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Slip is a stone sculpture by contemporary British artist Peter Brooke-Ball (Foundry: Pangolin Editions). Dimensions are 24 × 18 × 10 cm (9.4 × 7.1 × 3.9 in). The dimensions include t...

Slash is a bronze sculpture by contemporary artist Peter Brooke Ball, dimensions are 21 × 14 × 13 cm (8.3 × 5.5 × 5.1 in). This sculpture is numbere...

Plaything is a unique Jesmonite, bamboo and pewter sculpture by contemporary artist Peter Brooke-Ball, dimensions are 25 × 18 × 15 cm (9.8 × 7.1 × 5.9 in). The sculpture comes with...

BROOKE SHADEN "Surging Tides" 2024 Photo on Velvet Fine Art Paper, Ed. of 10 20 x 20 inches, Unframed Channeling the light and darkness inherent in humanity through her self-portrai...

This piece, “Brooklyn Before and Ever After” is a 36x36 oil painting on canvas by artist Brooke Major. Depicted in white is a striking, monochromatic cityscape featuring the Brooklyn...

Delicate pastel and chalk drawing by Elisabeth Sauer (German, 20th century), titled “Pusteblume” (“Dandelion”), signed E.S. 85 lower right. The composition captures a cluster of sof...

"Catch Me if You Can", 15x18 is an oil painting on canvas by the artist Brooke Major. Depicted in white is a line wild horses mid run. The artist uses layers and layers of white oil ...

Freedom is a unique Alabaster and rope sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 × 21.5 × 17.5 cm (9.1 × 8.5 × 6.9 in). The sculpture comes with a certi...

Bound Heart is a unique oak wood and cotton cord sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 × 34 × 26 cm (7.5 × 13.4 × 10.2 in). The sculpture comes with...

BROOKE SHADEN "Smallness" 2024 Photo on Velvet Fine Art Paper (Unframed) 20 x 20 inches, ed of 10 Channeling the light and darkness inherent in humanity through her self-portraits, ...

"Wild Horses", 36x36 is an oil painting on canvas by the artist Brooke Major. Depicted in white is two wild horses mid run. The artist uses layers and layers of white oil paint to me...

BROOKE SHADEN "Overgrown" 2024 Photo on Velvet Fine Art Paper, ed 1/15 10 x 10 inches; 19 x 19 inches Framed Channeling the light and darkness inherent in humanity through her self-...

BROOKE SHADEN "Chasing" 2014 Photo on Velvet Fine Art Paper, ed of 15 10 x 10 inches (Unframed) Channeling the light and darkness inherent in humanity through her self-portraits, fi...

"The Race", 10x39.5 is an oil painting on canvas by the artist Brooke Major. Depicted in white is a line wild horses mid run. The artist uses layers and layers of white oil paint to ...

BROOKE SHADEN 20 Pieces-Photos with on Velvet Fine Art Paper (Ed. of 2) 15 x 15 in. each *please allow for 2 weeks printing time* Works are unsigned, Certificates of Authenticity to be provided JoAnne Artman...

Steven Brooke Views of Rome Hand signed and dated lower right 1991 Dimensions 11 X 8.5 inches Vintage photo printed on Kodak RC paper Taken with an Arca Swiss view 2 X 3 camera Prove...

Print Sz: 13 3/4"H x 15 1/4"W Frame Sz: 20 1/4"H x 22 3/4"W Published by Sign of The Gosden Head, New York Hand-signed and numbered by Franklin Brooke Voss, this 1936 limited edit...

BROOKE SHADEN "Rising Up" 2022 Photo on Velvet Fine Art Paper, ed of 15 10 x 10 inches Unframed Channeling the light and darkness inherent in humanity through her self-portraits, fi...

Brooke Cameron Columbia, Missouri Signed recto Brooke Bulovsky Cameron is a printmaker and professor emerita of art at the University of Missouri, where she taught for many years aft...

Brooke Cameron Columbia, Missouri Signed recto Brooke Bulovsky Cameron is a printmaker and professor emerita of art at the University of Missouri, where she taught for many years aft...

BROOKE SHADEN "Fingernails Stained with Mud" 2024 Photo on Velvet Fine Art Paper, ed of 15 10 x 10 inches (Unframed) Channeling the light and darkness inherent in humanity through h...

BROOKE SHADEN "The Place Where Secrets Sleep" 2019 Photo on Velvet Fine Art Paper, ed of 15 10 x 10 inches (Unframed) Channeling the light and darkness inherent in humanity through ...

BROOKE SHADEN "To Old Gods" 2024 Photo on Velvet Fine Art Paper, ed 1/15 10 x 10 inches; 19 x 19 inches Framed Channeling the light and darkness inherent in humanity through her sel...

BROOKE SHADEN The Painted Spirit, 2020 Photo on Velvet Fine Art Paper 10 × 10 in. Unframed 18.25 x 18.25 in. Framed Edition 1 of 15 Channeling the light and darkness inherent in hu...

Print Sz: 18"H x 26"W Frame Sz: 30 3/4"H x 36 3/8"W w/ gold leaf wood frame w/ scallop Zeese-Wilkinson Co Inc Engravers and Printers Franklin Brooke Voss (1880–1953) was an Ameri...

Without Bonds is a unique Portland limestone, stainless steel on beech wood base sculpture by contemporary artist Peter Brooke-Ball, dimensions are 51 × 26 × 20.5 cm (20.1 × 10.2 × 8...

