254 results for ""prince albert""

In centuries past, lucky artists were ennobled after mastering their craft and achieving renown, but Baron Marochetti had been born into the noblility before he proved his mettle as ...

This exceptional and one-of-a-kind wooden mallet commemorates the marriage of Queen Victoria and Prince Albert, which occurred on February 10, 1840. Exqu...

This refined vintage brooch features a finely carved hardstone cameo of Prince Albert, consort to Queen Victoria, depicted in noble profile. Set in a classic gold plated frame, the p...

English Bronze 'His Royal Highness Prince Albert' Commemorative Desk Clip England, early 20th century A distinguished English bronze 'His Royal Highness Prince Albert' Commemorative...

A charming antique Victorian Staffordshire pottery flatback figure depicting Queen Victoria and Prince Albert, commemorating their royal wedding. The couple stand arm in arm in tradi...

Antique Prince Albert Edward Prattware Creamer Fox Hunting Scene Terracotta Pottery. Circa Early 20th Century. Measurements: 4" H x 4" W x 3.25" D.

A Royal bronze portrait bust of Prince Albert, the Prince Consort, after the marble sculpture of 1859 by William Theed the Younger (1804-1891) Marks and inscriptions: W.THEED. SC. ...

This statue is of Prince Albert Edward, eldest son of Queen Victoria, Prince of Wales, future King Edward VII (1841-1910) dressed in a sailor suit. After a very popular painting of the young prince done in 1846 by Franz Xaver Winterhalter (1805-73) that is in the collection of the British Royal Family.

Pair of mid-19th century folk art carved and polychrome painted wood figures of Queen Victoria and Prince Albert on horseback with origin...

Jane Harington is a Saskatoon-based contemporary painter whose expressive oil paintings explore landscape, florals, and place through color, memory, and emotion. Shaped by an interna...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Beautiful large scale antique Art Nouveau period double serpent diamond and 14K yellow gold ring. Late 19th Century The two snakes artfully, intricately coiled to form a striking d...

Jane Harington is a Saskatoon-based contemporary painter whose expressive oil paintings explore landscape, florals, and place through color, memory, and emotion. Shaped by an interna...

Antique Victorian dome shaped tortoiseshell brooch inlaid with gold and silver piqué work. Diameter 3.1 cm / 1.2 inches. This beautiful fine quality brooch ...

A truly superb decorative Italian Sorrento olive wood photo frame retailed by Poultons, 352 Strand W.C, London, circa 1860 in date. This rectangular portrait olive wood frame features marquetry inlaid satinwood masks and ducks, with an easel back and featuring an original photo of Prince...

We love this unusual and extremely rare 18ct gold Victorian snake ring with a cushion cut diamond head and studded with pave turquoise. It was made during the Darwin years when nature was a often source for fashion. Since ancient times snakes have been seen as a symbol for “Eternal love” and "Eternal life" so they were and still are often used as wedding rings, commitment rings...

An unusually set Scottish Bracelet in which the agates are triangles and raised in to a pyramid. The stone settings are so smooth that you can run your finger along the bracelet and ...

BRITISH UNION FLAG OF THE EARLY 20TH CENTURY, WITH BRILLIANT AND UNUSUAL, COBALT BLUE COLORATION, AND A SIMPLIFIED, FOLK STYLE, WITH INCORRECT PROPORTIONS IN THE CROSSES OF ST. ANDRE...

Circa 1855. France or England Two-piece day dress with small crinoline, bodice and skirt in green and bronze silk damask, overlaid with checkered patterns. Bodice fastened at the fro...

The terrific aspect of these Scottish earrings is that they compliment any silver jewelry or Scottish agate jewelry. The bloodstone and carnelian aga...

A poignant and beautifully crafted example of Victorian mourning jewellery, this antique brooch dates to around 1880. The piece features an intricately carved floral design, formed f...

This ring comes out of Germany and is a simple 14K Yellow Gold Snake ring. It is sized 9.75 but it can be sized up or down. This ring is clean with a coiled spiral wrap four times ...

Few motifs in Victorian jewellery are as symbolic as the snake. Popularised after Prince Albert gave Queen Victoria a serpent engagement ring in 1839, the snake became a symbol of et...

This exquisite antique Victorian mourning locket, crafted in 14 karat gold, is a beautifully preserved example of 19th-century sentimental jewelry. Designed to hold a keepsake of a l...

