1,711 results for "lisbon"

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Fantastic & fabulous terracotta chimney pot by the Excelsior Clay co. of Lisbon Ohio c1910. In excellent antique condition with loads of patina just waiting to be in your garden. Pro...

A bold, open-formed vessel traced with wandering lines and multiple openings. The Large Wish Vase plays with absence as much as presence. Circular openings interrupt the smooth whit...

Modern Chiado Marble Console Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Chiado marble console table draws inspiration from Lisbon’s historic quarter, capturing the essence of its artistic life and bohemian spirit. Seamlessly combining contemporary elegance with luxurious materials, Chiado features one leg upholstered in high-quality Italian leather, while the top is crafted from exquisite stone. Designed to exceed all expectations, the Chiado marble console table accents any interior with its natural artistic expression. Designed by Rute Martins, Greenapple's Creative Director. The Chiado Console...

Artist Comments
Soft light falls tenderly upon a pink waterlily in full bloom at Mission San Juan Capistrano in Southern California. "In this painting, I wanted the water lil...

A fine and impressive pair of 1.10 carat turquoise and 18 karat yellow gold drop earrings; part of our vintage jewelry and estate jewelry collections. These fine and impressive vintage earrings are crafted in 18k yellow gold. These vintage stud earrings are ornamented with articulated drops, each featuring a four-claw set cabochon cut turquoise to the terminal. The upper portion of each earring is comprised of a textured gold abstract floral design, incorporating a further claw set turquoise to the center. These impressive turquoise earrings for pierced ears secure via a hinged latch and post style fastening. The vintage earrings are hallmarked to the interior of the fastening with the Portuguese maker's mark and domestic gold mark (cat's head, minimum 800 standard). The earrings have been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as 18k gold. These turquoise and gold drop earrings...

Sculptural blackened steel frame fitted with a gorgeous black limestone top. Very durable stone surface. Inspired by the timeless aesthetic of Frenc...

White Copa Table Lamp by Wentz Dimensions: D 30 x W 30 x H 45 cm Materials: Aluminum. WEIGHT: 2,1kg / 4,6 lbs Colors: Black, White, Sand, Leaf Green. LIGHT SOURCE: 150lm. 2700K. 90...

Important one-of-a-kind 23-carat Ceylon natural no-heat sapphire and diamond convertible necklace/brooch in platinum and White gold, Portuguese, circa 1957, crafted for an occasion graced by Queen Elizabeth II during her royal visit to Lisbon, accompanied by a custom-fitted case. This exceptional and singular vintage jewel hails from the 1950s, an era of unrivaled elegance and exquisite craftsmanship. It boasts a transformative centerpiece crafted as a convertible necklace-brooch of unparalleled artistry. At its heart lies a resplendent round-shape natural Ceylon sapphire, a dazzling gem of remarkable rarity, weighing a remarkable 23.01 carats. The centerpiece is an exquisite focal point, a dazzling spectacle adorned with a stylized floral cluster delicately adorned with round brilliant-cut and marquise brilliant-cut diamonds, further accentuated by smaller oval-shape sapphires. This captivating cluster extends gracefully on either side, adorned with delicate swags of alternating marquise brilliant-cut diamonds and oval-shape sapphires, culminating in a sublime sapphire and diamond cluster terminal, which transitions seamlessly into an articulated link necklace meticulously set with diamonds throughout. The versatility of this Mid-Century jewel is underscored by its capability to transform into a striking brooch, secured with a click-shut and safety catch fitting, further augmented by a hinged pin brooch fitting. The exceptional 23-carat Ceylon sapphire stands as a testament to its rarity. Natural, non-heated sapphires of this caliber, especially surpassing 5 carats, are extraordinarily rare and highly sought-after, adding unparalleled allure and value to this piece. This remarkable jewel's historical provenance is steeped in significance, commissioned to Casa Branca de Brito jewelers by a distinguished Portuguese Lady...

Naked sofa reveals sculptural and organic shapes meant to embrace the user and encourage to stay seated in this cozy and comfortable piece. With comfort as the constant starting-poin...

NDP29 woollen carpet by Nathalie Du Pasquier Post Design collection/Memphis A woollen carpet handcrafted by different Nepales...

Practical, fashionable, and durable—these designer loafers are carefully built to be fine companions to your everyday style. They come made using the best materials to be a prized bu...

Abstract oil on canvas painting by Ivan Freitas. 25" x 31" inch canvas, framed to 30" x 36". It is signed at the lower right. Bearing a Barcinski Art Gallery label verso and a second label stating that the painting was sold in 1961 at a benefit auction for the Albert Einstein Hospital held at the Museum of San Paulo. Ivan Freitas was a Brazilian Postwar & Contemporary painter and Muralist (1932-2006) Son of muralist Severino Araújo, Ivan started painting as a self-taught artist. His first individual exhibition was at the Public Library, in 1957. With the success of the exhibition, he was able to move to Rio de Janeiro the following year, in 1958, where he came into contact with the work of artists such as Salvador Dali and Rene Magritte who influenced him. Between 1962 and 1963 he resided as a fellow in Paris. Between 1969 and 1972, he was on his second tour abroad, in New York City and commissioned by the International Telephone and Telegraph Corporation. Back in Brazil, he painted a mural of over a thousand square meters on the external wall of the National School of Music in Rio de Janeiro in 1984 - the first of the Arte nos Muros Project. Still in the 70s, he married Dalva Mendes Gall whom he left after his death in 200, an extensive collection where one can find all the best works of this renowned Paraiba artist in Brazil and abroad. The stay in New York, from 1969 to 1972, was perhaps the greatest turning point in Ivan's career. Until then, according to art critic Roberto Pontual, the plastic artist followed "a phase of abstraction close to the informal". In the United States , with so much technological influence around him, Ivan becomes interested in the machine and its movement mechanisms and inserts these perceptions in his works, as kinetic constructions with small motors hidden in boxes as Pontual defines, and also and triggering light patterns in cyclic and repeated series. (similar to the Op Art works of Julio le Parc and works by Yves Tinguely being shown at Rene Denis Gallery in Paris In 1968, the magazine Galeria de Arte Moderna (GAM), published an article entitled Ivan Freitas and the Cosmic Space. In the Brazilian Dictionary of Plastic Artists , the Italian art critic Giuseppe Marchiori refers to Ivan Frentas as someone who "controls and dominates each part of the painting with a desire to deepen the image that surprises and enchants". Still according to the critic, Ivan is someone who preserves the mystery in the harmony between lines and the colorful atmosphere, where he creates pauses and rhythms for the reading of his "secret structures". Arte Neo Concreta artists Lygia Clark, Helio Oiticica and Lygia Pape, were all contemporaries The poet Ferreira Gullar writes: "Freitas does not turn to the subjective world, does not inquire into the arcana of the unconscious; he inquires into the future and, in the solitude of his paintings, promises us a serene and orderly world. And, if in his landscapes man does not appear, it is not that this order excludes him - it is that he has not yet reached it. " Selec Solo Exhibitions 1957 - João Pessoa Public Library; João Pessoa, PB. 1960 - Ivan Freitas: Painting Exhibitions , at the Penguin Gallery; Rio de Janeiro - RJ. 1961 - MAM-BA , Salvador , BA. 1962 - Rubbers Gallery; Buenos Aires , Argentina . 