Unframed Art

This exhibition poster by Roy Lichtenstein was created for a show held at the Juan March Foundation in Madrid, Spain. It captures Lichtenstein's iconic Pop Art style, making it a sta...

‚The Heat’, handwoven landscape, linen yarn, organic cotton, acrylic textile paint, 60 x 50 cm, 2021. This work are a symbiosis of two disciplines of art, Painting and Weaving. Handw...

Gerald Berghammer - Color Photography. Cliffs and green hills along a body of water, with distant islands or landmasses in the background under a cloudy sky. All Gerald Berghammer p...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle D.A. (Miss D.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Lithograph on paper realized in 1862. Hand colored. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, o...

After Fernando Botero – CAT Bronze Sculpture Edition of 50 This beautifully executed bronze sculpture is an After Fernando Botero work, cr...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

19th Century Grand Tour after the Antique Figure of Sophocles Bronze with green patination Signed F. Barbidienne, Fondeur 25 x 8.5 x 6.5 inches Standing figure of the Greek poet, we...

Title: French Harbour Scene Oil Painting of Boats and Waterfront at La Croisic By Fanch Lel Signed: Yes Size: 15.25 x 18 inches (height x width) Oil painting on board, unframed Condi...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La Pique I (The Pike I), from the album A Los Toros Avec Picasso (To the Bulls with Picasso), originates from the 1961 ...

French School, 19th century. Still life with oranges. Oil on canvas mounted on panel. 22.5 x 54 cm (49 x 60,5 cm with frame) without signature

Portrait of a Gentleman reading the 'London Journal', English school (mid 19th century) oil painting on canvas, unframed canvas: 36 x 28 inches condition: some minor surface abrasion...

'1. Vanessa urticae 2. 3. Pyrameis cardui' Late 19th century colour lithograph of butterflies.

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Up for sale is a large original oil painting on canvas by listed maritime artist Hewett R. Jackson (1914–2007). This striking nautical scene depicts a majestic tall sailing ship brea...

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 9 1/4 x 6 1/4 inches (237 x 1...

I enjoy painting large-scale pieces; they look beautiful in interiors, creating a sense of space and light. Impressionism allows you to give free rein to your emotions and play with ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21353 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

"Fake Gum" is a captivating circular wall sculpture by Elizabeth Art Candy that explores the seductive tension between softness and artifice. Composed of hundreds of hand-molded clay...

