Oversized Art

Paloma Ripollés Sunset Contemporary Landscape Painting Oil Paint on Canvas Canvas Size: H 89cm x W 116cm Sold Unframed Please note that insitu images are purely an indication of how ...

Nick Thomm ARCHANGEL & SUNDOWN (XL SIZE 36" x 48" per print). Limited Edition #16 / 25 Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition:...

Helen Frankenthaler Frankenthaler: The Darker Palette (Hand signed twice and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed and...

Radiating both opulence and emotional depth, "The More I See You, The More I Like You" is a captivating large-scale circular painting by artist Anastasia Gklava. This mesmerizing wor...

This is a monotype print meaning that it is a unique print with no other editions. This geometric abstract monotype on Asian paper layers shapes in cobalt blue, maroon, red, black, g...

Clean and precise, carefully ordered stripes and blocks of color in warm orange, soft yellow, pale blue and light brown are lively and vibrant against the soft beige background. Sign...

This is a contemporary black and white photograph of a American Wild Mustang. "They represent the ultimate expression of American freedom" 36 x 48 Edition of 12. Signed by artist. ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 53" x 36" unframed (135cm x 91cm) 2016 Edition 5/10 Aditya Dicky Singh's images have ent...

Original Calze Ortalion, artist Rene Gruau, Italian fashion poster.. Size 39" x 55". Archival linen backed in excellent condition; ready to frame. Calze Ortalion is an original Italian fashion poster created by the artist Rene Gruau (1910 - 2004). Italian vintage poster...

This piece, "Winter Hill", is a 42x42 winter landscape oil painting on canvas by artist Craig Mooney featuring a view of trees and fields below from on top a snowy mountainside slope...

Artist: Donald Sultan Title: Reds and Black August 20, 2020 Year: 2020 Medium: Silkscreen with enamel inks, flocking, and tarlike texture on Rising 4-ply Museum Board Sheet: 44 x 84...

Vertical abstract expressionist oil painting on canvas in earthy shades of sky blue and Payne's grey, with accents of green and peach against an off-white foreground 'When the Tide Goes Out' painted by Hudson Valley artist, Jenny Nelson, in 2022 Oil on canvas 60 x 54 x 1.5 inches, with white painted sides Excellent condition, ready to hang Signed, verso This abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2022. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of dusty blue, stone blue, and green. The contrasting patches of pale pink and peach pop against the subtle pale beige and light blue background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides, so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox...

Luminosa opera, tavolo in un giardino primaverile mazzo di fiori rosa e frutta Vjacheslav ZABELIN (Mosca, 1935 – 2001) Definito da alcuni critici come “il più grande impressionist...

This artwork "Boy on Carousel" c.1970 is an oil painting on canvas by noted California artist, Helen Rayburn Caswell, 1923-2018. It is signed at the right bottom corner by the artist...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Exotic beauty Bernard Simunovic, Deutschland, 2021 Acryl auf Leinwand, 140x155cm :: Painting :: Art Deco/Art Nouveau :: This piece comes with an official certificate of authenticit...

Artist: Donald Roy Purdy, American (1924 - ) Title: Lady in Red Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 33 x 44 inches

Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. Customization possible. With this garden wall you'll conjure up an atmospheric ambience in your garden. Ideally the garden screen should be lighted up from the front, so the wall becomes a highlight even in the dark. You can easily set up a privacy screen e.g. to the neighbouring property, on the other hand with this decorative element beautify your garden. This art piece will surely be an eye catcher in your yard! The garden wall is mounted on 2 round steel pins of 18 mm diameter. These are 1 meter long and are included. Hammer the round posts into the ground at the correct distance of 50 cm, Push the wall over it and you're done! We manufacture the garden walls in our own locksmith's shop. This means that we can also produce special designs, e.g. name plate with house...

