Mark Ryden

Awakening the Moon

2010

This original SERIGRAPH is in excellent condition, frame with a mat and a second bevel mat. A serigraph is not flat as a lithograph, instead it has texture (appears to be like an oi...

This is from his New York series consisting of 10 original lithographs signed & numbered. Limited edition of 150 numbered and 30 AP.. It is number 58 in the catalogue of lithographs. The size is the registered paper size plus the frame. Vol.1 Bernard Buffet lithographs...

Jean Jansem (1920-2013) Lydia de dos dans l'atelier, 1995 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 64,5 x 50 cm / 76 x 56 cm D'une édition à 120 exemplaires Les 25 premiers numéros font partie de l'Album Modèles qui comprend six lithographies. Imprimeur: Arts-Litho, Paris Editeur: Jansem, Paris Bibliographie: Jansem Lithographe, 1993-1999, Flora J. Editeur, Paris, 2000, n. 95, reproduit p. 26, référencé p. 92. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon...

Lithograph, 1978 Handsigned by the artist in pencil and numbered 11/115 Publisher : Erker (Saint Gallen) 38.00 cm. x 28.00 cm. 14.96 in. x 11.02 in. (paper) 32.00 cm. x 22.00 cm. 1...

Lithograph, 1957 Edition : 125, of which 100 are numbered Publisher : Galerie Matarasso Catalog : [Maeght 247, page 103] 62.00 cm. x 48.00 cm. 24.41 in. x 18.9 in. (paper) 55.00 cm. x 44.00 cm. 21.65 in. x 17.32 in. (image) Handsigned by the artist in pencil Annotated "HC" Lithograph in colors, before letters This lithograph was used to create the poster for one of the artist's exhibitions in Nice in 1957. It is characterized by a rectangular composition bordered by black dots, and an almost primitive, spontaneous combination of primary colors. The work is characteristic of the late 1950s and early 1960s. The flat tints of color, the small dots, the stars and the graphic intensity of the image are striking. By taking up the portrait format, Miró plays with so-called classical iconography while breaking aesthetic codes. Instead of a face, we might see an Aboriginal mask...

Lithograph, 1962 Edition : HC 10/125 Publisher : André Sauret (Monte-Carlo) Printer : Mourlot (Paris) Catalog : [Vallier 188, p. 284] 33.00 cm. x 52.00 cm. 12.99 in. x 20.47 in. (p...

Lithograph, 1972 Handsigned by the artist in pencil and numbered 187/300 Publisher : Galerie Putman Printer : Clot, Bramsen & Georges (Paris) Catalog : Chenivesse n°9 Arches Paper W...

Lithograph, 1986 Edition : EA XXVI/XXX Printer : Sorlier (Paris) Catalog : [Sorlier II, jacquette de couverture] 54.00 cm. x 76.00 cm. 21.26 in. x 29.92 in. (paper) 35.00 cm. x 54.0...

Lithograph, 1979 Handsigned by the artist in pencil and numbered 46/50 Printer : Mourlot, Paris Catalog : [Mourlot 941] 60.00 cm. x 43.50 cm. 23.62 in. x 17.13 in. (paper) 35.00 cm....

Lithograph Handsigned by the artist in pencil and annotated HC 53.00 cm. x 67.50 cm. 20.87 in. x 26.57 in. (paper) 43.00 cm. x 55.00 cm. 16.93 in. x 21.65 in. (image) Certificate o...