395 results for "gobelins"

"Autumn Light I" is an original painting by Tom Haugomat, made as part of his traveling artist residency with The Jaunt. Traveling from France to Philadelphia, Haugomat was inspired ...

This is a superb antique pair of decorative Victorian burr walnut and floral marquetry pier cabinets, dating from Circa 1860. Adding to their truly unique character they are  decora...

77570, vintage Persian Tabriz Chinese Floral rug with Art Nouveau Rococo style. Ornate details and effortless beauty with romantic connotations, this hand knotted wool and silk vintage Persian Tabriz Chinese rug beautifully embodies both Art Nouveau and Rococo style. A cusped oval medallion anchored with palmette pendants is surrounded by an all-over floral bouquet pattern. Enclosing the floral medallion are dramatic, deep and elaborate corner spandrels boasting baroque elements as it sets the stage for a bounty of flower garlands and organic leafy mounds. It is framed with a floral bouquet border flanked with an inner and outer floral acanthus guard band. Decadent beauty in a dreamy color palette this vintage floral area rug...

This is a rare Antique French marquetry inlaid, and ormolu-mounted Bonheur du Jour, or Ladies Writing Desk, Circa 1850 in date It features cut brass and purple heart inlaid decorat...

Gorgeous Antique 18th Century French Beauvais Floral Tapestry Lumbar Pillow measuring 14 x 21 inches. Excellent condition. Complimentary Shipp...

This is a beautiful antique French Louis Revival marquetry and ormolu mounted  walnut and king wood serpentine side table, circa 1850 in date. The beautiful shaped marquetry top is ...

"Tendrils, Sleepy Orange" is an original piece by Roche Cruchon made from pastel on paper. This piece measures 15.5”h x 12.5”w framed and is signed en recto. Tendrils is a recent ex...

"Tendrils, Porcelain Nymph" is an original piece by Roche Cruchon made from pastel on paper. This piece measures 15.5”h x 12.5”w framed and is signed e...

"Inner Vibration #1" is an original piece by Roche Cruchon made from pastel on paper. This piece measures 22”h x 18”w framed and is signed en recto. Tendrils is a recent exploration...

76744 Vintage Aubusson French Provincial Chintz Style Area Rug with Rocaille Design 07'11 x 10'02. Drawing inspiration from Mario Buatta and Chintz style, you can bring the elegance ...

Antique print titled 'Le Jacamar femelle, No. 48'. This print originates from "Histoire Naturelle des Oiseaux de Paradis et des Rolliers, Suivie de Celle des Toucans et des Barbus" by Francois Levillant. Barraband pinxt. Gremillier Sculpt. De l'Imprimerie de Rousset. Jacques Barraband (or Pierre-Paul Barraband) (1767? (baptized 1768), Aubusson (Creuse), France–1 October 1809, Lyon) was a French zoological and botanical illustrator, renowned for his lifelike renderings of tropical birds. His pictures were based on mounted specimens and his illustration was considered the most accurate ones made during the early 1800s. Barraband was born to Jacques Barraband and Marie-Anne Bebit in 1767 (or 1768) and was baptized on August 31, 1768 at the church of Sainte-Croix in Aubusson. His father worked in the local tapestry factory and the son also worked there briefly after studying art at the local school, which was famed for producing several artists of note, including Francis Roby de Faureix and Etienne de La Seiglière de La Cour. He later moved to Paris, working at tapestry and carpet stores on rue de la Huchette and studying art at l’Academie royale de peinture under Joseph-Laurent Malaine. During the French exposition of 1798, he produced some paintings for the carpet manufacturers Gobelins and Savonnerie and for the porcelain makers Dihl and Gerhard. He also made illustrations of insects for the French naturalist Sonnini and illustrated a book by Fournier on Egypt. He then produced a series of watercolours of birds...

This is a superb antique Victorian ormolu mounted burr walnut and floral marquetry inlaid credenza, circa 1860 in date. Oozing sophistication and charm, this credenza is the absolut...

