Art by Medium: Bronze

Pheasant by François Pompon (1855-1933) Exceptional bronze with old gilded patina Cast by Valsuani Period cast France circa 1930 height 8,2 cm length 14,2 cm width 3,6 cm A similar model is represented in "Pompon, Catalog raisonné", Editions Gallimard, RMN, 1995, page 202, n°95B. Biography: François Pompon (1855-1933) is known for his animal sculptures whose innovative style is characterized by the simplification of shapes and polished surfaces. Pompon entered as an apprentice in the workshop of his father, Alban Pompon (1823-1907) who was a "compagnon du devoir" of the carpenter-cabinetmakers. Thanks to a scholarship obtained by the parish priest, he left in 1870 for Dijon where he became an apprentice stonemason with a marble worker. He attended evening classes at the School of Fine Arts in Dijon, first in architecture and engraving with Célestin Nanteuil, then in sculpture with François Dameron (1835-1900). After a short stint in the army in 1875, Pompon arrived in Paris where he became a marble worker in a funeral business near the Montparnasse cemetery. He attended evening classes at the Petite École, the future National School of Decorative Arts. His teachers were the sculptors Aimé Millet (1819-1891) and Pierre Louis Rouillard (1820-1881), also professor of anatomy, who showed him the menagerie of the Jardin des Plantes. In 1890, François Pompon entered the studio of Auguste Rodin (1840-1917), where he worked as a practitioner at the marble depot, rue de l'Université. He quickly gained the master's confidence since he ran the workshop in 1893. His role then was to pass on the accounts, pay for the marbles and supervise the work. It is in this same workshop that he met Ernest Nivet and Camille Claudel. He worked for a long time as a practitioner for other sculptors such as Jean Dampt...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

Unknown Artist, Possibly Arbit Blatas - Standing Nude Man, Medium: Bronze Sculpture, Size: 14.25 x 3.5 x 3.5 in. (36.2 x 8.89 x 8.89 cm)

Artist/Designer; Manufacturer: Victor Salmones (1937-1989) Marking(s); notes: signed; ed. 9/10 Country of origin; materials: Mexican; bronze Dimensions (H, W, D): 10.5"h, 13"w, 11"d Additional Information: This work is one of four Victor Salmones bronzes...

"Eternity" Mixed Media Wall Sculpture 18.5" x 71" inch by Alfons Louis Wooden works with Mixed Media (Bronze) ABOUT THE ARTIST Born in Cairo 1959- Graduated from faculty of fine art (painting) Alexandria. In 1982 – Member of plastic art Egypt, member of Atelier Alexandria And member of Alexandria Work shop center...

The Storm II is a one-off sculpture by French artist Chésade. Dimensions: 11.8 x 6.7 x 7.8 inches (30 × 17 × 20 cm). These dimensions include the stand and the shaft. Chésade's bronz...

Concetto Pozzati was born in Padova, Italy in 1935. He is living since 1949 in Bologna where is was holder of the chair of Painting at the Accademia di Belle Arti. He has been exhibi...

Collaboration with Te Jui Fu Kevin Box is an internationally-renowned sculptor working in cast bronze, steel, and other metals. His work pushes the boundaries of the casting process...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Ruth Bloch, Bronze, Human Figure, Metallic, Earth Tones

Reclining Doe by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark brown patina signed "Barye" on the base old edition cast – probably from the Barye's workshop (...

Original fish sculpture by the Ukrainian sculptor Volodymyr Mykytenko. 5/12 edition. Excellent condition. Materials: Bronze. Please contact us if you have any questions about this...

This monumental bronze sculpture by Jesús Curiá features three youthful acrobats in a feat of coordination and balance. The composition of...

Mathilde is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 27 × 21 × 9 cm (10.6 × 8.3 × 3.5 in). The sculpture is signed and numbered, it is part of a limite...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

Introducing the breathtaking bronze sculpture by Jeremy Geddes featuring a cosmonaut, a stunning tribute to the wonder and beauty of space exploration. Jeremy Geddes is an Australian...

