997 results for "de stijl"

Franco Albini and Franca Helg for Poggi, pedestal table, model 'TL30', walnut, lacquered steel, Italy, 1961 The TL30 pedestal table, designed by Franco Albini and Franca Helg for Po...

CONTACT US FOR CUSTOM RUG Loosely inspired by the design principles of Bauhaus and the vibrant color palette of De Stijl, RAG Home's runner rug offers a fresh perspective. With a no...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Materials: Wood Dimensions: D 43 cm x W 37 cm x H 74 cm (SH ...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a ...

Mid-Century Modern light sculpture TC6 created by Aldo van de Nieuwelaar, the Netherlands, in 1968. Aldo van de Nieuwelaar was inspired by Gerri...

The red & blue chair is also known as the “Rietveld Chair” after its designer Gerrit Rietveld, counts as one of the most recognizable pieces designed by De Stijl movement in the 1920...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a...

An iconic Scylla armchair by Gerard Vollenbrock for Leolux, inspired by the principles of the De Stijl movement. This striking design is defined by its elegant tubular metal frame, w...

Oak cabinet influenced by the work of Piet Kramer and the Amsterdam School movement, dating to the 1930s. The piece features two long symmetrical drawers over two large cupboard door...

Mid-Century coffee table designed by Rudolf Wolf for Dutch manufacturer Rohé Noordwolde, featuring a round clear glass top, black enameled bent metal frame, and a woven rattan magazi...

Hendrik Petrus Berlage. Dutch. A captivating set of four Gothic Revival oak side chairs with a progressive architectural A frame design to the...

The Silas Floor Lamp is a modern exploration of clean lines and minimalist shapes inspired by the De Stijl design movement. The lamp finds its inspiration through the simplified appr...

Olivier De Schrijver's "hexagonal 20/24" coffee table, produced in limited series by Ode's Design, is much more than just a piece of furniture: it is a true masterpiece of art deco. ...

Rare set of four 'Pyramid' chairs designed by Wim Rietveld in 1959 and produced by Dutch manufacturer Ahrend de Cirkel. Each chair features molded teak plywood seats and backrests mo...

Building on his earlier, iconic designs - the 1920s De stijl Red Blue chair and his Zig Zag chair from the 1930s - Rietveld designed the Utrecht chair with an added degree of comfort...

Tall Danish Mid-Century Table lamp. Design by Svend Aage Holm Sørensen, for Holm Sørensen, Denmark. An iron structure made up of horizontal and vertical lines forms a variety of g...

Manufactured by Gispen in 1949, the Model 412 armchair is among the most recognized designs from W.H. Gispen's postwar output. The chair is built around a continuous cantilevered tub...

A three-tier side table in stained oak, produced in the 1920s by the pioneering Dutch furniture maker L.O.V. Oosterbeek. The table’s clean, rectilinear form is accented with subtle H...

Vintage Pendant Light in brutalist style. Design by Svend Aage Holm Sørensen, for Holm Sørensen, Denmark. manufacturer's label present. Made of Brass, Acid Tainted and Cut by Hand. ...

Robert Mallet Stevens for Stevens designs, dining chairs, lacquered metal, fabric, France, design 1928, production later Admirable set of salmon pink lacquered tubular chairs with s...

Elegant and playful Italian mid-century modern pendant light or semi flush mount ceiling fixture from the 1950s or 1960s. The large circular opaline glass shade is decorated with an ...

We are presenting 2 rare pieces on sale one by one on 1stDibs : the earliest and rarely seen version of the iconic Tubor chair created by French Architect Robert Mallet-Stevens, cert...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

An Homage to Modernist Design The Shaped Oddity Zigzag Chair pays tribute to Gerrit Rietveld's influential 1934 Zig-Zag design. Our interpretation combines handwoven natural rattan w...

Metz & Co bar cart features a pale gray enameled tubular metal frame on four 360-degree swivel casters. Two inset reeded glass shelves sit within the rectilinear frame — the top ...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Gerrit Rietveld designed in 1958 Unesco press room chair for Spectrum - 'Colourful Vintage' Edition 'Colourful Vintage', which means: fabric: Sprinkl...

