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Richard Edward Elliot Chambers Irish–British, 1863–1944 Late October in the Rockies, Colorado 1890 Graphite on cream wove paper Inscribed lower right: “Late Oct. in / Rockies 1890 / ...

An oil and acrylic painting on paper of a canal scene. Painted without any reference other than my memory, this is of a patch of canal called ‘The Cleaves’. It lies between Lower Hey...

"Water lilies" Original Oil painting by Ukrainian artist Evgeny Chernyakovsky 65.0 X 80.0 CM / 25.5 X 31.4 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2026 Good...

Soft Coastal Harbour with Boats and Pastel Village Reflections French Post Impressionist Oil Painting by Fanch Lel signed lower left oil on board, unframed Board: 13 x 16 inches Prov...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Size: 95×95 cm (overall size with stretching 105×105 cm) – size of each picture Year: 2026 Materials: acrylic on canvas Shipping: rolled from the series “Trust: In Space” This dipty...

Title: French Impressionist Oil Painting of Harbor Scene with Boats and Waterfront By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting o...

A unique, original silver gelatin black and white photograph. On the 12th of April, 1927, the iconic "Foire au Jambon" (Ham Fair) was a well-known outdoor antique show in Paris. Feat...

Carl Johansson (1863–1944) Sweden Lavaklippstrand, Tenerife (Lava Coast, Tenerife), 1894 signed lower left “Carl Johansson” oil on canvas, executed in grisaille unframed 27.5 × 49.5 cm (10.8 × 19.5 in) framed 39 × 61 cm (15.4 × 24 in) Literature: För Svenska Hem. Illustrerad Familjetidskrift, first year, 1895–1896, issue 26, pp. 416–417, reproduced across the centre spread. The contemporary caption reads: “Bild från Tenerife: Lavaklippstrand. Efter en oljemålning för ‘För Sv. Hem’ af Carl Johansson.” Condition report: Please contact the gallery for a detailed condition report. Essay: Painted during Carl Johansson’s journey to Tenerife in 1894, Lavaklippstrand presents the volcanic Atlantic coastline as an austere study of rock, water and light. Jagged formations of dark lava dominate the foreground and middle distance, breaking the surface of the sea in an irregular progression towards the horizon. Behind them, the coast dissolves gradually into mist, while the almost colourless sky occupies the upper half of the composition. The painting is unusually restrained for a landscape executed during a period when Johansson had recently encountered the brighter palette of modern French painting. Here, instead, he deliberately reduces the scene to a near monochrome range of blacks, greys, browns and white. Johansson was born in Härnösand in 1863 and studied at the Royal Swedish Academy of Fine Arts in Stockholm between 1882 and 1885, where his teachers included Edvard Perséus and the landscape painter Per Daniel Holm. He belonged to the generation of Swedish artists that increasingly looked beyond academic landscape conventions during the 1880s and 1890s. A period in France in 1891 and 1892 brought him into closer contact with contemporary French landscape painting...

Title: Stylised Woodland Landscape Trees Riverbank Decorative Gouache Painting Artist: Unknown artist (mid 20th century) Medium: Gouache on artists paper, unframed Size: 3.25 x 6 inc...

Salvador Dalí (1904–1989) “Sirenas peinadas con coral y hormiga” 108-Piece Porcelain Dinner, Tea and Coffee Service Designed in 1977 and produced in 1978 An extensive porcelain tab...

French Geometric Abstract Expressionist Circular Linear Composition Oil Painting by Gilbert Pelissier (French, born 1924) French abstract expressionist oil painting on canvas, unfram...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

AUTUMN OF THE ROOSTER is an original hand drawn, limited edition lithograph by the American master artist and collagist Romare Bearden printed using traditional hand lithography meth...

This David Hockney poster is printed in Bradford, West Yorkshire, England, on 270gsm Accent Fresco (Gesso), a textured, uncoated paper made from 100% ECF virgin fibre. FSC certified ...

Jeremy E. Fowler is a Tennessee-based oil painter who captures a sense of place through thoughtful composition and expressive mark-making. Favoring mood and movement over perfection,...

