Art by Medium: Charcoal

Naked young woman is one of the best works by the artist Marco Fariello realized in 2021. It is an academic drawing of a female nude. It is painted with oil on canvas. The subject ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le corp de ferme by Paulémile Pissarro (1884-1972) Watercolour, ink and charcoal on paper 29.7 x 46.8 cm (11 ³/₄ ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Large Size artwork with Oil, Spray Paint and Charcoal on canvas. The artwork is priced un-stretched to ship in a roll. Stretching and framing options are offered. For Additional framing options and pricing contact the gallery. BIO Chuck Hipsher is interested in the gesture or movement involved in the act of creating his artworks. His mind and mood drive the process from start to finish determining color, scale, composition, and ultimately, the finished state. He believes nothing is precious, that all is subject to change, and depends on state of mind during the development. His abstract paintings indicate the tension between motion and rest, with a vibrancy of color and stroke. Hipsher attended the University of Iowa and School of the Art Institute Chicago...

Eleanor Parke Custis 1897-1983 American Karnak Signed 'Eleanor Parke Custis -' (lower right) Gouache and charcoal on paper American painter Eleanor Parke Custis demonstrates her mastery of the gouache medium in Karnak. A celebration of color and a relic of the artist’s travels abroad, the composition is well-balanced, exuding photojournalistic and documentarian qualities. In Karnak, Custis paints a compelling and dynamic image of a great ancient Egyptian ruin. Seven distant men, likely Bedouins dressed...

Unknown Artist, "Untitled Baseball Player", Figurative Charcoal Drawing, 17.50 x 23.50 (In Frame 25.50 x 31), Late 20th Century Colors: Blac...

Mixed Media, Gouache, Watercolor Ink on Canson 140lb Cold-pressed paper, Framed Denver, Colorado based contemporary artist Julia Rymer asks "what if art gave you the same experience...

A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Male Model (Study, Male Legs) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well exe...

A stunning ensemble of fiour original mid century illustrations for Herman Melville's "Moby Dick" . Whilst sharing the modernist, stylis...

Landscape BW Charcoal on papers ( Canson Paper 300gr) Origial drawing ,one of a kind 55x75 cm 2022 The drawing is shipped flat inside a cardboard clip, it is possible to buy the dr...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

"Loser's Rack" - Original Charcoal and Graphite Drawing on Paper This drawing by California artist, Angela Stone (American, b. 1983), provides brilliant 1-point perspective in a val...

A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

A 1946 Mid-Century Modern Surrealist Male Portrait Study by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). A compelling portrait study, perhaps a self portrait of the artist,...

Coffee with M.C. Escher Randall Browning American (1955) Date: Circa 2005 Charcoal Drawing on Paper, signed Size: 19.5 in. x 29 in. (49.53 cm x 73.66 cm)

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Taiwo...

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of Male Arms by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 1930s charcoal study (a c...

Rosanna Gaddoni (Italian artist) The Fawn 50 x 43 cm ( framed in wood frame with museum glass) Measurement with included frame: 62 x 55 x 3 cm Charcoal on Paper The Italian artist R...

Rosanna Gaddoni (Italian artist) Nocturne in C- sharp Minor 65 x 50 cm ( framed in wood frame with museum glass) Measurement with included frame: 80 x 65 x 3 cm Charcoal on Paper Th...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Standing Male Model (Legs & Feet) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 1930s c...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Seated Female Model (Leg, Knee and Foot) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early ...

