79 results for "plaster intaglios"

This is a 19th-century Intaglio Tassie - A seal with the bust of a man on it. Thick gilt paper wrapped around the edge mimicking a frame. There are a few tiny faults in the mold but ...

Antique collection of Italian Grand Tour plaster intaglios Italian, Early 19th Century Height 39.5cm, width 27cm, depth 5cm Consisting o...

Collection of framed antique Italian plaster intaglios Italian, Early 19th Century Height 34cm, width 34cm, depth 4cm This exquisite collection of eighteen plaster intaglios was cr...

Framed Group of Seven Italian Grand Tour Cast Plaster Intaglios, 19th Century This refined framed composition features a group of seven Italian Grand Tour intaglios, executed in cas...

Beautifully preserved Grand Tour book-form box housing a collection of twenty-four classical Intaglio Medallions by Bartolomo Paoletti. Paoletti was one of the most respected makers ...

Beautifully preserved Grand Tour book-form box housing a collection of twenty-seven classical Intaglio Medallions by Giovanni Liberotti. Bound in faux-marbled paper, box opens to re...

Beautifully preserved Grand Tour book-form box housing a collection of fifty-one classical Intaglio Medallions by Giovanni Liberotti. Bound in faux-marbled paper, box opens to revea...

An antique Grand Tour faux book of Neoclassical plaster intaglios. Dating to the early 19th century, this intriguing book encloses twenty-five classically themed Italian medallions...

Volumes 2, 4 and 5. Each volume double sided. The book spine stamped Carnesecchi Impronte Di Gemme. Featuring 268 plaster intaglios. Francesco Carnesecchi was a renowned 19th centur...

Italian Grand Tour Intaglio Plaster Medallion Box with Silver Mounts and Gilt Marbled Leather, 19th Century A finely crafted 19th-century Italian Grand Tour table box, combining cla...

An antique Grand Tour faux book of plaster intaglios by Pietro Paoletti (1801-1847). This intriguing book encloses thirty-eight classically themed Italian medallions...

An antique pair of Grand Tour intaglios in wooden frames with a total a 72 medallions. Wear consistent with age and use. circa 19th century, Italy.

An elegant set of three giltwood frames enclosing 12 unusually large plaster Grand Tour Giovanni Liberotti intaglios dating from the early 19th Century. The various large rectang...

A comprehensive collection of 14 antique Italian Grand Tour intaglios dating from the early 19th Century. The subjects predominantly from Classical Antiquity, with period busts. They...

A superb pair of framed Grand Tour intaglios, circa 1820. These genuine plaster hand-carved intaglios are all gilt paper wrapped and numbered. They are custom framed on a gray linen ...

A superb collection of 16 antique plaster cameos and intaglios of French and English origin presented in a wooden tray, supplied loose. These 19th century plaster cameos each display...

A fine and rare matched pair of 19th century Italian Grand Tour souvenir panels, each housing a symmetrical arrangement of approximately twenty-one cast gypsum (plaster) intaglio and...

Pair of Antique intaglios newly framed on camouflage burlap.

Gorgeous Grand Tour intaglios or impronte in their original tray, newly framed in a black shadow box with gold accents. Perfect for a bookcase. The Paoletti firm advertised themselve...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo Paoletti (1757-1834) and his son Pietro Paoletti (1801-1847). These ‘Grand Tour’ souvenirs were brought home by wealthy European travellers. Rome was the ultimate destination and a tour of the treasures contained in its many museums complemented a young man’s education. Collecting boxes and faux bindings containing plaster casts of ancient gems...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo Paoletti (1757-1834) and his son Pietro Paoletti (1801-1847). These ‘Grand Tour’ souvenirs were brought home by wealthy European travellers. Rome was the ultimate destination and a tour of the treasures contained in its many museums complemented a young man’s education. Collecting boxes and faux bindings containing plaster casts of ancient gems...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo ...

Pair Antique Early 19th Century Italian Framed Grand Tour Plaster Intaglios Italian, Early 19th Century Panels: Height 25cm, width 57cm Frames: Height 40cm, width 71cm, depth 7cm Th...

An elegant pair of giltwood glazed frames enclosing fourteen Grand Tour intaglios dating from the early 19th Century. The oval shaped plaster intaglios feature subjects predominantl...

An elegant pair of giltwood glazed frames enclosing seventeen Grand Tour plaster intaglios dating from the early 19th Century. The shaped plaster intaglios feature subjects predomin...

This is a museum quality book form Grand Tour plaster intaglio case, Circa 1820 in date. The intaglios are encased in a red leather gilt tooled binding titled 'L. FERRARIS BIBLIOTH...

Antique plaster intaglios whimsically framed on camouflage burlap, the intaglios are numbered and correspond to the descriptions on the backsi...

An elegant framed collection enclosing thirty-five Grand Tour Giovanni Liberotti intaglios dating from the early 19th Century. The oval shaped plaster intaglios featuring various my...

An  elegant pair of giltwood frames enclosing twenty six  Grand Tour Giovanni Liberotti intaglios dating from the early 19th Century. The various shaped plaster intaglios feature su...

An elegant pair of giltwood glazed frames enclosing fourteen Grand Tour  intaglios dating from the early 19th Century. The shaped plaster intaglios feature subjects predominantly fr...

Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

An  elegant pair of giltwood frames enclosing twenty nine Grand Tour Giovanni Liberotti intaglios dating from the early 19th Century. The various shaped plaster intaglios feature su...

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...

A scarce Italian hand carved polychromed parcel gilt church altar stick. Born in Italy in the second half of the 19th century, having a sculptural crown shaped gilt metal top surrounding a tall candlestick pricket, over carved and spiral turned central column, rising on tri foot hexagonal base. The fantastic religious antique, circa 1870, having warm, rich giltwood carvings, nicely detailed, with beautiful, elegantly aged rustic patina, worn, distressed, chippy paint, adds historic depth, character and old world charm. Dimensions (approx): 19" High, 7" Wide, 7" Deep. Provenance / Acquisition: Acquired from the Dallas, TX estate of T. Boone Pickens (b.1928 -2019). An American business magnate and financier. J. Garrett Auctioneers had the pleasure of presenting this item from the iconic Texas and Oklahoma oil...

This piece titled "Like a Pen VE 6/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

A finely executed etching by Johann Heinrich Lips, produced for Johann Caspar Lavater’s influential treatise on physiognomy, one of the most widely circulated and intellectually sign...

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Coppia di colonne in legno dorato in foglia e intagliato con motivi vegetali in rilievo, colonne Italiane tortili, a tortiglione integralmente dorate e scolpite con motivi vegetali e...

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

Ancient Neoclassical Cameo Intaglio in biscuit. Italy, 19th Century. Good condition.

This is a woodcut engraving entitled "Concrete Mixer, Moscow" by Albert Abramovitz created in 1935 after a visit to the Soviet Union. It depicts three Russian workers talking in front of a wooden structure housing a cement mixer...