"Disciples I" Mixed Media Wall Sculpture 13" x 59" inch by Alfons Louis Wooden works with Mixed Media (Bronze) ABOUT THE ARTIST Born in Cairo 1959- Graduated from faculty of fine a...

Artist: Kuno Vollet Title: Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm Lim...

Resistance Bronze Sculpture Portrait Human Male Nude Realism In Stock Victor Veber is a French sculptor born in 1994 in Lyon. Classically trained and dee...

This artwork was created by the Italian artist Ottorino Tonelli. Ottorino Tonelli was born in 1948 in Carrara, where he lives and works. After having completed his studies at the Flo...

Alfredo Pina’s Extreme Effort (Le Suprême Effort) is a striking bronze sculpture that embodies the raw struggle of human perseverance. This expressive work portrays a muscular male f...

"Encounter" Mixed Media Wall Sculpture on wood 58" x 14" inch by Alfons Louis "Old Turk Walnut Wood with Bronze using Floral & Animal Elements of Coptic & Andalusian & Islamic Arts...

This sculpture is edition 2/7, cast posthumously by the Boaz Vaadia Estate.

Art Deco patinated bronze titled "The Discus Thrower" by Claire Jean Roberte Colinet (1880-1950) Raised on a circular green marble base and the attached to a square lacquered metal b...

David Deming (American, 20th Century) Contortion Nude Bronze Signed on base 14 x 12 x 9 inches David Deming is a nationally recognized contemporary Ameri...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact...

This intense bronze sculpture was made by the well known Italian artist, Aron Demetz, in 2004, Italy. This is a lost wax bronze hand painted. The title is "Verso te" translated in "T...

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...

"Calligraphic Beam" Mixed Media Wall Sculpture 14" x 89" inch by Alfons Louis Wooden work with elements of Bronze, Glass, and Iron. ABOUT THE ARTIST Born in Cairo 1959- Graduated ...

Publisher GKM. Free shipment worldwide. Foundry Bocquel. Edition of 80 ex. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published...

Resonance II is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 58 × 72.5 × 67.6 cm (22.8 × 28.5 × 26.6 in). The sculpture is signed and numbered, it is pa...

Juárez, a renowned self-taught Mexican sculptor, displays his expressive depiction of animals and humans in our Caballo con Jinete Viendo las Estrellas (Horse with Rider Seeing the S...

Artist: Emmanuel Okoro Dimensions (HxWxD): 90 × 20 × 20 cm Materials: Bronze Resin Sculpture with Green Patina Edition: 5 of 12 Signed on back Jezebel the Warrior Queen:- I am the...

This is an interesting multiple artwork signed by the author Vito Mastrorocco, an Italian talented young artist living in Italy in 1980. It was made in cast lost wax. This is a mult...

King Louis XIV, one of France's greatest monarchs, sits confidently astride a prancing steed in this bronze equestrian statue. The extraordinary work is a reduction of the portrait of the Sun King by François Girardon, one of the most noted and influential sculptors of the period. Looking back to the great masterpieces of antiquity, Girardon took his inspiration from the seminal ancient Roman marble of Marcus Aurelius, now in the Musei Capitoline (Rome). Louis XIV is thus portrayed here as a conquering Roman hero, his costume adorned with many neoclassical motifs, hand outstretched in a gesture of command. The result is an imposing royal portrait of power and absolute authority that pays homage to one of the most important sovereigns in French history. It was in 1685, at the very height of his rule, when Louis XIV commissioned the monumental bronze of himself from the great Girardon. As sculptor to the king, Girardon was a key figure in the decoration of the gardens at the Château de Versailles, and he was later commissioned to complete several important royal...

A Monumental Patinated Bronze Bust of George Washington, after William Rush (1817) This commanding bronze bust of George Washington is modeled after the celebrated 1817 portrait by ...