Lone figure with glasses

A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

A very good English Impressionist charcoal and pencil drawing of two male heads, by the celebrated British artist Sir George Clausen R.A. (1852-1944), the drawing circa 1905. Clausen was a very well respected British artist based in London in the late 19th & early 20th century, stylistically he managed to meld Romanticism and Impressionism with great success. This very handsome drawing depicts a study of two male heads, most likely related to the 1905 painting "Binding Sheaves" or another harvest painting from that period. This work of art was exhibited & sold in 1976 by the "New Grafton Gallery 42 Old Bond Street London W1", exhibition to the verso, the gallery specialized in showing major 20th century British artists. The drawing is in excellent condition and is ready to hang. At sight without frame 5.50" x 8.50" Biography George Clausen was born at 8 William Street in the Regents Park district of London on 18 April 1852, the son of a decorative...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (issued by The Gal...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

A Fine 1930s Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s ch...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Black heritage portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ac...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The bold orange underpaint has been allowed to shine through the co...

"Meet A woman of unwavering self-worth and integrity. She proudly guards her virginity as a symbol of her value and autonomy, while unapologetically embracing her true self. With gra...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed drawing: 12 x 19 inch...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 9 (height) x 7 (width) Stamped Verso Condition:...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

Une Femme Turque by Georges Manzana Pissarro (1871-1961) Charcoal on paper 47 x 30.5 cm (18 ¹/₂ x 12 inches) Signed lower left, manzana Executed circa 1910 This work is accompanied ...

At the core of "Boy Bee," we encounter the symbol of the blue face cap. The blue color carries diverse connotations, representing tranquility, freedom, and a sense of calm. In this artwork, the blue face cap becomes a powerful symbol of the wearer's individuality and self-expression. It suggests that the young man is using his choice of headwear as a means of asserting his uniqueness and setting himself apart from societal norms or expectations. The face cap becomes a metaphorical shield, allowing the young man to navigate the world on his own terms, symbolizing his desire to create his own identity and carve his own path. By prominently featuring the blue face cap, John invites viewers to reflect on the significance of personal style as a form of self-expression and as a means of celebrating our distinctiveness. "Boy Bee" encourages contemplation of the intricate nature of identity and the journey of self-discovery. The young man in the artwork exudes a sense of confidence and self-assuredness, suggesting that he has embraced his unique qualities and is comfortable expressing them. His choice of the blue face cap hints at his exploration of various aspects of self and his willingness to experiment with different forms of personal style. John's portrayal of the young man invites viewers to consider their own journeys of self-discovery and the power of embracing individuality. The artwork encourages us to question societal expectations and norms, urging us to uncover and celebrate the diverse layers that make us who we are. "Boy Bee" serves as a reminder that true fulfillment and happiness come from authentically expressing ourselves, even if it means deviating from the conventional path. In "Boy Bee," Makama John...

Signature: Signed Lower Right Cover Illustration for Elias Tobenkin's 'Witte Arrives'. The story of a family of Jewish immigrants, especially of the youngest, Emil, who works his wa...

There was a time, I’m asking myself this same question, am I SITTING or WAITING? This life is full of expectations, surprises, and good news, so many prayers yet to be answered, so m...