“Her Eternity” is a contemporary abstract portrait by French artist Natalya Mougenot, created as part of her ongoing series honoring women and their inner, timeless worlds. In this w...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), originates from the 1990 edition published by Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York, and printed by Nieuwe Grafische, Rotterdam, Spring, 1990. Untitled embodies Haring’s signature visual vocabulary—dynamic lines, rhythmic energy, and universal symbolism—infused with the social urgency and optimism that defined his generation. Executed as a lithograph on velin acid-free Rivoli paper, this work measures 8.5 x 10.3 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Nieuwe Grafische, Rotterdam, and the bold spirit of Bebert’s late twentieth-century artist collaborations. Artwork Details: Artist: Keith Haring (1958–1990) Title: Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989) Medium: Lithograph on velin acid-free Rivoli paper Dimensions: 8.5 x 10.3 inches (21.59 x 26.16 cm) Inscription: Unsigned and unnumbered as issued Date: 1990 Publisher: Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York Printer: Nieuwe Grafische, Rotterdam Condition: Well preserved, consistent with age and medium Provenance: From the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), Bebert, Rotterdam, 1990 Notes: Excerpted from the album, 20 drawings - Oct. 3, 1989 was published with the collaboration of Mera and Donald Rubell by Bebert Publishing House in Spring 1990. The edition consists of MMD hard cover examples, of which D are numbered (I/D - D/D) and signed by the artist. The edition was printed on acid-free Rivoli paper by Nieuwe Grafische in Rotterdam. and bound by Stokkink B.V. in Amsterdam. ©Keith Haring, M.Y.6. 1990. Mera + Don Rubell, NYC 1990. Bebert Publishing House. Westersingel 22-3014 GP, Rotterdam, Holland - 1990. About the Publication: Against All Odds is both an artist’s album and memorial publication comprising twenty lithographs created by Keith Haring on October 3, 1989, just months before his death in February 1990. Conceived in collaboration with Mera and Donald Rubell and published by Bebert Publishing House, Rotterdam, the album encapsulates Haring’s final creative statement. Haring’s accompanying handwritten foreword and brief text meditate on the fragility of human life, ecological collapse, and the artist’s struggle to preserve hope “against all odds.” The drawings—executed in Haring’s immediately recognizable graphic line—depict writhing figures, embryos, skeletons, animals, and cosmic symbols that echo his lifelong concern with birth, death, sexuality, and transcendence. Together, the images and text form a narrative of resistance and endurance amid personal illness and global crisis. The album’s title encapsulates Haring’s sense of perseverance: humanity’s and the planet’s fight for survival despite overwhelming forces of destruction. Published posthumously in spring 1990, Against All Odds stands as a poignant summation of his ethos—celebrating vitality and compassion in the face of mortality and despair. About the Artist: Keith Haring (1958–1990) was an American artist, activist, and cultural innovator whose bold visual language and socially engaged practice redefined contemporary art and the role of the artist in society. Born in Reading, Pennsylvania, and raised in Kutztown, Haring was inspired from an early age by comic art, calligraphy, and graphic design, influences that would later shape his instantly recognizable style of radiant lines, rhythmic movement, and universal symbols. After moving to New York City in 1978 to study at the School of Visual Arts, he immersed himself in the downtown art scene, drawing influence from modernist pioneers such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose innovations in form, abstraction, and conceptual art informed his radical approach to public expression. Haring began creating chalk drawings in the New York subway system, transforming urban walls into democratic spaces for creativity and communication. His imagery—radiant babies, barking dogs, flying saucers, and dancing figures—spoke a universal visual language that combined accessibility with profound emotional and political resonance. He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art. Influenced by Picasso’s expressive energy, Calder’s movement, Miro’s playfulness, and Duchamp’s conceptual wit, Haring developed an art of optimism, immediacy, and activism that addressed issues of love, unity, social justice, and human rights. His work carried urgent commentary on apartheid, AIDS awareness, drug abuse, and inequality, while radiating the joy and vitality of life. In 1986, he opened the Pop Shop, a groundbreaking experiment in making art accessible to all, selling affordable objects featuring his designs without compromising his artistic vision. His monumental public murals, including Crack Is Wack in Harlem and Tuttomondo in Pisa, Italy, continue to stand as symbols of art’s power to educate and inspire collective action. Haring’s dynamic compositions merged the energy of graffiti with the structural clarity of modernism, synthesizing the spiritual abstraction of Kandinsky, the surreal imagination of Dali, and the sensual immediacy of Man Ray. His work influenced generations of artists, including Banksy, Shepard Fairey, KAWS, Takashi Murakami, and RETNA, who continue to echo his fusion of activism and aesthetics. Despite his untimely death from AIDS at age 31, Haring’s impact on art and culture endures globally through the Keith Haring Foundation, which supports children’s programs and HIV/AIDS research. His works are housed in major museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Centre Pompidou, and the Tate Modern, affirming his legacy as a cornerstone of twentieth-century art. The highest auction record for Keith Haring was achieved with Untitled (1982), which sold for $6.5 million USD at Sotheby’s, New York, on May 16, 2017, solidifying his status as one of the most influential, beloved, and enduring artists of the modern era. Keith Haring Untitled Against All Odds 20 drawings Oct 3 1989 Bebert Publishing House Rotterdam 1990 lithograph...

Raymond Graber‘s celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Gorgeous panoramic sunset landscape by unknown artist, ca. 1890. Oil on canvas measuring 20 x 34 inches. Depicted are the Catskill Mountains facing west from somewhere in Dutchess County NY...

Roses and hydrangeas, gerberas and lilies. A wonderful autumn bouquet. It reminds me of childhood and pleasant memories of my grandmother's garden. Only the fashionable vase brings m...

This piece, titled "Wanderer 10" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" is made of collage, charcoal, pastel, acrylic, and gra...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's evening wear by Lilly Daché, Likely an illustration study for a print advertisement for the famed Chic...

Original artwork by Daria Kusto. AcrIcrylic on Wotercolor Paper. The magic flow reality... Shipping from Spain, safely and promptly.

Thoughts and feelings are embodied in this painting. It's about her, the math teacher. She's an educated woman, and her passion for the exact sciences can't suppress her tenderness, ...

Mark Morrison (1895-1964) Head of Woman , ca. 1950 Carved stone 7.75" wide, 9" deep, height is 20 7/8" Signed at base. Provenance: Estate of Mrs. Mark Morrison. Born: Kingf...

The sea knows no rest. It breathes, it lives, it calls — in every movement, in every shimmer of light. This wave is a moment between calm and storm, a breath that holds eternity with...

This exquisite lithograph by Antoni Tapies (1923–2012), titled Sans titre (Untitled), from the album Ediciones Poligrafa, Barcelona - Redfern Gallery, London, originates from the 197...

161.11.11 is a work by contemporary photographer Klaus Kampert, from the 'On Body Forms' series. This photograph is sold unframed as a print only. It is available in 2 dimensions: *...

