Art by Medium: Archival Ink

Nick Vedros Carhenge Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided Re...

Nick Vedros Cat in Lamp Shop Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x8in Edition: 15 Signed, dated and numbered by hand on label Stamped COA pro...

Nick Vedros Cheese Factory Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA prov...

Nick Vedros Smart Caveman Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provi...

Nick Vedros Road Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x17in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provided...

Nick Vedros Gnome Darts Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 10x18in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provide...

Nick Vedros Hand and Diamonds Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1980s Size: 16x13in Edition: 12 Signed, dated and numbere...

Nick Vedros Bed Gnomes, Honey I’m Home Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 14x12in Edition: 12 Signed, dated and numbered by hand on label Sta...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 5/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien...

Elise Gagliardi Peony Arrangment II Medium : Photography Year: 2021 Size:: 36 x 24 inches (other sizes available upon request) Edition size: 25 Signed, numbered and inscribed by hand COA provided Ref.: 924802-1019 Elise Gagliardi is an experimental multi-media artist. She studies photography at the University of Colorado at Boulder. She graduated with her BFA in 2006. Her work has been exhibited nationally. It has been featured in various publications. She currently works as a curator and a mother raising her three young children. Since becoming a mother she has embraced a heritage of storytelling. In her work, she introspectively examines her relationship to the matriarchal figures in her life and contemplates her own legacy. Her work is best described through the words of Author Joseph Campbell in what he describes as “The Myth of the Eternal Return”. Every flower carries...

You are viewing a mixed media painting and collage on paper by American artist Richard Huntington. This piece is titled "George Washington with Letters" and is signed lower r...

"Morning Star" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition total of 5, signed and numbered by the artist Alexis Kandra. The image features a beautiful wildlife painting of a mother wolf...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Original mixed media work by Canadian artist Brian Wood. This work comes in a contemporary frame presentation. Brian Wood is an artist working with multip...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

photo-eye Gallery is very excited to share new works from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Lo...

I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

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Robotically-fabricated drawings on paper, these series formally deal with mediation from screen image to ‘drawing’ while using a computer-controlled pen plotte...

Donald Owen Colley Jettisoned, 2016 hand colored lithograph 15h x 22.50w in 38.10h x 57.15w cm DOC002 Photography is the frozen look… whereas art is the sustained look. One of the m...

Peter Knapp’s “Symphony in Four Movements - IV - Resolution” is an 8.5 x 10.5 x 1 inch mixed-media abstract painting on panel in blue, aqua, and purple acrylic, ink, and pencil. This...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165.1cm x 112cm) 2019 Edition 2/10 *Should you wish the photograph to ...

Peter Knapp’s “Symphony in Four Movements - I - Genesis” is an 8.5 x 10.5 x 1 inch mixed-media abstract painting on panel in blue - with red, yellow, green, and white acrylic, ink, a...

America Martin "Bike & Sunshine" Ink on Paper 10.5 x 9.5 inches America Martin is an internationally represented Colombian-American fine artist based in Los Angeles. America is a p...

"David Bowie Tube. Sepia" Photograph 40" × 30" in Ltd. Ed. of 20 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Comes with COA issued by the artis...

It's a cornucopia of cotton candy colors. A blanket of beautiful flowers in pink shot in America's most beautiful city... San Francisco. Signed, numbered, and dated 3/15 lr recto, unframed, printed later. other sizes are available. Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy photography, doll photography...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Kehinde Wiley Nine of Coins, 2010 Archival inkjet print Framed Dimensions: 20.19 x 16.25 x 1 inches (51.27 x 41.27 x 2.54 cm) Edition AP 2/3, apart from the edition of 7

Machina Mundi Paris, Aerial View Archival Pigment Print, mounted and framed Edition of 5 Available sizes: 45 × 60 inches (120 × 150 cm) 64 × 80 inches (160 × 200 cm) Claudio Eding...

An original contemporary photograph by conceptual female artist Rachel Stenclik. This archival inkjet print is housed in a contemporary frame presentation.

An original contemporary photograph by conceptual female artist Rachel Stenclik. This archival inkjet print is housed in a contemporary frame presentation.

