Art by Medium: Charcoal

"Enemonalisa" is a thought-provoking artwork by the talented artist Daniel Oguche Junior, which brings a unique and powerful reinterpretation of the iconic Mona Lisa portrait. In thi...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works.

"Gaze is a Powerful Language," a creation by the talented artist Michael Adetula, is a compelling artwork that explores the captivating and expressive power of a young woman's gaze. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Daniel Oguche...

The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Michael Adetula...

Susan Grossman's works on paper are grand scale and sophisticated. The images shown at George Billis Gallery include beach scenes of the Hamptons and o...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

Her name is Ewaoluwa (The Beauty of God). Meaning the beauty of God in Yoruba origin located in western Nigeria. God created beauty in the loveliness of his nature. The beauty of Go...

David Becker Adjust to Fit vine charcoal on paper 39.25h x 27.50w in 99.69h x 69.85w cm DB0025 David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

"Love and Music," a captivating artwork by the talented artist Emeka Ndibam, presents a mesmerizing portrayal of the profound bond between two individuals...

The title, "Lady in Red," sets the tone for the artwork, drawing attention to the woman's commanding presence. Red is a color often associated with passion, power, and sensuality, and in this context, it symbolizes the woman's self-assurance and poise. Her choice of attire reflects her unapologetic embrace of femininity and her willingness to stand out with grace and charm. The sophisticated hairstyle of the young woman is a captivating element of the artwork. It showcases the artist's attention to detail and skill in portraying intricate features. The hairstyle's complexity symbolizes the complexity of the woman herself – a multi-faceted individual with dreams, aspirations, and a unique personality that shines through her every glance. In "Lady in Red," Daniel Oguche...

The central theme of the artwork revolves around the concept of love, partnership, and the strength that comes from sharing life's journey with someone you truly cherish. The portrayal of a woman standing behind a man is symbolic and highlights the significance of being someone's backbone, providing much-needed support and encouragement in every situation. The title, "My Backbone and I," aptly captures the essence of the artwork. It emphasizes the interconnectedness of the couple, where each person complements and supports the other, forming an unbreakable bond. This piece reminds us that true love involves more than just being there during the good times; it means standing together, hand-in-hand, through life's challenges and triumphs. In the context of the artwork, the woman's presence behind the man represents her role as a steadfast pillar of strength, constantly supporting and empowering him. This representation challenges traditional gender norms, debunking the outdated notion that women should always stand behind men. Instead, it celebrates the idea that a successful partnership is built on mutual respect, equal footing, and shared responsibilities. The artist, Michael Adetula...

"We all want a teenage fantasy Want it when we can't have When we got it, we don't seem to want it" "Teenage Fantasy" was adapted from one of Jorja Smith's song "Self-Made" is a captivating series of artwork created by the talented artist Alawaye Tope, which pays homage to the strength, resilience, and diversity of women. Through this powerful collection, Tope delves into the multifaceted nature of womanhood, portraying women from various walks of life, cultures, and backgrounds. Each piece in the "Self-Made" series is a testament to the indomitable spirit of women, celebrating their accomplishments, dreams, and struggles. Tope skillfully uses his artistic prowess to capture the essence of femininity, infusing his paintings with a sense of empowerment and grace. The series showcases women as architects of their destinies, capable of creating their paths and defying societal norms. Tope depicts women as self-reliant and unyielding, breaking free from conventional stereotypes and emerging as individuals who chart their course with determination. Through vivid colors and intricate details, Tope captures the myriad emotions experienced by women. From moments of joy and triumph to introspection and resilience in the face of adversity, each artwork tells a unique story. The artist's portrayal of women as strong, confident, and self-assured challenges traditional representations, uplifting the spirits of those who engage with his art. "Self-Made" is not just an art collection; it is a celebration of the unsung heroines who have paved the way for progress and inspired generations. Tope Alawaye's artwork serves as a visual tribute to the countless women who have defied expectations, shattered glass ceilings, and left an indelible mark on history. In conclusion, "Self-Made" by Alawaye Tope is a mesmerizing series of artwork that celebrates the resilience and strength of women. Through his talent, Tope brings to life the untold stories of remarkable women, igniting a sense of pride and admiration for the female spirit. The series serves as an inspiration, urging us to acknowledge and appreciate the immense contributions of women to our world. With every stroke of his brush, Tope Alawaye reminds us that women are architects of their destinies, and their stories deserve to be told, heard, and celebrated. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Tope Alawaye, is a young contemporary artist hailing from the vibrant city of Ibadan, Nigeria. Born with an innate passion for art, Alawaye has emerged as a dynamic force in the Nigerian art...

Life doesn’t happen to you, it happens to you. This idea is powerful both in our personal lives and our professional lives. Instead of waiting for things to happen to you, instead of...

Alagbe's artwork beautifully captures the desire for calmness and relaxation. The act of pouring fruit juice into a glass cup represents the quest for a soothing beverage to calm the...

Waterway Charcoal on paper Float framed in white behind anti-reflection museum quality glass. Artwork: 46 x 57.5 inches / 117 x 131 cm Framed size: 51.5 x 58 inches / 131 x 147 cm T...

