David F. Gatling. It's an earlier work of the artist. It's titled "Angels of Mercy" from 2018. This a...

Ilya Bolotowsky's Red/Blue/Black Diamond from around 1970, immediately shows the deep influence of Piet Mondrian's New-Plasticism. Bolotowsky first saw Mondrian's paintings in the 19...

A porcelain cuff bracelet designed by Johan Gerard van Loon for Rosenthal. This is a very rare retired statement bracelet made by Dutch artist Johan Van Loon for the German porcelain company of Rosenthal, back in the 1970's This beautiful abstract piece is made of white porcelain and accented in three matte colors of polychrome metallic such; gold, blue, purple and orange. A design all around the bracelet. This is a lovely Rosenthal collector's piece no longer available at the Rosenthal retailers. It is a unique conversation piece to compliment any ensemble. Weight: 74.95 Grams, (48.04 Dwt). Size: 6.5 Inches (16.5 Cm). Measurements: 82.5 mm by 58.4 mm (3.25 x 2.30 Inches). Hallmarks Marked with the maker's mark and signed, "ROSENTHAL STUDIO LINE GERMANY JOHAN VAN LOON". Johan Van Loon Johan Gerard van Loon born in Rotterdam in 29 October 1934. He was a Dutch ceramist and textile artist. Van Loon studied textile design at the Gerrit Rietveld Academie from 1952 to 1956, and from 1957 to 1960 at the Konstfack in Stockholm under Stig Lindberg. In 1958 he took pottery classes from the Amsterdam potter Jos Eppens van Veen, ] in 1960 from Thera Hofstede Crull, and in 1961 at the Camberwell College of Arts in London under Lucie Rie. In 1960 he took another study tour to Scandinavia and worked with Kylikki Salmenhaara for the Arabia porcelain factory in Finland. In 1962 Van Loon took part of an exhibition of six young ceramists from Amsterdam in Museum Boijmans Van Beuningen, together with Hans de Jong...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

Gerrit Rietveld (1888 - 1964) was a Dutch designer and architect. This booklet gives an interesting insight of his life and struggles he had as an architect. The text is in Dutch,...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a F...

untitled (Young Woman Washing) Lithograph, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Image size: 11 x 5-1/8" Sheet size: 18 7/8 x 12 5/8 inches Condition: Very good Aging to the tan paper it is printed on Provenance: Estate of the Artist Borghi & Company, NYC Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...