1962 - La Cabana Galeria; Trieste , Italy . 1962 - Brazil-United States Cultural Institute; Rio de Janeiro - RJ. 1962 - Brazil-Uruguay Institute; Montevideo , Uruguay . 1962 - Barcinski Gallery; Rio de Janeiro - RJ. 1963 - Galleria Del Canale, Naples , Italy. 1963 - Ivan Freitas: Paris 1963, at the Barcinski Gallery ; Rio de Janeiro - RJ. 1964 - Barcinski Gallery; Rio de Janeiro - RJ. 1966 - Relief Gallery; Rio de Janeiro - RJ. 1968 - Relief Gallery; Rio de Janeiro - RJ. 1969 - Pan American Union; Washington , United States. 1971 - Miramar Gallery; New York, United States. 1971 - Bloomingdale's Art Gallery; New York, United States. 1973 - Individual, at Galeria Bonino; Rio de Janeiro - RJ. 1973 - Galeria Collection; São Paulo , SP. 1974 - Ivan Freitas: Paintings / Objectives , at the Rio de Janeiro Art Exchange; Rio de Janeiro - RJ. 1975 - Arte Global Gallery; São Paulo-SP. 1976 - Ivan Freitas: Paintings / Space / Movement , at Galeria Ipanema; Sao Paulo-SP. 1977 - Paulo Prado Gallery; Sao Paulo-SP. 1978 - Paraíba State Cultural Foundation; João Pessoa, PB. 1979 - Gallery B. 75 Concorde; Rio de Janeiro - RJ. 1980 - Individual, at Galeria do Sesi; Sao Paulo-SP. 1980 - Paulo Prado Gallery; Sao Paulo-SP. 1986 - Ivan Freitas: The Reinvented Landscape , at Galeria Arte Aplicada; Sao Paulo-SP. 1987 - Applied Art Gallery; Sao Paulo-SP. 1989 - Evasion Arte Gallery; Sao Paulo-SP. 1994 - GB Arte Gallery; Rio de Janeiro - RJ. Select Group Exhibitions 1959 - 8th National Salon of Modern Art; Rio de Janeiro - RJ. 1960 - 9th National Salon of Modern Art; Rio de Janeiro - RJ. 1961 - 10th National Salon of Modern Art - jury exemption and critical award; Rio de Janeiro - RJ. 1961 - 6th São Paulo International Art Biennial , at the Ciccilo Matarazzo Pavilion; Sao Paulo-SP. 1963 - Art from America and Spain; Europe . 1963 - 2nd Youth Biennial; Paris, France. 1963 - 7th São Paulo International Art Biennial, at the Fundação Bienal; ; Sao Paulo-SP. 1964 - 2nd Art Summary of Jornal do Brasil, at MAM-RJ; Rio de Janeiro - RJ. 1965 - Current Brazilian Art; Bonn , Germany . 1965 - Current Brazilian Art; London , England . 1965 - 1st Esso Young Artists Salon, at MAM-RJ; Rio de Janeiro - RJ. 1965 - Opinion 65, at MAM / RJ; Rio de Janeiro - RJ. 1965 - 1st Esso Salon of Young Artists, at MAC / USP; Sao Paulo-SP. 1965 - 8th São Paulo International Art Biennial, at the Fundação Bienal; Sao Paulo-SP.* 1965 - Current Brazilian Art; Vienna , Austria . 1966 - 5 Contemporary Painters from Brazil; Buenos Aires, Argentina. 1966 - 5 Contemporary Painters from Brazil; Montevideo, Uruguay. 1966 - 1st National Biennial of Plastic Arts; Salvador BA. 1967 - 9th Bienal Internacional de Arte de São Paulo, at the Bienal Foundation; Sao Paulo-SP. 1968 - 2nd Esso Young Artists Salon, at MAM / RJ; Rio de Janeiro - RJ. 1969 - 7th JB Art Summary, at MAM-RJ ; Rio de Janeiro - RJ. Local de realização:(Brasil / Rio de Janeiro / Rio de Janeiro) Instituição de realização:Museu de Arte Moderna do Rio de Janeiro, Ficha Técnicado evento Resumo de Arte JB Artista participante: Anna Letycia, Darel, Farnese de Andrade, Fayga Ostrower, Flexor, Frans Krajcberg, Ione Saldanha...

This minimalist table is made from a high quality red travertine, featuring a curved edge top that elegantly sits on four cylindrical columns, giving this table a sculptural feel. ...

Large mid-century abstract expressionist oil on canvas of a still life of flowers by Belgian artist Eric Verhal. Signed and dated '65 to the bottom right and again to the reverse of the canvas. A colourful and energetic painting of a vase of flowers. Very much of its period. Angular lines reminiscent of the work of Bernard Buffet outline and crisscross luminescent fields of colour in orange, yellow, white and red. A real period piece, strong and full of energy. Eric Verhal ( born: 1938 ) : Masters of Art History and Archaelogy, State University, Ghent, Belgium. Masters of Fine Arts, Washington University, St. Louis, Missouri, U.S.A. In 1968, after a period of four years as a teacher at the Lycée des Garçons in Sfax, Tunisia, Verhal left for Spain and Portugal with a scholarship from the Belgian Gouverment. After this, he traveled to the U.S.A. where he taught painting and printmaking at the Washington University, St. Louis, U.S.A. In 1970 he obtained his Masters of Fine Arts degree at the same university. From 1973 up until 1999, Verhal taught history of art at the Royal Academy of Fine Arts, Ghent, Belgium. In the summers of 1974 till 1981, Verhal taught diffirent courses at the Portland School of Art, Maine, U.S.A. and at the University of North-Carolina, Greensboro, North-Carolina, U.S.A. Verhal obtained scholarships for Rome, Italy, in 1961-1962, Lisbon in 1966-1967 and Germany in 1978. In September and October 1979, he worked in Boston, U.S.A., and obtained a scholarship for Japan, in 1983, where he had a show in the White Striped House Museum, Tokyo, Japan. In 1998 Verhal opened a studio in Brooklyn (N.Y. City, U.S.A.). Arsonists burned the studio down and Verhal’s studio moved to Coton-on-Hudson, N.Y., U.S.A., in the house of his oldest daughter. Verhal opened a new studio in France, Le Massif...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

Santos is a riverfront region in Lisbon, which used to be a former industrial area with abandoned factories, now transformed in Portuguese schools in the creative field. The matte an...

This minimalist table is crafted entirely from a single material, featuring a beautifully curved-edge top in natural travertine. It rests on distinctive bullet-shaped legs, thoughtfu...

Keller & Guerin-Luneville pair of vases signed Handwritten signature: KG Luneville France Ne Art Nouveau shape Lys hand-painted Decor iris amid Umbellif...

RARE - India, 17th-century Indo-Portuguese work, in teak and ebony wood. A counter chest decorated with teak inlays on ebony forming floral motifs surrounding crowned lions, which in...

Still Life, ca. 1950's. Tempera on paper. Image measures 14 x 17 inches. Black paper sheet measures 18 x 24 inches. Unframed. Signed lower left. Discreet tears in upper right corn...

Carrera y Carrera Vintage Panther Diamond Bracelet, 18 Karat Yellow Gold, Spain, circa 1980s. An exceptional vintage panther bracelet by the celebrated Spanish house Carrera y Carre...

This artwork titled "Windmill" 2009, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand signed, date...

Space Age vintage chair or side chair model kangaroo chair or Z chair from yellow plastic by Ernst Moeckl for Baydur, W-Germany, 1960s. Very rare to find in the happy making sunshine...

Nicolas de Largillierre painted Elisabeth Marguerite in oil on canvas. A larger version of this work was offered by Sotheby's for $500,000 and is now in a French Museum - Palais ...

After surviving Lisbon’s 1755 earthquake, the royal family decided to live in a much more solid residence than before. It was then that the Palace of Ajuda was built and, from there on, several families inhabited it. The building also underwent some changes through the years, having even been partially destroyed by a fire in the meantime. Inspired by such a strong building, with such strong roots, Malabar created the Cortez Sideboard...

Jean side tables are unique in their conception. The combination of three different marbles make them a sign of unconformity and originality. Made to order. Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around the world while embracing the crafts heritage, creating contemporary pieces combining traditional Portuguese materials and handmade techniques producing original, high quality products. Mambo Unlimited Ideas is dedicated to furniture and upholstery. Its collection offers a comprehensive customizable furniture...

Like a warm embrace, Charlie armchair welcomes you to stay within and relax. An elevated homage to postmodern design that radiates through its unusual proportions and strong curves w...

Massimo Listri Palazzo Reale I, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 x 1...

Mid-century modern club armchair with a red lacquered metal frame, camel upholstered seat, terracotta back and polished brass details. The Miami armchair is a compact upholstered lou...

Silver - Silver purse and coin purse. Portuguese mesh with openwork decoration. One with an 'eagle' hallmark of 833 thousandths dated 1938-1984; the other with an unidentified Lisbon...

Louise Bourgeois Homely Girl, A Life, Volumes I and II (Literary books with 10 original etchings) Hand signed by both artist Louise Bourgeois and Pulitzer winning playwright Arthur M...