Pencil Study #11 2016 Graphite on paper 10 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the intimacy of th...

"Traveler" is an artwork that embodies the spirit of exploration, adventure, and the quest for new experiences. The title itself suggests a sense of movement, curiosity, and the desi...

"Solace" is a striking piece of art created by Oluwafemi Akanmu that features a woman in a very relaxed position. The painting captures a serene momen...

Pencil Study #12 2016-01-01 cca. Graphite on paper 12 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the inti...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time. Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...

This artwork exists in the delicate space between what is erased and what refuses to disappear. Not everything survives intact, but something always remains. So the work doesn't just...

Valley of No Shadows is an original painting by Fredrick Idele. Fredrick created Valley of No Shadows with Acrylic, Pastel, and Charcoal on a 24W by 24H inches Card. "Valley of No Shadows" is a captivating artwork that portrays a peaceful state of mind where fears and worries are conquered, and inner peace is found. The artwork features a character adorned with African symbols...

"Self Love (Town Girl)" depicts a young lady in a vibrant urban setting, exuding an aura of self-assurance and strength. The central focus of the artwork is the subject's face, beautifully painted with meticulous attention to detail. The artist employs a mix of bold brushstrokes and subtle shading, highlighting the woman's expressive eyes and radiant smile. Her posture and gaze project a sense of determination and self-awareness, symbolizing the journey of self-love and acceptance. The young lady's attire further emphasizes her individuality and confidence. Clad in a fusion of traditional and modern garments, she represents the convergence of cultural heritage and personal identity. The artist's deliberate choice of a diverse range of colors adds depth to the piece, infusing it with energy and life. The vibrant hues convey a message of optimism and celebrate the beauty found within diversity. "Self Love (Town Girl)" is a testament to the power of self-love and acceptance. Through his artwork, Akanmu seeks to inspire viewers to embrace their individuality and celebrate their unique qualities. The young lady portrayed in the piece serves as a symbol of strength, resilience, and unwavering self-belief. In a world that often imposes standards and expectations, the artwork invites us to reflect on the importance of self-acceptance and self-expression. It serves as a reminder that true beauty lies not in conformity but in embracing our authentic selves. By portraying the young lady with confidence and grace, Akanmu challenges societal norms and encourages viewers to cultivate their own inner strength. Furthermore, "Self Love (Town Girl)" prompts a dialogue about the amalgamation of different cultures and the beauty that arises from such fusion. The blending of traditional and contemporary elements in the lady's attire symbolizes the richness of heritage and the freedom to express oneself in a modern world. Akanmu's artwork celebrates diversity and prompts us to appreciate the beauty that arises when different cultures converge. Art possesses the ability to evoke emotions and trigger introspection, and "Self Love (Town Girl)" achieves just that. Akanmu's artwork acts as a catalyst, urging viewers to reevaluate their own self-perception and embrace their unique qualities. It serves as a gentle reminder that self-love is a journey that requires patience, understanding, and acceptance. "Self Love (Town Girl)" has the potential to inspire individuals from all walks of life, encouraging them to embrace their true selves and celebrate their inherent worth. By fostering a sense of empowerment and confidence, the artwork contributes to the ongoing narrative of self-love and acceptance in our society. Oluwafemi Akanmu...

"Believe" is an original painting created by Eyitayo Alagbe. Eyitayo created "Beleive" with Mixed Media on a Primed canvas of 36W by 36H Inches Believe is a masterpiece that deserves to be celebrated. It is a powerful artwork that embodies the spirit of hope and faith that we so desperately need in these trying times. At its core, Believe is a symbol of optimism and perseverance. The artwork features a stunningly intricate image of a young boy, set against a backdrop of calming blue tones, the boy stands tall and proud, representing the resilience and strength that we all possess within us. The beauty of this artwork lies not only in its design but in its message. Believe is a reminder that we should never give up on our dreams, no matter how impossible they may seem. It encourages us to trust ourselves and to have faith in the path that we have chosen. It is not just an artist's interpretation of life, it is a positive force that inspires us to look at the world with a new perspective. Believe conveys that life has an amazing power to heal our system and rejuvenate our spirits. In today's world, where negativity and despair seem to be taking over, Believe is a beacon of hope. Its message is simple yet profound: we are capable of overcoming any obstacle if we believe in ourselves and never give up. The fact that Believe has managed to touch so many lives is a testament to its worth. It is not just a piece of art, but a timeless masterpiece that has the potential to inspire people for generations to come. In describing the painting "Believe", In Eyitayo Alagbe's words: "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it. Believe in your heart that you're meant to live a life full of passion, purpose, magic, and miracles". Your belief and working towards what you believe in can make so much difference between the life you are living and the life you desire. In conclusion, Believe is a true masterpiece that is both beautiful and meaningful. It's not for mere decoration, it's a source of inspiration for life. Its message is a reminder to us all that we have the strength within...

Artist: Ian Hornak (1944-2002) Title: Female and Male Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Estate of...

French charcoal drawing of fish, circa 1950. Signed Paule Champenois lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size fra...

