5,134 results for "19th century wood carving"

A wonderful set of four 19th century wood carvings each featuring two scholars in a garden pavilion. A combination of relief carving and pierced carving techniques are used in these ...

Striking 19th-century Guatemalan large scale (52 inches tall) carved wood figure of a Diablo or satyr, rendered in bold red pigment with expressive features, pointed horns, and anima...

Classic 19th century wooden gingerbread cookie or speculaas springerle Mold, circa 1860-1880 (Nobleman). Made of hand carved wood. Found at an estate ...

A great looking hand carved original wooden Folk Art deer head wall decoration. A great piece for a suitable ambiance in a trophy room or the office of a Hunter or Woodsman. More tha...

A robust and beautifully crafted French wine press, 19th century, made from solid wood. Originally used in vineyards for pressing grapes, this authentic piece of rural craftsmanship ...

This is a wooden **giboshi**, originally attached to the balustrade (koran) of a bridge or architectural structure. A *giboshi* is the ornamental “finial” placed on top of balustrade posts. While metal examples are widely known, there are also rare cases such as this one that were crafted from wood. They were used on bridges, temple and shrine architecture, and gates, serving to create a sense of boundary and dignity within a space. The design is said to originate from the image of the *hoju* (sacred wish-fulfilling jewel) seen in Buddhist architecture and ornamentation. A giboshi is not merely decorative; it has been regarded as a symbolic element that protects and spiritually defines a place. Based on its form and texture, this piece is estimated to date from the late Edo period to the Meiji period. Judging from the material quality, it is likely made from a dense hardwood, possibly zelkova (keyaki). Having been exposed to wind and rain for many years, the surface has developed a deeply weathered and dried expression. The parched wood grain, raised fibers, and naturally formed cracks all speak to the accumulation of time, giving the piece a sculptural presence. The rounded cap flowing into the strong vertical lines of the body creates a beautiful proportion—folk in spirit, yet somewhat primitive in character. This weathered texture should not be seen as deterioration, but rather as a beauty completed through the passage of time. Its quiet presence evokes wabi-sabi—an expression that cannot be reproduced through modern processing, but only formed by authentic aging. The size strikes an exquisite balance—neither too large nor too small. While easy to place, it creates a strong visual anchor within a space. Simply placing it alone on a shelf or sideboard gives it the presence of a sculptural object. In an entryway or alcove, it becomes a quiet symbolic accent. Positioned against a white or concrete wall, the contrast of materials becomes striking; paired with reclaimed wood furniture...

A truly beautiful, wonderfully aged, engaging mask fragment made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mas...

Classic 19th century wooden gingerbread gingerbread cookie or speculaas springerle mold, circa 1860-1880 (Noble Horseman). Made of hand carved wood. F...

Inmaculada : Andalucía o Murcia . La Inmaculada Concepción es una figura religiosa que representa a la Virgen María concebida sin pecado original. Esta figura es venerada en diversas...

Exotic 19th century carved relief architectural wood element, once part of a building facade has now been mounted on metal stand and made into an exciting and impressive sculpture. ...

A large, rare, and most impressive antique hand carved and painted wood and metal stylized antelope African folk art sculpture with beautifully aged distressed patina. Handmade in East Africa, dating to around the late 19th / early 20th century, possibly earlier, this scarce, one-of-a-kind, museum quality work, features a richly detailed patinated bronze head and tail with etched textural elements, tall ears and faux ringed...

This unusual antique Black Forest box features a pair of fully dimensional bears cavorting at the base of a tree stump. The mother and cub hav...

Rare Early Shinto Temple Find This is an incredibly rare and authentic Omikuji (Sacred Fortune Telling) set, dating back to the Late Edo Period. Unlike modern plastic or simple wo...

19th Century Chinese hand-carved gilt wood panel featuring a battle scene depicting both standing and horse-mounted sword-drawn warriors engaged in combat.

