11,879 results for "cubist"

A one of a kind 48" x 24" Figurative Cubist Acrylic Portraiture Painting executed by artist Alexander Arshansky. A certificate of authenticity will be provided upon its purchase or d...

Steps Into The Town, steep stone steps lead figures down amongst town buildings. by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed unsigned to the...

Pablo Picasso, After, Spanish (1881 - 1973) - Femme vue de Dos. Year: 1956, Medium: Etching, signed in the plate, Image Size: 15 x 11 inches, Frame Size: 23 x 18.5 inches, Descriptio...

Circus Backstage (At Play) (70) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 18.5 in. x 30 in. (46.99 cm x 76.2 cm)

Antique American modernist abstract oil painting by Lela "Jackie" Axline (1910-1998). Oil on board, circa 1940. Signed. Displayed in a period modern frame. Image, 16"L x 24"H.

Red Hammond (American) The Klue, 1986 Oil on canvas 65 1/4 x 53 1/2 x 1 1/2 in. Signed, dated, and inscribed verso Artist statement sourced from Red Hammond's website: ORIGINALITY As an artist I put myself into the piece of art not to achieve originality for its own sake, but to be honest to, to follow the work. Immersion in the making ensures that the work will be authentic -.that its uniqueness allows the work to emanate its own light, encouraging the viewer to look and to see. While not initially apparent, my paintings typically have numerous, subtle inflections that are often hidden at first glance because the large primary, usually black forms, are strong and register first. SHAPES AND EMOTIONS I place significant emphasis on my ability to invent personal shapes. When put together, they establish a dialogue within the painting. I start without any preconceived idea for the painting and do not work from drawing in order to maintain the spontaneity and challenge to work through a solution - to remain fresh and capable of creating surprises for both myself and the viewer. Working instinctually, , I grope around, figuring out how the feelings I have manifest themselves in a specific shape or shapes and how to achieve the overall mood I’m searching for in a particular piece. SYMBOLS AND MEANING I build a painting with symbols that go beyond words, creating works that may appear somewhat opaque, mysterious, at times. This encourages engagement on the part of the viewer and allows each viewer to arrive at their own ideas concerning the works’ meaning. Viewers of art often confuse subject matter with content. A cow in a field is a cow in a field - that is subject matter. Content is what the artist puts in of him or herself. That is an intangible that is difficult to decipher. I find the early work of the American abstract expressionists and the artifacts and ritual art of indigenous peoples and tribal cultures to be inspirations. COMPLETION Often I’m sure that I have completed a painting and for that moment in time I probably have. Sometimes, however, hours, days or several years later, I look at again and realize that while I was correct for that moment, the painting’s potential was never realized. So I begin the process of working that painting again, and this process can go on for years until I’ve finally got the painting to where it needs to be in order for it to be fully realized. ART AS THERAPY AND DISCOVERY Like life, art is not just about self-improvement but also about self-discovery. If I’m not working on getting better as a painter, improving my paint application or pushing myself to expand my limits as a person, I feel I’m letting myself down and falling short of my potential as an artist. Each day in the studio is a mini-metaphor for life that demands and rewards patience.… Without it, I end up with a big...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper stuck on card size: 18 x 25 inches condition: very good and ready t...

An engaging modernist pencil study of a seated woman by French artist Wouyart (20th Century). The figure is rendered with a refined economy of line, where traced contours, subtle sha...

A Striking 1940s Cubist, Mid-Century Modern Drawing of a Seated Woman Artist, Sketch Class by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Pastel and charcoal on paper. A...

GORGEOUS! MID CENTURY MODERN CUBIST/BRUTALIST PAINTED MULTI-MEDIA WALL SCULPTURE In the manner of Picasso's Synthetic Cubist Period 50" wide by 17" high by 3" deep Magnifi...

"Woman's figure" is an cubist and abstract painting by the Armenian-Bulgarian artist Maestro Arshak Nersisyan. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Con...

vintage hexagonal lantern pendant light fixture is the perfect statement piece to add a touch of classic elegance to any space. Whether you're looking to enhance your entryway, dinin...

Original oil painting on machine made colored paper. Hand signed and dated on front by Ottorino Mancioli. Artwork size: 25.5 x 27.1 inches. Frame size: 37 x 39 inches. The pain...

Nature Morte au Pichet Acrylic on canvas 55 x 46 cm Bold and textured Cubist still life by Grégoire Mathias, featuring a fragmented fruit bowl. A striking composition blending abstr...

Colorful Post-Cubist oil painting still life with guitar By Serge Magnin, born in France, 1934. Framed. Size of the frame: H 67 cm x L 81 cm x W 2 c...

Vintage French Scarf after Pablo Picasso Cubist Portrait of "Femme Assise 1980s. This vintage Picasso silk scarf features one of his paintings ...

Impressive chromed and incised geometric metal sculpture, on a black granite plinth. Sculpture is signed S. Fernandez Van Den Bussche 1979.

New England Landscape, 1925, by Jan Matulka (1890-1972) Oil on canvas, mounted to masonite 29 ¼ x 21 ¾ inches unframed (74.295 x 55.245 cm) 30 x...