Rene lalique was a word famous jeweler before becoming a successful glass designer. He was a man of the Art Nouveau style and his creations were celebrated by French artists as Sarah bernard...

Label verso from Wally Findlay Galleries. unframed 57.25X44.25 with frame 60.75X48 Michel-Henry was born in Langres in 1928 and has shown strong passion for drawing since his chil...

Vintage dragon emerald, ruby and diamond 19.2kt yellow gold bangle bracelet, Portuguese, mid-20th century. Lisbon hallmarks and Portuguese maker’s mark. A remarkable example of Portuguese mid-century goldsmithing, this substantial bangle takes the form of a coiled dragon or serpent, its body articulated through an exceptionally detailed scale-like surface and terminating in a richly jeweled head and pointed tail. The creature’s head provides the dramatic focus. Pavé-set rose-cut diamonds cover much of its surface, punctuated by circular-cut emeralds arranged in sinuous foliate-like motifs and ruby-set eyes. Particularly compelling is the modeling of the open mouth: the goldsmith has given the dragon individually defined teeth and a projecting tongue, transforming what could have been a purely decorative jewel into a remarkably animated sculptural object. The body coils twice around the wrist, its exterior worked throughout with realistic overlapping scales. In contrast, the interior is finished with a fine Florentine texture—a sophisticated detail largely concealed when worn and indicative of the attention given to the jewel beyond its immediately visible surfaces. The diamond-set tapering terminal echoes the jeweled head at the opposite end. The ambiguity between dragon and snake is part of the jewel’s appeal. Serpentine jewelry...

Massimo Listri Fortuny, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 x 150 cm) e...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Tiles Line Cream Ceramic Decorative Wall Lamp by Violaine d'Harcourt Dimensions: D 5,4 x W 14 x H 29 cm. Materials: Ceramic. Wall light made in Portugal in collaboration with Dutch ...

Portuguese Rosewood Baroque Chest, Circa 1830 Suited for Jewelry, Occasional Storage, or Decorative Use Sourced by Martyn Lawrence Bullard from Lisbon, Portugal

Elegant and simply described as the bastion of Portuguese luxury, the artistic-inspired Petit Cortez II dining table exhales the splendor of the uniquenes...

Untitled Mixed media on paper, 1979 Signed and dated ‘79 lower right (see photo) Sheet size: 31 1/2 x 48" Frame: 34 1/4 x 50 1/4" Provenance: Members Gallery, Albright-Knox Art Galle...

A limited edition ten-volume set of the works of Henry Fielding, edited with a biography by Leslie Stephen. A ten-volume set in half morocco bindings. All edges gilt. No. 92 of a t...

Set of two vintage American amber glass apothecary/medicine bottles known as "Druggist's Packing Bottles" coined by the Illinois Glass Company, an early producer in the US of these p...

An important Portuguese painting from the mid-17th century. This oil-on-canvas painting, attributed to the circle of Diogo Pereira (1630–1658), depicts Lot and his family fleeing the...

Outstanding pencil on paper Abstract drawing. Marcel Dumont was a Liège artist who painted in oils and gouache, also produced collages and was an illustrator and engraver, doing so in a number of different styles. Early on in his career, he tended to produce paintings displaying a poetic realism but this changed over time until, in 1957, he was employing geometric abstraction and later still, the influence of pop art could be discerned. His geometric style has strong linear structure which occasionally veers to expressionism and the effect of this is an interesting sense of detachment that the viewer of the work can feel and one engages with the subject on a different level than one would normally expect. A critic wrote of him," Sometimes expressionist, sometimes linear, the abstraction forms itself willingly, in Marcel Dumont's world, to leave the rectangular structure to connect to carefully prepared tones. He retains also, in his abundant output, a few poetic pop-art collages together with a number of drawings and engravings illustrating Stefan Zweig...

Vintage cognac leather Pangolin Sofa by Egg Designs care of Greg and Roche Dry. While the company is originally from South Africa, all production is overseen in Lisbon, Portugal. Thi...

Massimo Listri Salone da ballo, Palazzo Reale Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 i...

Signed lower center with artist monogram, 'B.S.' for Benjamin Silva (Brazilian, born 1927) and dated with roman numerals, 1968; additionally signed, verso, dated and titled. A dram...