A rare, likely one-of-a-kind, large antique, circa 1860s, early American hand carved, painted, and sculpted wooden patriotic barber pole advertising trade sign / open sign...

This fabulous carved Horse head is from a French Saddlery. Saddleries were used to design, manufacture, rebuild, and repair a wide variety of saddles, saddle trees, harnesses, riding...

A wonderful 19th century French Wooden horse, hand crafted with leather ears, beautifully worn and exuding a stunning venerable patina. Height 68 cm x Width 66 cm x Depth 16 cm

An antique Indian Corinthian temple capital from the 19th century, with distressed patina. Immerse yourself in the rich cultural heritage of Indian a...

A rare, all original, actual, 19th century Chinese honor plaque commemorating the appointment of the 16th official, Xu Shao Li, The left side bears the inscription “Emperor Tong Zhi,...

Antique wooden temple panel Material : wood 130 cm high 82 cm wide and 5 cm deep Gilded with 24 krt. gold Shan (Tai Yai) style 19th century With many inlaid glass pieces Decorated w...

A rare and exquisitely crafted 19th-century olive wood plate rack, showcasing meticulous hand-turning and richly detailed spindle work. This sculptural piece features a rhythmic arra...

Single dad dog family! Great carved wooden dogs from Guatemala. Anatomically correct details on faces and bodies! Dad measures 27x6.5x16.75H, female measu...

This antique wooden temple panel from Burma (Myanmar) is a remarkable artifact that reflects the rich cultural history of the region. Originating from the 19th century, this intricat...

Monumental Japanese bas relief carving on natural wood slab Palatial sized Japanese wood carving from the Meiji Period (1868-1912). This stunning sc...

Rare Bronze Antique Fire Bell With Unique Family History And Provenance One of a kind fine bronze "Hansho" fire bell . This rare bell was used by t...

19th century Buddhist carving of Guanyin, shown standing with flowing robes on a rocky outcrop, mounted on a lobed wooden base. She holds a bottle in one hand and a basket of fruit i...

Do you know Kirin? It is a type of legendary animal that appears in Chinese mythology, and is a spiritual animal that has been passed down in Japan since ancient times. At first glan...

Rare and authentic antique speculaas mold, hand-carved in fruitwood, depicting an elegant standing young woman, traditionally referred to as a j...

A rare set of three carved wooden monkeys made in Japan during the early Meiji period. Each is seated on a craggy rock base, hands raised to cover the eyes, the mouth, and the ears i...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

An unusual & rare 19th C. Artist lay figure from Catalonia. Originally used by artists to paint the human form. Large in size with fully articulating limbs. Finally carved in ...

The pair of antique wooden Burmese Monk statues is a remarkable and spiritually significant artifact originating from Burma. Crafted from wood and gilded with 24-karat gold, each statue stands at 22.5 cm in height and measures 21.7 cm in width and 18.8 cm in depth. The gilded surface adds a radiant and opulent touch to the sculptures, accentuating their visual appeal. Created in the 19th century in the Ava style, these Burmese Monk statues exemplify the grace and elegance of Burmese artistic traditions. Each statue depicts a monk in the Namaskara mudra, a gesture of respect and greeting. With a weight of 1.98 kgs each, this pair of antique wooden Burmese Monk statues is a treasured and sacred pair. Originating from Burma, they carry the essence of Burmese craftsmanship and religious traditions. Their age and historical significance make them valuable pieces of art and exceptional representations of the spiritual and artistic legacy of the region. These statues can be cherished centerpieces for collectors or serve as meaningful symbols of reverence and devotion in any space. Antique pair wooden Monk statues...

A unique and enchanting pair of 19th Century Tibetan carved wood & polychromed foo/guardian/temple dogs. These mythical Buddhist temple dogs, also known as "foo dogs" or "lion dogs,"...

