Art by Medium: Canvas

Calvin Lai's (US based) "The Wanderer" is an original, handmade oil painting that depicts a tattooed male nude walking. Artist Bio: Calvin Lai's art is a mixture of medicine, medi...

Abraham Cooper RA British, (1787-1868) A Surrey Hunter Oil on canvas, signed with monogram & dated 1850, further inscribed bottom left Image size: 24 inches x 29 inches Size includi...

RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred to some of the...

Philosopher - Ciro De Rosa Italia 2008 - Oil on canvas cm. 60x50 Gold leaf gilded wooden frame available on request The painting by the painter Ciro De Rosa portrays an old and wise ...

Surrealist contemporary tablescape, acrylic on canvas by Scottish artist Frank McLean Docherty R.S.W. Signed and dated bottom left. This piece is wonder...

Coastal Original oil Painting, Large Size Ready to hang Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2019 Style: C...

Rizaldy Celi Jr (American, Filipino-Vietnamese, born 1983) "Survey of the Narcissist" 2025 Oil Paint, Varnish, Canvas, Stretcher Bars The artist signed the back of the painting. “Su...

Katherine Bello Title: 21 Oil on canvas Year: 2021 Dimensions: 40"x30"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided ---------------------------------- Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, abstract art, contemporary art, Contemporary Fine Art, Fine Art, Painting, acrylic, Jackson Pollack, Mark Rothko, Kandinsky, Franz Kline, Lee Krasner, Helen Frankenthaler, Robert Motherwell, Mark Rothko, Amy...

Portrait of a Young Lady French School, early 1800's period oil on canvas, unframed canvas: 26 x 21 inches Provenance: private collection, France Condition: some crazing and pronoun...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Judd Mercer's (US based) "Blazing Trail" (2022) is an original handmade oil painting depicting a creek leading up to a house during sunset. Artist bio/statement Judd Mercer is a co...

Judd Mercer's (US based) "Fast and Fleeting" (2022) is an original handmade oil painting depicting a rocky waterfall in a forest. Artist bio/statement Judd Mercer is a contemporary...

There Is A Light That Never Goes Out By Lucy Moore [2023] There Is A Light That Never Goes Out- An Original semi-abstract painting by Lucy Moore I really like the contrast of the mo...

Jeremy Prim is a contemporary artist, based in Seattle, Washington. He is known for his evocative abstract seascapes, inspired by the beauty of the ocean and the emotion one feels in...

Shizico Yi documented the early spring light in the sky over her garden, a welcoming sight after a long cold winter. “Sunshine Factory 2025 is a genuine and authentic piece of work ...

America Martin "Homage to Cezzanne's Card Players Men with Words Hats and Cards" Oil & Acrylic on Canvas 60 x 70 Inches 61.5 x 71.5 In Framed Signed painting by America Martin. Ex...

Follower of Edgard Maxence. French ( b.1871 - d.1954 ). Meditation, Circa 1910. Oil On Canvas. Image size 34.4 inches x 22.2 inches ( 87.5cm x 56.5cm ). Frame size 44.1 inches x 31.9...

Henk Boon Composition in Blue and Green Oil on canvas on wood 100 x 120 cm Frame included 107 x 127 cm The still-life paintings of Dutch painter Henk Boon ...

In this work, the artist portrays a woman who has allowed herself to let go of effort. Her slightly slumped posture is not weakness, but a conscious decision to release the tension o...

In this contemporary, lush garden landscape oil painting on panel, a large, colorful patterned quilt in red, black, pink, white, blue and yellow hangs on a clothesline in front of tr...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Materials: Oil on canvas, texture paste, gold leaf A picture that a person living in harmony is still subject to temptation ...

Alfred Augustus Glendening Senior (English, 1840–1921) View along the Thames at Bisham Abbey, oil on canvas, circa 1910 Signed Bottom right This beautifully observed riverscape by A...

This minimalist layered DIPTYCH painting is by David Skillicorn. Hw began his career as a documentary filmmaker and is a self-taught artist. His process is one of applying paint libe...

'The Mill', oil on paper mounted on canvas, by Louis Latapie (circa 1930s). A colourful wintery scene, the bare trees are like wireless telephone poles along ...

Horizontal bars of blue, maroon, cherry red, pink, lemon yellow, burnt orange and green communicate on a soaked sand-coloured ground in the two panels that form this 9-foot square acrylic diptych painting on canvas. The rhythm of the spaces between the short lengths of colour creates a dialogue of movement that leads the eye upwards through the large picture plane. About the inspiration for the work, the artist wrote: "This is one of the rare paintings that I saw clearly in a dream and painted almost exactly as I saw it. It relates back to the four-panel work, Lock-Up (1972), done a couple of months earlier, where I used the physical break between panels as an edge to anchor some colour bars. In Phoenix, some bars are anchored while others float within the larger ground colour." This painting was included in the exhibition catalogue Milly Ristvedt-Handerek: Paintings of a Decade (1979). Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. In Toronto, during the 1960s and 1970s, she was making and exhibiting large-scale paintings alongside a small but defined group of non-figurative painters who, like Ristvedt, had planted...

