Art by Medium: Charcoal

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanie...

Desmond Mclean (1929-2015). Untitled, ca. 1960 Mixed media on paper. Sheet measuring 11 x 14 inches. Taped at corners to backing backing board measuring 17.5 x 21.5 inches. Unfr...

A Large, Striking, Post-War Studio Figure Study of a Seated African-American Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). A well executed, in...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

An adorable wide-eyed, smiling lion nestles deeply within lush foliage, amid overlapping leaves, and clusters of small garden flowers. Californian artist Edward Lupper...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

Danny Avidan’s paintings explore the tension between form and formlessness, using it as a way to reflect on the body and the creative process. His expressive gestures continuously at...

Perfect for your cycling enthusiast! A dynamic, 1930s drawing of a bicycle race by notable Chicago Modern artist, Francis Chapin. Charcoal on paper, most likely a study relating to numerous lithographs and Chapin created in the 1930s with bicycle racing as the subject. Image size: 11 x 14 inches, (unframed); archivally matted to 16 x 20 inches (ready to frame). Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Mark Bradley Schwartz's (US based) "Untitled 12" is an original, handmade charcoal drawing that depicts a woman in profile with her long dark hair draped over her right shoulder with...

Charcoal drawing realized by Mino Maccari in 1946 ca. Hand signed lower right. Very good condition.

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of Male Arms by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 1930s charcoal study (a c...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Black heritage portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ac...

Desmond Mclean (1929-2015). Untitled, ca.1960 Mixed media on paper. Sheet measuring 12 x 18 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; America...

A Little Persephone In a world filled with tension and uncertainty, it becomes especially important to preserve a quiet inner space. A place we can return to even when circumstances ...

Medium - Acrylic on Canvas Year - 2026 Style - Contemporary Subject - Floral and Interior Still Life Dimensions - 40 H x 30 W x 1.5 D in Condition - New, Ready to Hang Table wi...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on board. The artist works with natural earth,...

Artist: James, Clarence Title: Untitled Date: 2026 Medium: Ink, Acrylic, Charcoal & Marker on Paper Unframed Dimensions: 13.5" x 10.5" Framed Dimensions: 19" x 16" Signatur...

Comes framed and ready to hang in professional wood black floater frame. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loos...

Title: Journey to Joy Journey Painting Large Abstract Contemporary Bold Invest Statement Texture Joy Autumn-colors The Guardians - Journey to Joy is a brilliant painting, where the...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Lioness and Hunter is the title of a beautiful double-sided sheet with charcoal drawings on pink-colored paper, realized in the 1970s by the German artist Wilhelm Lorenz, also known ...

This 22 x 31.5 inches black and white chalk painting on canvas represents a Greek landscape. Olive and cypress trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties, he visited Kythera, the Greek island of his father's birth. Since then, the island has become the primary reference of his creativity. Using black and white to represent this landscape gives the mighty hundred-year-old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

His confidence shines bright, a beacon in the night Unshakable and strong, his presence commands respect and light With unwavering conviction, he conquers every fear His confidence r...

This piece, titled "Wanderer 10" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" is made of collage, charcoal, pastel, acrylic, and gra...

Signs Mixed Media Paint 80x80 cm Original Art Made in Italy Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Aca...

The Tamer is a Charcoal and watercolor Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-...

Day Dream This is an expressive abstract painting inspired from nature, walks from the countryside & daily life. Painting is expressing strength and positivity, gives calmness with s...

A dramatic and beautifully stylized charcoal lithograph on paper by Adolf Uzarski (1885–1970), this work belongs to the artist's rare series of illustrations inspired by the Tutinama...

"Portrait of Long Haired Girl" (2023) by Bunyod Suvonov is original handmade drawing made with charcoal and graphite on toned paper. This piece depicts a portrait of a woman with lon...

Title: Abstract Composition Gestural Charcoal Pastel Modernist Drawing Paper Artist: French School (mid to late 20th century) Medium: Mixed media on artists paper (charcoal, pastel),...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

A beautiful 20th century charcoal on paper depicting jazz musicians on a street in St. Petersburg, Miami, an area that has a thriving local jazz scene and hosts a yearly festival. T...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist Joy Eyitayo...

Title: Renewal and Revival Painting Diptych (Two seperate panels) Abstract Contemporary Bold Blue Green Invest Unique Flora The two panels align perfectly and can be displayed righ...

Pássaro Azul (2025) is a contemporary figurative painting by Brazilian artist Ritchelly Oliveira, created with charcoal and acrylic on canvas. Measuring 80 × 60 cm (31.5 × 23.6 in), ...

Sanat Kar - HO. TOMMOROW - 22 x 18 inches (unframed size) Mixed Media and charcoal on paper, 2006 (Framed & Delivered) Style: Majority of Sanat Kar's works are surrealistic and hav...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

Desmond Mclean (1929-2015). Untitled, 1959 Mixed media on paper. Sheet measuring 14.75 x 20.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Amer...