Antique Scottish jewelry is known for its exceptional quality, distinctive design and patronage by Queen Victoria and Prince Albert. The best pieces were crafted in 14K and 15K gold ...

Undulating swirls of agate in mellow colors are cut and polished, then set in silver. Texture and softness were created by the jeweler with his choice of patterned agates as well as his ability to sculpt the stone. The pink agates are not frequently seen in scottish 19th century jewelry. Here they beautifully punctuate the horizontal plane. All of the workmanship was performed by hand Scottish jewelry, as well as Scottish tradition, were brought to the forefront during the second half of the 19th century because Queen Victorian and Prince Albert were deeply involved with and romanced Scottish tradition. At their privately owned castle Balmoral they dressed in Scottish clothing and wore Scottish jewelry. Their dedication brought Scottish agate...

“The Allegory of Civilization: A Historical Collage of Progress and Virtue” This monumental and highly unusual large-scale decoupage tableau—measuring 44.25 inches wide by 35 inches high—is an extraordinary and densely composed visual compendium of 18th- and 19th-century figures of global significance. Executed in a monochrome palette with light hand-tinting, the work comprises hundreds of individual portrait engravings and narrative vignettes intricately collaged together to form a panoramic composition of historical, cultural, scientific, literary, and military figures, interspersed with allegorical and architectural elements. This form of assemblage is rooted in the 19th-century practice of *papiers collés* and popular scrapbooking traditions, but this work surpasses decorative craft in both ambition and intellectual scope, bordering on the encyclopedic. The hand-cut images appear to have been culled from period illustrated books and engraved portrait sources—most notably from publications such as *The Illustrated London News*, *Harper’s Weekly*, and *The Eclectic Magazine*—as well as engraved frontispieces and serialized pictorial histories. The result is a vast visual lexicon of Enlightenment and Romantic thought, likely intended as a celebration of moral, intellectual, and national achievement. At the composition’s apex, presiding over the assembled figures, is a classically draped winged allegory—possibly *Fame* or *Liberty*—holding a trumpet and laurel branch. The mountainous background, waterfalls, architectural ruins, and pastoral settings lend the piece a theatrical and didactic ambiance, evoking 19th-century didascalic panoramas. A partial identification of historical figures visible in the composition includes: * **George Washington** – Posed centrally, gesturing outward with one hand; he appears multiple times in the scene and is shown in both military uniform and formal dress. * **Napoleon Bonaparte** – Recognizable by his uniform, bicorne hat, and stern gaze; appears in profile and frontal portraits. * **Benjamin Franklin** – Seen holding a scroll; a common figure in Enlightenment iconography. * **William Shakespeare** – Near the lower central register; recognizable from the famous Chandos portrait derivative. * **Johann Wolfgang von Goethe** and **Friedrich Schiller** – Likely placed in the literary cluster with other Germanic figures. * **Florence Nightingale** – Shown in nurse’s cap and shawl, likely near a grouping of women in medical service. * **Queen Victoria** and **Prince Albert** – Appearing in regalia, along with a number of courtly figures. * **Ludwig van Beethoven**, **Franz Liszt**, and **Niccolò...

Why should the serpent not smile when a pear cut half carat diamond is on its forehead making it a serpent with an difference. It is the only pear shaped diamond I have seen in a sna...

Superb large antique glazed mahogany museum display cabinets from the V&A Museum, London. There are doors to each end, opening opposite to each other. Price is for each display cabinet. The Dodo skeleton...

Scottish talent at agate carving was tradition for hundreds of years but blossomed in the Victorian age with the attachment Queen Victorian and Prince Albert felt to Scottish history...

This painting titled "Portrait of a Girl" by the Danish realist painter Peder Mørk Mønsted captures an enigmatic young woman whose identity remains unknown. The girl, elegantly posed...