An exquisite handwoven wool tapestry depicting Alexander in the Tent of Darius, a celebrated historical composition rooted in 17th century European tapestry tradition. This refined r...

77329, vintage Chinese area rug with Persian Tabriz design and Regency style. Ravishing and refined, this hand knotted wool and silk vintage C...

A modular sofa system that merges Korean design sensibilities with Japanese craftsmanship. The textile, inspired by Eastern ink wash painting and Western pointillism, is woven on a r...

This large tapestry, measuring 315 cm. x 228 cm, was commissioned for a conference room and is the result of the work of three masters. It was commissioned in 1988 at FGM (Fränkische...

Pierre Adrien Chabal-DUSSURGEY (1819-1902) Designer - BEAUVAIS TAPESTRY MANUFACTORY Maker - Important Antique Louis XVI style floral tapestry settee back fragment - the floral tapestry finely woven in wool and silk threads with garlands and swags and tassels - all centered by a powder blue ground cartouche with white roses within an oval frame - suitable for framing - France - circa 1855. Excellent antique condition - minor fading and loss - areas of wear/thinning - no apparent restoration - minor stains and soiling with signs of age and use. Size/dimensions - 35" (91.5 cm.) wide x 24" (61 cm.) high. Pierre Adrien Chabal-DUSSURGEY - born Pierre Adrien Chabal in 1819 in Charlieu and adopting the professional name of CHABAL-DUSSURGEY - well known for his paintings and studies of flowers in gouache and oils - attended the School of Fine Arts in Lyon - exhibited at the Paris and Lyon salons - he worked with the Gobelins Tapestry Manufactory and the Beauvais Tapestry Manufactory after 1849 designing tapestries, rugs and tapestry covers for seating - he designed tapestries for the Élysée Palace and worked with Empress Eugenie on furnishings for the small salon at the Élysée Palace and two salons in the palace of the Empress in Biarritz - tapestry covered furniture...

French mid century view of a classical statue in the park at Versaille, oil on card, by Emile-Marie Beaume. The painting is signed, dated and located to the back of the panel. presen...

"Experience the timeless elegance of this exquisite French Aubusson style tapestry, capturing the essence of an 15th century Flanders tapestry with a design titled « La battue » (the...

76928 Late 19th-Century Antique French Aubusson Verdure Tapestry, 04'02 x 06'10. This hand-woven silk and wool late 19th-century French Aubusson verdure tapestry captures the cultivated serenity of the French countryside, rendered with a softness reserved for aristocratic interiors and grand maisons. Created during a period when Aubusson ateliers mastered the art of pictorial storytelling, this extraordinary masterpiece feels less like décor and more like a window into a gentler world. Its presence carries quiet authority, the kind associated with salons, libraries, and country estates curated with confidence and restraint. The central landscape unfolds as a layered pastoral scene—rolling ground punctuated by dense foliage, flowering shrubs, and roaming fauna nestled among trees and grasses. Birds and animals appear not as focal declarations, but as integral elements of a balanced ecosystem, reinforcing the verdure tradition’s devotion to harmony between nature and human contemplation. The scene invites stillness, offering visual depth that rewards prolonged viewing rather than immediate impact. Encircling the exceptional composition, an elegant floral scroll and bird border flows seamlessly into the pictorial field, dissolving the boundary between frame and landscape. This integration is a hallmark of refined Aubusson design, where ornamentation enhances narrative rather than competing with it. Beyond this, an outer zigzag chevron border introduces rhythm and contrast, adding a subtle architectural cadence that enlivens the overall composition without disturbing its tranquility. The palette is exquisitely nuanced—variegated browns moving from deep chocolate to sun-warmed sand, softened by ecru, taupe, pale green, sage, slate blue, old gold, and muted florals of rose, lavender, and red. These tones evoke the shifting light of late summer and early autumn, lending the exquisite work of art an atmospheric richness that feels both grounded and poetic. To own this Aubusson verdure is to claim a piece of European decorative history—an object of prestige, rarity, and cultivated taste that transforms any interior into a sanctuary of timeless elegance. With its commitment to tradition and heart full of whimsy, this antique Aubusson wall hanging...

