2 results for ""margaret de patta""

An intriguing vintage sculptural representation of a Mid-Century Modern lounge chair. Handcrafted with expressive proportions and a richly textured surface, the piece captures the es...

PRESENTING an EXTREMELY UNIQUE and RARE 19C British Tunbridgeware Hair Pin/Bobbin or Slide. This slide is unlike any of it’s kind we have seen before, it is a VERY RARE survivor. From circa 1860 – 80 and made in Tunbridge Wells, England. Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut. The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood. Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward. This would have belonged to a VERY ELEGANT LADY in the mid to late 19th Century. Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion. There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells. The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900. Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people. Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death. In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge. Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes. At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture. The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927. Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies. ‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens. Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface. Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs. Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.

Monumental, sterling silver menorah in Mid-Century Modern style with an elegant, curvilinear design, measuring 21 1/3'' in height by 16 3/4'' f...

American Modernist Sterling Spiral Brooch Attributed to Artisan - Ed Wiener c.1948 2.5 x 2 .5" measured diagonally

A cuff bracelet designed by Ed Wiener (1918-1991). This rare sculptural modernist piece is one of Wiener's first creations as a jeweler-artist in New York city, circa 1950's. This b...

Margot Van Voorhies Carr started producing out of her own studio in 1948, under the name, Margot de Taxco. Previously she had been producing pieces under Antonio Castillo for the William Spratling studio. This four piece sterling silver suite...

This is a sterling silver turtle brooch with marcasites and amethyst-type stones. It has a locking pin on the back to keep the turtle secure. The rectangular baguette-cut garnets run...

Portuguese silver and 19.2K gold tie pin from the first half of the 20th century; made of 833% silver and 19.2kt gold; with a child's photo in a frame set with 15 diamond chips. Hall...

Unique sterling silver necklace by Jan Arenhill, Malmö. Malmö, Sweden, circa 1969, hand-hammered sterling silver. Impressed with following hallmarks: Year mark T9 1969. Artist's In...

This modernist sculptural piece is one of Wiener's first creations as a jeweler-artist, in New York City, circa 1954.This cuff bracelet is composed of two simple aerodynamic pieces w...

Refined collection of original Art Nouveau brooches, crafted between the late 19th and early 20th century. Each piece is unique, finely hand-worked in gilt metal, and adorned with g...

1960s Ribbed Sterling Silver Dangle Earrings Mexican 1.13 w x 2 h x .38 Preowned vintage Stamped Refer to images

A beautiful Repousse sterling French pen with crystal holder - very elegant and signed at the tip. A complement to any desk or work station, especially those that use decor of the...

Stunning Sterling Silver W & M Turquoise Ring .75 diameter x .5 W size 8 Preowned vintage condition Refer to images

This is a vintage brooch pin crafted from 925 sterling silver, depicting a lady wearing a hat. The brooch also features the letter "V" initial. It measures 1.75 inches in size and or...