59 results for "vietnamese blue-and-white"

Henry Kissinger is a vintage press print, b/w Photo realized in 1972. At the party - Presidential adviser Henry Kissinger Smiles at Mrs. Than Kim Phung,...

A pair of blue and white porcelain vessels traditionally attributed to late Nguyễn dynasty Vietnam, likely produced in or around Huế during the late 19th century. Each piece is decor...

New York City based wildlife and street photographer Viet Chu, captured this breathtaking monochrome shot of a profile of a Zebra on a Black background. This image was taken in 2016, in Sayari Camp, Serengeti, Asilia Africa. Chu’s emphasis is to give us a glimpse of an everyday life in the wild, and to inspire us by the beauty and grace of this black and white striped animal. Viet Chu is a world traveler for photographic assignments. He finds beauty in life’s special moments in time, capturing each with his unique photographic style. Chu’s work is a reflection of his journey’s and life experiences. In his approach to capture an image, he utilizes traditional and non-traditional means of lighting. It is then infused with his intuitive sensibility, converging it with emotional intelligence, to create a simple composition of shadows, light, subject and background. His goal is to capture a moment in time that tells a story for the rest of time. Limited Edition of this print, numbered and signed by Viet Chu are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Animal Wall Art...

Benno Thoma's color image of a Vietnamese woman on her bike was taken in Hanoi. It is a painterly image created through photographic technique. This impression is #1 of an edition of...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Always and Forever" 2025 Oil paint on canvas, stretcher bars Signed on verso. “Always and Forever” is a cinematic piece,...

New York City based wildlife and street photographer Viet Chu, captured the angular, light and architectural aspects of Grand Central Terminal in NYC at 42nd St. and Park Avenue. By...

New York City based wildlife and street photographer Viet Chu, captured this unusual black and white shot of three Zebras in Sayari Camp, Serengeti, Asilia Africa. Chu’s emphasis is to give us a glimpse of an everyday life in the wild, to inspire us with the strength, grace and necessary protection of wildlife. As a world traveler for photographic assignments, Viet Chu finds beauty in life’s special moments in time, capturing each in his photographs. His work is a reflection of his journey’s and experiences. In his approach to capture an image, he utilizes traditional and non-traditional means of lighting and infuse it with an intuitive sensibility, which is then converged with emotional intelligence to create a simple net composition of shadows and light, of subject and background, of space and inter-space, all with the goal of stopping a moment of time that tells a story for the rest of time. Limited Edition of this print, numbered and signed by Viet Chu are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Animal Wall Art...

Two stunning La Musa serving platters in an immaculate condition. In the style of De Simone. These are two large platters, the biggest has a diameter of 43.5...

This photo was taken at Giza Pyramids, Egypt. The photo is printed with 2cm white border each side, which makes it easy for putting in frame. Comes with signed & numbered Certificate...

The photograph was taken in Taj Mahal, Agra, India. The photo is sold unframed. I work with top printing houses in Madrid & Barcelona, Spain that have extensive experience dealin...

The photograph was taken in Egypt in 2014 and edited in 2020. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube. The photo is printed on H...

This artwork titled "Gull Point" 1987 is a color serigraph by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 60/100 in pencil by the artis...

The artwork, with its foliage and floral motifs, suggests a connection to the natural world—a common theme in Vietnamese art. Such items were highly traded, and their recovery from shipwrecks helps us understand the extent of maritime commerce in Southeast Asia during the 15th and 16th centuries. This piece embodies the craftsmanship and aesthetic values of the period, providing insights into the cultural and economic contexts of its time. Dates : 15th century Le Dynasty Region : North Annam Type : Bowl Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics...

This likely antique ceramic dish features a hand-painted blue and white botanical motif rendered in fluid brushwork, typical of 19th-century Tonal ceramics from northern Vietnam. The...

Description Superb antique Chinese porcelain bowl with a dragon and carp, painted in underglaze cobalt blue on white porcelain ground...

Decorative Bowl. withblue Dragon and Clouds, circa 1900. it has been made in vietnam.

Annamese Blue and White Ceramic Small Box, Chu Dau kiln, Vietnam, circa 1500. A globular form with a narrow slightly countersunk base. The cover crisply decorated in a line drawing of cobalt depicting a central floral medallion from which radiate six foliate petals, the sides with six peaked cartouche containing alternating patterns of waves and leafy tendrils. The design perfectly aligning over the well fitting lid to the body. Condition: One tiny popped blister on the lid, minor rim frits, otherwise excellent condition. Measuring: 1.375 in. high x 1.9375 in. in diameter. (35 x 50 mm) Weight: 2 oz. (58g.) 15th/16th century. Provenance: Vietnam art...

An elegant fine stoneware bottle vase with underglaze blue painted decoration depicting stylized flowers and foliage in a style typical of Vietnamese production from Chu Đậu (Hải Dươ...