Antique print titled 'Béatrix d'Este-Sforza (..)'. Original hand colored print of Beatrice d'Este, duchess of Bari and Milan. This print originates from 'Iconographie générale et Mét...

"Enhance your space with this exquisite vintage French tapestry featuring a romantic scene inspired by François Boucher's 'Les Amours pastorales.' With the 18th-century Rococo style...

A Fine Anglo-Dutch 19th Century Baroque Style Ornately Carved Walnut Five Piece Parlor - Salon Suite, After Daniel Marot (French-Dutch, 1661–1752); comprising of a settee, two armchairs and two side chairs. The intricately pierced high-backs carved frames with scrolled and floral designs, curved armrests and cabriolet conjoined legs. Circa: 1890. Measures: Settee height: 54 3/4 inches (139.1 cm) Settee width: 70 3/4 inches (179.7 cm) Settee depth: 24 inches (61 cm) Armchairs Height: 52 inches (132.1 cm) Armchairs Width: 28 inches (71.1 cm) Armchairs Depth: 21 1/2 inches (54.6 cm) Side chairs Height: 50 inches (127 cm) Side chairs Width: 21 1/2 inches (54.6 cm) Side chairs Depth: 20 1/2 inches (52.1 cm) Seat height: 20 3/8 inches (51.8 cm). Daniel Marot or Daniel Marot the Elder (1661–1752) was a French-born Dutch architect, furniture designer and engraver at the forefront of the classicizing Late Baroque Louis XIV style. He worked for a long time in England and the Dutch Republic, where he was naturalised in 1709. Born in Paris, he was a pupil of Jean Le Pautre and the son of Jean Marot, who was also an architect and engraver. Marot was working independently as an engraver from an early age, making engravings of designs by Jean Bérain, one of Louis XIV's official designers at the Manufacture des Gobelins, where far more than tapestry was being produced. The family were Huguenots and were part of the wave of émigrés who left France in the year of the Edict of Fontainebleau and Revocation of the Edict of Nantes (1685) to settle in Holland. Daniel Marot brought the fully developed court style of Louis XIV to Holland, and later to London. In the end, the English style which is loosely called "William and Mary" owed much to his manner. In the Dutch Republic, Marot was employed by the Stadthouder, who later became William III of England; in particular, he is associated with designing interiors in the palace of Het Loo, from 1684 on. Though his name cannot be attached to any English building (and he does not have an entry in Howard Colvin's exhaustive Dictionary of British Architects) we know from his own engraving that he designed the great hall of audience for the States-General at the Hague. He also decorated many Dutch country-houses, introducing the “salon” and popularizing ornamented ceilings in The United Provinces/ Netherlands. State bed, designed by Daniel Marot, engraving, ca 1702 In 1694, he traveled with William to London, where he was appointed one of his architects and Master of Works. In England his activities appear to have been concentrated at Hampton Court Palace, where he designed the garden parterres, which were swept away in the following generation and have been restored at the end of the 20th century. His designs for the Great Fountain Garden survive. Much of the furniture, especially the mirrors, guéridons and state beds, in the new State Rooms readied for William at Hampton Court bears unmistakable traces of his authorship; the tall and monumental embroidered state beds, with their plumes of ostrich feathers, their elaborate valances and cantonnieres agree very closely with his later published designs. After William's death Marot returned to Holland where he lived at the Noordeinde 164 in The Hague from 1720 until his death in 1752. The house with his salon, kitchen, hallway and possibly some of his ceilings still exists. We owe much of our knowledge of his work to the folio volume of his furniture designs published at Amsterdam in 1712. Not surprisingly the designs show strong French and Dutch influences; what reads as their "English" look is more probably the result of Marot's court style on other London designers. Marot was a nephew of Pierre Gole...

Gaston BALANDE (1880-1971) Picture Size: 21 x 29" (52.5 x 72.5cm) Outside Frame Size: 29 x 37" (72.5 x 92.5cm) Antique oil painting on canvas A wonderful example of Balande's work ...

French mid century view of a classical statue in the park at Versaille, oil on panel, by Emile-Marie Beaume. The painting is signed and located to the back of the panel. presented in...

This is a superb antique Victorian ormolu mounted burr walnut and wood floral marquetry inlaid credenza, circa 1860 in date. The shaped top above a pair of panel doors inlaid with f...

French landscape tapestry probably Beauvais, circa 1750. Although not a product of the Royal Gobelins factory in Paris, this pictorial landscape tapestry is extremely Fine with silk highlights. The French royal tapestry works in the Gobelins made masterpieces for the crown. For the nobility and bourgeoisie, Beauvais was the source for attractive wall hangings in all sizes, degrees of fineness and subject matters. Rural scenes particularly appealed to urban collectors. Here two white geese cavort under a sandy bluff. The hillock is framed on each side by trees, one a blasted trunk, and topped by a picturesque rustic windmill. Realistically depicted flowers, overhanging grasses and luxuriant foliage give a summer air to the image. In addition, a startled bird, flies up to the right. The border is a trompe l’oeil gilt picture frame with corner bosses and low relief “carving”. The weave is quite Fine and is executed in wool with copious silk details. Although Jean Pillement...

[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...

Introducing the latest creation from Vintola Studio, the stunning chair designed by Ola Szewczul in 2024. This chair is a masterpiece of modern design, combining elegance with except...

60786 Vintage Turkish Overdyed Rug, 09'08 x 13'02. Balancing a timeless design with a romantic rustic sensibility, this hand knotted wool distressed vintage Turkish overdyed rug beau...

This is a stunning antique French Louis Revival marquetry and ormolu mounted wood serpentine commode, circa 1880 in date. The serpentine top with a moulded edge over three long d...

WEISBUCH, Claude. Oil on Canvas "Clown a la Colerette" 1961. Signed lower right, further signed, titled and dated verso. Dimensions: 18.25" high x 24" wide. Claude Weisbuch, 1927-20...

WEISBUCH, Claude. Oil on Canvas Framed size: 39” H x 28” W Canvas, without frame: 32” high x 21 ¼” wide. Carved wooden frame with antique gold-leaf finish Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957. In 1968 , he became a full member of the Society of French Painters-Engravers . In 1997 he was awarded the Legion of Honor His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books. Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings. His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits. His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation. Exhibitions 1957: Saint Placide Gallery, paintings and engravings 1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961: Salon of the young painting and painters witnesses of their time 1962: O'Hanna Gallery, London , paintings 1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings 1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings 1966: Dantesca Gallery, Turin , paintings, engravings, drawings 1968: New Vision Gallery, Paris, engravings 1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings 1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5 1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal 1972: Dantesca Gallery, Turin Festival, Sarlat , paintings 1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings 1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings 1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving 1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings 1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings 1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings 1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels 1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence 1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg 1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings 1983: Hélène Trintignant Gallery, Montpellier 1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings 1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals 1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings 1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings 1989: Galerie Taménaga, Paris, paintings Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset. 1990: Taménaga Gallery, Paris, paintings 1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings 1993: Taménaga Gallery, Tokyo and Osaka 1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō 1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th 1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings 1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs 1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō 2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy 2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings 2002: Taménaga Gallery "Movements", Paris 2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon 2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings 2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist. 2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch). 2012: Print, Strasbourg, paintings, engravings, drawings 2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3. 2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas 2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...