"Drawing Summer 1", by Hudson Valley artist, Jenny Nelson, in 2025 Charcoal on Strathmore paper 30 x 22 inches, 37.75 x 30 inches framed with 8 ply window mat and light gray stain w...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and Los Angeles. Rubenstein's work has a rigid edge and strong composition but maintains organic shapes and soft colors as well. His works have a character that brightens a space. His paintings pull from abstract expressionism and cubism but maintain a contemporary edge that strikes the viewer. His work seems collectively new and timeless at once. This one-of-a-kind 31.5 inch square and 1.5 inch deep artwork is a mixed media composition on canvas. It is stretched, wired, and ready to hang. This large abstract painting is signed by the artist on the front and back of the artwork. The sides are painted and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. Provenance: Artplex Gallery. A certificate of authenticity issued by the art gallery is included. While the artist has chosen to keep the price upon request, this captivating piece embodies both sophistication and exceptional value. Bruce Rubenstein specializes in large-scale artworks, using huge canvases to tell his stories. Born and raised in New York, he moved to Los Angeles in 1985. His mixed media artworks defy categorization, blending abstract forms and organic shapes with subtle hints of figures and symbols. Adrien Brody and Mickey Rourke are among Rubenstein’s collectors. Bruce Rubenstein’s artistic influences include artists from Joan Miró and Jean Arp to Gerhard Richter and Pablo Picasso. “He is an artist, and that means someone who cannot restrain the flow of ideas,” says author David Rodgers. “He is someone who they just burst out of, who cannot help but communicate, and who sees no reason to stop. He’s a man not limited by media to communicate the stories that he needs to (and must) tell, through any medium he feels necessary.” His works are represented by Artplex Gallery Los Angeles and have been exhibited and collected worldwide, including exhibitions in Austria and Israel. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2023 Artplex Gallery, Los Angeles, CA Beijing Contemporary Art Expo Crossing Art Collective Beijing, China 2022 Shenzhen Art Fair, Shenzhen, China Westbund Art Fair, Shanghai, China MAC Fine Art, Power Painters, Delray, FL Westbund Art & Design, Shanghai, China (solo) Context Art Miami, Miami, FL (solo) Crossing Art Gallery, NYC, NY (solo) 2021 “Space Time Fragments,” Artspace Warehouse, Los Angeles, CA MAC Fine Art, Fort Lauderdale, FL MAC Fine Art, Jupiter, FL MAC Fine Art, Miami, FL (solo) 2020 MAC Fine Art, Fort Lauderdale, FL Wynwood Art Festival, Miami, FL Artspace Gallery, Los Angeles, CA MAC Fine Art, Fort Lauderdale, FL (solo) Gottling Gallery, Palm Springs, CA (solo) Castelli Art Space, Culver City, CA (solo) 2019 MAC Fine Art, Jupiter, FL Artspace Gallery, Los Angeles, CA Palm Springs Art Fair, Palm Springs, CA Glenn Dallas Gallery, Santa Barbara, CA (solo) Castelli Art Space, Culver City, CA (solo) 2019 MAC Fine Art, Fort Lauderdale, FL (solo) 2018 Affordable Art Fair, New York City, NY “How to Make Memories,” Artspace Warehouse, Los Angeles, CA Palm Springs Art Fair, Palm Springs, CA 2017 “Above and Below the Clouds,” Artspace Warehouse, Los Angeles, CA Shockboxx Gallery, Hermosa Beach, CA The Dina Collection, Beverly Hills, CA 2016 Group Show, St. Peter in der Au, Austria 2015 Henry Fonda Theatre, Hollywood, CA Veterans Memorial Building, Park City, UT 2012 The Kodak Center, Hollywood, CA 2011 Stark Kikuchi Gallery, Venice, CA 2010 The Kamur Group Gallery, Tel Aviv, Israel Stark Kikuchi Gallery, Venice, CA 2009 Stark Kikuchi Gallery, Venice CA 2008 Stark Kikuchi Gallery, Venice, CA 2007 MoCA Hot Springs, Hot Springs, AK 2004 The Hunter Gallery, Hollywood, CA 2002 Stark Kikuchi Gallery, Venice, CA 2001 Designer Services Group, Culver City, CA 1997 L.A. Lofts, Hollywood, CA 1995 Galerie Tatou, Beverly Hills, CA 1994 Todd Gordon Gallery, Los Angeles, CA 1993 Todd Gordon Gallery, Los Angeles, CA 1992 Market Street Gallery, Venice, CA SELECTED PRIVATE COLLECTORS Arnold Schwarzenegger, Beverly Hills, CA Maria Shriver, Beverly Hills, CA Adrien Brody, Beverly Hills, CA Paul Marciano, Beverly Hills, CA Yossi Dina, Malibu, CA Christina Tosi, Brooklyn, NY Mickey Rourke, Brooklyn, NY Andrew Dice Clay, Sherman Oaks, CA Jules Haimovitz, Beverly Hills, CA Tom Jones, Beverly Hills, CA Mr. & Mrs. Emerson Glazer, Beverly Hills, CA Meshulam Riklis, Tel Aviv, Israel Reuven Oded, Palm Beach, FL Nancy Ganz, East Hampton, NY Autumn Reeser, Los Angeles, CA Doug Ellin, Beverly Hills, CA Rob Weiss, Hollywood Hills, CA Angus Mitchell, Beverly Hills, CA Terence Trent D’Arby, Los Angeles, CA Randy Spendlove, Beverly Hills, CA Steve Ferraro, Los Angeles, CA David & Nancy First, Long Island, NY Steve Glazer, Westwood, CA Ben Stark & Michelle Kikuchi, Culver City, CA Dani Brener, Tel Aviv, Israel Jim Campbell, Dallas, TX Thomas Ming, Dallas, TX¬¬ Sam & Orit Messica, Beverly Hills, CA Ron Fair, Los Angeles, CA Kenneth & Mimi Griswold, Hollywood, CA¬¬ Mark Lamonica, Alta Dena, CA Paul Shulze, NYC, NY Richard Goldstein, Beverly Hills, CA Howard & Leanne Kay, Boca Raton, FL Ari & Hani Fisher, Beverly Hills, CA Richard Lawson & Tina Knowles, Los Angeles, CA Claude & Helene Roux, Cannes, France Marco Flamenbaum, Paris, France SELECTED PUBLIC & CORPORATE COLLECTIONS Los Angeles Modern Auctions, Van Nuys, CA (sold) MoCA Hot Springs Kamor Ltd. Tel Aviv, Israel The Foundation for Living Beauty, Pasadena, CA Sharp & Associates, Los Angeles, CA Kodak Center, Hollywood, CA Wolfgang Puck, Hollywood, CA Henry Fonda Theatre, Hollywood, CA Veterans Memorial Bldg., Park City, Utah Guess Inc., Hollywood, CA The Highlands, Hollywood, CA PRESS 2009 Cover Story, Weekend Edition Maarive 2008 Ed McCormack, Art Critic, Studio & Gallery Magazine 2007 Pamela Sharp, Grand Tour 2004 Weekend Edition, Maarive 2001 Detour Magazine 2017 Mural commissioned by Google and LVA, Louisville, KY 2012 La Boca del Lobo...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 13 x 16.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Americ...

