Art by Medium: Archival Ink

The archival ‘Portrait of Andy Warhol’ in black and white is a photographic pop-art print. This print is an edition of 50 and the photo was taken in 1985 by photographer Andrew Unang...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 1999 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio remai...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper, 64" x 42.7" *please note this artwork can be printed at any size so long as the ratio remain...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36", 2022 *please note this artwork can be printed at any size so long as the rati...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio rema...

Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 7 x 7 inches ; 310 GSM (5 pcs) Mohan Lal Mazumder Untitled Archival Print on H...

Paula Valenzuela What Is Left, 2019 Giclée archival inkjet print on watercolor paper Unframed dimensions: 14 x 14 inches Framed dimensions: 17.12 x 17.12 inches Edition of 10 Limite...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165.1cm x 112cm) 2019 Edition 2/10 *Should you wish the photograph to...

Prakash Karmakar - Radha-Kishen - 30 X 24 inches (unframed size) Acrylic on canvas Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from ...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2022 Edition 1/8 *Shou...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...

Elevated View Of People In Park In Snow. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later....

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 26" x 39" unframed (66cm x 100cm) 2022 Edition 1/10 *Should you wish the photographs to be printed...

Victorian houses in the Haight-Ashbury neighborhood of San Francisco. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is...

Saikat Maity - Old Kolkata Painting Watercolour on paper Framed Size : 15 x 17 inches Painting size : 8 x 10 inches (unframed ) Inclusive of shipm...

This is an artist proof aquatint of a woman peeking around a cactus with ducks mysteriously hovering in the upper right corner and a giant beautiful cactus overgrowing. The mood is ...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 31" x 55" unframed (79cm x 140cm) 2022 Edition 1/10 *Should you ...

Woodcut and hand-painted paper collage

This work is limited to only 25 prints and is signed and numbered by the artist on the front bottom right. A certificate of authenticity is included signed by the artist. The paintin...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2022 Edition 1/8 *Shou...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2022 Edition 1/8 *Should you wish the photograph to be ...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 2/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien...

Foundational Studies 25(A) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(A) is a deliberate exploration of form and verse. Executed on ha...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 3/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 3/8 *Should you w...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 36" x 53" unframed (91cm x 135cm) 2017 Edition 1/10 *Should you wish the photograph to be ...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 36" x 53" unframed (91cm x 135cm) 2017 Edition 1/10 Dicky’s images have enthralled many an...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 36" x 53" unframed (92cm x 135cm) 2017 Edition 1/10 *Should you wish the photograph to be...

The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Printed on Hahnemühle Fine Art paper. Mi...

Eagle Gargoyles On top Of Chrysler Building In golden light. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 2/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Dome, Blue, 2017 Archival pigment inks on Crane Museo Max 365 gsm fine art paper 37 x 34 inches (94 x 86 cm) Edition of 40 Suite of 3 also available for $7500 Ross Bleckner is an i...

An abandoned car rusts quietly by the seaside, a relic of times past... This print captures the serene decay of a vehicle along a tranquil coast. A forgotten car stands as a testament to nature's reclamation. "Coastal Ruin..." "Time's Relic..." "Nature's Claim..." "Automotive Ghost..." "Forgotten Journey..." "End of the Road..." "Lost and Found..." "Remnants by the Sea..." "Rust Reverie..." "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

It's a cornucopia of cotton candy colors. A blanket of beautiful flowers in pink shot in America's most beautiful city... San Francisco. Signed, numbered, and dated 3/15 lr recto, unframed, printed later. other sizes are available. Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy photography, doll photography...

Stephen Gammell St. Paul, Minnesota Signed and dated recto. Stephen Gammell’s studio practice is rooted in an intuitive and deeply personal approach to mark-making. In Stories Unc...

Stephen Gammell St. Paul, Minnesota Signed and dated recto. Stephen Gammell’s studio practice is rooted in an intuitive and deeply personal approach to mark-making. In Stories Unc...

Stephen Gammell St. Paul, Minnesota Signed and dated recto. Stephen Gammell’s studio practice is rooted in an intuitive and deeply personal approach to mark-making. In Stories Unc...

Holding on to Blue is a 24x18 acrylic and inks piece on paper full of energetic strokes and movement. While currently unframed, I would love to work with you to find the perfect fra...

Photograph of a bench at the coast of Normandy, France. Edition: 8 plus 2AP's. Photograph has a white border. Printed on Hahnemule bright white paper. This photograph is one of a se...

Cape Cross, 2009 by John Reardon Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) Whistlejacket - Contemporar...

San Francisco cable car in selective focus. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed and printed late...

This beautiful hand colored etching imaginatively depicts a historical time / place of the nation’s first transcontinental railroad where Union P...

Woman with colorful head scarf gazing over the Grand Canyon. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed...

Part of the Musing series of Self portraits taken during periods of thoughts and reflections. Edition of 50 Giclee print on Hahnemuhle Museum grade paper stamped and numbered ...

This is an original ink painting mounted on panel by artist Mat Tomezsko depicting an abstracted urban city street storefront with graffiti. These paintings were made in reaction to ...

Vintage Cadillac In vacant parking lot with sky full of puffy clouds. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is...

Architectural detail of windows with golden light on Las Vegas casino. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It i...

Abstract impressionistic view of New York City at night. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed and ...

Vintage lamppost and hotel sign In Greenwich Village, NYC. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed ...

‘Evening at Vermillion Lakes, Banff’ by Mike Grandmaison Banff National Park, Alberta. Canada The Canadian Rocky Mountains are reflected in a series of three lakes on the north ...

Wall Street 2 - plate size 25.5 x 36 - printed on 100% cotton rag - edition 3/5 monochromatic city-scape w/ Architectural elements Cubist and abstract assemblage photographic character