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Artist: Leo Guida
Artist: Pablo Picasso
Medium: Etching
Picasso with Woman Head and Faun - Original etching - "Bon a tirer" proof
Located in Paris, FR
Pablo PICASSO and Paul LEMAGNY
Portrait of Picasso with Woman Head and Faun, 1956
The upper part (portrait of Picasso) is an original etching by Paul Lemagny
The lower part (woman head and faun) is an original etching by Pablo Picasso
Printed signature in the plate
Annotated 9th state and 'Bon à tirer...
Category
1950s Realist Art by Medium: Etching
Materials
Etching
The Eye (Plate XXXVIII), from Carmen
Located in Washington, DC
Artist: Pablo Picasso
Title: The Eye (Plate XXXVIII)
Portfolio: Carmen
Medium: Etching on Montval wove paper
Year: 1949
Edition: 289
Sheet Size: 13" x 10 3/16"
Signed: No (signed and...
Category
1940s Cubist Art by Medium: Etching
Materials
Etching
Buste de Femme
Located in London, GB
Aquatint on Arches paper, 1955, signed in pencil, numbered 21 of an edition of 50 copies. Published by Galerie Louise Leiris, Paris. Dimensions: image 64.8 x 49.5 cm (25 1/2 x 19 1/2...
Category
Mid-20th Century Modern Art by Medium: Etching
Materials
Aquatint
Round Head of a Man with Tiny Features (Plate XVII), from Carmen
Located in Washington, DC
Artist: Pablo Picasso
Title: Round Head of a Man with Tiny Features (Plate XVII)
Portfolio: Carmen
Medium: Etching on Montval wove paper
Year: 1949
Edition: 289
Frame Size: 21" x 18"...
Category
1940s Art by Medium: Etching
Materials
Etching
Oval Head of a Man Looking Left (Plate XXIV), from Carmen
Located in Washington, DC
Artist: Pablo Picasso
Title: Oval Head of a Man Looking Left (Plate XXIV)
Portfolio: Carmen
Medium: Etching on Montval wove paper
Year: 1949
Edition: 289
Frame Size: 21" x 18"
Sheet ...
Category
1940s Art by Medium: Etching
Materials
Etching
Monogram "L" with Landscape (Plate XXXIII), from Carmen
Located in Washington, DC
Artist: Pablo Picasso
Title: Monogram "L" with Landscape (Plate XXXIII)
Portfolio: Carmen
Medium: Etching on Montval wove paper
Year: 1949
Edition: 289
Sheet Size: 13" x 10 3/16"
Sig...
Category
1940s Cubist Art by Medium: Etching
Materials
Etching
Femme nue se couronnant de fleurs
Located in Wien, 9
- Edition 250
- cat.raisonné Bloch 135
- published by A. Vollard, