Art by Medium: Canvas

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2020 Style: Impressionism Title: Village Edge Size: 6" x 8" x 0.8'' ...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His co...

Oil on canvas Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the Scho...

I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This is the one of them called "Connection". While work...

BILLY SCHENCK "Gunslinger" Oil on Canvas 24 x 24 in. 25.5 x 25.5 in. framed Billy Schenck utilizes specific frames of reference in his oil on canvas depictions of the American West...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Oil painting on canvas - Composition of flowers in a metal vase with fruit, and landscape in the background - Alfredo Mayeux; early XX century.

Beautiful mid-century Abstract Expressionist color field painting. Oil on canvas, 16 x 20 inches; 16.5 x 20.5 inches in simple vintage wood strip frame original to the piece. Signed ...

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, in...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre ...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

This abstract, contemporary painting by Ned Martin features a light, metallic, and neutral palette. A grid of textured rectangles are patterned together, with varying layers of paint...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Acrylic and enamel on Canvas The painting is shipped rolled up in a tube and without a frame. In this work, I have poured my creative energy onto a canvas that breathes dynamism an...

The painting conveys a moment of deep reflection and inner focus. It is a quiet assertion of its space and time, where there is no need for words. The subtle details of the setting e...

This wonderful 17th-century French School vanitas painting is a meditation on mortality and the transience of earthly pleasures. The composition centers on a finely rendered human sk...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Subject: Harbor, Size: 29.5" x 55.5" x 1....

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and grandfather. Becoming an immigrant ...

Vintage American school impressionist nude interior scene oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 18 by 21 inches overall...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" i...

Title: Forest Medium: Oil on canvas Size: 11.75 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

An abstract work created in a fluid acrylic technique, built on a contrast of depth and light. Around a central sand-gold rectangle, a dynamic flow of blue-turquoise, graphite, and w...

In this contemporary abstract painting in flashe on canvas, thin, carefully ordered stripes of color in gradient shades of soft hues, starting with a pale peachy shade of ivory beige...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "Look at This Beauty, Honey" captures a moment of...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Blue and Green Tablescape (Post-War Modern Abstract Oil Painting on canvas) by New York School Painter and WPA artist, Lionel Gilbert Mid century modern, abstracted still life painti...

Gorgeous landscape with two cows drinking water in a pond with Mt. Hood in background by listed artist William M. Lemos (American, 1861-1942). Signed "W.M. Lemos" lower right. Presented in vintage gilt-toned frame that shows wear (included as-is). Condition: Good: previously owned and used, with little or no signs of wear and is in good condition. No structural issues. Image size: 29"H x 49"W. Born in New York, Professor Lemos moved to San Francisco in 1887 where he established a studio at 106 Geary Street. He later moved to Santa Cruz in 1896, where he settled, painting murals for many local businessmen and the Santa Cruz Beach Boardwalk. As a boy Lemos earned money by wandering the streets and painting on request. Arriving in San Francisco in 1887, he established a studio at 106 Geary. With his wife Mabel, he worked in Los Angeles for a few years in the 1890s. After settling in Santa Cruz in 1896, he painted murals for many local businessmen. When the original Beach Casino was built there at the Boardwalk in 1904, Lemos was the first concessionaire and worked there for nearly 40 years. On his platform in the Casino, Lemos did paintings of redwoods, still lifes, forest fires, beach scenes, and marines. Many of his oils were done on redwood slabs which were popular with the tourists; in the early days these paintings sold for one dollar and up depending on the size of the work. After his vision failed and he was unable to paint, his last years were mostly spent fishing off the Municipal Pier with a friend who baited his hook for him because he could no longer see. In the March 27, 1941 Santa Cruz Sentinel News Lemos reminisced, "Them were the days when the Boardwalk was only twelve feet long and when business got slow I picked up my shotgun and went across the street and shot ducks where the Casa del Rey Hotel now stands." Exhibited: Calif. State Fair, 1885; Mechanics' Inst. (SF), 1889. In: Santa Cruz City Museum; Wawona Hotel (Yosemite). Edan Hughes, "Artists in California, 1786-1940" His mother was Julia Lemos, a Chicago artist famous for her depiction of the Chicago fire, “Two of Julia’s children became successful artists. Her eldest son, William, was a naïve still life, landscape, and mural painter. As a young boy in New York, he would wander the streets, earning money for the family, by ‘painting on request.’ At age 26, William moved to San Francisco, California. He opened an art studio and kept it running until he moved to Santa Cruz with his wife, Mabel, in 1896. During this period, he worked as a fresco artist painting ‘murals for many local businessmen.’ Exhibited California State Fair, Sacramento, 32nd annual, per Sacramento Daily Union, September 9, 1885. and article goes on to say “William Lemos and wife, Sacramento – Art school exhibits in which are shown such a variety of designs in decorative art, flower painting, and ornamentation, that one must give time to the examination.” Exhibited Mechanics Institute, San Francisco, 1889. “Lemos and his wife were in Fresno California 1890...