Bench in Solid Oak and Wengé by Dutch Wood Artist ‘1337 Furniture’ This wonderful piece was handcrafted by Dutch wood artist Bouke Meeuwis, also known as ‘1337 Furniture’. Timeless...

Gerrit Thomas Rietveld Zig Zag Chair For Cassina Designed by Gerrit Thomas Rietveld in 1934 and quickly deemed a design icon, th...

Kalupso 6 satellites ceiling light by Moure Studio Dimensions: D150 x H80 cm Materials: Glass and patinated brass Also available in different dimensions. Our Kalupso chandelie...

Circa 1990s. 18k, by Rodney Rayner, American. Effortlessly tuning in Mondrian and De Stijl movements to find pop fashion, these Rodney Rayner earrings are chic postmodern gems. The p...

Stay golden! Pure luxe deze elegante vintage wall lamp uit de jaren 70. Bijzonder decoratieve handgemaakte wandlamp naar alle waarschijnlijkheid ontworpen door Hans Kögl. Materiaal: ...

Gerrit Thomas Rietveld Zig Zag Chair For Cassina Designed by Gerrit Thomas Rietveld in 1934 and quickly deemed a design icon, t...

Vivid, abstract, and resolutely modern, this original 1964 poster was created by Bram Van Velde for the 20th Salon de Mai, held at the Musée d’Art Moderne de la Ville de Paris. With ...

We are presenting 2 rare pieces on sale one by one on 1stDibs : the earliest and rarely seen version of the iconic Tubor chair created by French Architect Robert Mallet-Stevens, cert...

This unique architect's desk was designed by Frits Spanjaard in 1932. With its generous proportions, striking asymmetry, contrasting woods and the large knobs in solid Macassar ebony, the desk can be considered as an important example of the Haagse School (The Hague School) style. The desk has four large drawers on the right, which can be simultaneously locked with a single key. The interior on the left features six drawers and additional storage, and can be locked altogether as well. Particularly noteworthy are the four cleverly incorporated pull-out shelves of different dimensions creating additional space: two on the front, one on the right side and one large shelf on the back side. The desktop is executed in dark stained oak and features a dark grey leather insert. in 1932, the prosperous Van Stolk & Reese company commissioned Spanjaard to design the interior and furniture of their offices located on the Ceintuurbaan in Rotterdam. This custom desk was most likely designed for the office of the company’s director, which was designed by Spanjaard in a radically modernist way, combining his own sumptuous designs with the functionalist tubular steel furniture made by W.H. Gispen. Between 1925 and 1935 the work of Spanjaard was strongly connected to the Haagse School movement of which he’d become a main proponent. This style was not so much inspired by the Classic European Art Deco capitals such as Paris and Vienna but more by other national and international architectural developments such as the work of Frank Lloyd Wright. The influential magazine Wendingen published a series of articles on Wright still relatively unknown at the time in 1925 and the renowned architect Jan Wils also played an important role in the orientation towards Wrights work in The Netherlands. In its particular application of geometric shapes, primary colours and its sophisticated cubist division of the surface, the Haagse School designers were also aware of De Stijl movement, lead by contemporaries such as Gerrit Rietveld and Piet Mondriaan. At the same time the geometry, the harmonious proportions and the understated decorations were primarily based on the rationalist design principles of H.P. Berlage, who would later become one of Spanjaard’s clients himself. Design had to meet the functional demands of the user but purely utilitarian ideas were certainly not the most important. Due to his frequent travels to Germany, Spanjaard was also familiar with the designs of Marcel Breuer and Mies van der Rohe, especially appreciating the simplicity and purity of their designs. Biography Frits Spanjaard (1889-1978) started his career as the artistic director of the LOV furniture...

MOVING FACE IN A BLUE SEA is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking p...

Silvette limited edition dining table by Moure Studio Limited Edition of 8 Dimensions: D 80 x W 40 x H 80 cm Materials: Enameled lava stone Also available in different colours. ...

This original circa 1955 exhibition poster, titled "Peintres Américains Contemporains," was created for a prestigious show at the Musée Galliera in Paris, dedicated to showcasing con...

