Unframed Art

Materia et Antimateria by Ruggero Vanni is an exceptional example of abstract expressionism meeting sculptural sensibilities. This unique mixed-media painting blends pigments and tex...

In this painting, we see a minimalist room with a huge window, beyond which stretches a sky filled with fluffy white clouds. Muted colors dominate—the blue of the sky contrasts beaut...

'Pansies' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand a...

Marina  is a lithograph realized by  Nicola Simbari  in 1977. Hand-signed on the lower right. Edition of 29/50 prints. The artwork represents the marina with an abstract multicolo...

Title: French Coastal Oil Painting of Lighthouse Cottages Rocky Shore and Stormy Sky By Fanch Lel Signed: Yes Size: 15 x 18.25 inches (height x ...

This contemporary, figurative, Corten steel outdoor sculpture is by Mississippi sculptor Jason Kimes. Forged from corten steel, the piece has naturally taken on a weathered, rusted p...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 10 sheets, corresponding to the 10 elegies, each measuring 14.5 x 23 inches. Please request additional images depicting alternate formats or videos. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Nayla Saroufim creates installations that challenge the traditional notion of the passive viewer. Nayla’s art is a rich mix of media. She was always captivated by the dialogue betwee...

Floral Still Life signed by Fanch Lel (French b. 1930) size: 22 x 15 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously been...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us and reminds us of its natural beauty and the importance of its preservation. Details: Title: Marina N31 Medium: Acrylic on Paper Size: 106 x 70 cm ( 41.7 x 28 inches) Year: 2024 * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. * Certificate of Authenticity provided. Enric Servera (Ciutadella de Menorca, 1970) lives and works between Barcelona and Menorca, Spain. His works explores the colors and forms of the ocean, inspired by the fauna and flora of the Mediterranean Sea. His work has shown in galleries across Spain, and is part of several public and private collections. Words that may describe this series of artworks are: Mediterranean-inspired art, abstract sea...

Set of 5 hyperreal glass water balloon sculptures installation by Dylan Martinez. Made of 100% hot-sculpted glass. Approx. Size: 3.5 × 3.5 × 4.5 inches (each) Dylan Martinez’s hyp...

Title: Golden Thread In this piece, I've embraced the dance of harmony and flow. With featherlike strokes of acrylic and oil, the bold blues embody emotional depth, tempered by the...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXIV Lithograph from 1973. Editi...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.89 x 11.85 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Title: French Impressionist Oil Painting of Riverside View of Saint-Savin-sur-Gartempe By Fanch Lel (French b. 1930) Size: 6.75 x 8.75 inches (height x width) Signed: Verso Oil paint...

Title: Mid Century French Male Study Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper Size: 25 (height) x 19 (width) Stamped: Verso Condition: ...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Yoshitomo Nara In the Pink Water, 2021 Offset lithograph on paper Sheet size: 72.8 x 51.5 cm Stamped with title, artist's name, copyright and year Unnumbered Sold Out edition pub...

Contemporary Art, Abstract Painting Acrylic on canvas 210 x 215 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné reference: Matisse, ...

Raymond Graber‘s celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Title: French Impressionist Oil Painting of Boats at Low Tide By Fanch Lel (French b. 1930) Size: 6 x 8.5 inches (height x width) Signed: Yes Oil painting on board, unframed Conditio...

Painting made by DarIa Kusto and Angel Rivas and signed by both Shipped rolled in a tube, without frame! 5cm/2" extra of white edge around the painting surface Can make commissione...

Louis Icart, After, French (1888 - 1950) - Lillies, Year: 2000, Medium: Giclee on paper, numbered in pencil verso with printers stamp, Edition: 8/375, Size: 45 x 31 in. (114.3 x ...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

The distinctive minimalist colourful paintings of Aron Hill are inspired by the modernist art movement. The colour field work of Aron Hill showcases their intuitive sense of colour...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Salvador Dali (1904-1989) Hell 12 - The Minotaure Woodcut Printed signature in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCES : Fie...

Body in the Field #1, 202 oil on canvas 19 ¹¹/₁₆ H x 15 ³/₄ W in. 50 H x 40 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the fragm...

Title: French Impressionist Oil Painting of a Fluffy White Dog on a Walk By Fanch Lel (French b. 1930) Size: 4.5 x 6.25 inches (height x width) Signed: Yes Oil painting on board, unf...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

"Inky" - Small Glass Pac-Man Ghost Sculpture by Dylan Martinez. Size: 4.5" h x 4.25" w. Signed on the base by the artist. Each sculpture is unique. These whimsical Pac-Man Ghost s...

Blue Forest Landscape by Regine David (female French artist, 1910-2018) biro pen drawing on artist paper painting: 7.5 x 10.5 inches condition: This painting is in excellent conditio...

Sailing Ships at Sea English School, late 20th century oil on board, unframed board : 12 x 16 inches provenance: private collection, UK condition: very good and sound condition

Title: French Impressionist Oil Painting of Floral Still Life in Earthen Vase By Fanch Lel (French b. 1930) Size: 10.25 x 8 inches (height x width) Signed: Yes Oil painting on board,...

Joseph FELON (1818 - 1897) The Birth of Venus Original stone lithograph, enhanced with watercolor Printed signature in the plate On paper 33 x 50 cm (c. 12.9 x 19.6 inch) Very good...

David Shrigley, I Will Not Allow The Dark Skies To Affect Me, 2025 22 colour screenprint with varnish overlay on Somerset Tub Sized 410 gsm paper 56 x 76 cm (22.04 x 29.92 in) Edi...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Hollows 7 is a unique sculpture by contemporary artist Sharon Brill. This is a wheel thrown altered and sandblasted porcelain sculpture, sold with a round ceramic stand, dimensions a...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Artist: Salvador Dali Title: "THE VOICE OF MY BELOVED! BEHOLD!" from the Portfolio Song of Songs of Solomon Year: 1972 Medium: Color Etching with Gold Dust on Arches Paper, signed in...

Porto Ercole Watercraft, 1969 - Crystal Tuscan Waters off Italian Coastline by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Enjo...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

Sonia DELAUNAY Flamenco : Spanish Dancer, 1972 Original lithograph (Printed in Mourlot workshop) Unsigned On heavy paper 31 x 24 cm (c. 12 x 10 inch) Edited by San Lazzaro in 1972 ...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Artist: PABLO PICASSO (AFTER ) Title: La Colombe de L'avenir Year: 1962 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Rives BFK paper Printed by Mourlot Edition: 200...

This is an original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sam ‘ who was captured on fil...

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Lithogr...

Soccer Flower Ball (2002) by Takashi Murakami Offset Lithograph on Soccer Ball with Vinyl Bag 9 inches (22.9 cm) Diameter Limited Edition of Unknown Size Signed with printed manufact...

The Virgin Madonna Spanish Renaissance artist, circle of El Greco (1541-1614) circa 1600 oil on wood panel, unframed panel: 20 x 14.5 inches Provenance: private collection, northern ...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

Medium: original lithograph. Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 9 5/8 inches (320 x 245 mm). Not signed.

Original painting by Daria Kusto. This piece is all about those forest vibes mixed with my love for Art Brut and Pop Art, with a big dose of Basquiat inspiration. You've got cats, th...

Arches on Catedrais Beach Study 4, Spain - no. 21315 Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Pri...

Los Angeles artist Marc Raphael captivates with his abstract expressionism paintings influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s wo...