Sara MacCulloch View from Meredith's, 2025 oil on canvas 40 x 40 in. (macc114)

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

#1625 (Abstract painting) Oil on Canvas - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will ev...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "The Treasures of Unfinished Symphonies" by Annie King, the...

This series, Obinrin (Women): Embodied Bloom, celebrates the strength, grace, and natural regality of the African woman. Intertwining floral symbolism, cultural adornment, and vivid ...

This beautiful acrylic on canvas by Eran Shmueli will bring color to any room it will be placed in. Eran Shmueli is an artist whose life and work are deeply intertwined with creativ...

Artist: Jack Graves III (American, 1988-) Title: "Skull Icon" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 Medium: Original Ac...

In this contemporary oil painting on canvas, lively abstract brushwork in bright yellow, white, purple and lush green against a dramatic crimson red orange background suggests flower...

Acrylic on canvas Manana Eloshvili is a Georgian artist born in 1962 who lives and works in Tbilisi, Georgia. Since 1999, she is a member of the Georgian Artists Union. At the begin...

Jean Adolphe Boucé (1818 - 1875) - Deer Hunting. 33.5 x 43 cm without frame, 38.5 x 48 cm with frame. Oil on paper applied on canvas, in a contemporary 19th century frame. - Work ...

Frederick Judd Waugh Risen Moon Signed lower right, Grand Central Art Galleries Inc. label on verso Oil on board 25 x 30 inches Mainly known as a marine painter. Waugh's sea paintings were enthusiastically received; for five consecutive years, he was awarded the Popular Prize at the Carnegie International Exhibition. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

This charming Lowry-esque late 19th-century oil painting by Swedish artist Ernst Philip De Fine Licht (1855-1929) depicts the old town hall at Helsingborg, Sweden. De Fine Licht was ...

A stunning composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of Bunnies against a multicolored background. Slonem traces these 26 bunn...

Nahum Tschacbasov was born in Baku, in the southeast of Russia. When he was eight years old, he came to America, where his family settled in Chicago. His career, spanning more than five decades from the 1930’s to the 1980’s, is a kaleidoscope of influences, from modernism to the Byzantine style and expressionism of his Russian roots. Tschacbasov’s paintings of the 1930’s reflect the social and political preoccupations of the times. He received considerable critical attention for his powerful dramatic satirical depiction of social injustice. In the 1940’s he gained wider recognition when his style evolved into a fusion of Cubism and Surrealism. Through the influence of Jung, as well as currents brought to America by the newly arrived group of European Surrealists, he created a powerful personal iconography in which the inner workings of the psyche are revealed as myth and metaphor. His first encounters with modern art are the works of Cezanne, Van Gogh, and Rouault. 1932-33 Tschacbasov moves for a short time to New York City in order to be in a modern art center and then to Paris, where he adopts the name Tschacbasov, an anagram of different family names. He studies with Leopold Gottlieb for eight months, then with Marcel Gromaire, who teaches him pictorial structure, and briefly with Fernand Leger. Working in his studio on the edge of Montmartre and later in the Hotel de Sante in Montparnasse, he produces a large body of work, retaining fifty paintings. After trips to North Africa, Spain, and the Balearic Islands, he travels often from Paris to New York City, where he spends six months painting a series of Depression-inspired pictures after finding that his American business has gone bankrupt in his absence. 1934 In Paris, Galerie Zak exhibits landscapes from his trip to Majorca in the first one-man exhibition of Tschacbasov paintings; Salon de Tuileries also exhibits his work. His savings exhausted, he returns to New York via Tunisia in the midst of the Depression. 1935 Living on Pineapple Street in Brooklyn Heights, Tschacbasov works on the WPA Federal Arts Project, Easel Division, where he meets other artists and becomes politically involved. His works are shown at Galerie Secession with those of Mark Rothko, Adolph Gottlieb, and other modernist and expressionist painters. Tschacbasov, Rothko, Gottlieb, Joseph Solman and others from Galerie Secession form a group called The Ten combining common aims of social consciousness with an expressionist and abstract style. Themes of social injustice are more dominant in Tschacbasov's work than in that of others of The Ten, as he draws on his own childhood experiences of the harsh realities of immigrant life in industrial Chicago. In the summer, a one-man exhibition of his non-objective paintings is held at Galerie Secession, and in December, Montross Gallery in New York City holds the first exhibition of The Ten, including two works by Tschacbasov, "Handout" and "Three Graces." 1936 In January, an exhibition of The Ten is held at Municipal Art Galleries in New York City, and later in the fall an exhibition, also of The Ten, is held at Galerie Bonaparte in Paris. 1936-38 Among the paintings exhibited in the "Annual Exhibition of Contemporary American Painting" at the Whitney Museum of American Art are Tschacbasov's "Deportation", "Clinic", "Friday Night", "Harbor Sunset", and "The Matriarch". 1936-37 Tschacbasov is appointed business manager of Art Front Magazine, a publication associated with the Artists' Union. His circle of friends at this time include Philip Evergood, Milton Avery, Stuart Davis, David Burliuk, William Gropper, the Soyer brothers, Robert Gwathmey, Marsden Hartley, and Max Weber. Due to cut-backs in WPA funding, he teaches at his 38 West 22nd Street studio and at the American Artists' School. On the faculty are David Burliuk and the Soyer brothers, as well as Elaine de Kooning and other artists with similar aesthetic and social points of view. Personal and artistic crises lead to his entering into Jungian psychoanalysis, which provides new impetus and direction to his painting. Under the influence of analysis, he starts to write portions of a surrealistic autobiography, The Moon is My Uncle. His paintings, "Refugees" and "Friday Night" are shown with works by Avery, Burliuk, and DeHirsh Margules in a group exhibition at Albright Art Gallery in Buffalo, New York. In September, the Berkshire Museum in Pittsfield, Massachusetts focuses on themes of social criticism in an exhibition entitled "The World Today", curated by Elizabeth McCausland, which includes Tschacbasov's, "Little Red School House". 1940 Tschacbasov takes up photography. Photographing the works of friends and other artists, he builds a collection of color slides...