Magical light in Monet’s garden in Giverny By Mary Chaplin [2021] Signed by the artist acrylic on canvas, unframed Size: H:81 cm x W:116 cm Please note that insitu images are purely an indication of how a piece may look Mary Chaplin, ' Magical light in Claude Monet’s garden...

This lovely Scottish Stirlingshire Impressionist landscape is by noted artist Joseph Morris Henderson. Painted circa 1910 the composition is a river landscape with the river in the foreground and cows in the fields beyond. In the distance one can see some dwellings and hills beyond those, all beneath a summers sky. The impressionistic brushwork and colouring are just lovely. This is an excellent large example of Henderson's work and of Scottish landscape art...

This lovely Dutch Old Master portrait oil painting is attributed to circle of Willem Wissing. Wissing settled in England and emerged as Peter Lely's most important pupil after his de...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Giovanni Maria DELLE PIANE, known as IL MULINARETTO (Genoa, 1660 – Monticelli d'Ongina, 1745) Portrait of a man Oil on oval canvas H. 108 cm; L. 83 cm Provenance: Nino Ferrari Colle...

Giacomo Guardi (Venice 1764 - Venice 1835) circle of - Port landscape with architectural capriccio and British galleon. 72 x 96 cm without frame, 90 x 114 cm with frame. Ancient oi...

Oil on canvas 52 x 36 inches (132.1 x 91.4 cm) Framed dimensions: 53 1/4 x 37 1/4 in Dated and inscribed on verso: 2009/42 Provenance Morrison Gallery, Kent, CT; Private collection,...

After Rembrandt "The Prodigal Son in the Tavern" Old Master Style Painting Late 19th century - Early 20th century Oil on Canvas 36.75 x 44.5 unframed 40.5" x 48.5" framed

Country House & Old Mill by a River in the Woods - Large Vintage Oil Painting by German Artist, Karl Heinz Stienen (1918-2002). Graduate of the Dresden Academy of Fine Arts. Art mea...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

After Jean-Baptiste Van Loo, A Portrait of King Louis XV of France (1710-1774) A magnificent quality three-quarter length portrait of King Louis XV of France and Navarre, painted in the 18th century after Jean-Baptiste Van Loo. Oil on canvas, in the original carved and gilt wood frame. Canvas: 40" high x 32" wide Frame: 46.5" high x 39" wide Very good condition, ready to hang. No damages noted. The present composition follows a portrait of Louis XV painted by Jean-Baptiste Van Loo in 1726-1727, today in Versailles. (Oil on canvas. 198.5 by 143 cm. Inv. no. MV 6942.) There were several full-length portraits painted by Van Loo of the young Louis XV, and all were executed in the years of or after his majority, 1723, when he took full control of government, wresting power from the Régent, his great-uncle Philippe, Duc d'Orléans. A slightly larger version (205 by 171 cm), in which the pose and surrounding paraphernalia mirrors that of the present work, is in the Château de Versailles, while another, in which Louis stands more front-on, his pointing right index-finger now tucked in, and with a different background arrangement, is also in Versailles. Further versions of this latter are in Nice, Musée Chéret and the Musée de Perpignan. The composition of all of these full-lengths would appear to derive from Van Loo's large equestrian portrait of Louis XV, painted in collaboration with Charles Parrocel, which was commissioned in 1723 by the Surintendance for Charles de Lorraine. Louis is depicted in similar armour and costume, astride his horse, similarly turned three-quarters to the left and his right arm outstretched. Most subsequent depictions of Louis followed this original design, including, for example, Carle Van...

The vintage advertising poster for Gaufre Mirella Crême Surfine is a delightful representation of early 20th-century French advertising. This poster, designed to promote a classic wa...

Coal, resin, tar, steel, acrylic, LED. 45 cm × 220 cm × 35 cm. Counterpart II is one of Tom Price's 'hybrid' artworks sitting halfway between art and design: the piece can be seen ex...