Discover the exquisite charm of this late 20th-century French tapestry, meticulously woven on Jacquard looms in Jules Pansu's workshops. Crafted from a blend of cotton, wool, and acrylic, it captures a design of the drawing called (rendez-vous galant) "Romantic Rendezvous" at 18th century. « Rendez-vous galant » Made according to the drawings of Maurice Jacques...

Louis XVI Style, Four Armchairs, Tapestry, Walnut, France, 20th c. Four walnut salon suite armchairs in the Louis XVI taste. Each fauteuil features figural tapestry upholstery in th...

French mid century view of a classical statue in the park at Versaille, oil on panel, by Emile-Marie Beaume. The painting is signed and located to the back of the panel. A solitary ...

This is a beautiful antique French ormolu mounted Louis Revival walnut display cabinet, circa 1870 in date. This beautiful cabinet has an abundance of exquisite ormolu mounts as wel...

74030 Rare Antique French Aubusson Tapestry, 04’04 x 10’02. Evoking the splendor of France’s Rococo age, this handwoven wool antique French tapestry is an exquisite vision of romance, artistry, and timeless grace. Woven in the late 19th century, it draws inspiration from the pastoral tableaux of François Boucher, whose idyllic depictions of courtly leisure and bucolic charm defined the spirit of the era. Here, a young woman strolls behind a gallant flutist along a sun-dappled woodland path—an intimate moment caught in silk and wool, imbued with the tender lyricism of a love song whispered through the French countryside. Every thread speaks of heritage, mastery, and the kind of effortless elegance that only centuries of refinement could produce. The tranquil scene is a study in pastoral poetry: soft foliage, muted sunlight filtering through trees, and the rustling quiet of a timeless afternoon. The dreamlike color palette—dusty rose, celadon, gold, and faded umber—conveys the patina of history while radiating a romantic luminosity that feels alive even today. This is not simply an artifact of French décor; it is a living artwork, woven with emotion, movement, and musicality. The one-of-a-kind composition unfolds like a painting by Watteau or Fragonard—an ode to the pleasures of nature, beauty, and human connection. The craftsmanship reveals the hand of a master weaver trained in the grand Aubusson and Gobelins tradition, where textile art transcended function to become a mark of nobility. Each precious weave captures tonal nuance and painterly shading with breathtaking precision—a feat achieved only by ateliers devoted to the highest standards of European artistry. This tapestry once would have graced the walls of aristocratic salons and manors, its presence signaling sophistication, education, and cultured taste. Today, its survival stands as a testament to both its quality and its enduring charm. To own such an exquisite work of art is to inherit a fragment of France’s artistic legacy—a portal to a world of refinement and reverie. This antique pastoral tapestry...

This beautiful set of twelve napkins were realized in Morocco in Northern Africa. They feature hand embroidery in pale crimson with black accents depicting stylized gargoyles, sugges...

Apocalypse de Saint Jean is a complete suite of 13 b/w lithographs (cover + 12 lithographs) on Chine collé , realized by Odilon Redon. All the lithographs are unsigned, as issued. P...

Savonnerie Carpets – During the early seventeenth century, a weaver named Pierre DuPont traveled to the Levant. Upon his return, he claimed to have discovered the technique of creati...

Discover the exquisite charm of this late 20th-century French tapestry, meticulously woven on Jacquard looms in Jules Pansu's workshops. Crafted from a blend of cotton, wool, and acrylic, it captures a design of the drawing called (rendez-vous galant) "Romantic Rendezvous" at 18th century. « Rendez-vous galant » Made according to the drawings of Maurice Jacques...

77091 distressed Turkish antique Kayseri Pictorial rug, silk tapestry wall hanging. This hand knotted silk antique Kayseri Pictorial rug features a central cusped medallion showcasing two Dervish with their master wearing traditional Persian garb. The medallion is surrounded by men or horses. The field is covered with a garden pictorial scene composed of blossoming trees, doves, birds of peace...