Designed for the 3rd Memphis exhibition by George Sowden (UK), it is a melding of his memories of British Arts & Guilds (Macintosh, etc.) and a rectilinear homage to Gerrit Rietv...

"Harlequin" 1965 color lithograph cm 63x46 Bottom left EA and signed lower right in pencil. Il Bisonte publisher, Florence. In frame Provenance Private collection Milan Sphere Gal...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Magnífica pareja de sillas neoplasticistas datadas en la década de 1940, inspiradas en la línea estética de Mondrian y en los postulados formales del movimiento De Stijl. Su compos...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

Yellow Landscape signed by Lucien Gondret (French 1941-2023) signed oil on canvas, unframed canvas: 18 x 24 inches provenance: the artists estate, Franc...

WALKING IN COLORS is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid free. W...

Crate chair designed by Gerrit Thomas Rietveld, executed circa 1950 by Metz and Co in Holland. In good original condition, preserving a beautiful patina. Materials wood Dimensions...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

Designed by Jan Brunott (1889–1951), one of the refined voices within the Hague School tradition, this armchair embodies the Dutch Art Deco translation of Modernism in the 1920s. A s...

Silvia medium dining table by Moure Studio Dimensions: D 80 x W 40 x H 80 cm. Materials: Travertine. Also available in different dimensions. ...

Danish designer Svend Aage Holm Sørensen (1913-2004) is known for his self-produced lighting designs dating from the 1950s, ‘60s and ‘70s. Despite the desirability of his designs on the vintage market, there is a lack of biographical information on the designer and his eponymous manufacturing company. The Danish designer Svend Aage Holm-Sørensen (1913-2004) possessed an artist eye and a very good understanding of the potential of materials, and he understood how to innovate with these. To this day, Holm-Sørensen's style as a designer addresses not only the Nordic market, but also the international interest in the designer's distinctive and experimental expression. Sven Aage was known for being able to draw sketches on almost everything: envelopes, theater programs, even tram tickets he used to sketch his vision. It is speculated that Holm Sørensen designed lights for well-known Danish lighting manufacturers Fog & Mørup and Lyfa in the 1950s, before establishing his own lighting company, Holm Sørensen A/S to produce and distribute his own designs. Holm Sørensen’s style varies greatly, with designs from the 1950s truly reflecting the mid-century modern lighting style, with clear influences from the De Stijl and Bauhaus movements. His attenuated floor and table lamps contain the classic tri-pod base that was popular at the time, referencing such designs as H. Th. J. A. Busquet’s Pinocchio Lamp (1954). From the 1960s onwards, Holm Sørensen’s style changed utterly. His designs diverged from colorful, geometric table lamps and floor lamps, to pendants with raw finished brass and copper surfaces. These pendant lamps showcase Holm Sørensen’s interpretation of the Brutalist style, which was popular from the 1950s to the mid-70s. Originally coined by the Swedish architect Hans Asplund...

Very nice and highly decorative wooden toy cubes puzzle box model 255, designed by Ko Verzuu for Ado Holland in the 1955. Ado means Arbeid door onvolwaardigen, translated; labour by incapacitated, which makes this an even more special piece. Toys by Ado are being highly collected at the moment, even more than ever cause this is very decorative combined with 1950s furniture from all countries! Jacobus Johannes Josephus (Ko) Verzuu, a former construction supervisor from Utrecht, led the ADO workshops. He had delved into architecture and art and developed a strong preference for the abstract lines and bright colours, which can also be found in the followers of De Stijl group from the 1920s, followed by Piet Mondriaan, Theo van Doesburg, Vilmos Huszár...

André Sornay (1902-2000) was a French furniture designer who transformed his family's business after taking over in 1919. Influenced by Bauhaus and De Stijl, he created modern, funct...

Rivoli served as the tea table in the living room of Eileen Gray‘s summer house E 1027. The graceful lightweight that no doubt was used on the terrace when necessary, is a lovingly t...

Orange Personnage is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival Arches printmaking paper, 100% acid ...

Vintage adjustable brass pharmacy style floor lamp, having an extendable center post, with tilting cylindrical hood shade. We have three matching lamps, all have been professionally ...