A very good antique 19th century British oil on canvas painting, seascape coastal scene by Samuel C. Bird, circa 1870. This very attractive oil on canvas painting depicts a coastal s...

Ed Ruscha's "A Particular Kind of Heaven" towel

D’Arcy Bellamy’s "Winter Blossoms" is a contemporary metal sculpture that merges industrial artistry with organic elegance. This tall, 84-inch steel sculpture features intricately cu...

Artist: Jeanick Bouys, French (1950 - ) Title: No. 217 Year: 1983 Medium: Oil on Canvas, Signed on Verso Size: 42 x 52 inches (106.68 x 132.08 cm)

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Abstract Non Objective Mid 20th Century American Modern Color Field 1950s James Daugherty (1887 – 1974) Abstraction 84-1/2 x 42-1/2 inches Signed and ...

I have sent my work to over 65 countries and some significant landmarks such as Berkeley Square in London’s Mayfair, 5th Ave New York, Malibu beach in California Hong Kong, Monaco, M...

Eden-Roc Pool 1976 by Slim Aarons printed 2025 Slim Aarons Limited Estate Edition Guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 72" ...

Constant Troyon (French, 1810-1865) Le Berger et la Mer (The Shepherd and the Sea), c. 1840 Oil on canvas 32.75 x 50.75 inches 40 x 57 inches, framed This work depicts a shepherd an...

This beautify color photography was taken in Israel near Caesarea. It comes print only, but can also come framed or plexiglas mounted (additional cost). If you are interested, please...

'Les Alyscamps Arles', watercolour on art paper, by Yves Brayer (1977). This term has its origins and is related to the Elysian Fields, also called Elysium, which is the final restin...

Unidentified Artist, 20th Century – "View of Samarkand" Medium: Oil on canvas Dimensions: 106 x 73 cm (unframed), 130 x 92 cm (framed) Signature: Lower left corner (illegible) Pro...