Spring Duet is part of Shizico Yi’s ongoing exploration of the diptych format—a project that began in 2024. Painted en plein air, every canvas captures both the landscape outside her studio and the intimate interior surrounding it. This duality unfolds across two paintings, creating a visual dialogue that shifts and harmonises like a musical duet. The work belongs to Shizico’s long-running Memory Landscape Series (est. 2015), in which she moves fluidly between mediums—installation, sculpture, painting—and across visual languages from impressionism and expressionism into abstraction. In this spring chapter, she turns to the gentle hues of the Northern European early spring: soft greens, creamy whites, pink-apricot light—tones that hold the tender, awakening atmosphere of the season. Each canvas functions like a musical note; together, the pair forms a coherent visual phrase. Their relationship is harmonious yet flexible, offering multiple ways of living with the work in your home. -Artist's Lifetime Warranty for the original artwork Details Diptych (set of 2 paintings) Medium: oil, acrylic, mixed media on canvas Size: • Each canvas: 50 × 39.5 cm • Total combined size: 50 × 79 × 1.5 cm (Unframed measurements) -Versatile Display: The diptych may be hung: • Side by side as a traditional diptych set • Separated across different walls to create visual punctuation and subtle connection between spaces This flexibility allows the work to adapt to a variety of homes and interior styles. -Guarantee End to end tracking Delivery Worldwide by Royal Mail Worldwide at lowest flat Rate £22. About the artist: Dr. Shizico Yi is a London-based artist working across installation, film, and painting. Her practice explores themes of loss, repetition, the everyday, and the significance of memory. Drawing on a background in design and film, she creates works that weave personal experience into wider social and human narratives. Yi holds a PhD in Fine Art from the University of East London (2017), an MFA, and a BA in Womenswear from the University of the Arts London. ​ Her practice also includes plein air painting from spring to autumn and studio-based work in winter, allowing place and season to inform the energy, scale, and materiality of her pieces. Her work has been exhibited internationally in the UK, Korea, and Italy, and is held in private collections across the USA, Canada, Australia, Japan, Taiwan, and the UK. Notably, Shizico Yi secured the title of Winner of the Women Film Makers: Best Shorts Competition in 2013 in Los Angeles, USA. She also serves as a guest jury member at the 14th-16th Annual New York City Independent Film Festival from 2022 to 2024 and is a curator and founder of no barking aRt...

Large Prussian-blue grisaille. French, Rococo, mid-18th century. Depicting a romantic couple resting by the edge of a lake, in a wooded landscape with abundant, luxuriant nature. Pro...

​Tom Otterness's offset lithograph print, titled "9/11," serves as a poignant tribute to the tragic events of September 11, 2001. Hand-signed and dated by the artist, this piece feat...

Gerald Berghammer - Color minimalist landscape photography. A small group of tall, slender cypress trees on a dry, barren hilltop against a cloudy sky. Archival pigment ink print as...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21035 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Wild Things (Till Death do us Part) - 2008 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #9503 Not mounted....

Mother India, photograph from Richard Heeps series 'The Ambassador's Window', a pilgrimage from Kerala in the South to Meerut in the North, the birthplace of his Grandfather. As boo...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...

Title: French River Landscape with Reflections and Trees Watercolor Painting Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card / thick paper, unframed Size (H x W): 20...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21345 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

This celestial underwater nude photograph captures a naked female figure suspended in deep indigo waters, surrounded by cascading silver bubbles that evoke the mythological shower of...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21346 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

"La tête" Nude Photography 28" x 36" in Edition 7/25 by Yevgeniy Repiashenko Year photo was taken: 2014 Art Print Limited Edition of 25 Picture size: Height: 28" inch Width: 36" in...

Original exhibition poster featuring the work of the acclaimed American realist painter Neil Welliver (1929–2005). Welliver is best known for his monumental landscapes of the Maine w...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

To Hold or Just to Pet explores the delicate space between human emotion and animal presence. The woman bends toward the cat, yet stops just short of touch — suspended in that timele...

Gerald Berghammer - Color Landscape Photography. A lone tree with green leaves growing beside a paved road, with the ocean and a clear blue sky. Archival pigment ink print as part of...

Archival pigment ink print, produced in a limited edition of 7. Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the reverse, signed and...

Three Skunks of WWII c. 1940s Carved and painted wood Unsigned 8 x 10 in. h. each These skunks are depicted as Adolf Hitler, Benito Mussolini, and Hideki Tojo. Condition: There ...

QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by th...

Leigh Ann Van Fossan's "Breathe in the Warm Salty Air" is an original acrylic and charcoal painting depicting a blue vase with flowers next to a picturesque scene featuring a blue oc...

Set of 12 woodblock prints in colors on handmade, laid mulberry paper, 6 3/4 x 10 1/4 inches (170 x 258 mm), printed in Ka-ei 4 (1851). Each print with minor handling wear, otherwise in excellent condition with bright and fresh color, and with details printed in silver ink. The images themselves contain several illusive characters indicating the publisher which are obfuscated by figures, as intended. Presented loose, as issued. A fine set. The astrological commentary print has a large and meandering blind stamp with a bird and palm frond motif. This print lists various phrases concerning the Twelve Zodiac Animals as historically counted in Japan, and appears to include erotic commentary on the traits of people born under each of the twelve signs. These Shunga images were issued in books that paralleled (in an erotic fashion...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

One print from Jos Sances cycle concerning Moby Dick. A vast sperm whale drifts below the surface, scarred by harpoons, while above floats a lone survivor on a coffin raft—a haunting...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...