Apéritif à Saint-Tropez Acrylic on canvas board Dimensions (unframed): 22 × 33 cm Dimensions (framed): 27 × 38 × 3 cm Signature: Lower left In Apéritif à Saint-Tropez, Grégoire Mat...

Cubist Composition by Armand Rottenberg (French 1903-2000) signed lower corner, circa 1980's oil painting on board, framed Framed 28 x 20.5 inches Stunning original Cubist painting...

This is a book titled "Plakate Affiches Posters," published by Droste Verlag, Düsseldorf, in 1963. Featuring 138 reproductions of posters, it offers a curated selection by Christoph ...

Awakening by Martiros Manoukian, Armenian (1947) Date: 1999 Screenprint with Embellishments, signed and numbered in ink Edition of 363/395 Size: 22 ...

Rare Art Deco Teal Green Metal Dog Ashtray – Geometric & Cubist Design, Original Paint This highly stylized Art Deco metal ashtray is a striking example of early 20th-century design...

Roger de la Fresnaye The White Leaves : Cubist Composition, 1966 Stone lithograph after a painting Printed signature in the plate On Arches vellum 65 x 50 cm (c. 26 x 20 inch) In v...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Deux Pigeons". The original painting was completed in 1960. In the 1970's after Picasso's de...

Abstracted Cubist Turkey Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abs...

Title: French Cubist Abstract Oil Painting, Bold Geometric Composition, 1970 Key Details Artist: Iris Leger (French, Mid 20th Century) Medium: Oil on canvas Size (canvas): 26 x 32 i...

Watercolor and ink French town buildings over a River by Bernard Labbe (French mid 20th century) original watercolor and ink on card image size: 7.5 x 6 inches card overall: 9.4 x 8....

Vibrant street scene by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed signed lower right stamped verso A robustly coloured and lively scene of a ...

This extraordinary pair of Art Deco lounge chairs, also ideal as club chairs or accent chairs, embodies the radical modernism of the 1930s with striking clarity. Crafted in France, t...

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Cubist Composition Year: circa 1945 Medium: Gouache on Board, signed Size: 29 in. x 40 in. (73.66 cm x 101.6 cm) Frame S...

A Vibrant, Mid-Century Modern 1960s Studio Interior Scene of a Standing Female Nude by Notable Chicago Woman Artist, Vivian Kinsley Chapin (Am. 1909-1984). Very "Mod" in style and a...

Polymnie, Muse de la Poésie (Polymnia, Muse of Poetry) Acrylic on canvas 65 x 92 cm Signed lower right This striking modern cubist painting captures Polymnia, the muse of poetry, d...

Rare cubist bronze chandelier with glass lampshades in excellent original condition.

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24" x 36" x 1.5". It is unframed. A Certificate of Authenticity will fol...

Artist Comments
This is a painting of abstracted coffee makers and is painted around the sides of the canvas.

About the Artist
For Rachel Srinivasan, an idea is wo...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 12" x 12" x 1.5". It is unframed. A Certificate of Authenticity will fol...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 36" x 24" x 1.5". It is unframed. A Certificate of Authenticity will fol...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 30" x 24" x 1.5". It is unframed. A Certificate of Authenticity will fol...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 20" x 16" x 1.5". It is unframed. A Certificate of Authenticity will fol...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper mounted on card size: 18.75 x 24 inches condition: very good and ready to be enjoyed provenance...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of ...

Vintage Abstract Cubist Sculpture Bronze Granite XX Century DIMENSIONS Height: 7 inches Width: 3-3/8 inches Depth: 3-3/8 inches ABOUT This is a brillia...

Vintage Midcentury Modern French Design Cubist Floor Lamp / Coffee Table or Side Table by Max Sauze. Made in France, 1960's. Marked; 'Made in France'. Chrome metal frame with cut gla...

Floral Abstract by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on artist paper, unframed size: 12 x 9 inches condition: very good and ready to be e...

Mid Century Modern Cubist Figure on Canvas by John Ross (1921-2017) Purchased in Paris housed in a 19th Century gilt frame. John Ross, painter, printmaker, author, and educator, wa...

Stunning period Cubist oil painting on canvas with strong Futurist undertones, carries Cyrillic script as part of the composition. Visceral quality to the brushwork and application o...

Rare Art Deco wall lamp produced in Czechoslovakia during the 1930s, reflecting the distinctive influence of Czech Cubism and modernist design. The lamp features two conical metal sh...

A Large, Colorful, Modernist Art Deco Cubist Painting, "The Dancers" by Famed Chicago Painter and Printmaker, Charles Turzak (Am. 1899 - 1986). A large, vertical composition relatin...

Vladimir Kagan Model 6705 Mid Century Cubist Rosewood Expanding Dining Table with 2 Leaves This table measures: 66 wide x 42.25 deep x 28.5 inches high, with a chair clearance of 27...