Fleche-Diagonally Down Bronze, stainless steel, granite 34" (height) x 38" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

Jean Garnier (French, 1853-1910) Orientalist Bronze Sculpture rouge griotte marble base Original signed sculpture . 7” high Weighs over 2 pounds

I have seen this piece identified as Wizard and as Micawber from Charles Dickens David Copperfield ("something will turn up") Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

Bust of the sculptor Jules Dalou by Auguste RODIN (1840-1917) A stunning bronze bust with a nuanced dark brownish green patina presented on a fine Belgian black marble base Signed o...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Wandering Light is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 41 × 10 × 16 cm (16.5 × 3.9 × 6.3 in). The sculpture is signed and numbered, it is...

Handmade Benin sculptural tribal bronze figural judgement throne chair. The base of the chair with two tiers of standing figures. The back of the chair with two more tiers of standin...

"At the Water" is a larger free-standing bronze sculpture, suitable both for the inside and outside. Edition 18, signed, numbered and dated on the bottom. Certificate. The sculptress Susanne Kraisser is to be considered as part of the great modern figurative tradition. She was born in 1977 in Rosenheim, Southern Germany. She studied both at the Academy of Fine Arts Nuremberg and the University of Arts in Bremen. She graduated with distinction in 2007 in Nuremberg and received her Diploma with distinction in 2008 in Bremen. She has won numerous awards and exhibits nationally as well as internationally. Artist Statement: For me, sculpture is particularly shape and material, volume and size, space, movement and statics. I focus on the ‘female body’, presenting it either as an intimate miniature or on a monumental scale – each time as a solitary figure. In terms of content, my work focuses on identifying and combining polarities, such as instability and strength, fragility and solidity, activity and passivity, movement and statics, balance and volume, and dependence and autarchy. I work predominantly with the materials bronze, aluminium and wood. The small miniatures are made from wax and are then cast in bronze as part of what is known as the wax smelting process. Large-scale pieces are similarly cast in aluminium or created directly out of wood. The various work processes and tools determine the appearance of the surface; for wax, it’s my hands, and for wood, it’s my chainsaw. Each material is a new challenge for me. My previous wood-sculpting studies involved respecting the material’s limits to create craft of solid quality in keeping with the material. But this is where the intense discussion and its limit become clear. I fight with the material, and a lot of things go wrong. It becomes my opponent, whose limits I test out and reset if necessary. Cautious movements requiring a lot of physical tension are maintained without losing their inner dynamics. Amidst the often harmonious external form is a harsh dissonance evidenced by the rough, fragmented design...

**ATTENTION** This piece can not be shipped. It need to be sold in California where the showroom is located in Los Angeles. California residents will receive free w...

This bronze sculpture, from 1996, is a powerful rendering of a horse rearing. It is not uncommon to see stallions rearing; it is a tactic that can be used to dislodge a predator, to...

Edition Signed with the stamp: Lalanne Monogrammed, marked and numbered under the apple: CL ; Artcurial ; 57/250 Literature Robert Rosenblum, Les Lalanne, Genève, Éditions Skira, 1991, an other version reproduced p. 123. Claude et François...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the most eminent and affirmed artist represented by the Frilli Gallery...

Very nice bronze with brown and black patina sculpture - Violins decoupes, 1981 by the important artist ARMAN. signed and inscribed 'AP' on the base.

This Hay baler is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina c...

Lorri Acott is a critically acclaimed American sculptor whose impressionistic figurative works are held in prominent private and public collections throughout the United States and ...

Teardrop III Sculpture Bronze Human Male Nude Small Art Contemporary Classic Victor Veber is a French sculptor born in 1994 in Lyon. Classically trained and deeply inspired by both ...

"Rendezvous" by Kevin Barrett Bronze Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze Metal Outdoor Sculpture...

Sculpture Don Quixote (on horseback, holding spear); Unique original work, handcrafted, carved, chiseled, patinated, polished, and mounted on a pedestal by the artist. Artist state...

Lili Mirante (Paris, 1966 – last picture in the gallery) is a woman artist who lives and works in Paris. Born into a family of artists (her father was a renowned watercolorist), she ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Bust of a Woman", is a bronze sculpture by the Mexican artist, Victor Salmones. This sophisticated piece has an aura of repose and quiet enhanced by the smooth beautiful patina surf...

"Rhapsody" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture an...

Bronze & Steel Table