Lilly Muth's architectural paintings transport viewers on a visual journey to a different world, where imagination knows no bounds and the boundaries between reality and fantasy blur...

My Window. Art Edition (No. 251–500), iPad drawing ‘No. 281’, 23rd July 2010 8 colour inkjet print on cotton-fiber archival paper, with printed book Edition of 250 (print)  Edition o...

This artwork titled "High Meadows" 1984, is an original reduction woodcut on paper by noted American artist Gordon Louis Mortensen, b.1938. It is hand signed, dated, titled and numbered 24/130 in pencil by the artist. The artwork (image) size is 20 x 33.75 inches, framed size is 27.75 x 41 inches. Custom framed in a wooden gold frame, with off-white fabric matting and dark green fillet. It is in excellent condition, the frame have some very small minor restorations, practically invisible. Please note: the shadows lines at the upper right of the artwork is not a part of it, it is the reflection of the lighting. About the artist: Born near Arnegard, North Dakota on April 27, 1938, Gordon Mortensen...

Conjonction (2026) is a large-format geometric abstract oil painting on linen by French contemporary artist Sophie Dumont. Structured around a constellation of curved forms, vertical...

Paper Size: 13.25 x 17 inches ( 33.655 x 43.18 cm ) Image Size: 13.25 x 17 inches ( 33.655 x 43.18 cm ) Framed: Yes Frame Size: H: 14.25 x W: 18 x D: .75 in. Condition: A: Mint ...

Evening Retreat Egret This image measures 24 x 48 unframed and 30 x 54 framed. Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michae...

The Parisian Park by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 18 x 24 inches Provenance: all the paintings we have by this artist ha...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 26009 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

➡️ French school Riverside Landscape with Reeds oil paintingl⬅️ ⏩It is unsigned, anonymous⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Si...

This expansive floral composition is built around a dense gathering of blossoms arranged in a low, dark vessel and spread across a shallow tabletop. Cream, blush, coral, blue, yellow...

Since 1977, Hunt Slonem has had more than 350 exhibitions at prestigious galleries and museums internationally. Globally, more than 250 museums include his work in their permanent co...

Crossing Borderland by Thomas Henry Gibb ( British, 19th century ) inscribed verso dated 1894 signed oil on canvas, framed framed: 31 x 49.5 inches canvas: 28 x 46.5 inches Provenan...

Title: Sunchasers Painting Animal Dog Modern Gold Contemporary Striking Invest Bold Classic Joy Original One-of-a-kind This painting forms part of an artwork series called BLUE. I ...

Acquired by the gallery directly from the artist UNFRAMED: 6" x 8" FRAMED: 9.5" x 11.5" x 1.5" SIGNED: Lower Left

Linnea Pergola St Marks Place Giclee on handmade cotton paper Year: 2019 Image Size: 14.75 x 20.375 inches (37.47 x 51.75 cm) Paper Size: 17.13 x 24.02 inches (43.5 x 61 cm) Edition:...

Title: BLUE - Insightful Intent Painting Animal Dog Modern Gold Contemporary Striking Invest Bold Classic Joy Original One-of-a-kind This painting forms part of an artwork series c...

**FALL SUPER SALE** **IMPORTANT** This is a limited edition print on CANVAS. The print looks like the first picture and will arrive rolled inside a tube. A handful of artists 'mast...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Alessio (or Alesso) Baldovinetti (Florence, 1427 – Florence, 1499) circle St. George and the Dragon Oil on panel 32 x 42 cm. - Framed 47 x 57 cm. Provenance: Hampel Munich, M...

This original painting by Romina Milano presents a lyrical field of poppies and wildflowers, where gestural brushwork and simplified forms create a vivid, contemporary botanical comp...