This remarkable 19th-century American Folk Art vessel, expertly carved from a natural burl to resemble a horse's hoof, is a quintessential example of Folk Art's imaginative and uncon...

A charming late 19th century hand crafted primitive folk art bird cage, in the manner of a chateau, painstakingly detailed with hand painted r...

This antique Indian Lady statue is a beautiful example of 19th-century Indian wood carving, originating from India. Measuring 73.7 cm high, 18.1 cm wide, and 17.9 cm deep, and weighi...

Very Unusual Horn Sectional Hand Carved Chinese Walking Stick or Dress Cane of outstanding quality, last half of the Nineteenth Century. The ...

Thai Rattanakosin-Era Carved and Gilded Throne Side Panels Ornately carved panels with gilding from Thailand. The central portion of these panels depict...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Late 19th to early 20th century Trio of puppets, China Two puppet torsos and one puppet head from China, all mounted on custom bases. The heights are 16, 9 and 13.5 inches (40.6, 23...

A monumental Hindu Nandi temple gate-guardian architectural ornament, born in India, dating to the 19th century, hand carved and painted, richly detailed, polychrome decorated, the wooden sculpture depicting Nandi, a sacred bull, gatekeeper, and vahana religious deity figure. Provenance: Acquired from The Neiman Marcus Corporate Art Collection. Details below. Dimensions: (approx) 49.5" x 43" x 12" An important religious folk art work, the Nandi is of carved wood and gessoed cloth, then hand-painted. In Hindu religion, Nandi is the mythical mount of Shiva. The four legs represent truth, righteousness, peace and love. More than a means of conveyance, Nandi is considered Shiva's constant companion on all his travels, so much so that in any temple dedicated to Shiva, there is a sculpture of Nandi. This symbol is a deity in its own right, and in India there are temples dedicated exclusively to Nandi. In Hindu symbolism, the bull represents both strength and ignorance. The white or light color of the bull symbolizes purity and justice. Symbolically, the seated Nandi towards sanctum in Shiva temples, represents an individual jiva (soul) and the message that the jiva should always be focused on the Parameshwara. From the yogic perspective, Nandi is the mind dedicated to Shiva, the absolute. In other words, to understand and absorb light, the experience, and the wisdom is Nandi, which is the guru within. The fact that Shiva uses it as a mount symbolizes how this divine figure removes ignorance while instilling strength and wisdom. A superb example, the life size work is in great overall shape, and presents wonderfully, having beautifully aged patina over the whole, highly desirable original, worn, rustic, naturally distressed, chippy paint, craquelure finish, that's delicate, and enhances the artistic antique character and rich historic depth. Detailed Condition Report: Fragile / delicate by design. Loss to one ear, age related checking and separation to carvings, fabric to hind quarters is released and tattered with minor loss, rubbing to paint throughout with wear indicative of age and use; later grey painted mounting blocks are attached to back and hooves. White glove in-home shipping/delivery available. Pickup available near Dallas, Texas Additional Provenance: Property from the Neiman Marcus Collection. Acquired from Heritage Auction, Design District Gallery, Dallas, Texas. From The Dallas Morning Newspaper; April 12th, 2021 Neiman Marcus is selling some of its history and valuables that have been displayed and stored for decades as part of the luxury retailer’s corporate art collection. The Neiman Marcus corporate art collection dates back to 1951, when Stanley Marcus (1905-2002), a life long avid art collector, purchased Mariposa, a large mobile by Alexander Calder and started a long tradition of buying original artwork for new stores as they opened. The Mariposa sold at a Sotheby’s auction last month fetching $18.2 million. The items are being offered through Sotheby's auction house, NYC, New York and Heritage Auction, Dallas, Texas. Many of the pieces were personally collected by Stanley Marcus from the 1960s through the 1980s. Some of the pieces are from corporate spaces, stores and the company’s archives, among the items are important antique textiles, tribal robes...

