1,011 results for "de stijl"

This pew, designed in 1963 for the *Hoeksteen Church* in Uithoorn, represents Gerrit Rietveld’s final design and a significant milestone in modern design history. Crafted from Parana...

Le Corbusier(1887–1965),Pierre Jeanneret(1896–1967) &Charlotte Perriand(1903–1999), designers, &Cassina– “LC2” armchair, model created circa [1928]. Living room armchair.Bla...

Ross Tamlin's unique photorealistic compositions merge traditional painting methods with modern industrial techniques to create captivating works of art. Using layers of oil and enamel paint, Tamlin creates an illusion of corrugation that adds depth and texture to his pieces. His use of industrial imagery and found objects is a nod to contemporary art, while his bold color palette and incorporation of text is a nod to the Pop Art movement. Tamlin is a full-time artist living in Kyogle, New South Wales, Australia. He began a Fine Arts Certificate course at Meadowbank TAFE, and then in Brisbane, he completed a graphic arts course before returning to Sydney. His signature corrugated iron paintings combine traditional art genres including still-life and landscape along with graphic art. Influenced by the De Stijl movement, these paintings represent a synthesis of art and function. Tamlin created a one-of-a-kind, vibrant, and colorful painting that measures 42 inches high by 40 inches wide. The sides of the canvas are painted in a continuation of the front, and the artwork is signed and dated by the artist on the front. It does not require framing, and a certificate of authenticity issued by the gallery is included. Free local delivery is available in the Los Angeles area, and affordable shipping is also available throughout the U.S. and worldwide Tamlin's innovative compositions are a stunning exploration of industrial materials, as he reimagines their purpose and function to create a new relationship between object and viewer. Through the use of bright colors and primary hues, overlaid with text and glazing, Tamlin creates a landscape that is uniquely his own. His work challenges the traditional notion of landscape painting, as he incorporates familiar places' names and text into his pieces, offering a contemporary take on this classic genre. “My idea was to transmute traditional Australian corrugated iron into works of modern art. The corrugation in the painting is a visual illusion created by layers of paint. Most people can connect with these panels because corrugated iron is a familiar sight both in suburbia and the bush. However, the sense of seeing the traditional is contradicted by the contemporary signage.” Tamlin's works are represented by Artspace Warehouse Los Angeles and are held in private collections worldwide, including Australia, New Zealand, the United Kingdom, Hong Kong, Singapore, the USA, Switzerland, and France. Corporate collections include ING Bank, Babcock & Brown, Barclays Bank, Saville Hotel Group, Savills Property Group, Minter Ellison, Hai Win Shipping, Allkotes Pty Ltd, Blue Scope Steel Pty Ltd, Sieper & Co., A. P. Moller Maersk Group, Grant Thomas Management, Maridan Pty Ltd, Esprit Changeware Pty Ltd, Maritime Transport Ltd, London. REPRESENTATION Artspace Warehouse, Los Angeles, CA EDUCATION 1979 – 1981 NZ Certificate of Town Planning (3 Years) 1982 Emigrated to Australia, 1989 Australian citizenship 1985 Fine Arts Certificate (Meadowbank) (not completed) 1987 Graphic Arts Certificate, Brisbane 1988 – 1997 Paint/Colour Laboratory Technician SOLO EXHIBITIONS 2014 Soho Galleries, Sydney, Australia 2013 Soho Galleries, Sydney, Australia 2012 Paintbox Fineart, Canberra, ACT, “Melange” 2011 Jackman Gallery, St. Kilda, Melbourne, Australia 2010 Harrison Gallery, Paddington, Australia 2008 Rushcutters Bay Gallery, Sydney, Australia 2007 Paintbox Gallery, Braddon, Canberra, Australia 2007 Rushcutters Bay Gallery, Sydney, Australia 2006 Rushcutters Bay Gallery, Sydney, Australia 2005 Rushcutters Bay Gallery, Sydney, Australia 2005 Paintbox Gallery, Braddon, Canberra, Australia 2004 Rushcutters Bay Gallery, Sydney, Australia 2003 Rushcutters Bay Gallery, Sydney, Australia 2002 Rushcutters Bay Gallery, Sydney, Australia 2001 1+2 Artists Studio Gallery, Rozelle 2000 New Aesthetix