Absent / From the series of Portraits of Hidden Wounds / Photograph Creator: Hatice Besun Creation year: 2023 Dimension: 48 x 36 External Dimension( with white border) : Height: 48....

The photograph titled "Madonna di Pietraquaria" captures a poignant portrait of a centuries-old carved wooden statue of the Virgin Mary, deeply rooted in the traditions of Baroque an...

An original contemporary abstract painting by French American artist James Beaudin.

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 4/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

A pair of mixed media paintings by American artist Bruce Adams. The frames were also painting by the artist and are meant to compliment the works and concept of the piece. Bruce ...

We are please to present Ceravolo's one of a kind "Alphabet Marilyn Benday Pink". Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 decades, and rose to fame when he was commissioned to create 5 large-scale portraits for the lobby of the Palladium Theatre in New York City of LINDA RONSTADT, JACKSON BROWNE, NEIL YOUNG, FRANK ZAPPA and HALL AND OATES, In addition to those portraits, his paintings are in the private collections of SIR ELTON JOHN, ROD STEWART, HUGH M. HEFNER and PRINCE JEFRI of Brunei to name only a few. In this new Alphabet Benday work, Ceravolo adds color to the image of his stylized black and white portrait painting, with letters of the alphabet and then adds a shocking PINK color to the negative space formed by the letters. He has also added "Benday" dots to the portrait to add to the POP ART feeling of the art. The piece is matted with a thick 8 ply white mat and a white frame. This work is titled, "Alphabet Marilyn Benday Pink" and is printed on Rag paper size is 33x26" framed size measures approx. 39x32". It is a one of a kind work and is signed by Ceravolo. We have included an image of Ceravolo with some of his Celebrity collectors as well as a vintage story...

Artwork details: Jamie Williams, Nightlies, image 23cm x 23cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 ve...

Shipra Bhattacharya - Untitled - 30 x 30 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. A wonderful work by the very well lauded by the indiancontem...

Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper 53" x 36" unframed (135cm x 91cm 2017 Edition 2/10 *Should you wish the photograph to be printed at...

black and white toy-camera image from the series 'sand people' 10 x 10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sustainable pape...

Giclée Fine Art Print image size 20" x 20" cm paper size 24"x 24" Printed on FOMEI Collection Baryta Mono 290 gsm/ Museum quality fine art paper Each edition is numbered and s...

Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 3/8 *Should you wish the photographs to be printed at a different size for a specific project, we are happy to discuss this. Please message with your request. This would still be Edition 2/8 Aditya Dicky Singh was an active member of a small band of experts, proactively ensuring the health of the Tiger population in the Park and at the same time the survival of the smaller communities whose livelihoods depend on the same land. Through his lens he documented generations of families of Tigers, learning behaviours and understanding their role in the wider context of the Forest. His knowledge was vast, not only of big cats but the other flora and fauna that co-exist in this special place. This tender artwork shows a small troop of backlit, Grey Langur...

"The Lips" Photograph 32" x 32" in Limited Edition of 7 by Larsen Sotelo Not framed. Ships in tube Signed and numbered by the artist. Comes with COA issued by the artist. Giclee (Ar...

A color photograph of a blue and purple flower. Printed on 300gsm Archival Fine Art Paper. :: Photograph :: Color :: This piece comes with an official certificate of authenticity si...

Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Framed: 66.5 x 66.5 x 4 cm Edition of 10

Prakash Karmakar - Lady with Flowers - 39 X 30 inches (unframed size) Ink on Canvas Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Be...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 20×30 inches/51×76 cm Art-ID: MG_1929 Considerations: This image is a dep...

David Bailey Dizzy Gillespie, 1981 Archival Inkjet on paper Signed by the artist, on verso Image: 36.83 x 46.78 cm Sheet: 42 x 59.4 cm Edition of 15

Made with the bark of the Paper Birch tree on a repurposed trophy plaque. The title was inspired by the song, "Scott Pilgrim," by the Canadian band, Plum...

Patrick was born in Birmingham, England in October 1939. His first exhibition was in 1961 and his first reverspective, Sticking-out Room, was made in 1964. Hughes' original painted r...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...