The piece reminds us that hope is the bedrock of strength; it fuels our determination and ignites our passions. Those who hold onto their hopes with unwavering conviction possess an ...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Female Illustrator of the Golden Age Alice Barber Stephens renders in an academic style and women sitting in a chair and responding to something outside of the frame. Signed lower left. Most likely done for a major newsstand magazine like Harper's, Century or Scribner's Monthly. Work is framed under glass in a simple black wood frame. Perhaps period. Matt is new. Frame size: 20.5 x 14.5 From: Wikipedia Alice Barber Stephens (July 1, 1858 – July 13, 1932) was an American painter and engraver, best remembered for her illustrations. Her work regularly appeared in magazines such as Scribner's Monthly, Harper's Weekly, and The Ladies Home Journal. Early life and education Alice Barber was born near Salem, New Jersey. She was the eighth of nine children born to Samuel Clayton Barber and Mary Owen, who were Quakers. She attended local schools until she and her family moved to Philadelphia, Pennsylvania. At age 15 she became a student at the Philadelphia School of Design for Women (now Moore College of Art & Design), where she studied wood engraving. The Women's Life Class (1879), Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. She was admitted to the Pennsylvania Academy of the Fine Arts in 1876 (the first year women were admitted), studying under Thomas Eakins. Among her fellow students at the Academy were Susan MacDowell, Frank Stephens, David Wilson Jordan, Lavinia Ebbinghausen, Thomas Anshutz, and Charles H. Stephens (whom she would marry). During this time, at the academy, she began to work with a variety of media, including black-and-white oils, ink washes, charcoal, full-color oils, and watercolors. In 1879, Eakins chose Stephens to illustrate an Academy classroom scene for Scribner's Monthly. The resulting work, Women's Life Class, was Stephens' first illustration credit. New Woman As educational opportunities were made more available in the nineteenth century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior by the art world, and to help overcome that stereotype women became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". Artists then, "played crucial roles in representing the New Woman, both by drawing images of the icon and exemplifying this emerging type through their own lives." Alice Barber Stephens, The Women Business, oil, 1897, Brandywine River Museum, Chadds Ford, Pennsylvania One example of overcoming women stereotypes was Stephens' Woman in Business from 1897, which showed how women could focus not only in the home, but also in the economic world.[8] As women began to work, their career choices broadened and illustration became a commendable occupation. People's ideas about education and art started to merge, and the outcome of a certain sensitivity to the arts began to be seen as uplifting and educational. By using illustration as a means to further their practices, women were able to fit the traditional gender role while still being active in their pursuits for the "New Woman". According to Rena Robey of Art Times, "The early feminists began to leave the home to participate in clubs as moral and cultural guardians, focused on cleaning up cities and helping African Americans, impoverished women, working children, immigrants, and other previously ignored groups." Stephens took advantage of the explosion of illustration opportunities, including the opportunity to work from home. Women's education Edwin Forrest House, formerly the home of the Philadelphia School of Design for Women. Throughout the period before the civil war, textile and other decorative work became acceptable occupations for those who aspired to be in the middle class. The Philadelphia School of Design for Women, founded in 1848 by Sarah Worthington Peter was first among a group of women's design schools established in the 1850s and 1860s; others appeared in Boston, New York, Pittsburgh, and Cincinnati. It began as a charitable effort to train needy and deserving young women in textile and wallpaper design, wood engraving, and other salable artistic skills, providing a means for training women who needed wage work. The Pennsylvania Academy of the Fine Arts (PAFA) was established in 1805 by painter and scientist Charles Willson Peale, sculptor William Rush...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Medium: Charcoal on Board Signature: Signed "W.B. King" Lower Right The Negotiation. Likely a story illustration for The Saturday Evening Post, circa 1915.

This academic drawing is characterized by its focus on classical techniques and the study of human anatomy. The meticulous attention to the human form and the use of chiaroscuro (the...

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

The Roman Court French School, circa 1780-1820 period pencil/charcoal/white chalk drawing on artist paper stamped with a name (either a collector or the artist) size: 18 x 24 inches ...

China Ink drawing realized by Mino Maccari in 1940s. Hand signed lower right. Very good condition except for some very minor folds.

Watercolor on paper realized by Mino Maccari in 1920s. Hand signed in pencil lower right. Very good condition except for a minor fold on top right edge.

Black marker pen drawing on paper realized by Maccari in 1960s. Hand signed lower right. Very good condition.

Charcoal, Ink and Watercolor realized by Maccari in 1958 ca. Hand signed lower left. Very good condition.

Mixed media on paper realized by Mino Maccari in 1936. Collage, ink and watercolor. Very good condition, with a china ink and watercolor drawing on a woman on rear.

Watercolor drawing on paper realized by Mino Maccari in 1960s. Not signed, very good condition.

Watercolor on paper realized by Mino Maccari in 1958 ca. Hand signed in pen lower right. Good condition.

Wonderful watercolor on paper realized by Mino Maccari in 1935 ca. Hand signed lower right. Very good condition.