Art by Medium: Digital

Festive Tapestry, by Pedro Friedebeg - Giclée Print - 65 x 65 cm - Mexican Abstract Design, c. 2025. Is a striking example of the artist’s mastery of geometric symbolism, optical rh...

Galleria Vittorio Emanuele, 1960 Chromogenic Lambda Print Estate edition of 150 View looking down the Galleria Vittorio Emanuele II in Milan, Italy, 1960. Opened in 1890, the covere...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Stamped by Elliott Erwitt's Estate

"She is Succulent 2" Photography 36" x 24" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. Ava...

Park View IV is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith It is available in this size in an Edition of 25 and is sold unframed A peaceful and ha...

"I work from intuition, understanding painting as a space where images emerge before ideas fully take shape. I am interested in allowing forms and figures to develop through the proc...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-en...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features a Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of t...

Dior, Kouka Wears Hymenee, 1961. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Hand Signed by Danny Lyon

Don Hunstein image is the photo used for the actual color cover of “The Freewheelin’ Bob Dylan” album. This iconic image shows Bob & his girlfriend Suze Rotolo walking down a cold an...

Peony No.15 — Analogue Black and White Floral Photography, 40 x 32 cm Peony No.15 is an analogue monochrome floral photograph by Lithuanian fine art photographer Ugnė Pouwell. Worki...

Tracey Emin Love is What You Want, 2015 250 gsm silk finish paper. Hand signed on the front by Tracey Emin in white grease pen/sharpie 27 1/2 × 19 7/10 inches Edition of 500 (unnumbe...

Tanned bodies on the deck of Dino Pecci Blunt's yacht in Marbella, 1967 Printed later, estate stamped and hand numbered edition of 150 with certificate of authenticity from the esta...

"#10, ICE" is part of Jerry Siege's ongoing "Black Belt Color" series. This photograph was taken during his quarantine in Selma during the COVID-19 pandemic. It features rich hues of...

Eric White (b. 1968). Collusionary Amalgam, 2004. Giclee print on paper. Unframed. Ships rolled in tube. DESCRIPTION Eric White (American,1968), giclee on paper, pencil signe...

This mid-1960s aerial seascape photograph, captured by society photographer Slim Aarons, features a high angle view of people swimming next to the ketch 'Traveler II' , Stocking Isla...

Oh Deer by Erik Pawassar 71 x 48 inches (180 x 122cm) signed edition of 7 40 x 27 inches (102 X 69cm) signed edition of 25 archival fine art pigment print signed & numbered by a...

Slim Aarons Social Call, Las Brisas, Acapulco, 1972 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Cha...

Skiing in Stowe, Vermont C print 30 x 30 inches Two women in knitwear, leaning on ski sticks, while standing in the Stowe Mountain ski resort in Stowe, Vermont, 1962. Behind the two...

From a series of photographic observances capturing found conceptual objects in urban cityscapes Diptych Found Object A + B (2025) by Frank Schott 2 individual prints 40 x 32 inch...

Tempestoso is a photograph by contemporary artist Gina Soden. Photographed inside an abandoned Italian villa, Tempestoso documents a highly decorated room marked by peeling frescoes,...

Vanity Fair Nude Front -- One of Mark Shaw's most sold images. The Vanity Fair lingerie was photographed for an award winning campaign. THE 24” x 36” ...

Author Truman Capote (1924 - 1984) relaxes with a book and a cigarette in his cluttered apartment, Brooklyn Heights, New York. Estate stamped and hand numbered edition of 150 with c...

llustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and numbered "Turn your tears in stars, make them shine as you a...

Iconic portrait photograph by midcentury society photographer Slim Aarons, capturing young Jackie Kennedy (Jacqueline Onassis) (1929 - 1994) wife of Senator Jack Kennedy, at a 'April...

Black and white fine art photograph capturing the sculptural elegance of an agave plant. The interplay of light and shadow emphasizes the organic geometry of the plant’s serrated edg...

Reflecting Ram Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 30 in Edition of 15 $3000 40 x 40 in Edition of 10...

