Art by Medium: Charcoal

Cupid Carving His Bow (After Parmigianino) and we believe to be within the circle of Peter Paul Rubens (Flemish, 1577–1640), This rare, double-sided sheet features a line drawing ex...

Country Path with Red Roofs by Georges Manzana Pissarro (1871-1961) Coloured crayon, pencil and charcoal on paper 32 x 24 cm (12 ⅝ x 9 ½ inches) Signed with Estate Stamp lower right ...

Rosanna Gaddoni (Italian artist) A Walk 20 x 20 cm ( framed in wood frame with museum glass) Measurement with included frame: 30 x 30 x 3 cm Charcoal on Paper The Italian artist Ros...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (issued by The Gal...

Port Scene in Brittany by Georges Manzana Pissarro (1871 - 1961) Charcoal on artist's board 50 x 66 cm (19 ³/₄ x 26 inches) Signed on the reverse This work is accompanied by a certi...

medium: Chinese ink, ink stick, and charcoal on handmade paper ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is roote...

Sacha CHIMKEVITCH (1920-2006) Jazz Club, 1993 Original watercolor and charcoals drawing Signed and dated bottom left On vellum 57 x 34 cm (c. 23 x 14in) Ex...

“Quietly” (2025) Charcoal and Acrylic on Canvas 120 x 80 cm / 47.2 x 31.5 in Original work by Ritchelly Oliveira (Brazil, b. 1993) In “Quietly”, Ritchelly Oliveira presents a serene...

Sometimes in life, you cross paths with someone who instantly makes you feel calm, refreshed, alive, and wholesome. They encourage your dreams and celebrate your wins without an ounc...

Un Chemin dans la Forêt by Paulémile Pissarro (1884-1972) Pastel and charcoal on paper 24 x 31 cm (9 ¹/₂ x 12 ¹/₄ inches) Stamped lower middle-right, Paulémile Pissarro Provenance E...

Title: Romantic Gothic Architecture Study Graphite Drawing Artist: Unknown artist (19th century style) Medium: Graphite on paper Size: 12.25 x 9.25 inches (height x width) Condition:...

The work is on 1 paper. Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be...

Larry Wakefield: Between Figure and Abstraction This summer, MCA presents a special online exhibition dedicated to the work of Larry Wakefield (1925–1997), bringing together a rare s...

Jules-Émile Saintin 1829-1894 French L’Heure du goûter! (Snack Time!) Signed "Jules-Émile Saintin" (lower right) Charcoal and white chalk on paper A tender moment unfolds as a young girl leans over her bowl of soup, savoring her midday snack with focus and delight. Her spoon rests beside a slice of bread on the polished tabletop, while a cup, perhaps filled with tea or chocolate, and a second piece of bread complete the simple yet cozy scene. Nearby, her stuffed toy lies temporarily forgotten atop a shawl, hinting at the world of play just briefly paused. The setting is intricately detailed. The dining room showcases a marble fireplace adorned with a clock, fine porcelain and delicate cups. Saintin’s composition captures the quiet grace of the moment as well as the interplay of light and texture, skillfully rendered using only charcoal and white chalk. His ability to infuse luminosity into a monochrome drawing speaks to his refined technique and observational sensitivity. This work resonates with Saintin’s charming studies of children during his American period, such as A Little Girl Dozing Over Her Drawing (possibly a portrait of Jennie Walters), now in the Walters Art Museum in Baltimore. Born in 1829 in Lemé, Saintin began painting at age 11 and was admitted to the Académie des Beaux-Arts in Paris by 16. Trained under Martin Drölling and Édouard Picot, he became an accomplished portraitist and debuted at the Salon des Artistes Français in 1848, earning several medals. In 1853, he moved to New York to work in a photography studio, soon dedicating himself fully to painting. He exhibited regularly at the National Academy of Design—becoming a member in 1858—and gained a strong reputation for his portraits of American elites, as well as for his depictions of landscapes and Native American clothing...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

SOLD UNFRAMED Le Petit Cheval by Georges Manzana Pissarro Charcoal and gold on paper 31 x 31 cm (12 ¼ x 12 ¼ inches) Signed lower right, Manzana Pissarro Executed circa 1920 Proven...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Signed Lower Left, Titled Lower Center

"Ego 097" is an exceptional unique artwork by the spanish artist, Chidy Wayne, part of the acclaimed "Ego" series. While the series explores identity and self-reflection across diver...

Une Femme Turque by Georges Manzana Pissarro (1871-1961) Charcoal on paper 47 x 30.5 cm (18 ¹/₂ x 12 inches) Signed lower left, manzana Executed circa 1910 This work is accompanied ...

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

This piece, titled "Neighborling Maquette 26" s an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating stru...

"Criação da Fragilidade" by Ritchelly Oliveira, 2025 Charcoal and Acrylic on Canvas 120 x 90 cm (47.2 x 35 in) A compelling meditation on presence and vulnerability, "Criação da Fra...

Title: Abstract Composition Gestural Charcoal Pastel Modernist Drawing Paper Artist: French School (mid to late 20th century) Medium: Mixed media on artists paper (charcoal, pastel),...

Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina

“Gato Preto” (2025) Charcoal and Acrylic on Canvas 100 x 80 cm / 39.3 x 31.5 in Original work by Ritchelly Oliveira (Brazil, b. 1993) “Gato Preto” is a captivating and deeply symbol...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

'Lily in Charcoal No.2' 2023 From raw energy to sublime. 'Lily in Charcoal No.2' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....