Portrait of an Elegant Beauty French Impressionist painter, circa 1890s signed indistinctly oil on canvas, framed framed: 28 x 23 inches canvas: 24 x 20 inches provenance: private c...

Still life - Oil on canvas cm. 80x60 , Salvatore Marinelli, Italy 2006. Still life, a pictorial representation of foodstuffs, objects or inanimte objects, was one of the artistic gen...

LOVE UNDER THE TREES Size: 36.5 x 27.5 cm (including frame) Oil on canvas A small but vibrant modernist oil composition, painted onto canvas. The painting depicts a cosy outdoor sc...

17th century French School circle of Nicolas Poussin (French 1594-1665) "Figures in Arcadia" oil on canvas, unframed canvas: 16 x 20 inches provenance: private collection, England condition: very good and sound condition Nicolas Poussin was a renowned French painter of the 17th century. He is considered one of the greatest figures of classical French Baroque art...

In this contemporary beach landscape in oil on canvas mounted on panel, figures in the distance can be seen along the shore of a beach, gazing out at the deep, dark navy blue ocean, ...

* No US duty or taxes to pay on this item * A beautiful c.1950 French abstract gouache on canvas depicting a desert landscape. Excellent quality work in vibrant colours. Presented in its original painted pine frame. Artist: French School, mid 20th century...

Antique American abstract expressionist painting. OIl on canvas. Framed. Finely painted with wonderful color palette.

Contemporary oil painting on canvas of a person in a meditative state with a fantastic appearance in yellow tones, on a background of earth tones, with some colors around him. He is ...

A captivating vintage farm scene by Lu Ann Barrow executed in oil on canvas in 1973. The picture features a night scene in a field of yellow flowe...

A good French Mid Century Expressionist oil on canvas painting by the celebrated French female artist, Renée Bernard (1906-2004), a street scene in Paris, circa 1960. A very good mid...

Pasquale Celommi (Montepagano 1851 - Roseto degli Abruzzi 1928), The Beach of Roseto Oil painting on canvas 65 x 114 cm signed lower right.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Camden Market, Morning" captures the early light of dawn spill...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

This painting is part of the cycle of works, Come and See, It was invented when I was a student at an art college. Studying the work of Michelangelo, I was inspired by his fresco in ...

This is an abstract painting by Bianca Wellwood, an Irish American artist living in Los Angeles. It is not stretched so could be mailed in a tube. Further framing possible. Please c...

Oil on Canvas In good conditon Needs new matting due to staining Measures 32x28 international buyers must cover shipping expense

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Title: Peach Blossom in Spring Medium: Oil on canvas Size: 31 x 39.5 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2...

This is a painting from my series of sunny architectural pool paintings. As a swimmer I love to paint swimming pools in the sun and dream about actually being in one of my paintings....