Oluwafemi Akanmu is a Nigerian-born artist who creates beautiful and thought-provoking works of art. One of his most stunning pieces is titled "Vision...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

Ships at the Harbor - Nautical Seascape in Charcoal on Paper Detailed and layered harbor scene by Maude Folmar Ramsey (American, 1908-1993). The viewer is looking out at the harbor, across the water from the docks, buildings, and ships. The pillars, buildings, and masts are jumbled together in a pleasing manner that is almost abstract. Despite the simplified shapes, this piece is full of detail. This piece is executed in a rectilinear style frequently seen in American mid-century modern compositions. Signed in the lower right corner "Maude Folmar" Presented in a wood frame with a double mat. Frame size: 25.25"H x 29.25"W Image size: 17"H x 21.5"W Maude Love (Folmar) Ramsey (American, 1908-1993) studied at the School of Fine Arts at Washington University in St. Louis, Missouri. She was the director of the Laguna Gloria Art Museum from 1968-1972. Ramsey was one of the charter members of the “Waterloo...

Title: House fragment M. Artist: Marilina Marchica Medium: Mineral oxide on paper ready to hang custom made wooden frame dimensions in frame: 80x120 cm drawing dimensions:75x110 cm D...

Comes framed and ready to hang in professional wood black floater frame. This painting was a Finalist in the Grey Cube Gallery's City Art International Art Exhibition: "Out of all ...

Art: 20"x 26" Frame: 28-1/2"x 32-1/2" Charcoal on paper. Signed, dated and inscribed to David Barnett. Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' É...

Signature: Signed Lower Right Medium: Charcoal on Paper Sight Size 18.00" x 34.50", Framed 23.5" x 40.25" This is a preliminary drawing. It’s a masterful drawing that was mounted lo...

Abstract composition is a contemporarary artwork realized by Mario Guglielmotti in 1973 Charcoal and Oil Pastel.

Charles White’s "Lo I Am Black” (c. 1967) is a powerful, large-scale charcoal drawing that exemplifies the artist’s unwavering commitment to figuration and social consciousness at a ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Charcoal drawing on paper. Hand signed in the lower center. Very good condition.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist The...

Abstract cityscape indebted to Matisse's "View of Notre Dame."

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Artist: Augustus Edwin John (Welsh, 1878-1961) Title: "Portrait of a Lady" *Signed by John lower right Circa: 1910 Medium: Original red and black Chalk Drawing on wove paper Framing:...