How much is a Hockney painting worth?

DAVID HOCKNEY (B. 1937) Contrejour in the French Style etching and aquatint in colours, 1974, on

A Room Full of Straw by David Hockney, 1969-70 Additional information: Medium: etching 45 x 31.2

they were in their late twenties. Per Hockney: “This etching is done from an engraving of her, and I

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio

Rare Set of Four Fox Hunting Scenes by Henry Alken (1785–1851) English, circa 1830–1840 Oil on Canvas, One Signed Lower Right This superb and rare set of four oil paintings by reno...

John Henry Sylvester (British, fl. late 19th–early 20th century) Self-Portrait Holding Palette and Brush Oils on canvas, monogrammed. Circa 1910–1920. This intimate and distinguishe...

F. Walters (English, 19th Century) An English Winter Landscape at Dusk Oils on canvas, signed lower left. Circa 1890. Presented in a hand-carved English swept frame. This evocative ...

F. Walters (British, 19th Century) Cottage Landscape with Figures and Pond Oil on canvas, signed lower left English School, circa 1880 Presented in an ornate 19th-century carved and gilded frame This serene and expansive rural landscape by 19th-century British artist F. Walters captures the gentle charm of the English country...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

William Henry Williamson (British, fl. mid to late 19th Century) Fishing Boats off the English Coast Oil on canvas, signed lower left Circa 1870–80 Presented in a period gilt frame ...

Attributed to Edwin Loder (British, fl. mid–late 19th Century) Mother Dog and Puppies in a Stable Interior Oil on canvas, unsigned English School, circa 1880 Presented in a period-st...