Gallery, Camperdown, Sydney, Australia GROUP EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2023 Artspace Warehouse, Los Angeles, CA 2021 “Urban Thoughts”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York 2019 Affordable Art Fair Hong Kong 2019 Artspace Warehouse, Los Angeles, CA 2019 Affordable Art Fair New York 2019 Palm Springs Fine Art Fair, Palm Springs, CA 2018 AAF Hong Kong 2018 New York AAF, NY, USA 2018 Morris Art Prize; Gold Coast, Queensland 2018 Art Palm Springs Fine Art Fair, California 2017 SOHO Galleries, Sydney, group exhibitions 2017 Gallery Beneath, Moolloolaba, Queensland, group show 2017 Whistler Contemporary Gallery, Whistler, BC, Canada 2017 Artspace Warehouse Gallery, Los Angeles, USA 2017 AAF New York, NY, USA 2017 AAF Battersea, London, UK 2017 Palm Springs Art Fair, Palm Springs, California USA, represented by Artspace Warehouse 2016 Stockholm AAF 2016, Sweden, represented by Retrospect Planet 2016 Artspace Warehouse Gallery, Los Angeles, USA 2016 Kunstwarenhaus Gallery, Zurich, Switzerland 2016 SOHO Galleries, Sydney, NSW, Australia 2016 Art Hamptons, represented by Artspace Warehouse LA 2016 AAF Hong Kong 2016 New York AAF, USA, represented by Artspace Warehouse LA 2016 Asia Contemporary, Hong Kong 2016 Palm Springs Fine Art Fair, USA, represented by 2016 Artspace Warehouse 2016 Whistler Contemporary Gallery, Whistler, Canada 2016 Caldera Art Exhibition, Murwillumbah, Northern NSW 2015 AAF Singapore 2015 Artspace Warehouse, Los Angeles, USA 2015 Palm Springs Fine Art Fair, USA, represented by 2015 Artspace Warehouse 2015 London AAF, Battersea, March, represented by 2015 Retrospect Planet 2015 Asian Contemporary, Hong Kong, March, represented by Retrospect Planet 2015 New York AAF, USA, represented by Artspace Warehouse LA 2015 Hong Kong AAF, May, represented by Retrospect Planet 2015 Kunstwarenhaus Gallery, Zurich, Switzerland 2015 Lethbridge Gallery, Paddington, Brisbane 2015 Stockholm AAF 2015, Sweden represented by Retrospect Planet 2015 Group Show SOHO Galleries, “Realism” Sydney, NSW 2015 Singapore AAF 2015 Hamburg AAF, Germany 2015 Mosman Art Prize, Sydney, 2014 Brussels AAF, Belgium, represented by Retrospect Planet 2014 Milan AAF, Italy, represented by Retrospect Planet 2014 London AAF, UK, represented by Retrospect Planet 2014 Hong Kong AAF; represented by Retrospect Planet 2014 Asian Contemporary (Hong Kong) 2014 Singapore AAF (May) 2014 Stockholm AAF, Sweden (October) 2014 Amsterdam AAF, Netherlands 2014 Hamburg AAF, Germany 2014 Singapore AAF, Singapore 2014 Northern Rivers Kyogle Pop Up exhibition (November) 2014 Soho Galleries, Xmas group exhibition 2013 Brussels AAF, Belgium, represented by Retrospect Planet 2013 Milan AAF, Italy, represented by Retrospect Planet 2013 Hong Kong AAF, Hong Kong, represented by Retrospect Planet 2013 Asian Contemporary Art Show,JW Marriott Hotel, Hong Kong 2013 Melbourne Art Fair, represented by Manyung Gallery, 2013 A Book about Death (international travelling art show) Tweed Art Gallery, Murwillumbah, NSW 2013 Hong Kong Contemporary Art Show, Marriott Hotel, Hong Kong 2013 Stockholm AAF, Stockholm, Sweden 2013 Amsterdam AAF, Amsterdam, Holland 2013 Hamburg AAF , Hamburg, Germany 2013 Singapore AAF, Singapore 2013 Seattle AAF, Seattle, USA, represented by Manyung Gallery 2013 Whistler Village Art Gallery, Whistler, BC, Canada 2012 Redsea Gallery,Group Exhibition, Brisbane 2012 Toowoomba Grammar School Art Show, Toowoomba, QLD 2012 Brussels AAF, Belgium, represented by Retrospect Gallery 2012 New York AAF, New York, USA 2012 Envie D’Art, Paris, France & London UK 2012 Art Melbourne AAF, Melbourne 2012 Hamptons Art Fair, July, New York, USA 2012 Wilson Art Prize, Lismore, Northern NSW 2012 Shanghai Art Fair, China, October 2012 Toronto International Art Fair, Canada 2012 Singapore Affordable Art Fair, represented by Retrospect Gallery 2012 Hamburg Affordable Art Fair, Germany 2012 Border Art...

Pencil Drawing of Athletic Male Figure circa 1930 "pencil on paper" "spotting on paper through out - add character" "unframed - will look amazing once properly matted and framed"

An impressive pair of late 20th Century life-size bronze beautifully detailed and elegant macaw birds. In the Art Deco style and in immaculate condition. E...