Abstract Modernist oil painting by Zoute. Oil on canvas mounted on board. Painted in circa 1940's. Zoute (Born-Leon Salter, 1903-1976) was self-taught and well exhibited during his l...

Milia Laufer, born Romania. From 1951 lived and worked in Safed. Together with her husband opened one of the earliest galleries in Israel, in Tiberias. Worked in watercolors and oils...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

"Museum of Rainbow Light" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 3...

The Belle Epoque Lady French School, signed and dated 1907 oil painting on canvas: 24 x 19.5 inches antique original gilt frame: 29 x 24 inches condition:...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. The "Sweet Home" seri...

This triptych showcases a dramatic seascape that captures the raw energy of turbulent waves crashing against rugged rocks. The swirling, frothy waters are depicted with dynamic brush...

The Scottish Highlands signed by F. E. Jamieson (British 1895-1950) oil on canvas, framed framed: 24.5 x 35 inches canvas: 20 x 30 inches provenance: private collection, UK condition...

Jules Herve (French, 1887 - 1981) Bassin des Tuilleries and the Louvre, Paris, n.d. Oil on canvas 18 1/2 x 21 3/4 inches Signed lower left; signed on the reverse Provenance: Dominio...

Pepe Herrera (Cuba, ) 'Untitled', 1998 silkscreen on canvas 19.7 x 25.6 in. (50 x 65 cm.) Edition of 100 Unframed ID: HER1205-001-100_8 Hand-signed by author

Reclining Male nude. Size 31.5x27.5in / 80x70cm . Part of Nude Men series. Male Nude seen by a female artist - part of "female gaze" series. Varnished and ready for hanging. Shippin...

"Goose II" by Thibault Jandot (France based) is an original oil painting on stretched canvas depicting a goose in flight. Thibault Jandot has been working under the name “Coeur” (H...

Stephen Pace Untitled, 59-A12, 1959 Signed and dated lower left Oil on canvas 29 x 24 inches Born in Charleston, Missouri, Stephen Pace grew up in Indiana, where his parents operat...

Pursuing dreams beyond borders is a journey fraught with complexities and challenges, yet it also offers profound opportunities for growth and transformation. "Finding Solace in Fore...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!

I like to draw bouquets of flowers in different vases. They are especially interesting in glass vases. Sun glare, reflection in water and play of colors. It's just very exciting.

Antique American impressionist oil painting by Howard Dwight Beach (1867 - 1954). Framed. Signed.

This modern vibrant abstract expressionist woman's portrait was created by French artist Natalya Mougenot and makes part of her ongoing series dedicated to Women, where she explores ...

If you’ve been dreaming of owning a piece of Wyoming or Montana, this wide-horizons painting deserves a spot over your stone fireplace. Photographic in its crisp detail, the artist c...

Flower III Awakening (part of the “State of Bloom” series) “Awakening” captures a moment of inner shift — when a sensation is not yet fully formed, but already present. This is no...

A large, dynamic Mid-Century Modern summer landscape painting with female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely expressive figur...

Hand signed lower right Maria Modok was born in 1896 in the town of Rackeve, Hungary. She attended the Academy of Fine Arts and also studied at the Independent School of Nagybanya. ...

What is it?, canvas / oil 80x120 cm

Oil on canvas Matteo Nannini is an Italian artist born in 1979 in Bologna who lives and works in Cento, Ferrara, Italy. He studied at the Academy of F...

acrylic & oil on canvas

Title: Palimpsest Medium: Oil on canvas Dimensions: 100 x 100 cm 39.37 x 39.37 in (canvas only), 107 x 107 cm 42.12 x 42.12 in framed Year: 2025 Framing: Black wooden floater frame ...

The Summer Within reflects the quiet dialogue between the outer world and the inner one — where the warmth of the season turns into an inner state of clarity and openness. The painti...

Horses Standing in Landscape French School, 20th century oil on canvas, framed framed: 25 x 34 inches canvas: 19.5 x 30 inches provenance: private collection, France condition: very ...

Cows & Bull In Landscape Dutch School, 19th century oil on canvas, framed framed: 13 x 11 inches painting: 10 x 8 inches provenance: private UK collection. The painting is in good a...

George Henry Smillie Coastal Scene Signed lower right Oil on canvas 20 x 30 inches Provenance Collection of Sylvia and Saverio Giammalva, Houston, Texas The career of George Smill...

"The Painter's Studio", oil on canvas, 39x27.5in / 100x70cm The artist's studio and art objects part of artist' life and work. A sculpture, an antique head and a painting that remin...

This important oil painting on canvas, although it is not signed as is almost always the case with this artist's paintings, is attributed to the great Genoese painter Luciano Borzone...