THis artwork "Pink Lady" 1989, is an acrylograph on hand made paper by noted Mexican artist Byron Galves, 1941-2009. It is hand signed, dated and numbered 64/150 in white pencil by the artist.The artwork size is 28.5 x 15.5 inches, paper sheet size is 32 x 23.85 inches, framed size is 44 x 36 inches. Beautifully custom framed in a wooden silver frame, with dark purple backing and bevel. It is in excellent condition, the frame have some small minor restorations, barely visible. About the artist: Byron Gálvez (October 28, 1941 – October 27, 2009) was a Mexican artist who was primarily known for his painting but also created sculpture, including monumental works. He was born in rural Hidalgo state, to a father who played jazz music and read literature, a rarity in 1930s rural Mexico. However, it exposed Gálvez to culture, even though this led to an interest in visual art rather than musing or writing. He went to Mexico City to study art at both the undergraduate and graduate level, but never completed his degrees, opting instead to begin career after his coursework. Before his first individual exhibition, his work was criticized by Justino Fernández, but all of the paintings were sold in advance to foreign buyers including American actor Vincent Price, who called Gálvez a “Mexican Picasso.” Gálvez then managed to replace the forty five paintings for the exhibition in a week. Since then he had individual and collective exhibitions in Mexico, the United States and other parts of the world. He concentrated on painting, which he is better known for, in the 1970s and 1980s, but moved on to sculpture, including monumental works later in his career. Recognitions for Gálvez's work include membership in the Salón de la Plástica Mexicana, a retrospective at the Palacio de Bellas Artes and two books published about his life. Gálvez was born in Mixquiahuala, Hidalgo and described his childhood as happy, and would not have changed it. His father, Roberto Gálvez, was a farmer and merchant, who was a music and literature enthusiast, a rarity is 1930s rural Mexico. His father played the violin in the town's jazz band, which had almost all classical instruments, making it similar to bands in New Orleans. They even composed new pieces. The artist was named after Lord Byron, and his brothers, Eliot, Aníbal and Dante, after his father's reading preferences This meant that Gálvez grew up in an environment that encouraged the enjoyment of the arts. However, instead of music or literature, Gálvez stated that his earliest memories related to his attraction to art and that he always wanted to be a painter. The difficulties of farm life convinced him that he needed an education and would have to move to Mexico City in order to go to school. At age sixteen he left home for the capital to study painting at the Escuela Nacional de Artes Plásticas, not knowing what the study would entail. It was far more rigorous than he expected, with thirteen-hour school days leaving only weekends to earn money to live on.[3] He did his undergraduate studies from 1958 to 1962, then continued with the graduate courses from 1962 to 1964, specializing in painting. He did much of his studies under teachers such as Luis Nishizawa, Fernando Castro Pacheco, Francisco Moreno Capdevila, Santos Balmori, Antonio Rodríguez Luna and Antonio Ramírez. The last teacher taught him to love his studies above all else and he submitted himself to the academic rigor. This led him to become attracted to the Cubism of Picasso, and felt that the artist has opened roads which could be taken and widened. Although he specialized in painting, his interest in sculpture was also evident at this time as he was a founding member of a metal sculpture workshop at the institution along with Armando Ortega and Baltazar Martinez.[2][5] Although he completed his coursework, he did not finish the other requirements needed for the degree, instead opting to start his career. Gálvez married once to art dealer Eva Beloglovsky.The couple first met in 1973, but did not meet again until two years later, when Beloglovsky bought one of his paintings and sold two more through her art gallery. At first it was a working relationship, and then evolved into a romantic one. During their marriage, they worked on a number of projects together such as multi-media presentations and charity benefits. The couple remained together until Galvez's death. Although he began and developed much of his career in Mexico City, in his later life, the artist moved back to his rural hometown. Gálvez constructed a house and studio on the edge of a ravine in which flows the Moctezuma River. The structure has glass walls positioned for maximum light and a privileged view of a local landmark, a hill called El Elefante. Gálvez's work included painting, sculpture, etching, lithography, and drawing.