532 results for "sol lewitt"

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Ross Bleckner (American, b. 1949) Untitled (Geometric Abstraction) Acrylic on board 19 1/2 x 16 3/4 in. Signed lower right: Ross '66 Ross Bleckner grew up in Hewlett, Long Island, N...

Ross Bleckner (American, b. 1949) Untitled, c. 1970 Oil on canvas 43 x 34 in. Signed verso: Ross B/ho Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features a cool blue and metallic silver palette and is part of Mudre's Venezia series, ...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper All approx. 24 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Clean and precise, carefully ordered stripes and blocks of color in warm orange, soft yellow, pale blue and light brown are lively and vibrant against the soft beige background. Sign...

Ross Bleckner THE WATER LILIES (C.M.) Year: 2019 Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper Size: 42 x 70 inches (107 x 178 cm) Edition: 30 Price: $7,000 Also sold as a set with Floating Red Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle. After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work. Bleckner’s early 1980s Stripe...

This exquisite lithograph by Max Bill (1908–1994), titled Prisma (Prism), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Fri...

In this abstract painting in oil and graphite on panel by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of blue are vibrant against a calm, soft s...

Sylvia Plimack Mangold Six Inches Four Ways 1976 Rubber stamp print on Kilmurray paper Stamp made by Unity Engraving Company, Inc. Printed by A. Colish Press Paper size: 8 x 8 inches...

In this contemporary abstract painting in flashe on canvas, stripes and blocks of color in soft gray blue, pale sage green, beige and golden brown are clean, precise and carefully or...

Clean and precise, carefully ordered blocks of color in light blue and light green are lively and vibrant while thin, delicate lines in blue and navy frame the shapes. Signed, dated ...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

Jiri Kolar, Czech (1914-2002) Tower of Babel Paper Collage Hand signed with Initials Lower Right. Dimensions: Sight-11.25" x 9.5". Frame-20" x 17" Circa 1970's Provenance: bears l...

This exquisite silkscreen by Frank Stella (1936–2024), titled Rabat, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Mu...

Clean and precise, carefully ordered horizontal stripes, thick blocks of color in shades of golden yellow ochre, gray blue green, teal blue and coral are bright against the archival ...

"Geostructure XII" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Irregular triangle, 1993 Laminated acrylic Hand signed and dated: Vasa / 1993 4" H x 12" W x 3" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an America...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue and brown are lively and vibrant against the soft beige background. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. Gourlay's artwork is a contemplation of the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay drew inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely used a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

Carl Andre "Untitled" (Rubber Stamp Portfolio, 1976) — Limited Edition Conceptual Minimalist Art, Framed, Published by Parasol Press & MoMA Own a rare and iconic work of concept...

This exquisite lithograph and pochoir after Piet Mondrian (1872–1944), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957, originates fro...

Jay Walkers latest series, "Inner Space," analyzes a single motif built from repeating parallel lines that is commonly found in his work. In this series of ...

This abstract limited edition print by Roger Mudre features light, translucent circles layered over one another throughout the composition. The under layers are a deep green and yell...

Terry Winters Lines of Communication (from Doctors of the World portfolio), 2001 Abstract expressionist digital pigment print on fine art paper with deckled edges 28 × 33 inches Penc...

Carl Andre “Untitled”, 1972 — NYCLU Ticket, Signed Conceptual Art Own a rare and historically significant work by Carl Andre, a pioneer of minimalist and conceptual art. “Untitled” ...

This abstract diptych painting by Roger Mudre features a charcoal grey palette, with light circles loosely overlapping one another across each panel. ...

This abstract painting by Roger Mudre is made with acrylic paint over mica powder on cradled birch panel. It features a light blue and silver palette, with the light outlines of circ...

This Limited Edition giclee print by Roger Mudre features features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, g...