1,713 results for "lisbon"

This thoughtfully designed and versatile set of oversized floor cushions were designed for both kids and adults as an inviting addition to any space. Use them as standalone seating o...

Museum Quality antique late 18th / early 19th century chrysolite chrysoberyl pendant drop earrings in silver and rose gold, probably Portugal, circa 1800. Of elongated and slightly exaggerated outline typical of the period, this design complimented the high hairstyles of the 18th century and would be the perfect jewel for a special event nowadays. Each earring of an openwork design with a navette-shape cluster top suspending a partially-articulated drop-shaped section with floral and foliate motifs and rose gold beading, set throughout with circular, marquise, cushion and calibre cut chrysoberyl stones close-set in silver. These jewels are secured to the top with a lever-back fitting, consistent with the period. Dimensions: 2.6 x 7.2 cm. Gross weight: 26.52g. For a similar pair of Portuguese Georgian chrysoberyl earrings...

Mireia Serra creates sensuous bronze and iron sculptures that capture the beauty of snapshots from life, full of emotions and feelings along the journey of life. Her metal artworks c...

Mediterranean Catalan Farmhouse Landscape Impressionist Oil Painting Artist: Joaquín Asensio Mariné (Barcelona, 1890–1961) Title: Rural Farmyard in Montseny Medium: Oil on canvas Pa...

Comfortable and elegant, Ava armchair is a versatile piece where creativity meets no boundaries: fabrics, solid wood, lacquered wood and brass fittings ar...

Art Deco Odeonesque Old Mine cut diamond geometric ring in 18 karat white gold, signed, Portugal, 1940s. Designed as a three-dimensional rectangular plaque that resembles a picture in a frame, this beautiful geometric ring features two Old Mine-cut diamonds set to the center within a border of 18 smaller similarly-cut diamonds, all stones to an open-back grain setting with a closed gallery, flowing through to a polished white gold shank. Odeonesque rings...

"Half Hearted Skies" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 40 x 40 x 2 inches unframed, sides reveal raw panel and ...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

Modern Chiado Console Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Chiado console table draws inspiration from L...

Laura Pasquino (b. 1987, Estonia) is a ceramic artist based in Amsterdam,Netherlands. Before opening her own studio in 2019, she honed her craft inKyoto, Japan, and Lisbon, Portugal....

Choux armchair is proportional and sculptural, perfectly made to the human scale. It gathers strong upholstered shapes lightly supported on elegant stands that can be fully upholster...

Murano glass chandelier in excellent condition. The brass structure holds 75 hand-blown glass elements - 35 with mirrored and amber glass; and 40 with clear and amber glass. This str...

Choux armchair is proportional and sculptural, perfectly made to the human scale. It gathers strong upholstered shapes lightly supported on elegant stan...

This sumptuous early 18th-century portrait by leading French artist Louis de Silvestre (1675-1760) depicts Baron Pierre de Gaultier, a nobleman and diplomat active during the final y...

Origin: Probably Southern Germany (Nuremberg or Augsburg) or the Flemish region (Louvain or Antwerp). Date: circa 1580–1620 Material: finely engraved brass Diameter: 9 cm A beautifu...

Sonia Delaunay (1885-1979) Composition Color lithograph, 1969 From: Panorama 69, XXe Siecle, June 1969 Published by San Lazzzaro Printer: Moulot ? Large edition, c. 1500 Unsigned (as...

Portuguese Dressage & Piaffe Engravings — Classical Horsemanship, 1790 This elegant set of three antique copperplate engravings originates from the celebrated Portuguese equestrian ...

ABOUT THIS PIECE: Biscarrosse is a town in western France, located south west of Bordeaux. French photographer Ludwig Favre captures a lone surfer going out in the early morning wave...

Monkey - shaped glass sculpture Salviati & C Glassworks Murano, circa 1960 It measures: 7.48 in in height x 3.86 x 4.53 in (19 cm x 9.8 x 11.5) It weighs: 5.29 lb (2.4 kg) State of ...