This special antique Burmese temple panel is an outstanding 19th century example of Mandalay style craftsmanship, originating from Burma (Myanmar) and distinguished by its scale, qua...

A striking Japanese carved wood mask with polychrome paint and lacquer surface. This rare mask is dated to the Edo period (first half of 19th century and possibly earlier). The mask ...

Burma (Myanmar), Mandalay Period, 19th Century Material: Wood with traces of original gilt and lacquer Dimensions: 160 cm length × 40 cm height This finely carved reclining Buddha...

1310 Japanese carved wood sculpture.Early 19th century

In the heart of your sacred space, there resides a timeless masterpiece—a magnificent wooden Buddha sculpture that whispers secrets of the ages. Crafted with utmost devotion, this ethereal creation is believed to have its roots in the mystic lands of Burma, dating back to the 19th or perhaps even the early 20th century. As you gaze upon it, you'll find yourself transported through the corridors of history. This remarkable Buddha, a harmonious blend of two distinct eras, is a testament to the enduring spirit of artistry. Its features evoke echoes of a bygone era, the Pagan period, a time when devotion was expressed through the chisel and the keen eye of a master sculptor. The small, delicate mouth seems to whisper ancient wisdom, while the wide forehead exudes an aura of profound contemplation. The narrow waist and the gently rounded shoulders and chest reveal the artistry's meticulous attention to detail, capturing the essence of a bygone Burmese sculptural style. Seated in the full lotus position, the Buddha exudes an aura of tranquility that permeates every inch of your room. His right hand gracefully rests upon his knee, cradling a precious myrobalan fruit...

An unusual Japanese carved wood, lacquer, and gilt decorated portrait sculpture of a shogun, Edo Period, early 19th century, Japan. The unidentified shogun (possibly Tokugawa Iey...

Remarkable weathered aged temple fragment of a mythical warrior made of tropical hardwoods on a museum mount of black Formica with short steel rod supp...

Early 19th century carved walnut artist's model, unusually carved with full head of curly hair and mustachioed face, the limbs articulated and possessing good rich patination.

This item is a giant wooden penis that was used in old Japanese houses from the late 19th century to the early 20th century (Meiji to Taisho eras). This i...

A very large and extremely imposing 19th century Swiss Folk Art carving of a Leaping Bull. Formerly hung under the overhanging eaves of a butcher's shop (chalet) in Bulle, Switzerlan...

A pair of Chinese sculpted and polychromed temple guardian lions architectural wood carvings. Born in China during the 18th or 19th century, each...

Antique Southeast Asian Polychrome Wooden Oversized Temple Horse from India. Large Antique Southeast Asian Carved Polychrome Wood Horses. Antique Southeast Asian carved wood model of a parade horse. the body with allover polychrome, saddle and reins carved in high relief, the tail lacquered. 19th century hand carved oversized wooden Indian temple horse...

This splendid antique Chinese temple carving was hand-carved from a solid block of wood during the 19th century. On its main side it displays ...

A characterful 19th-century hand-carved architectural wood fragment from Rajasthan, India, originally conceived as part of the carved structural or decorative ornamentation of a trad...

A fantastic and charming Chinese yellow glazed porcelain model of a mythical unicorn, xiezhi, Qing Dynasty, 19th century, China. The xiezhi is a ...

An extraordinary one of a kind Mexican folk art carving of a church. Carved from a soft wood, possibly cactus, and having a beautifully aged patina. Everything thing about this pie...

This antique wooden arm of a Hindu god, originating from India in the 19th century, is a remarkable example of traditional craftsmanship and religious art. Standing at 46 cm with a d...

An antique Chinese wall panel dating to the late 19th century, intricately hand-carved in high relief and finished with gilt and polychrome lacquer. The central scene depicts a seate...

Alpine roebuck head with beautiful roebuck horns out of carved wood and colored Skillfully elaborated carving, alpine, probably Bavaria original version.