4 results for "blandin"

A beautiful Faïenceries et Emaux De Longwy cylinder vase with floral cloisonne decoration. Fully marked on the bottom.

Floral Still Life with Roses, 19th Century Spanish Oil Painting Artist: José María Murillo Bracho Birth / death: Seville, 1827 – Málaga, 1882 Title: Floral Still Life Technique: Oil on canvas Artwork size: 34 × 45 cm / 13.4 × 17.7 in Framed size: 56 × 67 cm / 22 × 26.4 in Signature: Signed lower left Frame: Yes, ornate gilded frame included Condition: Good overall condition, with normal signs of age and conservation consistent with a 19th-century painting. The frame shows wear consistent with age. Subject: Floral still life Style: 19th-century Spanish painting, floral realism, Andalusian school Description Elegant 19th-century floral still life painted in oil on canvas by José María Murillo Bracho, a Spanish artist from Seville especially known for his refined flower paintings, fruit compositions and still lifes. The work presents a horizontal bouquet of flowers arranged on a neutral surface, with white roses, vivid red blossoms, mauve flowers, golden yellow accents and deep green leaves. The composition combines naturalistic precision, delicate color and a carefully balanced sense of light, creating a serene and highly decorative image. The contrast between the luminous white flowers at the center, the intense red blooms and the sober blue-grey background gives the painting great visual richness. The brushwork is detailed and sensitive, particularly in the petals and foliage, where the artist’s almost botanical attention to form and texture can be clearly appreciated. This painting is especially attractive within Murillo Bracho’s production because floral still life was one of the genres most closely associated with his work. The piece also retains an ornate gilded frame, enhancing its classical presence and making it highly suitable for a refined interior. A charming antique Spanish flower painting, ideal for collectors of 19th-century Spanish art, floral still lifes, academic realism, Andalusian painting and decorative European oil paintings. A bouquet that does not fade, which is already more than can be said for most modern enthusiasm. Artist Biography José María Murillo Bracho was a Spanish painter born in Seville in 1827 and died in Málaga in 1882. He is also sometimes referenced as José María Murillo y Bracho or José María Bracho Murillo. He trained at the Academy of Fine Arts of Santa Isabel de Hungría in Seville, one of the most important artistic institutions in Andalusia during the 19th century. His work developed within the Spanish academic tradition, with a particular focus on still lifes, flowers and fruit compositions. Murillo Bracho was connected to both Seville and Málaga, and his painting reflects the refined bourgeois taste of 19th-century Andalusia. His works are appreciated for their careful realism, elegant composition, delicate chromatic range and meticulous treatment of floral subjects. Floral still lifes are among the most representative and desirable aspects of his production, combining decorative beauty with technical precision and a distinctly classical Spanish sensibility. Artistic Inspiration This painting belongs to the long European tradition of floral still life, connecting 19th-century Spanish academic painting with the broader history of flower painting. It may appeal to collectors interested in artists and traditions associated with Henri Fantin-Latour, Jan Brueghel the Elder, Rachel Ruysch, Juan de Arellano and classical European botanical painting. With its serene composition, precise floral detail and elegant color harmony, the work is well suited for collectors of antique still lifes, Spanish School paintings, Andalusian art, academic realism and refined decorative interiors. Spanish 19th Century Painting, Floral Still Life, Antique Flower Painting...

Jules Salles-Wagner (French, 1814-1898) A Large and Impressive French, 19th century oil on canvas "The Water Carrier Lady" depicting a standing and posing young peasant girl holding ...

This small French faience vase attributed to a maker in the Longwy region dates from the early 20th century and presents a richly decorated Art Nouveau composition. The vase displays...

12" wide and 30" tall as shown. 18" to light switch and 27" to finial. Outstanding pair of large spherical Mid-Century Modern globe ceramic lamps produced probably in the 1970s in e...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Georges-Marie-Julien Girardot (French, b. Besançon 1856 - d. Paris, 1914) "Avant le mariage" (Before the Wedding) A Palatial and Impressive French 19th Century Oil on Canvas depictin...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Decorative numbered vase Émaux of Longwy. French glazed art pottery, flowers on a blue background, hand-painted enameled. The Longwy pottery factory has been in existence since the ...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Gabriel-Dominique DUDAN (Active from the 1830s to the 1850s) Bouquet of Roses, Foxgloves, Poppies, Violets, and Daisies Oil on canvas 61 x 50 cm (77 x 66 cm with frame) Signed and da...

Friedrich Ortlieb (German, 1839-1909) A fine and large oil on canvas titled "New Year's Day at The grandfather's". The joyful indoor family scene depicting a Christmas and new year's...