After Amaldus Nielsen (1838–1932) Norway Evening at Fredrikstad, 1918 signed indistinctly, possibly “Hj. U…”, and dated “18” lower right oil on board unframed 42 × 55 cm (16.5 × 21.7 in) framed 53 × 65 cm (20.9 × 25.6 in) Comparative work: Amaldus Nielsen, Aften ved Fredrikstad (Evening at Fredrikstad), 1909, oil on canvas, present location unknown. Condition report: Very good condition with bright and clear colors. Ready to hang. Please contact the gallery for a detailed condition report. Essay: This atmospheric evening seascape was painted in 1918 by an as yet unidentified artist and closely follows Amaldus Nielsen’s Aften ved Fredrikstad of 1909. The relationship between the two compositions is unmistakable. In both, a sailing boat occupies the central waters beneath an expansive and dramatically clouded sky, while a narrow strip of intense evening light separates sea from horizon. Smaller vessels recede into the distance, establishing both scale and a sense of stillness across the broad surface of the water. The present painting is nevertheless not a mechanical copy. The unidentified artist has altered several details and developed the scene through a more concentrated and chromatically intense palette. The central vessel is brought into sharper prominence, its sails forming a strong silhouette against the illuminated horizon. Deep blues dominate the foreground water and the upper sky, while streaks of orange, ochre and pale turquoise register the last light of sunset. The sky occupies approximately two thirds of the composition and becomes almost a subject in itself. Heavy clouds gather above the tranquil water, their dark masses opening intermittently to reveal passages of luminous blue and warm reflected light. The model for the composition was created by Amaldus Nielsen, one of the most important Norwegian painters of the coast during the nineteenth and early twentieth centuries. Born at Halse near Mandal in 1838, Nielsen studied in Copenhagen before continuing his training with Hans Gude at the Düsseldorf Academy. Gude’s emphasis on close observation of landscape remained fundamental to Nielsen, but he gradually moved away from the constructed romantic landscape towards an increasingly direct study of nature. Nielsen became especially associated with the coastlines of southern and western Norway and has often been described as one of Norway’s earliest naturalist landscape painters. From the 1860s onward he frequently completed paintings outdoors before the motif, an unusually direct working method in Norwegian art of the period. Light, weather and changing atmospheric conditions became central to his practice. The same location might be returned to repeatedly under different conditions of morning, evening, mist or changing weather. Fredrikstad and its surrounding archipelago formed part of this geography. Nielsen is documented working at Arisholmen near Fredrikstad as early as 1884, and surviving paintings demonstrate his continued interest in the coastal landscape of Østfold. By the time he painted Aften ved Fredrikstad in 1909, the theme of boats at rest or moving quietly across evening water had become deeply embedded within his art. The 1909 painting...

Provençal hillside landscape with Cypress trees and houses in oil on board by French artist Jean Perret. Signed bottom right. This painting captures a serene landscape, characterize...

In Parallel Parasols, Natalia Roman presents a Bauhaus-inspired diptych where geometric abstraction and primary tonal harmonies evoke the rhythmic charm of Italian Amalfitan parasols...

The Deposition of Christ French School, mid 20th century oil on canvas, unframed canvas: 28.5 x 42 inches Provenance: private collection Condition: very good condition For more any...

Figures Dining in a Paris Bistro French Modernist 20th Century Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 6.5 x 10.75 inches Medium: Oil on canvas...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Signed limited editon print from acclaimed photographer, Jim Herrington of Dolly Parton taken in Joelton, Tennessee, 1997 "Love this one of Dolly. It's so striking and glamorous an...

Title: The Guardians and the Carnival Abstract Painting Modern Bold Invest Colorful Large Contemporary Joy Love the detail in this artwork by Karnish. This work is part of a serie...

Title: Altea Spain Coastal Church Mediterranean Landscape Watercolor Sketch Artist: English School (early to mid 20th century) Medium: Watercolor on artists paper, unframed Size: 7.7...

Watercolor on watercolor paper, 9 3/4 x 12 1/4 inches (248 x 311 mm), the full sheet. Scattered light toning, especially at the sheet edges. Minor, light area of clustered brown spot...

Archival pigment ink print, produced in a limited edition of 5 // Gallery ID: 21082 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Large, brightly colored abstract geometric painting in various shades of red, pink, and with accents of mint green, teal, blue, yellow, white and black. "Memory Wall #9" made by Hud...

