Bunyod Suvonov Art

Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...

Graphite on paper Signed, c.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now live...

Pencil on paper 50cm × 24cm (67cm × 40cm framed) Gilbery’s talent as an artist was first noticed aged 17, when his portrait of his father was hung in the Royal Academy. He gained a ...

Cadence Charcoal on paper Artwork size: 24 x 46.5 inches / 60 x 118 cm Framed size: 27.5 × 52 inches / 70 × 132 cm Float framed in white behind anti-reflect art glass. This contempo...

English School, 18th century Pen and black ink with gray wash on cream laid paper, 9 1/4 x 5 inches (238 x132 mm). 1/4 inch repaired loss, top center, to the left of the figure’s h...

HERBERT WILSON FOSTER (1846-1929) Spring Inscribed with title beneath the mount Chalk on paper, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Woman eating, around 1990. Mixed media on watercolor paper, 22.2 cm x 26.5 cm, signed “Schloss” lower left and signed again in He...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through h...

Vortex is a contemporary figurative charcoal and conté drawing on watercolour paper that explores motion, gravity, and the expressive potential of the human form. Rendered in rich mo...

The Intrepids Charcoal and graphite on paper Framed in off white float frame behind anti-reflect/ UV glass Framed size: 27.5 x 47 inches / 70 x 120 cm This contemporary figurative d...

In the summer of 2019, Evgeniy Monahov was lucky to make a series of live sketches during the of St. George's Jousting Tournament in Moscow - for several days everyone had the opport...

This original illustration, titled "Cops at Ease in the Muster Room of a Station," is packed with character and detail and shows an unexpected and rare vision of the police in an off moment. Riggs unveils the real-life behind-the-scenes in this narrative work, which stylistically flaunts Riggs ' prodigious drawing skills. It accompanied the article Nineteen Thousand Cops published in the July 1939 issue of Fortune Magazine. This issue was dedicated to the city of New York and included a total of ten paintings by Riggs for this article on New York City's police department. Robert Riggs was a gay artist...