77142 Vintage Persian Style Area Rug with Arabesque Baroque Regency Style. This hand-knotted wool and silk vintage Chinese Persian style Mashhad area rug features an ornate 16-point ...

77416 Vintage Chinese Area Rug with Persian Tabriz Design and Regency Style 05'10 x 09'00. Ravishing and refined, this hand knotted wool vinta...

77024, this opulent antique Turkish silk and gold Hereke tapestry with flower of the seven mountains. Featuring a central medallion of cinnamon-red floating in a cut out medallion of...

Dreamlike surreal interior scene painting on paper featuring floating organic forms, impossible perspectives and an imagined world suspended between architecture, memory and transfor...

Les Chevaliers is an original print, realized in the second half of 17th Century by the French artist Sébastien Leclerc (1637-1714). Etching on pap...

This Saxoléine poster, part of a series of posters created between 1891 and 1900, is an advertisement promoting the use of safety oil in the comfort and lighting of the home. Artis...

77026, vintage Turkish silk Hereke prayer rug with Tree of Life design. Give the look of woven wonders and warmth with this stunning silk Hereke rug....

73151 Antique French Aubusson Rug with Louis XV Savonnerie Rococo Style. Flourishing in technique and trend from the middle of the 17th century for nearly two hundred years, until th...

30307, new contemporary Persian Mahal Indian rug with modern transitional Arts & Crafts style. The architectural elements of naturalistic forms combined with Arts & Crafts style, thi...

76922 Round Vintage Indian Rug, 08'00 x 08'01. This exceptional hand-knotted wool vintage Indian round rug is a study in refined balance, where classical Persian influence is reimagi...

Artist: Jean Lurçat (French, 1892-1966) Title: The Warrior Year: 1953 Medium: Color lithograph Edition: Numbered 140/150 in pencil Paper: Hand made p...