Couple à Aegina (A Couple in Aegina) Acrylic on Canvas 61 x 50 cm Couple à Aegina presents two intertwined figures assembled within a structured architectural setting inspired by the Greek island of Aegina. Rather than depicting a fixed scene, the composition builds from fragments — bodies, objects, spatial planes — held together through vertical alignment and interlocking geometry, so that figure and environment become genuinely inseparable. A central elongated form anchors the work, while surrounding elements — suggestive of musical instruments, interior structures, and architectural detail — intersect and layer. The figures remain partially legible, continuously shifting between presence and abstraction as they absorb and release the forms around them. The palette is restrained and deliberate: deep blacks and muted blues form the dominant ground, punctuated by sage greens and lighter neutral passages. Small circular accents and linear elements move across the surface, creating an internal rhythm that draws the eye without dictating a fixed entry point. This is not a scene captured at a single moment. Working through what he calls a "reverse jigsaw logic" — beginning with a figurative view of reality, then fragmenting and recomposing it — Mathias brings multiple perceptions into one field: variations in viewpoint, shifts in spatial relation, different moments of observation layered together. Like his figurative works more broadly, the human presence here is never isolated; it is always integrated with place, absorbed into the architecture and light of Aegina itself. Living with the Work: Before acquiring this piece, consider: at 61 x 50 cm, this is an intimate format — best suited to a space where you will naturally spend time close to it, rather than a large wall viewed from across a room. Does the space you have in mind allow for that? Does your interior already carry deep blacks, blues or greens, or would this palette introduce a contrast you'd find interesting to live with? Are you drawn to the human figure as a subject, or does the way the figures here dissolve into their architectural surroundings — becoming part of the place rather than standing apart from it — feel like the more compelling idea? Collector's Insight Rooted in the direct lineage of Jean Metzinger — whose disciple Claude Augereau was Mathias's professor at the École Nationale Supérieure des Beaux-Arts in Paris — this work extends the structural logic of European Cubism into a genuinely original proposition. Where Cubism fragmented space, Diachronic Cubism fragments time itself, embedding successive moments of perception within a single composition. The result sits comfortably within the tradition of Gris and Gromaire while belonging to no one but Mathias. About the Artist Grégoire Mathias, graduate of the École Nationale Supérieure des Beaux-Arts de Paris, is the pioneer of Diachronic Cubism — an evolution of the cubist tradition that captures not only multiple points in space but multiple moments in time within a single work. His paintings have been exhibited in Paris, New York, Los Angeles, Bordeaux, and Dublin. Since 2020, he has been the official artist of the WFUNA (World Federation of United Nations Associations), designing posters for United Nations Day in Geneva — the first French artist commissioned to do so since Picasso, Chagall, and Miró. Keywords Diachronic cubism, Greek island painting...

Asymmetrically carved walnut lamp with brass hardware. Size is of the base only. No shade included.

"Cubist Serenade" – A Meditation in Geometry and Harmony Anthony Dunphy’s *Cubist Serenade* is not merely a painting—it is a sanctuary. The moment your gaze meets its frac...

Cubist office armchair with wooden structure, legs and armrests in solid varnished walnut, reupholstered with geometric pattern Art Deco velvet. France c. 1930.

San Marco, Venise Acrylic on Canvas 60 x 49 cm Signed lower right and on the reverse In San Marco, Venise, Grégoire Mathias translates the timeless elegance of Venice’s architecture into his distinctive language of Diachronic Cubism — a style that captures not only multiple spatial perspectives but also the passage of time within a single composition. The familiar arches and reflections of the Venetian lagoon dissolve into an intricate interplay of geometric planes and shifting tones of turquoise, ivory, and sand. The result is a composition that feels both architectural and fluid — an echo of light dancing on water, where memory and presence coexist. Mathias’s mastery lies in how he balances structure and emotion, transforming an iconic cityscape into a meditation on rhythm, space, and movement. Perfect For: Collectors of modern Cubism • Venice and Italy enthusiasts • Contemporary interiors with neutral or coastal tones • Living rooms or entryways seeking architectural depth and movement Collector’s Insight: This painting belongs to Mathias’s Venetian Series, where he explores the interplay between history and modernity through cubist fragmentation. Its soothing palette and elegant balance make it a perfect statement for collectors drawn to contemporary reinterpretations of classic European subjects. Keywords: Venetian painting, Piazza San Marco, cubist architecture, modern cubism, French contemporary art, Greg Mathias, Diachronic Cubism, contemporary Cubism, modern architecture art...

Artist/ School: Rene Leroy (French b. 1932) Title: Abstract/ Cubist Composition Medium: oil on canvas Size: painting: 15.5 x 15.5 inches Provenance: all the paintings we have for...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 15H by 19L.

Artist/ School: French School, signed lower corner, circa 1980's period. Title: Cubist abstract composition of figures. Medium: oil painting, on canvas. Size: frame: 32.5 x ...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist landscape was created in 1952. Estate stamped and dated on the reverse. Titled, "Nahant Rocks, Lynn, MA " with a partial exhibition label on the reverse. The painting comes housed in a black wood frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

Designed and made in the USA by Lane furniture, this queen size headboard features everything you know and love the about the Lane Staccato cabinets, but in bed form. Dynamic grainin...