Magnificent and ultra rare set of two Art Deco Modernist children's armchairs. Design by Jan Wils for Meubelfabriek Eik en Linden Alkmaar. Striking Dutch design from around 1918. ...

Chandelier with 6 asymmetrically arranged light arms, consisting of a circular base to which 6 brass light arms are attached, supporting oval-shaped shades. French work circa 1950 by...

This rare pendant light was produced by Gispen in The Netherlands in the 1950s. The striking shade is in an upwards and downwards muli-tiered shape ending in a rounded flattened cone shape. The shade is made of a slightly glossy, white opaline glass. The shade is attached to the fixture in glossy nickel, with a beautiful patina. The bell shaped canopy and pendant holder add to the elegance of the design. About Gispen Willem Hendrik Gispen (1890,-1981) was a Dutch industrial designer, best known for his Giso lamps...

High Styles : Twentieth-Century American Design, Introduction by Lisa Phillips with Essays by David A. Hanks. New York : Whitney Museum Of American Art In Association With Summit Boo...

Rare Modernist style diminutive copper desk lamp with adjustable shade by Adnet.

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet...

In 1923 Gerrit Rietveld designed his iconic Berlin chair for the ‘Juryfreie Kunstschau’ in Berlin. In addition to the Red-Blue chair, this is one of Rietveld’s most famous chairs. In...

Mirò Exhibition Poster is an original offset print realized for the sculptures' exhibition of the surrealist artist Joan Mirò at the Galerie Mae...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Beautifully designed vintage 1980s steel and glass Modern coffee table by Kaizo Oto. Produced by Design Institute of America, the coffee tab...

This postmodern clock is part of a unique series of24 hand made wall and table clocks bz the young designer ERNEST hofman from 1980. Each clock is unique.

This numbered Art Edition of 1,000 copies (Hardcover book, 36 x 36 cm, 572 pages) is accompanied by an exclusive, square format reproduction of the Arlecchino coffee table designed b...

Frank Lloyd Wright Coonley House Tile Hand-printed Wallpaper, Schumacher, 1976. Exceedingly rare, printed by Schumacher. Handprinted wall co...

This rare pendant light was produced by Gispen in The Netherlands in the 1950s. The striking cone shaped shade is made of a slightly glossy, white opaline glass. The shade is attached to the pendant fixture made in a glossy nickel, with a beautiful patina. The central tube with a three-tier canopy and a three-tier pendant holder. The height of the drop is manually adjustable: the total minimum height (including the glass shade) is 84 cm/ 33.07 in and the total maximum height (including the glass shade) is 128 cm / 50.39 in. About Gispen Willem Hendrik Gispen (1890,-1981) was a Dutch industrial designer, best known for his Giso lamps...

CHICAGO ceramic vase by Roger Selden for Post Design collection/Memphis Additional Information: Ceramic vase with two-faced decoration Collection: Fl...

Bold, sculptural, and just a little bit other worldly—meet the Chubby Chair. Engineered by Dirk van der Kooij using his own extrusion robot, this chair exudes charm in every line and...

Eileen Gray created not only some of the most important furniture classics of the 20th century but also had her own studio where rugs were produced according to her designs. Some of ...

Original vintage workplace motivational poster - What's your score? Your whole heart in the job gets the results that make you a winner Everybody l...

Pierre Alechinsky Galactic Flying Object - 1977 Print - Lithograph on Arches Archival Paper 19'' x 27 ½ " inches Edition: Signed in pencil and marked 8/100 After completing his stud...

30556, New contemporary Moroccan style Souf rug with raised linear design. This hand knotted wool new contemporary Moroccan Souf Rug features a rectilinear pattern composed of inters...

Classic mid-century European table or wall lamp. Fiedeldij was known for his modern, abstract designs, inspired by art movements such as De Stijl and Bauhaus. His creations were oft...

Robert Kelly (American, 1956-) Abstract Monoprint 1985 Pencil titled Donja XI and dated 1985 lower left Hand signed lower right Provenance: from the collection of a prominent US corporation. Dimensions: Sheet: 33.5" X 28" Image: 26" X 22" Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine...

A bangle bracelet designed by Thomas Gentille (1936-). A sculptural piece of wearable art, created in New York city by the artist and jewelry maker Th...

The first wall lamp designed by Le Corbusier, originally thought to enlighten the large windows of Villa La Roche, a manifesto of purist architecture. Nemo proposes La Roche enhancin...

Impressionist & Post-Impressionist Masterpieces: The Courtauld Collection. Softcover book, published in 1987 by Yale University Press. Printed in Italy.

Dutch eartheware vase by the Arnhemsche Fayencefabriek, 1920 Green glazed earthenware vase with linear decoration, design Klaas Vet, executed by the Arnhemsche Fayencefabriek for th...

Monumental Le Corbusier 'Escargot' sculptural cast brass floor lamp for Nemo. This nature-inspired sculptural floor lamp was originally designed...