This artwork titled "Spectral Vision" 1970, is an original color lithograph by renown Chinese/American artist Zao Woo Ki, 1921-2013. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 17.25 x 24.5 inches, framed size is 32.65 x 39 inches. Custom framed in a wooden silver frame, with silver color spacer and fabric matting. It is in excellent condition. About the artist: Zao Woo Ki was born in Beijing with family roots in Dantu, Zhenjiang, Jiangsu province. In his childhood he was brought back to his hometown Dantu where he studied calligraphy. From 1935 to 1941, he studied painting at the China Academy of Art in Hangzhou, Zhejiang province, where he was taught by Lin Fengmian, Fang Ganmin and Wu Dayu. In 1948, he went with his wife Lan-lan, a composer, to Paris to live on the same block in Montparnasse where the classes of Émile Othon Friesz took place. His earliest exhibitions in France were met with praise from Joan Miró and Picasso. In 1957, Zao decided to visit the United States where his younger brother Chao Wu-Wai was living in Montclair, New Jersey, close to the art scene of New York City. He wanted to learn more about "pop art". While in the US, he painted seven canvases at his brother's house. There are relatively few items dating from that year (1957). Years later, the largest canvas was given by his brother, Chao Wu-Wai, to the Detroit Institute of Arts. He left the U.S. after a six-week stay, traveling to Tokyo and then to Hong Kong, where he met his second wife Chan May-Kan Zao's works, influenced by Paul Klee, are orientated to abstraction. He names them with the date in which he finishes them, and in them, masses of colours appear to materialise a creating world, like a Big Bang, where light structures the canvas. He worked formats in triptychs and diptychs. While his work was stylistically similar to the Abstract Expressionists whom he met while travelling in New York, he was influenced by Impressionism. Zao Wou-Ki stated that he had been influenced by the works of Matisse, Picasso and Cézanne.[ His meetings with Henri Michaux pushed him to review his Indian ink techniques, always based in Chinese traditional drawings. Zao was a member of the Académie des beaux-arts, and was considered to have been one of the most successful Chinese painters during his lifetime. In 1982, he was invited to paint for the Fragrant Hills Hotel in Beijing, designed by I. M. Pei. In 1983, he returned to his alma mater, the China Academy of Art in Hangzhou to give lectures. Former French President Jacques Chirac was offered a painting by Zao Wou-Ki by his ministers during their last meeting. His auction record of HKD 510 million was set at Sotheby's, Hong Kong, on 1 September 2018. Zao's work 'Juin-Octobre 1985' is now the most expensive painting ever to go under the hammer at auction in Hong Kong. By the end of his life Zao had stopped producing new paintings due to health problems. He died on 9 April 2013 at his home in Switzerland. Selected public collections and museums: Vienna, Albertina Museum, Graphische Sammlung Brussels, Museum of Modern Art Brussels, Royal Museums of Fine Arts of Belgium Rio de Janeiro, Museum of Modern Art Montreal, Museum of Contemporary Art of Montreal (Quebec) Montréal, Museum of Fine Art (Quebec) Quebec City, National Museum of Fine Arts of Quebec (Quebec) Toronto, Art Gallery of Ontario (Ontario) Hangzhou, China Academy of Art Hong Kong, Hong Kong Museum of Art Beijing, China Central Academy of Fine Arts Suzhou, Suzhou Museum Helsinki, Ateneum Museum Tempere, Sara Hildén Art Museum Châteauroux, Bertrand Museum Colmar, Unterlinden Museum Dunkirk, LAAC Évreux, Museum of Art, History and Archeology Gravelines, Musée du Dessin et de l’Estampe Originale Issoudun, Musée de l’Hospice Saint-Roch Le Havre, Malraux Museum Lyons, École normale supérieure Metz, Museum of Art and History Montauban, Ingres Museum Montpellier, Fabre Museum Nantes, Museum of Fine Art Orléans, Museum of Fine Art Paris, L’Adresse – Musée de La Poste Paris, Bibliothèque nationale de France Paris, Bibliothèque de l’Institut de France Paris, Centre Pompidou, National Museum of Modern Art / Industrial Design Center Paris, Cercle de l’Union Interalliée Paris, Fonds National d’Art Contemporain Paris, Institut national d’histoire de l’art Paris, Manufacture Nationale des Gobelins Paris, Manufacture Nationale de la Savonnerie Paris, Manufacture Nationale de Sèvres Paris, Mobilier National Paris, Museum of Modern Art of Paris Paris, Cernuschi Museum Paris, Musée du Louvre (at Musée Fabre in Montpellier) Paris, Schlumberger Ltd. Paris-La Défense, Société Générale Paris-La Défense, TOTAL France Rennes, Museum of Fine Art Saint-Dié-des-Vosges, Musée Pierre-Noël Sceaux, Musée de l’Ile-de-France, Château de Sceaux Tournus, Musée Greuze Tours, Museum of Fine Art Tours, Conseil général d’Indre-et-Loire, fourteen windows for La Demeure de Ronsard, La Riche Valence, Museum of Fine Art and Natural History Essen, Folkwang Museum Liverpool, The Tate Gallery London, The Tate Gallery London, Victoria and Albert Museum Jakarta, Jakarta Museum Tel Aviv, Tel Aviv Museum Genova, Gallery of Modern Art Milan, Museum of MOdern Art of Milan Fukuoka, Fukuoka Art Museum Fukushima, Iwaki City Art Museum Hakone-Machi, The Hakone Open-Air Museum Kyoto, Kyoto National Museum of Modern Art Nagaoka, Nagaoka Contemporary Art Museum Osaka, National Museum of Art Tokyo, Bridgestone Museum of Art, Ishibashi Foundation Luxembourg City, Grand Ducal Collections of the State of Luxembourg Luxembourg City, National Museum of History and Art Skopje, Museum of Contemporary Art Mexico, Centro Cultural/Arte Contemporáneo Mexico, Museum of Modern Art Mexico, Tamayo Museum of Contemporary Art Castelo Branco...

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