Oversized Art

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Cornelis le Mair (Eindhoven, July 3rd 1944) is a Dutch painter. As a child, Le Mair already developed a talent for drawing. After completing high scho...

A Magnificent Oil Painting "A Dainty Bit" A Young Woman With Lobster and Game, by Otto Meyer (German, 1839-1868) Oil on canvas with original gilt-wood fram...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and spontaneity, a lyrical abstraction of frenzied marks, many of which previously lay hidden, buried beneath strong layers of self-taught expression. Those truths, first obscured and then obvious, aim to engage the viewer, allowing them to explore their own interpretation. His figurative abstract artworks are represented by Artspace Warehouse in Los Angeles and have been exhibited and collected worldwide, including London, New York, and Hong Kong. This original oil painting on canvas measures 60 inches high by 48 inches wide. In his distinct abstract expressionist style, Acetelli uses a captivating blend of color and form to create an ethereal scene filled with serenity and introspection. The artwork is wired and ready to hang. The sides of the artwork are painted black and it does not require framing. It is signed by the artist on the front of the artwork and titled on the back. Free local Los Angeles area delivery. Affordable U.S. and international shipping is available. A certificate of authenticity issued by Artplex Gallery is included. Mark Acetelli was born in Detroit into an artistic household. Mark’s mother herself was a painter and some of his earliest memories were the smell of turpentine and oil paints. Growing up surrounded by his mother's work, she inspired and encouraged him to become an artist. Acetelli’s paintings are inspired by the intensely personal introspective journey of life, from the ever-changing complexities of love, loss, birth, and death. The context of his work he describes as, “Absence and Presence” pertaining to how someone or something can be physically gone, but the essence still remains. Capturing the physical mixed with spirituality on canvas. His application of paint is an extension of that thought process. He works by continuously building up and tearing down, layer upon layer, adding and subtracting. A visceral dance between the conscious and the unconscious until the emotion is expressed. Acetelli’s paintings may go through multiple incarnations with the past lying just beneath the surface, adding to its overall dimension and depth. Acetelli's mastery of abstraction is evident in his use of color and form to evoke emotion and atmosphere. In his work, Acetelli seeks to evoke a feeling rather than depict a defined image. He uses primarily oils and encaustics to create thickly layered canvases with emotive bursts of color. Creating a world where imagination and reality come together. Acetelli’s works can be found in many private and corporate collections around the world, including Bill Withers, Lisa Colburn, Colburn School of Music, Raytheon Corp, Universal Studios, Warner Brothers, Michael Jordan, Stuart Beattie, Claire Forlani, Camryn Manheim, and Francine Maisler. Artplex Gallery has been representing and exhibiting Mark Acetelli's original artworks since 2018. He was previously represented by Artspace Warehouse, a partner gallery of Artplex Gallery. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse and Artplex Gallery are known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artplex Gallery, Los Angeles, California EXHIBITIONS 2023 Solo show, “Mark Acetelli: Surface of a Dream”, Artplex Gallery, Los Angeles, CA 2022 Artplex Gallery, Los Angeles, CA Brouhah Art. Country & Urban, Virtual Exhibition, Hong Kong There From Hear, LA Artcore, Los Angeles, CA LA Art Fair, Bruce Lurie Gallery, Los Angeles, CA Morton Contemporary, Philadelphia, PA Bendix Night, Bendix Building, Los Angeles, Ca 2021 High Beams, Bendix Building, Los Angeles, Ca 2020 Art Palm Springs, CA 2018 Art Palm Springs, CA Artspace Warehouse, Los Angeles, CA 2017 Affordable Art Fair Hong Kong Affordable Art Fair New York, NY Affordable Art Fair London, UK Art Palm Springs, CA Artspace Warehouse Los Angeles, CA 2016 Art Hamptons, NY Affordable Art Fair Hong Kong Affordable Art Fair New York, NY Palm Springs Fine Art Fair, CA 2015 Artspace Warehouse Los Angeles, CA Affordable Art Fair New York, NY 2014 Artspace Warehouse Los Angeles, CA Houston Fine Art Fair, TX 2013 Shadows and Light, Whole 9 Gallery, Culver City, CA Southside Art Gallery, Oxford, MS Affordable Art Fair New York, NY 2012 Art Palm Beach, MW Galleries, Chicago Affordable Art Fair Los Angeles, CA San Diego Fine Art Fair, Artspace Warehouse, CA Artspace Warehouse, Los Angeles, CA David Perry Smith Gallery, Memphis, TN 2011 Art Hamptons Museum Works Gallery, Chicago Art Chicago, Museum Works Gallery, Chicago Art San Francisco Museum Works Galley Chicago Gallery 825, GEM Group Show, Los Angeles, CA Art Aspen, Museum Works Gallery, Chicago Art London, Museum Works Gallery, Chicago 2010 In Art Santa Fe Gallery...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

This piece titled "Xavier (Brother)" is an original artwork by Alain Jean-Baptiste and measures 60"h x 48"w. This oil work on canvas reflects on the buildup and aftermath Jean-Baptis...