Cut Paper Collage, Signed Lower Right. Hilla Rebay was an avant-garde artist who believed deeply in the power of intuition while creating art. She was the progenitor of The Museu...

Designed by Jan Brunott (1889–1951), one of the refined voices within the Hague School tradition, this armchair embodies the Dutch Art Deco translation of Modernism in the 1920s. A s...

Magnificent and ultra rare Art Deco Modernist sideboard or credenza. Design by Jan Wils for Meubelfabriek Eik en Linden Alkmaar. Striking Dutch design from 1919. Solid oak base and t...

"Collage" by Bernard Herzog (French, b.1935) signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 inches Highly unique ...

Alain LE YAOUANC Tandem : Cinetic Compositon with Birds Original lithograph Handsigned in pencil On Arches vellum, 56 x 76 cm (c. 22.4 x 30,4 inch) Excellent condition

"Collage" by Bernard Herzog (French, b.1935) signed lower corner signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 in...

Botanical Still-Life with House Plants & Red Roses Dramatic abstracted botanical still life of house plants and red roses Lithograph by Sidney Jonas Budnick (American, 1921-1994), 19...

LYING IN COLORS is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Somerset paper, 100% acid free. LYING IN COLORS...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Cassina offers a new reinterpretation of the iconic model dated 1935: it i...

Magnificent and ultra rare Art Deco Amsterdamse School three- door armoire or wardrobe. Design by Willem Penaat for Metz & Co. Amsterdam. Striking Dutch design from the 1920s Solid o...

THIS IS A STUNNING MUSEUM QUALITY ANTIQUE SAPPHIRE, RUBY AND OLD MINE CUT DIAMOND PENDANT WITH EXQUISITE PINK AND ROBIN'S EGG BLUE GUILLOCHE ENAMEL. THE PENDANT IS 14 KARAT PINK GOLD...

Cubist Scene 20th Century, Continental School signed with initials pastel painting on paper on board, framed framed: 18.5 x 13.5 inches provenance: private collection, U.K condition:...

100% hand-tufted wool rug adapted from a print from The Interaction of Color (1963) 4'9"× 5'9" (1.5 × 1.8m) printed tag showing edition detai...

Gottfried Honegger Concrete Geometric Abstract in 3D (Blue and Black) 3D-construction, Screenprint on Hahnemuhle Velvet 2015 Size: 21.5 x 18.75 inches on 31.25 x 23.875 inches (54.61...

Stunning and rare Art Deco Amsterdamse School wall mirror. Striking Dutch design from the 1920s. Patinated brass frame with original mirror. This wonderful Art Deco Amsterdamse Schoo...

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals...

Alain LE YAOUANC Fall of Black and Withe Cubes Original lithograph Handsigned in pencil On Arches vellum, 76 x 56 cm (c. 30.4 x 22,4 inch) Excellent condition

This rare and striking woodcut print by Robert Pajer-Gartegen, an Austrian artist, depicts a nude male figure in a slender wood boat, using a long pole to mo...

Untitled is an original Contemporary Artwork realized by Hans Richter (Berlin, 1888 - Minusio, 1976) in 1971. Hand-signed and dated in pencil on the lower right corner: Richter 71....

Cut Paper Collage, Signed Lower Right. Hilla Rebay was an avant-garde artist who believed deeply in the power of intuition while creating art. She was the progenitor of The Museu...

This is an armless Cesca bar stool, model 51CH, originally designed by Marcel Breuer in 1928. The listed price includes one Cesca bar stool. This example was...

This exquisite lithograph by Georges Braque (1882–1963), titled Oiseau sur fond de X (Bird on Background of X), from the album XXe Siecle, Nouvelle serie N°11 (double), Noel 1958, or...

MUGO Accent Chair — Classic, Playful, and Handmade in Solid Wood Handcrafted with precision in high-quality solid wood, the MUGO lounge chair strikes a perfect balance between playf...

Gerrit Thomas Rietveld Black Red And Blue Armchair For Cassina A variation of the iconic 1918 chair by G. T. Rietveld, the Black Red and Blue wood armchair grew out of the Dutch mas...

Artist: Pieter Wiegersma Title: Orange Square Year: 1992-94 Medium: Unique 3-D Acrylic on Wood Construction, signed verso Size: 14 x 13 x 3 inches

These modernist dining chairs by Wim Den Boon, designed in the Netherlands in the 1940s, exemplify a rigorous and ideologically driven approach to furniture design. Influenced by De ...

Vassily Kandinsky (1866-1944) Surrealist City Scape in Blue, 1965 Heliogravure (photo-etching) Printed signature in the plate On Lana vellum 56.5 × 37.5 cm (c. 22 x 15 in) Authentic...