Portuguese rosa marble, rope and copper on Portland limestone, 105 cm × 38 cm × 40 cm. The above dimensions include the base, which is attached. Dimensions of the base: H 20 x L 38 ...

This piece, “World Trade Center, Let Freedom Ring” is a 36x36 oil painting on canvas by artist Brooke Major. Depicted in white is a powerful, monochromatic skyline featuring the Twin...

Brooke Cameron Columbia, Missouri Signed recto Brooke Bulovsky Cameron is a printmaker and professor emerita of art at the University of Missouri, where she taught for many years aft...

Brooke Cameron Columbia, Missouri Signed recto Brooke Bulovsky Cameron is a printmaker and professor emerita of art at the University of Missouri, where she taught for many years aft...

Brooke Cameron Columbia, Missouri Signed recto Brooke Bulovsky Cameron is a printmaker and professor emerita of art at the University of Missouri, where she taught for many years aft...

BROOKE SHADEN A Storm to Move Mountains, 2011 Photo on Velvet Fine Art Paper 10 × 10 in. Image 18.25 x 18.25 in. Framed Edition 7 of 15 Channeling the...

Variation on a Theme II: Avoidance is a unique bronze, steel and oak wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 cm × 24 cm × 24 cm (9.1 × 9.4 × 9.4 in...

Second Chance is a sculpture by contemporary British artist Peter Brooke-Ball made with Jesmonite, a composite material created with a gypsum-based material and an acrylic resin. Th...

Ash wood and lead on Portland limestone, 47 cm × 39 cm × 10 cm. The dimensions include the base, which is attached. Dimensions of the base: 8 H x 10 cm diameter Unique work delivere...

Variation on a theme II : Hegemony is a unique bronze, steel and ash wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 x 31 x 26 cm (7.5 × 12.2 × 10.2 in). ...

Caught, Trapped Rock & Balance is a set of three drawings by contemporary British artist Peter Brooke-Ball. For the sculptor, drawing is often the starting point to develop a sc...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5358

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

This original invitation card was produced for the exhibition Prints and Related Works by Donald Judd, held at Brooke Alexander Editions, New York, in 1990. Issued by the gallery fo...

Jane Dickson New York 1988: A rare 1980s announcement card published on the occasion of Dickson's exhibition at Brooke Alexander, Inc. from January 9 - February 3, 1988; 59 Wooster S...

A passion for horses, equestrian pursuits, and painting define Brooke Major's life and career. A native of Atlanta, GA, Brooke Major has been living and working as a professional art...

Provenance Acquired by the gallery directly from the artist EXHIBITIONS California Art Clubs 95th Annual Gold Medal Juried Exhibition April 2 - 23...

Sauer often creates paintings that are rendered from dream encounters. "Can something be perceived as both ordinary and absurd? When does it crossover from one realm to the other? W...

DIRTY OR CLEAN? depicts a grouping of laundry consisting of solid colors as well as striped patterned shirts in a photo representational rendering. Sauer meticulously creates a composition of organized chaos that is shown to exemplify the beauty in the mundane. This piece appears as part of a two-person exhibition with Jason Stout in April 2021 at Channel To Channel...

A passion for horses, equestrian pursuits, and painting define Brooke Major's life and career. A native of Atlanta, GA, Brooke Major has been living and working as a professional art...

The interconnectivity between one's waking life and one’s dreams offers a point of convergence between the real and the surreal, the ordinary and the absurd. Daily observations are recycled into nightly visions, and consciousness becomes an in-between state. Experiences turn into memories which turn into dreams which turn into experiences. This piece appears as part of two-person exhibition with Jason Stout at Channel To Channel...

18" x 24" Unframed Limited Edition Photograph of 200 MAGNUM Photography

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

A passion for horses, equestrian pursuits, and painting define Brooke Major's life and career. A native of Atlanta, GA, Brooke Major has been living and working as a professional art...

This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty". Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

A scene of distress is depicted in this work regarding Bob the Tomato, a primary character in the acclaimed children’s animation, VeggieTales. “God Wants Me to Forgive Them!?!” challenges the formative life lessons we are taught from a young age that is not always easy to uphold. Based on a prophetic dream I had surrounding ideas of violence, familial relationships, estrangement, biblical references, revenge, and ultimately death, this painting begs...

Judy Rifka (American, b. 1945) Oil on linen painting Titled: "Ice Hockey IV 1990" featuring A depiction of hockey players with ice skating rink backdrop. Hand signed verso: "Rifka...

"Brooke (Crashing Waves)" Photography 30" x 22" in Ed. 2/7 by Larsen Sotelo Signed and numbered by the artist. Comes with COA issued by the artist. Not framed. Ships in a tube Gicl...

signed in pen and annotated and stamped verso Brooke Shields (born May 31, 1965) is an American actress, model and former child star.[2] Shields, initially a child model, gained cri...

Judy Rifka (American, b. 1945) Roman Nose 1982 Oil on canvas Dimensions: 30 x 24 inches (76.2 x 61.0 cm) Hand signed on stretcher: Judy Rifka Provenance: Brooke Alexander Galle...

This very large color screenprint poster was created by Troels Wörsel for his 1985 exhibition at Brooke Alexander Gallery. Dominated by a striking chandelier at its center, the compo...