Untitled 01, 2017 Mixed media: white oil painting, adhesive on canvas (Signed on reverse) 46.85 H x 39.37 W in. 119 H x 100 W cm Zsolt Berszán treats the first layer of the drawing ...

White Visor, 2003 by Alex Katz Signed, dated and numbered (34 of 75) Etching and aquatint in colors on paper 86 x 172 cm Edition of 75 Sold in excellent condition, unframed.

In William Hung’s dramatic contemporary bronze sculpture called "The Messenger" a male figure dancer is elegantly balanced on a gently curved arc, one arm...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

This original painting by Christina Kent captures a serene, elevated view of a street in San Francisco’s iconic Mission District. Rendered in oil on gallery-wrapped canvas, the large...

Maria Rivans is a contemporary British artist, known for her scrapbook-style collage aesthetic. A mash-up of Surrealism meets Pop-Art, Rivans’s work re-ap...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Original art by John Randall Nelson depicting a cowboy with characteristics of Pop Art and Folk Art combined with a whimsical, illustrative style. The vibrant colors, cartoonish figu...

"Sista Annie Mae" is an original piece by Shawn Theodore made from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This piece measures 36”h x 48”w and comes with a gallery-issues Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

Flowing Sound #10 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions are...

Wouldn't it be nice if we could do such a thing, 2018 by Takashi Murakami, published by Kaikai Kiki. Offset lithograph, numbered and signed by the artist; signed in the plate with th...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Oil on canvas Teppei Ikehila is a Japanese artist born in 1978 who lives & works in Tokyo, Japan. He is graduated from Shimane University in 2001. Since 2000, he has held many priva...

A joyful tapestry of colour greets the viewer’s eye in this oil painting by Jennifer Hornyak. Her series of lovely floral still life’s re-imagine the form and colour palette of tradi...

b. September 22, 1954; Reno, NV Born in Reno, Nevada, my family relocated to Brooklyn, New York, where I was raised. I attended SUNY Fredonia for one year and in 1976 received a B.F...

Oil Painting by Thomas Sidney Cooper R.A "The Milkmaid" 1803 - 1902 Pupil of the Royal Academy Schools, where he was to become the longest exhibit...

This vibrant recreation of Romare Bearden's work, titled Mecklenburg Morning: Sunrise for China Lamp, was published by American Vision Gallery Inc. and reproduced with the consent of...

Black and white fine art panorama landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editi...

This Modern abstract painting by Stanley Bate features a warm, deep palette of red, yellow, orange, and burnt umber. Thick strokes of paint are layered beneath light white overlappin...

Great Italian still life from the first half of the 17th century. Artwork oil on canvas depicting an amazing vase with flowers of excellent pictorial quality. Painting of exceptional...

Barricada #15 aip L200 is a stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 200 × 276 × 177 cm (78.7 × 108.7 × 69.7 in). The sculpture is sig...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

The emptiness of a multi-storey car park late at night in Bristol – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. ...

Lyrical and elegant in form, Jeremy Guy’s contemporary sculptures are simply stunning. This is Mobius; one of a series of larger pieces Guy produced to be displayed outdoors. The di...

Artist: TARKAY, ITZCHAK Title: Tea At The Club Year: 2000-2010 Size: 36 X 48 INCHES Medium: ORIGINAL ACRYLIC ON CANVAS Edition: ORIGINAL 1/1 Description: Hand signed by the artist. T...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Marie Madeleine Amélie LOISEAU, born DUMONT (Paris, 1860 - ?) Portrait of a worldly woman Oil on canvas Signed and dated lower left 117 x 89 cm 1881 Exhibition: Salon de Pontoise of 1881 or 1882 under number 292 Marie Madeleine Amélie Dumont was born in Paris on January 23, 1860. She married on June 10, 1883 in Paris Mr. François Paul Raoul Loiseau, lawyer at the Paris Court of Appeal. Three children were born from this union, two girls and a boy. Marie Loiseau was a student of Mademoiselle Espérance Langlois (active between 1860 and 1890) and Pierre Dupuis...