Antique Swedish Mora clock 1800's in off-white with gold hand painted intricate detailing. Working Longcase clock mechanism of pendulum and 2 weights and a bell chime on the hour. W...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Sagres, 1937 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 16 x 19 inches Superb oil painting by the well listed French marine artist Louis Letouche (1924-2015). The painting portrays the early 20th Century ship titled: Sagres, 1937. The three-masted ship was launched under the name Albert Leo Schlageter on 30 October 1937 at Blohm & Voss in Hamburg for Nazi Germany's Kriegsmarine. The ship was named after Albert Leo Schlageter, who was executed in 1923 by French forces occupying the Ruhr area. Her first commander was Bernhard Rogge. Sagres is a sister ship of the Gorch Fock, the Horst Wessel, and the Romanian training vessel Mircea. Another sister, Herbert Norkus, was not completed, while Gorch Fock II was built in 1958 by the Germans to replace the ships lost after the war. Following a number of international training voyages, the ship was used as a stationary office ship after the outbreak of World War II and was only put into ocean-going service again in 1944 in the Baltic Sea. On 14 November 1944 she hit a Soviet mine off Sassnitz and had to be towed to port in Swinemünde. Eventually transferred to Flensburg, she was taken over there by the Allies when the war ended and finally confiscated by the United States. In 1948, the U.S. sold her to Brazil for a symbolic price of $5,000 USD. She was towed to Rio de Janeiro where she sailed as a school ship for the Brazilian Navy under the name Guanabara. In 1961, Ambassador Teotónio Pereira of Portugal, who was also a man of the sea...

"Abundance" was produced in Circa 2008. This magnificent design was produced in a limited edition of 99, this being number 47. The foot has the etched trademark signature with the copyright symbol: Lalique France. The piece is both clear and frosted silky crystal with a wide shallow footed bowl molded with a flower on the interior and fruit and foliage molded on the baluster. This is a unique and extraordinary Art Nouveau design. It measures 15.125'' H x 15'' Dia. René Lalique’s name is synonymous with French Art Nouveau decorative arts. Born in 1860 he first began designing fine jewelry in Paris in 1881, but pursuing increasingly more innovative experimentation in glass commencing around 1883, he eventually created crystal pieces. Early works used the familiar "lost wax" technique by which the model is made in wax while a mold is formed around the model. Then, the wax is melted and molten glass is poured into the mold. Lalique glass was made in this manner until approximately 1905 at which time the factory was redesigned for a larger production. Without the hand-formed pieces and unique molds, the individual uniqueness of each example of Lalique glass came to an end. The success of this venture resulted in the opening of his own glassworks at Combs-la-Ville in 1909. During the art nouveau period, Lalique was well known for a wide variety of objects including perfume bottles, vases, inkwells, decorative boxes, and bookends. Lalique glass is lead based, either mold blown or pressed. Characteristically the glass is crystal in combination with acid-etched relief. In addition to vases, clocks, automobile mascots...

Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by t...

Jean-Michel Folon (1 March 1934 – 20 October 2005) was a Belgian artist, illustrator, painter, and sculptor The first exhibition of his watercolors was in New York in 1969 in the Lefebre Gallery. One year later he exhibited in Tokyo and in the Il Milione gallery in Milan. He also participated in the XXVth Venice Biennale. In 1973 he joined the selection of Belgian artists in the XXVth São Paulo Biennale, where he was granted the Grand Prize in Painting. Over the years his work concentrated on different techniques, including watercolor, etching, silkscreen, illustrations, mosaics, and stained glass, which showed the diversity of his art. His work Ein Baum stirbt - Un albero muore, 1974, is by Museo Cantonale d’Arte [de] of Lugano. He also designed numerous posters, often for humanitarian causes. Around 1988 he created his first sculptures made out of wood. He then moved on to creating sculptures in clay, plaster, bronze and marble, while continuing to paint. Several museums dedicated exhibitions to him, among them the Musée des Arts Décoratifs in Paris in 1971, the Museum Boijmans Van Beuningen in Rotterdam in 1976, the Institute of Contemporary Arts in London in 1977, the Musée Picasso in Antibes...

Distinct and beautifully made antique Portuguese crescent moon brooch crafted in 19 karat Portuguese yellow gold and silver (circa 1887 - 1932). A great example of antique Portuguese jewelry...

Elegant and simply described as the bastion of Portuguese luxury, the Cortez modern dining table exhales the splendor of the uniqueness of the kings and queens’ era. It's timeless originality and imperial design were inspired by the Palace of Ajuda, a neoclassical monument in the civil parish of Ajuda, in Lisbon. This piece’s top is made of wood finished with high gloss black varnish surrounded by a subtle line of gold leaf coated elements. The structure is supported by two shapely designed geometric feet in lacquered wood and gold leaf coated semi-spheres. This makes Cortez modern dining table ideal for spacious contemporary rooms. Cortez dining table...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

The Bloom Chandelier renders an abstract Banana blossom in hand blown glass. An elongated teardrop is topped by three glass leaves in varied colors and capped by a crown of stacked ...

Sterling Ruby (American, b. 1972) 2015 CHINATI FLAG (DNM) Tag printed with SR STUDIO LA CA printed with handwritten edition number Ed # 88/100 Hand signed "Sterling Ruby" in black pe...

Carved from a limited edition Verde Viana marble — a very rare Portuguese stone sourced from a now-closed quarry. Our Kora Bath is conceived as a singular, immersive object, somewher...