Title: Journey to Joy Journey Painting Large Abstract Contemporary Bold Invest Statement Texture Joy The Guardians - Journey to Joy is a brilliant painting, where the artist expre...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

“Recomeço” (2024) is a charcoal and acrylic on canvas painting by Ritchelly Oliveira, measuring 190 x 150 cm (74.8 x 59 in). A poised, grayscale figure appears at the center with arm...

Title: Expressive Country Road Trees Landscape Pastel Drawing Artist: Unknown artist (mid 20th century) Medium: Pastel and charcoal on artists paper (sketchbook sheet), unframed Size...

Medium: Charcoal on Board Signature: Signed Lower Right Advertisement for Cream of Wheat cereal, 1908. Fast Asleep Advertisement, Cream of Wheat, 1908...

No. 200 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, charcoal, pastels and acrylic on canvas, dimensions are 150 × 100 cm (59.1 × 3...

Acrylic paint, hand drawn charcoal collage elements and printed media papers on sintra panel, heavily textured. Metallic gold paint on edges Female figure appears to be sleeping. F...

A finely tuned oval drawing by the Finnish artist Ester Helenius depicting a young woman in profile seated on a chair. The room is suggested only by a diffuse background. Signed and ...

Signed and dated "Ananda Kessler 2015" in permanent marker on verso lower right corner. Ananda Kesler was born in Haifa, Israel. In 2002 she received her BA in Fine Art from the Uni...

Original Charcoal drawing signed by the Artist in the lower left corner.

Artist: James, Clarence Title: Untitled Date: 2026 Medium: Ink, Acrylic, Charcoal & Marker on Paper Unframed Dimensions: 16.5" x 13.5" Framed Dimensions: 22" x 19" Signatur...

'Lily in Charcoal no.3' 2023 From raw energy to sublime. 'Lily in Charcoal No.3' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....

Gravure Full Page in Woman's Home Companion Magazine A wonderful and very detailed full page art supplement for the September 1922 issue of the Woman's Home Companion. Charles Sheldon's exquisitely detailed portrait of fashion designer Peggy Hoyt...

Mac II, 2020 by Gonzalo Fuenmayor Charcoal on paper Image size: 11 in H x 18 in W Frame size: 16 in H x 23 in W x 1.5 in D ___________________ Gonzalo Fuenmayor's work reflects a do...

Rosanna Gaddoni (Italian artist) Standing Still 20 x 20 cm ( framed in wood frame with museum glass) Measurement with included frame: 30 x 30 x 3 cm Charcoal on Paper The Italian ar...

Ballroom Dancers II by Trudy Good. Original Charcoal & Pastel onto paper. Trudy Good is a British figurative painter who has exhibited in numerous pla...

Sarah Svetlana's original abstract artworks offer a captivating glimpse into the intricacies of the human experience, drawing inspiration from a diverse range of sources and influenc...

Estate stamped, lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1900. Previously with: Gallery Clinton Lindley, Ltd. (from label, vers...

Title: Mythological Satyr Figure Study Nude Male Charcoal Drawing Classical Style Medium: Charcoal and graphite on artists paper, unframed (double sided) Size: 10.75 x 8.75 inches (h...

Title: Renewal and Revival Painting Diptych (Two seperate panels) Abstract Contemporary Bold Blue Green Invest Unique Flora The two panels align perfectly and can be displayed righ...

Charcoal drawing of a bench on the Fish Market in Bruges (Belgium)

Charcoal on paper Artwork Dimensions: 29.75" x 21.25" Frame Dimensions: 41" x 33" Signature: Signed Lower Right Drawing, ca. 1915

A woman is the most beautiful and wonderful tree planted in the garden of life by God. This world is totally beautiful and adorable with the gift of womanhood. She is not just a carrier of life or a nurturer but she is a guiding force, a homemaker, the backbone of every society. Being a woman is priceless! Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oluwaseun Ojebiyi is a promising young Nigerian visual artist who was born in the year 1996 into a family in Oyo state richly endowed with a unique artistic inclination. He is gifted with unusual energy and a future that sparkles with excellence. His works are at once artistic and realistic and laced with active energy with the characteristic of curiosity in figure study. He delivers his works through drawing and painting with mastery usage of charcoal, pastel, Oil paint, and acrylic. His expressive works bring back fond memories of childhood experiences. His works reveal the bond, teamwork, genuine love, selflessness, and other fine qualities in African culture. His palette which contains a variety of colors is a great asset for his delivery, with its rich Shade of hues. Oluwaseun inspiration is divine, He is also inspired by both past and everyday life experiences. Oluwaseun Ojebiyi had an HND in painting from The Polytechnic, Ibadan. He also served an apprenticeship under the renowned international artist Oluwole Omofemi...

Frontispiece for Under the Lilacs by Louisa May Alcott for the 1906 edition published by Little, Brown, and Company The full caption reads: "A strange dog was sitting calmly among t...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed in pencil lower right. It is not titled on it. Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008. In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

An Introspective 1930s American Modern Drawing of a Young Male Artist in his Studio by Notable Chicago Painter, Walter Burt Adams (Am. 1903-1990). A wonderful, early example of Ada...

This piece, titled "The Meeting 26" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...

"The Nude Rose" captures the essence of one of the most extravagant and universally recognized flowers—the red rose. For me, the red rose embodies sexuality, boldness, and a strong, ...

Audrey Frank Anastasi is a prolific artist, working in painting, drawing, collage, mixed media, and printmaking. She is also a curator, gallerist, educator and arts advocate. Ms....