Victorian classic cocktail ring with opal. Gorgeous antique ring, created during the Victorian period in England, back in the 1880. The beautiful statement cocktail ring has been designed with classic patterns in an oval shape. It was carefully crafted in yellow gold of 14 karats with a bezel made in yellow gold of 9 karats and .800/.999 silver for the setting of the thirty-two European rose cut diamonds. The settings of the gemstones are finished with millegrain technique. Opal: Mount in the center in a bezel setting, with 1 oval cabochon cut (19 x 12 x 6 mm) of a natural opal, with an estimate weight of 7.89 carats. The opal is natural, not treated and with partial white matrix in the under bottom. Diamonds: Mounted around the center gemstone in flush settings, with 32 old European rose cut natural diamonds, with a combined weight of 1.06 carats. Birthstone: Opal for the month of October. Weight: 5.40 Grams, (3.46 Dwt). Size: 6.5 and may be easily sized on request. Measurements: 25.4 mm by 18 mm (0.71 x 0.71 Inches) and raise 7 mm over the finger. Hallmarks: No marks, the ring was electronically tested for 14 karats gold, 9 karats gold and .800 silver on top. Victorian Jewelry This era was one of the most influenced and influential periods of antique jewelry. This period is defined by the British monarch, in this case, Alexandrina Victoria, the Queen of the United Kingdom of Great Britain and Ireland, as well as the Empress of India, years 1837-1901. There are 3 sub-periods within this era. First, the early, Romantic period, which is soaked in traditions, natural motifs in gold and silver, clear stones only being worn during the day and colored gems by night. The second being the Grand or mourning period, which coincides with the death of Queen Victoria's husband, Prince Albert the consort, who died in December of 1861. This period included large, dark, somber, dramatic jewelry, with a lot of black onyx, jet wood, amethyst, garnet and gold. This lasted until 1880's, when the aesthetic period of jewelry began. The Late or third stage of the Victorian period, use more complex and feminine motifs, returning to the natural, including many floral and celestial designs, with more decadent gemstones, lasting until the turn of the century. The Victorian era of jewelry includes many movements found in other countries, including revivals such as the Etruscan the Roman and the Egyptian as well as the Art Nouveau, Liberty style and Arts and Crafts design movements which lead into the beginning of the twentieth century. Opal Opal is one of the world's most popular gemstones and the birthstone for the month of October. A nice precious opal can flash every color of the spectrum with an intensity and quality of color that surpasses the fire of diamond. The best opals command prices per carat that rival expensive diamonds...

Rare antique Edwardian period fine natural pearl, diamond and 18K yellow gold snake ring Early 20th Century Featuring a dramatic lustrous n...

Antique No heat Sapphire Snake Necklace, circa 1890s An articulated necklace in 18kt gold, designed as a coiled serpent, its head finely deta...

Victorian festoon necklace with amethysts and pearls. This is a beautiful antique festoon necklace created in England during the middle of th...

This Victorian heart pendant was created out of a black pressed wood composite in the 1880's. The design shows an inner heart and a palm leaf surrounded by an outer heart decorated with impressed circles. the heart is decorated with stylized rays on the outer edge. Black jewellery...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Made famous by Prince Albert of England in the late 20th century, the Albert chains are one of the most versatile and loved pieces of jewellery. This particular model is a very rare...

Sidney Richard Percy British, (1821-1886) Glen Falloch Oil on canvas, signed & dated (18)69 Image size: 23.5 inches x 37.5 inches Size including frame: 29.5 inches x 43.5 inches Provenance: MacConnal-Mason & Son Ltd A superb Scottish landscape painting of Glen Falloch by Sidney Richard Percy. The work is typical of his oeuvre and includes seated figures, a fisherman, cattle and sheep. Glen Falloch is a valley in the Argyll and Bute area of Scotland. It lies between Crianlarich and Loch Lomand. The river Falloch, which is featured in the painting, flows through it before entering Loch Lomand. Sidney Richard Percy was born Sidney Richard Williams, on the 22 March, 1822 the fifth son of the artist Edward Williams Snr (1781–1855) and Ann Hildebrandt. His brothers Edward Charles (1807–1881), Henry John Boddington (1811–1865), George Augustus (1814–1901), Arthur Gilbert (1819–1895) and Alfred Walter Williams...

This sculptural 18K yellow gold serpent bracelet coils gracefully around the wrist, culminating in a finely chased head set with sparkling white diamond eyes and crowned by a 1.00-ca...

Victorian Etruscan Revival celestial star bracelet. Very rare bracelet of a celestial star highly decorated, created in England during the Victorian Era (1837-1901), back in the 187...