Onward Ostrich Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available Sizes 30 x 26 Edition of 15 40 x 34 Edition of 12 60 x 50 Edition of 10 In t...

Stay Me Deer Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 33 in Edition of 15 40 x 44 in Edition of 12 60 x 65 ...

Go Giraffe Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 23 in Edition of 15 40 x 30 in Edition of 12 60 x 45 in E...

Relax Rhea Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 26 in Edition of 15 40 x 34 in Edition of 12 60 x 50 in Edi...

Intent Ibex Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 23 in Edition of 15 40 x 30 in Edition of 12 60 x 45 in Edi...

This contemporary abstract Limited Edition giclee print by Kelly Rossetti is made with acrylic paint on canvas. It features a light, warm, and neutral palette, with grey, white, and ...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Vanity Fair Nude Side -- This Mark Shaw image was part of an award winning Vanity Fair lingerie advertising campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION O...

Boy in Mid-Flight by Steve McCurry is listed as a 20 x 24-inch digital c-print, available in an edition of 90. This photograph is printed on FujiFlex Crystal Archive Supergloss Paper...

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

Dior, H-LIne, "1955," 1954. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print i...

'Cortina D'Ampezzo' by Slim Aarons Isa Genolini and Maria Antonia in the main street of Cortina d'Ampezzo, Italy, March 1982. 'Cortina D'Ampezzo' by Slim Aarons is a vibrant testa...

Be There Bear Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes: 21"x28" $2,500.00 Edition of 15 30"x40" $4,000.00 Edition of 12 4...

Slim Aarons Poolside Pairs (Kaufmann Desert House) 1970 (printed later) C Print Estate stamped and numbered edition of 150 with certificate of authenticity Former fashion model Hel...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...

A city with a millon eggs, by Pedro Friedeberg - Digital Print - 74 x 74 cm - Mexican Surrealism, c. 2019 The repetition of patterns and rhythm is present in almost every piece of...

Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...

Inkjet printed in colors on wove paper. Hand signed & numbered by Damien Hirst. Published by Other Criteria, London. Image size 19.75 by 26.625 inches. Sheet size 26.875 b...

' Laurisilva of Madeira No.3 ' 2026 Limited edition of 10 Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Photo...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Inheritance of Shadow is a black and white abstract photograph by Ugnė Pouwell that explores transmission, repetition, and the residual force of form. Structured through a sequence o...

Wild Birch - Forest. Fine Art Print. From the Niagara Escarpment: Another, in a series of digital prints. This one was born out of a photo that I took during my time living in a ...

Patti Smith Ann Arbor, Michigan 1995: An intimate & charming photo of rock goddess Patti Smith by legendary Detroit photographer Leni Sinclair - Kresge Foundation's Eminent Artist of...

Dimensions are for the photograph, but this listing is to provide a framing option via 1stibs. Lead time is 4 weeks for framing, as with all high quality custom framing. Final framed...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Sem...

Under the Illusion, Original Signed Contemporary Blue Abstract Digital Painting 32" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This abstract digital painting by artist Denise Dundon...

From Mona Kuhn's abstract series Folds in Time (2026), a series of monochromatic studies capturing the tactile interplay of light and shadow on reflective materials. The interplay o...

Black Glove (Michael Jackson) by Tom Schierlitz a highly detailed still life photograph of the front and back of the King of Pop 's iconic Swarovski crystal rhinestone glove 48 x 64 inches (122cm x 163cm) edition of 7 30 x 40 inches ( 76cm x 102 ) edition of 25 original archival fine art pigment print certificate of authenticity Photographer Tom Schierlitz has a discerning eye for details, managing to find striking visuals in the most ordinary objects, creating captivating images of cult accessories and other objects of desire. Tom grew up in Germany and lives and works in New York City. _________________________ Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2 inch L prints / 4 inch XL prints ]

Bob Dylan Train Tracks, 2008 Giclee on Hahnemuhle 350gsm Museum etching paper hand-signed and numbered by the artist Sheet: 70 x 56 cm Image: 54.5 x 40 cm Edition 194 of 295 Acknowl...

Princess Luciana Pignatelli on a skiing holiday in Lech, Austria. February 1961 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. S...