Axel Zachrison was a Swedish painter known for his landscapes from Dalsland. Born in Tydje, Dalsland, Zachrison's artistic journey was shaped by his experiences at sea and his encounters with influential artists such as Otto Hesselbom, a relative on his mother's side. This captivating landscape painting titled "Landscape from Dalsland, Sweden" showcases Zachrison's artistic talent and his ability to capture the beauty of nature. The sky, painted in shades of white and gray, features distinct lines around the clouds add a sense of movement and depth to the scene, reminiscent of Hesselbom's painting technique. In the background, we can see some blue mountains, their majestic presence contributing to the overall sense of grandeur. And In the left part, the viewer can see some land illuminated by the warm rays of the afternoon sun. The vibrant colors of orange, green, and yellow bring the landscape to life, infusing it with a sense of vitality and serenity. A shimmering body of water in the the center, reflecting the luminous white light and creating captivating mirror-like reflections. The foreground of the painting consists of a darker forest area which skillfully framing the lower part of the composition. This deliberate contrast adds depth and visual interest to the artwork, drawing the viewer's attention to the enchanting scenery. It's undated but likely executed in the 1920s, the painting carries an undeniable "wow" factor upon first sight. Zachrison's skillful brushwork and his masterful use of decorative color choices create a captivating and immersive experience for the viewer. His ability to evoke emotional responses through his art is a testament to his talent and artistic vision. Zachrison studied under the guidance of renowned artist Carl Wilhelmson...

This surrealist, male, figurative, bronze outdoor furniture sculpture is by Roch Smith. Roch Smith’s engaging contemporary sculptures are desi...

Young Boy Fishing by a Beautiful Riverside in Lush Green English Countryside, by 20th Century British Artist Art measures 41 x 20 inches Frame measures 48.25 x 27 inches Barry West...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only helped to define Pop Art, but has made a profound and enduring effect on artis...

The Pseudo-Guardi was an unidentified Venetian painter from the 18th or early 19th century who closely imitated the style of Francesco Guardi (1712–1793), one of the great Venetian v...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Oil on linen Fu Zenan always known as Da Han is a Chinese artist born in 1953 who lives & works in Songzhuang, Beijing, China. He is graduated from the Suzhou University. In 1985, F...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

"Presentation of Sensuality" Nude Photography 60x40 in Ed. 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 36" x 24" inch Editio...

19th Century Impressionist Original Oil Painting of Malaysian Fishermen and Schooner by Alberto Bonghi The painting is a depiction of a scene in Malaysia with a Schooner in backgro...

"One American Dollar - Silver Nr. 5", 2023, 80 x 120 x 14 cm, is a unique mixed media work by German pop artist Devin Miles. The artist works like Wahol with a hand screenprint. The...

This aerial photograph was taken by Klaus Leidorf from an airplane (which he also flies). It was not staged or manipulated and can be custom size.

"Sunny Day II" is a framed acrylic work on canvas by Alberto Murillo, featuring overlapping organic shapes in vibrant shades of blue, teal, green, orange, and brown. The artist's use...

Unique and original painting, ready to hang. Campbell La Pun’s unique spray can paintings merge street art sensibilities with vibrant pop culture influences, transforming ordinary s...

"Taking Care of Business" by Clyde Steadman (United States) is a handmade landscape painting that is unframed, but ready to hang.

An important & large Italian Baroque period oil painting on panel attributed to Daniele Crespi (1598-1630), "The Entombment of Christ", Milan circa 1620. See artist biography below. ...

David Shingler's (NC based) "Colorado Plains" is an original, handmade oil painting that depicts plains with a backdrop of foothills, blue snow-capped mo...

Contemplative, rich, Turner-esque warm bronze abstract Impressionist reflective scene alludes to light falling on a vast landscape or body of water. Created with a rich range of gold...

Rendered in a soft gray-green-blue palette, this abstract painting suggests the sea. The work features her signature dividing line, creating tension and balance between the two halve...

Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...

19th Century portrait of Quintin Campbell in the style of Thomas Sully. The 30 x 25 inches oil on canvas is framed in an ornate frame. Provenance: Private collection, Bucks County, P...

Signed landscape oil on canvas circa 1910 by French post impressionist painter Leon Detroy. This work is painted in a divisionist style and depicts a view of gondolas on the canal in...

James Lepore (American, 1931-2024) Untitled (Abstract), 1962 Oil on canvas Signed Lepore 62 lower right 43 x 55 inches James Lepore was an American artis...

French mediterranean provencal painting. Oil on canvas by François Bernard, France, 1940-1950s. Boats in Martigues, Provence. With frame : 61x111 cm - 24x43.7 inches, without frame :...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and ...

This modern geometric painting by Burton Kramer was inspired by music. Modernist Burton Kramer has an international reputation as a masterful graphic designer and artist. His painti...