Sidney Richard Percy British, (1821-1886) Near Bontddu, North Wales Oil on canvas, signed & dated 1878 Image size: 23.5 inches x 37.5 inches Size including frame: 30.5 inches x 44.5...

A fine mid-19th century portrait depicting Mayor John Neve (1796-1856) of Wolverhampton, whose tenure spanned 1853 to 1854. The artist has portrayed the figure in a sweeping Romantic...

Our 18K gold Hallmarked LONDON 1919 snake ring has 5 graduated diamonds and a sweet derpy face. Since ancient times snakes have been seen as a symbol for “Eternal love” and "Eterna...

Sidney Richard Percy British, (1821-1886) Moel Siabod, North Wales Oil on canvas, signed & dated 1875 Image size: 23.5 inches x 37.5 inches Size including frame: 30.5 inches x 44.5 ...

A Victorian gold and turquoise serpent necklace, the flexible tapering yellow gold body formed of three rows of scale-like collets each set with a ro...

Superb Quality Early 19th-Century Regency Period Mahogany Wellington-Base Open Library Bookcase An early 19th-century Regency period solid mahogany tall open library bookcase with...

A Victorian-era engagement ring featuring a remarkable 1.75-carat old mine cut diamond. The cushion-shaped gemstone displays the distinctive charm of antique cutting styles, with sof...

Victorian English Antique 9ct Rose Gold Double Albert Watch Chain – 42 Grams – Fully Hallmarked – Edward W. Smith & Sydenham Brothers Collaboration, Birmingham – c.1890–1900 Own a s...

Victorian large festoon necklace with Bohemian red garnets. This is a fabulous and rare antique festoon Bohemian necklace created in England during th...

An impressive early Victorian blue enamel, diamond and gold snake bracelet, the realistically carved head with open mouth, the eyebrows and top o...

This fantastic, bold double sided desk seal dates from the Victorian period, circa 1860. Its modelled as the hands clasped motif, and in rich 18 karat gold throughout. At each end, t...

This striking 19th-century engraving presents Queen Victoria in all the grace and refinement that defined her early reign. Based on the renowned portrait by Franz Xaver Winterhalter,...

A vintage sapphire and ruby 18 karat yellow gold snake triple coiled flexible bracelet, Circa 1890. This exceptional antique bracelet is realistically modelled as a coiled snake han...

On offer is “Knight of the Field” aka “A Man in Armour,” a painting by Edgar Allan Ward (1862–1947). The portrait is of an unknown gentleman in full plate armor, complete with a swor...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Antique Map of India – Post Roads and Dak Stations by James Wyld, c.1855 This impressive antique map titled "India Shewing the Post Roads and Dak Stations" was engraved and publishe...

19th century Gothic oak bookcase designed by Augustus Welby Northmore Pugin, the rectangular crenellated top with octofoil panels filled with carved roses, fleur de lis, and a portcullis on a Tudor rose back panel above a cavetto frieze mounted with carved oak leaves above two doors, each with two Gothic arched apertures filled with unique metal grilles, enclosing three adjustable shelves to each side, the base section with two blind arcaded doors enclosing an adjustable shelf, on a double plinth base, the lower plinth later, the interior stamped twice 'CLAREMONT', the reverse inscribed in ink 'Mr Young 18.5'. Provenance: Supplied for the Palace of Westminster and designed by AWN Pugin in conjunction with Charles Barry (who was largely credited for Pugin's designs) as part of the refurbishment of the Houses of Parliament after the fire of 1832, later removed and by 1866 recorded at Claremont House, Esher. This robust Gothic bookcase, enriched with Elizabethan cusped tracery and heraldically-charged castellations, is conceived in the William IV romantic English manner introduced as the ‘New Palace of Westminster’ style, with the collaboration in the mid-1830s of the architects Charles Barry (d. 1860) and A.W.N. Pugin (d. 1852). Westminster Palace’s ‘fort portcullis’ badge is displayed in cusped tablets within embattled parapets, which are flowered with the English cinquefoile rose. This bookcase appears to be a precursor for the more florid bookcases designed for the New Palace by Pugin in the mid-1840s. It may possibly have been intended for the King’s Tower (now called the Victoria Tower). Pugin established a furniture manufactory in Convent...

A pair of Victorian diamond earrings made of 14k yellow gold and silver settings. The earrings feature two Old European cut diamonds weighing approximately 1.64-carat and 1.68-carat....