Annamese Blue and White Ceramic Box, Chu Dau kiln, Vietnam, circa 1500. A ceramic covered flat top circular box with lid decoration in under glaze cobalt blue of a landscape scene co...

Large round coffee table in white Vietnamese marble and inclusions of small blue Brazilian agates in the shape of stylized octopuses and jellyfish. The base is made of 12 blackened...

The interior painted with two spotted horses at play beneath a willow tree, the exterior with a cafe-au-lait glaze Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 M...

Bowl from the late Ming dynasty cargo. An identical piece is included on page 136 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Ceramics Found...

Superb antique Chinese porcelain zhadou. Blue de Hue porcelain for the Vietnamese market. Decorated with butterflies, flowers and bats. The porcelain is almost like soft paste from the Qianlong period. Such small 'zhadou' were used as table-top slops jars rather than as floor spittoons. When making tea, the Chinese first rinse the cups and teapot in boiling water to cleanse and warm them. Such water would be jettisoned into a 'zhadou' along with tea dregs and other waste. Blue de hue porcelain From the 1700s onwards, kings of the Le-Trinh dynasty in Vietnam ordered porcelain from China for their court. This type is named after Hue, the 19th-century capital of the last royal dynasty in Vietnam, the Nguyen dynasty...

Vietnamese stoneware crab boxes. Light blue glaze. This is one of the representative types of miniature works of Hoi An ships. Dates : 15th century Le Dyn...

Large and very nice Blue and White Charger/Dish from the Jiajing Period This type of dish, with undecorated sides and flowing, somewhat 'fatty' glaze and greyish blue colour characte...

Annamese Molded Blue and White Ceramic Box, Chu Dau kiln, Vietnam, circa 1500. The cover delicately decorated with a central floral medallion from which radiate six conjoined ruyi la...

Antique water or opium pipe, in blue and white porcelain known as "Hue blue," decorated with a landscape scene, with a metal mount. Object originating from Vietnam: "Hue blue" po...

ANTIQUE CHINESE PLATES ORIGINALLY MADE FOR THE PERSIAN MARKET Pretty hand-painted floral sprays in the Famille Rose palette. All versions of the C...

Vietnamese stoneware jar with representative bird designs. These pieces exhibit a relatively vivid and clear color compared to similar works from Hoi An hoard. The main feature of th...

Annamese Blue and White Ceramic Dish, Bird Design, Chu Dau kiln, Vietnam, circa 1500. A sturdily potted plate with raised rim, decorated in under glaze cobalt ...

Old, White Porcelain Table Water Pipe with Blue-Glazed Decoration, that represents a Rider asking his Way. This 19th Century Object from Vietnam is provided with a Silver or Metal St...

A bird on a tree. Stoneware with underglaze blue and painted green. The leaves were creatively expressed with green-glaze. The use of green overpainting, a distinctive element in Annamese ceramics, parallels similar examples documented in The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road, particularly on pages 59, 64, and 66 of the Annamese ship catalog. Such pieces were widely traded along the Maritime Silk Road, showcasing the rich cultural exchange between Vietnam and other regions. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Annamese Blue and White Ceramic Box, Chu Dau kiln, Vietnam, circa 1500. A covered flat top circular box with lid decoration in under glaze cobalt blue of a peony blossom with leafy b...

These two blue-and-white water vessels, made at the Chu Dau kilns of 15th–16th century Vietnam, feature a single pouring spout and five functional lugs used for gripping or attaching...

This Annamese ceramic plate features a central floral motif rendered in underglaze blue, complemented by delicate green-painted leaves—an innovative characteristic of Annamese ceramics of the time. The rim is adorned with swirling cloud patterns and additional stylized floral designs. The use of green overpainting, a distinctive element in Annamese ceramics, parallels similar examples documented in The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road, particularly on pages 59, 64, and 66 of the Annamese ship catalog. Such pieces were widely traded along the Maritime Silk Road, showcasing the rich cultural exchange between Vietnam and other regions. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

At the center of the vase, within a rounded frame, a bird is depicted perched on a small branch. The bird’s feathers and body are finely detailed, while the beak and eyes are rendere...

At the center, within a shield-shaped frame, a delicate plant motif with slender stems and leaves is depicted, symbolizing the vitality of nature through simple lines. The shield-shaped frame harmonizes with the vase's curves, emphasizing the plant design. The neck features elongated leaf patterns, while soft cloud motifs are gracefully arranged along the body, following the vase’s natural flow. At the base, repetitive geometric patterns provide a sense of stability. This vase beautifully captures classical and serene beauty through the balance of natural harmony and meticulous craftsmanship. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard...

The vase features a slender neck adorned with gracefully drawn, elongated leaves that blend seamlessly with its natural curves, adding a refined elegance. At the center, a meticulously rendered geometric pattern of repeating wave-like motifs creates a sense of depth and movement, framed by curved lines for balance. Simple plant motifs are scattered throughout, complementing the design with minimal strokes. The base is grounded by repeated geometric symbols, ensuring stability and cohesion. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Vietnamese stoneware cover boxes. These pieces exhibit a relatively vivid blue color compared to similar works from Hoi An hoard. Additionally, they are relatively larger in size amo...

