How much is a Roy Lichtenstein painting worth?

ROY LICHTENSTEIN (1923-1997) This Lichtenstein 'Real Estate' print in blue is a 1969 lithograph on Arches paper. There was an edition of 100 produced (there were also approximately ...

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...

ROY LICHTENSTEIN Clinton Gore (Limited Edition Campaign Button), 1992 Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein) 1 3/4 × 2 3/4 x 0.3 inches Limited...

This work is hand signed in pencil "R. Lichtenstein" at the lower right margin on the mount board. It is also signed, verso. It is also hand numbered in pencil from the edition of 20...

Artist: Roy Lichtenstein Title: Water Lily Medium: Screenprint on Lana Royale paper Date: 1993 Edition: AP 13/28 (aside from the edition of 130) Frame Size: 26 1/4" x 30 3/4" Sheet S...

Roy Lichtenstein grounded his profoundly inventive career in imitation—beginning by borrowing images from comic books and advertisements in the early 1960s, and eventually encompassi...

A wonderful English 19th-century scene of a Gentleman out Shooting ducks in a landscape with his spaniel dogs Very much in the style of the work of George Morland this is a very n...

A wonderful English 19th-century scene of a Gentleman out Shooting in a landscape with his spaniel dogs Very much in the style of the work of George Morland this is a very nice exa...

A wonderful English 19th-century scene of a Gentleman out Shooting in a Frozen Winter landscape with his trusted dog bu his side Very much in the style of the work of George Morland...

A wonderful English 19th-century scene of a Gentleman seated by a tree, resting with his dogs whilst out shooting. Very much in the style of the work of George Morland this is a ve...

Antique Victorian English 19th Century, three Spaniel dogs in an Interior. George Armfield was a mid-Victorian painter of mostly dog scenes but also painted other animal subjects su...

The artist was born at St. Jean de Bournay in L’Isere. He trained as an architect and studied art and architecture under Constance-Dufeus at the Ecole des Beaux Arts in Paris. Bouvard became the Director of Architectural Services for the Seine and was responsible for the construction in Paris of the Bourse du Travail and also for the Boulevard Morland. On one of his numerous painting trips to Venice he met the noted Venetian artist Felix Ziem, the man who greatly influenced his work for the remainder of his life. Bouvard also worked under the pseudonym of Marc Aldine, allowing him further success through alternative markets for his work. Venice had always been a popular venue for visitors on the Grand Tour throughout the eighteenth and nineteenth century and with the development of the European rail network in the latter part of the nineteenth century, Venice attracted visitors in even greater numbers. This trend was to continue throughout the twentieth century, extending the market for Bouvard’s work. Antoine Bouvard became very popular to his sensitive understanding of Venice. Not only did he capture the activity and glamour of well-known scenes like the Grand Canal and the Santa Maria Della Salute but he also caught the atmosphere and serenity of the backwaters. His paintings demonstrate his architectural skill whilst reflecting his love of Venice’s unique light effects. His works are broad and confidently painted, capturing all the charm of one of the most beautiful cities in the world. He exhibited throughout France and Italy as well as many provincial European galleries...

The artist was born at St. Jean de Bournay in L’Isere. He trained as an architect and studied art and architecture under Constance-Dufeus at the Ecole des Beaux Arts in Paris. Bouvard became the Director of Architectural Services for the Seine and was responsible for the construction in Paris of the Bourse du Travail and also for the Boulevard Morland. On one of his numerous painting trips to Venice he met the noted Venetian artist Felix Ziem, the man who greatly influenced his work for the remainder of his life. Bouvard also worked under the pseudonym of Marc Aldine, allowing him further success through alternative markets for his work. Venice had always been a popular venue for visitors on the Grand Tour throughout the eighteenth and nineteenth century and with the development of the European rail network in the latter part of the nineteenth century, Venice attracted visitors in even greater numbers. This trend was to continue throughout the twentieth century, extending the market for Bouvard’s work. Antoine Bouvard became very popular to his sensitive understanding of Venice. Not only did he capture the activity and glamour of well-known scenes like the Grand Canal and the Santa Maria Della Salute but he also caught the atmosphere and serenity of the backwaters. His paintings demonstrate his architectural skill whilst reflecting his love of Venice’s unique light effects. His works are broad and confidently painted, capturing all the charm of one of the most beautiful cities in the world. He exhibited throughout France and Italy as well as many provincial European galleries...