Swooping curves, softly returning arms, and sculptural shape define the Bisou Armchair. The tight but soft seat and back along with clean seam detailing give this piece a clean, tail...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Modern Arco da Augusta Leather Console Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Arco da Augusta leather console table draws inspiration fr...

Title: Butterfly Medium: Oil on canvas Size: 19.5"" x 19.5"" Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: This ...

Oil on canvas depicting Saint Anthony in a garden being visited by Angelic Cherubs with a courtyard and fountain and mysterious figure in the background, the ever present Lily flower in the foreground. In a period ebonized wood frame. Anthony of Padua (Italian: Antonio di Padova) or Anthony of Lisbon (Portuguese: António/Antônio de Lisboa; born Fernando Martins de Bulhões; 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest...

For any problems related to some materials contained in the items that do not allow shipping and require specific documents that require a particular period, please contact the selle...

This artwork titled "MayDay Flag" 2010, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand signed, d...

Catus console is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the marbl...

Open since 1997 and based in Lisbon, Portugal, a country with a long crafts tradition, Mambo Unlimited Ideas' design team researches for innovation and creativity developments around...

Large Museum Scale Surrealist Composition Dalí Circle Catalan Painting 1987 Artist: Antoni Pitxot Birth–death: Figueres, 1934–2015 Title: Battle of Constantine Series Date: 1987 Technique: Oil on canvas Dimensions: 100 × 100 cm (39.4 × 39.4 in) Signature: Signed and dated “pitxot 87” lower right Condition: Excellent overall condition Frame: Unframed Provenance: Private collection, Barcelona DESCRIPTION Important large-scale surrealist oil painting executed in 1987 by Antoni Pitxot, one of the closest artistic collaborators of Salvador Dalí and a central figure within the visual universe of the Dalí Theatre-Museum in Figueres. This powerful 100 × 100 cm composition belongs to Pitxot’s Battle of Constantine series, one of the artist’s most ambitious narrative cycles. In this work, his unmistakable geological figuration becomes a theatrical surrealist battlefield, where mineral forms, latent human presences, fossil memory and Mediterranean landscape merge into a monumental symbolic construction. Pitxot’s mature paintings are instantly recognizable for their transformation of stones into anthropomorphic figures and metaphysical architectures. Rather than depicting a conventional landscape, the artist creates a stage of petrified forms, suspended between archaeology, sculpture, mythology and dream imagery. The work is especially strong for its museum-scale square format, its dramatic vertical construction and its direct connection with the Dalí circle. Large paintings by Pitxot with this level of compositional complexity are considerably less common than his smaller cabinet-format works and are particularly attractive for collectors of Spanish surrealism, Catalan modernism, European surrealism and artists connected to Salvador Dalí. A major statement piece with exceptional wall presence, ideal for an important private collection, curated interior or collector focused on late twentieth-century European surrealism. ARTIST BIO Antoni Pitxot (Figueres, 1934 – Cadaqués, 2015) was a Catalan painter and one of the most significant artists associated with Salvador Dalí’s late artistic environment. Born into the historic Pichot family, closely linked to the artistic life of Cadaqués, Pitxot studied drawing in San Sebastián under Juan Núñez, who had also been Dalí’s teacher. During the 1950s and early 1960s he exhibited in Barcelona, Madrid, Bilbao and Lisbon before settling permanently in Cadaqués in 1966. From that moment, he developed his mature and highly distinctive pictorial language based on the rock formations of Cap de Creus. Pitxot collected stones from the coast, arranged them in his studio as sculptural constructions, and then transformed them into oil paintings populated by anthropomorphic mineral figures. His friendship and artistic collaboration with Salvador Dalí became central to his career. Dalí dedicated a permanent gallery to Pitxot’s work inside the Dalí Theatre-Museum in Figueres. After Dalí’s death...

Like a warm embrace, Naked armchair welcomes you to stay within and relax. An elevated homage to postmodern design that radiates through its unusual pro...

Alcoa is a set of two lidded pots in Alcobaça ceramic with a glossy white glaze, a solid beech base and a lid with a tall pointed finial in natural beech, made in Portugal by Lusitan...