These are three small lidded boxes from the Vietnamese period, specifically from the 15th century during the Le Dynasty. Each box features intricate floral designs in blue on a white...

Stoneware painted with underglaze cobalt blue and remnants of overglaze enamel. This work has been presented as a centerpiece in the Annamese gallery of the Asian Art Museum of San Francisco, underscoring its significant artistic and historical standing. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Ewer Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Phoenix Art Museum - OBJECT NUMBER 2000.108.1 2) Asian Art Museum of San Francisco - Annamese Collection 3) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

The bowl's design features fluid, dynamic brushstrokes typical of Annamese pottery, where cobalt blue underglaze was used to create intricate patterns before a clear glaze was applied. The artwork, with its foliage and floral motifs, suggests a connection to the natural world—a common theme in Vietnamese art. Such items were highly traded, and their recovery from shipwrecks helps us understand the extent of maritime commerce in Southeast Asia during the 15th and 16th centuries. This piece embodies the craftsmanship and aesthetic values of the period, providing insights into the cultural and economic contexts of its time. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Diameter : 17cm Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

GUIDO GAMBONE - VIETRI - Rare Mid Century monumental studio ceramic vessel / jug - hand painted - thick, frothy, gritty glaze (sand added in production) - signed with a donkey and VI...

Annamese Blue and White Ceramic Dish, Bird Design, Chu Dau kiln, Vietnam, circa 1500. Stoneware with raised rim decorated in under glaze cobalt blue of a plump...

The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natura...

Description Superb Chinese porcelain dish with a nice Lotus Pond scene with ducks. Bleu de Hue porcelain. The base with beautiful mark: Reading '锦堂发记' for 'Jin Tang Fa Ji'. From th...

1970s Italian Cobalt Vase Handcrafted Vietri Art Campagna Italy 10.5 x 5.5 d Signed Vietri Art-Vietri Campagna Ceramic Art Pottery Preowned vintage con...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

These 15th-century Le Dynasty ceramic vessels from northern Vietnam feature distinct designs. One is beige with faint blue floral patterns, a rounded body, and an elongated spout. Th...

Artist: Dinh Q. Lê (Vietnamese, 1968 - ) Title: Fragile Springs, Thailand Date: 2012 Medium: Screenprint, signed and dated verso Edition: 21 Image Size: 14 x 17 inches Frame Size: 18...

A blue and white porcelain vase, with fabulous farmer decoration Condition Overall condition perfect. Size: 350 x 350 x 105 Period 20th century PRoC (1949 - now).

At the center of the vase, a bird is depicted with clean yet detailed lines, capturing the moment mid-flight with a sense of dynamic energy. The artist skillfully conveys the bird’s vitality with minimal strokes, creating the impression that it could soar into the sky at any moment. Though there are no explicit branches or leaves, the flowing curves of the background subtly connect the bird with the natural world. The simplicity of the lines creates a harmonious relationship between the bird and its environment, reflecting the artist’s ability to evoke nature without relying on intricate details. The neck of the vase is adorned with elegant plant motifs, where stems and leaves stretch upward, complementing the overall shape of the vase. These motifs, while simple, add sophistication and enhance the vase’s graceful form. At the base, repeating geometric patterns contribute to the sense of balance and stability. These patterns not only ground the piece but also serve as decorative elements, completing the vase’s aesthetic unity. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Seattle Art Museum - Gift of Mary and Cheney Cowles, 2000.125. 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 3) Asian art museum, San Francisco * Vietnamese trade ceramic...

Vietnamese covered boxes with representative scenary designs. Both are made of cream-colored base and blue designs, typical of Annamese pottery. These shared characteristics highligh...

This Annamese ceramic dish features a central lotus motif, enclosed by a thin circular border. The rim is adorned with intertwining vine patterns and swirling motifs. The dish has a gently curved form with a well-proportioned depth and a neatly finished rim. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

"Antique Chinese (Late 19th Century) white, porcelain urn with a navy egret amid florals and two blue scrolled handles along the neck. Dimpling and crazing."

In the shape of a tower(Chess) with blue decoration on the body, chocolate ring on the base. Dates : 15th century Le Dynasty Region : North Annam(Viet...

These teabowls feature a simple yet elegant form, finished with a brown glaze that creates a smooth, subtle sheen. They have thin, evenly crafted walls and a small, stable footring t...

Duong Viet Nam is a Vietnamese contemporary artist known for his Post-Impressionistic style of painting. He often captures city scenes during busy parts of the day. In his paintings...

‘Living’ is a medium size contemporary lacquer on wood figurative painting created by Vietnamese artist Truong Tan in 2008. Drawing from his own identity and exploring perceptions of...