Chair Duet by Hunt Slonem, 1951 - Date: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 175, AP 30 Image Size: 22 x 25 inches Size: 26 in. x 28 in. (66.04 cm x 71.12...

Horse , 60x80 cm, oil on canvas

20th Century British Huntsmen & Hunt Beneath an Ancient Oak by E. Ball (British School, mid 20th century) Signed lower left. Framed: 20.5 × 26.5 inches Board: 18 × 23.5 inches Medium...

Artist: Alexander Shandor Title: Comfort of the Carpathians Medium: Oil on Hardboard Year: 2024 Style: Impressionism Dimensions: 18 x 25.5" x 0.2" inch (45 x 65 x 1 cm) Presentation...

After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome collotype after the 1900-07 painting in oil on canvas. The original was destroyed b...

This vibrant painting depicts the historic Hendrick Hudson side-wheel steamboat, majestically cruising across the Hudson River on a bright sunny day. The grand three-deck vessel, wit...

ARTIST: Vicki Golden (1970-) British TITLE: "Koi Carp" SIGNED: stretcher verso MEDIUM: oil on canvas SIZE: 91cm x 60cm canvas size CONDITION: very good unframed DETAIL: Born in 19...

Alexander van Bredael (Antwerp 1663 – 1720) Allegory of Human Folly (based on an ancient proverb) Oil on canvas 71 x 97 cm. Framed: 90 x 121 cm. This fascinating painting, w...

Parisian Bridge over the River Seine beneath a Dramatic Sky Maurice Mazeilie (French, 1924–2021) Watercolour on artist paper, unframed. Artwork: 7.5 × 9.5 inches. Provenance: from th...

Romana Milutin Fabris (b.1941) Dubrovnik Cityscape with Nude Women, ca. 1970. Gouache on illustration board, 23 x 32.5 inches; 25 x 34.5 inches framed. Signed lower right. Foil frame label on verso from 1960's with 5 digit telephone number, dating this piece to ca. 1970. Romana Milutin Fabris, born in 1941 in Dubrovnik, is one such artist: unwavering, devoted, and endlessly inspired. Her artistic education began at the School of Applied Arts in Split and Zagreb, and continued at the Academy of Applied Arts in Belgrade, where she laid the foundations of her distinctive visual language. A pivotal moment in her formation came with an international scholarship from the Austrian government, which enabled her to study in Salzburg under the great master Oskar Kokoschka-a painter of profound expressionist vision, whose spirit echoes in Romana’s work without ever being immitated. From the outset, she forged her own path-intimate but consistent, deeply personal and unmistakably her own. In 1964, she opened her first solo exhibition at the Sponza Palace in Dubrovnik, marking the beginning of a presence on the art scene that has now spanned more than six decades. Dubrovnik occupies a special place in her work. It is not merely the city of her birth, but the city of her soul-an eternal source of inspiration. Its stone walls, austere Mediterranean light, and the lush branches of bougainvillea reappear time and again on her canvases. Through these motifs, we sense belonging, but also poetic distance-for Romana does not paint the landscape as an external scene, but as an inner experience. Her colours speak in silence, her forms exude tranquillity, and the figures in her portraits radiate a depth that reaches beyond the visible. Each painting is a page from the diary of a strong and sensitive spirit, a woman who has preserved a childlike wonder, a profound reverence for beauty, and a lifelong belief in the power of artistic expression. Romana Milutin Fabris reminds us that art is not a fleeting moment, but a lasting presence. / 1965 / FIRST SOLO EXHIBITION, SPONZA PALACE ATRIUM, DUBROVNIK · ATELIER FOR INTERIOR DESIGN MASLINA - WORK COMPLETED UNDER THE FAMOUS PAINTER MILOVAN STANIĆ...

A wonderful impressionist-style winter landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much feel...

ean-Luc Gérard Olive Trees, Côte d’Azur Circa 1930 Oil on Canvas Signed and inscribed on the reverse Presented in an ornate French-style frame This vibrant and richly textured lands...