What I wanted was a little more structure, a little more sense of purpose, and some acknowledgment from somewhere that I was important. Give them a sense of belonging to the society...

I am a Gippsland-based artist, whose creative process is ever-evolving, with the constant being my subject matter. Native Australian flora and fauna are commonly depicted in my works...

Eye catching charcoal drawing of deconstructed face by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed on a white mat with a gol...

Elegant black and red charcoal sketch of female figure by French artist A. Delamaire, circa 1930. Original artwork on paper displayed on a white ...

Dynamic charcoal drawing of woman with long flowing hair flipping head by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed on a w...

Striking charcoal drawing of a woman's profile full of dash, éclat and energy by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed...

Abstract charcoal drawing of figure, path and landscape by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed on a white mat with a...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Cont...

Stunning modern charcoal drawing of musicians playing horns by artist Chuck Carbia, 2011. Original artwork on paper displayed on a white mat ...

Octave Denis Victor Guillonnet (1872 - 1967) A naked young woman seated Charcoal and red chalk on thin paper transfered on cardboard 49 x 39 cm Framed : 55.5 x 45.5 cm Octave Denis...

Medium - Acrylic on Paper Year - 2026 Style - Contemporary Subject - Figurative, Portrait Dimensions - 17 H x 11 W in Condition - New Person with Blue Flowers is a contempor...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Helene Rutkowski is an artist who was born in 1862. The maker's first piece to be offered at auction was "Baumbestandene Allee im Herbst" at Quentin Auction House in 2021. She worked in the style of Realism and Expressionism and her works remind one of Käthe Kollwitz. This beautiful drawing...

Though life will farce and meddles, to keep a face-up and steady ride is to be determined. Though dribble and roll over to have an eye fixed are to focus and never to lose sight of i...

Sunil Das - Early Horses VI - 19.5 x 29 inches (unframed size) Charcoal on paper (Framed & Delivered) Sunil Das was one of India's most important postmodernist painters and rose to ...

French watercolor and charcoal still-life study of a gleaming teakettle and a mandolin, circa 1930. Original one-of-a-kind vintage work of art on paper displayed on a white mat with...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

This artwork is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping cost...

Artist: Ian Hornak (1944-2002) Title: Male Figure Study Year: circa 1964 Medium: Charcoal on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Estate of Ian Hornak, East H...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Original drawing Handsigned Unique piece EDOUARD (EDY) LEGRAND French, 1892–1970 Edy-Legrand, whose real name is Edward Louis Warschawsky Leon, born in Bordeaux in 1892, died in Bonnieux in 1970. He was a French illustrator and painter. He made the first part of his career in advertising illustration and literature. Later, his work was devoted to painting. He attended the Ecole des Beaux Artes in Paris, the Art Academy in Munich, and then lived and worked for Tolmer Publishing House in Paris for much of his career. After the Second World War, he spent much time in New York where he worked as an illustrator for various publishers. Legrand was born in Bordeaux, France to a French mother and a Russian-Jewish father. In 1919, as a young painter , Edy-Legrand created the first children's book, Macao and Cosmage or experience happiness, for the New French Review. The compositions are colored by hand by Jean Saudé. This album was greeted with exceptional praise since the 1980s and applauded as a milestone in the history of illustrated book for children. In 1932, Edy-Legrand participated in the first World Exhibition of engraved works of the Art Institute of Chicago, where he represented France. In this exhibit was also work by Picasso, Matisse and Derain, but Edy-Legrand was the only one to receive an honorable mention. Subsequently, he moved to Rabat , in Morocco. Of this period, Jacques Majorelle wrote: "In Morocco, Edy-Legrand is fascinated by the elements of life that he discovered in the unceasing movement of crowds and the vibration of color by the play of light on the costumes and decor. The show is so totally pictorial he complains, at first, to be obliged to fight against the temptation to faithfully reproduce external reality [...]. The more he painted, the more clearly he affirms its independence vis-à-vis the spectacle of nature. He loves above all...

Adele Moore Yonchak holds a BA in Studio Art from Hollins University with additional coursework from Lorenzo de' Medici Art Institute in Florence, Italy. While her formal training a...

Israel Agboola Oladapo Within, 2025 Charcoal, oil and acrylic on linen 152.4 × 91.4 cm 60 × 36 in In Within, Israel Agboola Oladapo captures a moment of poised introspection. The f...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1964 Medium: Original drawing on vélin paper Size: 18 x 23 inches Condition: Good Provenance: Est...

David Becker Scorn charcoal on paper 40h x 30w in 101.60h x 76.20w cm DB0011 David Becker b. 1937 David H. Becker, painter, printmaker and educator, was born on August 16, 1937 in M...

Tooth (from Bone Drawings series) 1994 charcoal drawing on paper 11 x 14 inches Charcoal study of abstract teeth (perfect for a dentist office!) Erica Prudhomme learned some of the basics from her artist father and his brother, Charles and Paul Child...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Foot Figure Study Year: circa 1964 Medium: Original drawing on vélin paper Size: 18 x 23 inches Condition: Good Provenance: Est...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...