"Fibrosa" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 20 x 16 x 2 inches unframed, sides reveal raw panel and wrapped fab...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

This artwork titled "The Provocateur, Chicago" 2014, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is h...

A handmade jug for coffee or punch This Striped Handmade Ceramic Jug is the perfect statement piece for any kitchen or dining room. Crafted with traditional and contemporary techniques, it is handmade from black and white striped ceramic with a whimsical rustic look. The jug is ideal for holding coffee, punch, or any other beverage and is designed for both functional and decorative display. Minor variations and irregularities may be present, as every piece is made by hand. Photographs are as accurate as possible, but colors may vary slightly from one screen...

Dobra Double Bed by Wentz Dimensions: D 250 x W 172 x H 70 cm Materials: Upholstered bed with wooden structure, elastic straps, hypersoft foam and WE—KNIT covering. Wooden feet with ...

Fully adjustable wall lamp designed and manufactured by Th. Valentiner in Copenhagen, Denmark during the 1950s. It features a marbled glass shade, flexible gooseneck and on/off switc...

Comfortable and elegant, Ava bar stool is a versatile piece where creativity meets no boundaries: fabrics, solid wood, lacquered wood and brass fittings are chosen and combined to pr...

Antique Portuguese Minas Novas Ring, Rare Navette Form, 18th Century, Foil-Backed Rock Crystal Quartz, Silver. A rare and sculptural example of the celebrated Minas Novas tradition,...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

The impressive life-size statue of St. Anthony (Lisbon, 1195 – Padua, 1231) used to be probably in a church or monastery of the mendicant order of the Franciscans. You can immediately recognize a Franciscan monk by his brown habit, brown hooded cloak...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Introducing Frames Slim. A new expression of the Frames collection, the Slim variations explore a more slender, elongated proportion, refining the original's minimalist language int...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Art Deco diamond and synthetic ruby odeonesque concealed bracelet and cocktail watch in 19.2kt yellow gold and platinum, signed Titus, Portugal, 1940s. This exquisite piece boasts a ...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

The multicolor ceiling lamps designed by Kai Ruokonen ( Kai Finnmark ) for Lynx, Stamped "LYNX" Finland, Circa 1950th. Painted metal with pink acrylic. Re...

Exuding timeless sophistication, this exquisite, straw marquetry lidded box is attributed to the legendary French designer Jean-Michel Frank (1895-1941). With its elongated rectangul...

Original vintage travel poster - Portugal Sintra "...A Glorious Eden..." Lord Byron - featuring a scenic view of the picturesque hill town that inspired the famous quote by the notab...

ARTIST : Alex Senchenko © Title : Abstract 2346 Technique: Acrylic & structure on canvas 55cm. x 45cm. Original Painting on a 4cm Deep Canvas Ready to hang 2023 --------...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

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The evening sun bathes the historic village of Obidos, Portugal, in warm golden light, casting soft shadows on whitewashed buildings. A winding cobblestone stre...

A bold, open-formed vessel traced with wandering lines and multiple openings. The Large Wish Vase plays with absence as much as presence. Circular openings interrupt the smooth whit...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

die-cut, lithograph, colored with guoache CASTILLO, Jorge (Pontevedra, 1933). Since childhood, Jorge Castillo is passionate about drawing, and takes only ten years, with crayons, yo...

A fine and impressive pair of 1.10 carat turquoise and 18 karat yellow gold drop earrings; part of our vintage jewelry and estate jewelry collections. These fine and impressive vintage earrings are crafted in 18k yellow gold. These vintage stud earrings are ornamented with articulated drops, each featuring a four-claw set cabochon cut turquoise to the terminal. The upper portion of each earring is comprised of a textured gold abstract floral design, incorporating a further claw set turquoise to the center. These impressive turquoise earrings for pierced ears secure via a hinged latch and post style fastening. The vintage earrings are hallmarked to the interior of the fastening with the Portuguese maker's mark and domestic gold mark (cat's head, minimum 800 standard). The earrings have been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as 18k gold. These turquoise and gold drop earrings...

Modern Chiado Marble Console Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Chiado marble console table draws inspiration from Lisbon’s historic quarter, capturing the essence of its artistic life and bohemian spirit. Seamlessly combining contemporary elegance with luxurious materials, Chiado features one leg upholstered in high-quality Italian leather, while the top is crafted from exquisite stone. Designed to exceed all expectations, the Chiado marble console table accents any interior with its natural artistic expression. Designed by Rute Martins, Greenapple's Creative Director. The Chiado Console...

Coolest Isabel Marant Beslay ankle boots. Unworn. Made from taupe punched suede, they have zip back with tassel trims and lightly distressed rubber soles and signature hidden wedge h...