[4] For Galvez, art was spiritual and disconnected with physical logic, when only aesthetics mattered. Female figures are common, and often are sensual. He work has been influenced by the Cubism of Picasso and Georges Braque, by African and Oceanic folk art and by pre-Columbian sculpture. He preferred large scale works often bigger than seven by seven feet. He painted while listening to classical, jazz and occasionally, rock music. Galvez's work experienced periods in which different artistic currents dominated including expressionism, abstract art and mixtures of the two. In his work, he tried to achieve a balance between figurative and abstract expression. The first stage of his painting was figurative expressionism, then abstract expressionism, under strong influence of Carlos Mérida, Rufino Tamaho, Santos Balmori, Kandinsky, Wifredo Lam and Picasso, along with some from classical painters such as Rembrandt and Caravaggio. Then for some time, he practiced abstract art, but then felt the need to draw human bodies again, especially female ones because he felt it allowed him better expression. Around 1980, he moved on to geometric figurativism, marked by the “Woman” exhibit at the Museum of Modern Art. This has also been describes as “pure chromatic constructivism. He considered himself primarily a sculptor and painted in that fashion. The work of Byron Galves is held in numerous corporate and private collections Galvez died at age 67 at Inglés Observatorio Hospital from a heart attack. His ashes were deposited a year after his death to the side of one of the sculptures at his home in Mixquiahuala. During his career, he exhibited individually and collectively in over sixty venues in Mexico, various cities in the United States, Europe and Latin America. In 1964, he had his first individual exhibition at the ENAP Gallery, after showing in collective exhibitions at the Palacio de Bellas Artes and private galleries along with more prominent painters such as José Chávez Morado, Alfredo Zalce, José Clemente Orozco, Diego Rivera, Carlos Orozco Romero and David Alfaro Siqueiros. Before the opening of this exhibit, his work was severely criticized by art historian Justino Fernández. Despite this, the paintings for the exhibit were bought in advance, most by American actor Vincent Price, who called Gálvez a “Mexican Picasso.” The paintings were taken out of the country one week before the exhibit, but Gálvez was not concerned about not having paintings for the show, rather he was satisfied about his work being recognized and supported.He managed to create forty five more paintings in the remaining time in order to have the exhibit. After this individual exhibit, Gálvez had over 55 more over he career, along with participated in other 75 collective exhibits. Important exhibits include the Solar 68 collective exhibition at the Palacio de Bellas Artes (1968), the Sterenberg Galleries, Chicago (1972), Eye Corporation in various US cities (1973), Polyforum Cultural Siqueiros (1978), Museo de Arte Moderno in Mexico City (1982), Harcourts Contemporary Gallery in San Francisco (1983, 1990), Art-Forum Gallery in Mexico City (1984), Bishop Gallery in Phoenix (1989), Merryl Chase Gallery in Washington, DC (1991, 1992), Suhan Galleries in San Diego (1992), Misrachi Gallery (1994) and San Francisco Theater in Pachuca (1995) .[4][2] After his death, the Secretaría de Relaciones Exteriores sponsored an exhibition of his work in Tainan, Taiwan in 2011. His works can be found in major collections in both Mexico and the United States. The strongest demand has been for his figurative work especially that produced later in his life. Gálvez also created murals and sculptures, both small and monumental. His first mural was sculpted done in 1968 in Los Angeles. However, most of his monumental work was produced later in his career as he concentrated on painting in the 1970s and 1980s. These include a mural at the National Conservatory of Music in Mexico City (1970), a thirty-foot high sculpture in Unidad Morelos in Mexico City (1971), a hand hammered copper triptych for a private residence in Mexico City (1984), a sculpted door for a private residence (1985), a sculpture for a private home in New York (1986), Reclined Torso at the Hotel Nikko Mexico (1998), Torso I a five-foot high sculpture for the city of Pachuca (1999), Torso II a nineteen foot high sculpture at the Altiva Building, Mexico City (1999), Millenium, a bronze sculpture/fountain at the highway entrance to Pachuca (2000), a sculpture garden for Mixquiahuala, Hidalgo (2005) and the master plan and central mosaic for the David Ben Gurion Cultural Park in Pachuca (2007). The park project, the last before his death, included not only the creation of the central mosaic, the largest pedestrian mural in the world at 345,000f, but also the design of the 65-acre park itself. His other activities included the teaching of drawing at his alma mater, the creation of a program for the radio ministry of Mexico in 1973, participation in a documentary about lithography in Mexico in 1980 and the creation of several special programs for the office Radio...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165cm x 112cm) 2017 Edition 1/15 *Should you wish the photograph to be printed ...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* This is the ultimate homage to QUEEN BE> ...

Cognac Pellisson is a French liquor poster from circa 1920, by famous poster artist Leonetto Cappiello. It is a typically whimsical Cappiello design featuring the oversized keg of Co...

Last Dance is an Oil on Canvas painting in soft, light aqua tones with red/brown accents. Frank Arnold is thought by many to be one of the foremost abstract...

Sophie - Signed limited edition archival pigment print - Edition of 10 A classical approach, sensual not sexual This image was captured on film in 1995. The negative was scanned ...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galle...

Reggatas day (tribute to Seurat), by Fabio Hurtado, is an oil painting on canvas which was created in 1995 and which obtained the Honorary Medal at the C...

Image Size: 18" x 42" Unframed Limited Edition Fine Art Print of 150 Hand Signed by Aleah Koury

Belgian made, Jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Also available with black background. Message for more details. Measurem...

Mid Century Fingerpainted Landscape in Acrylic, in Diamond-Shaped Frame Unique landscape by Hollywood, California artist Genevieve"Gen" Matucha (American, 1903-1989). The scene dep...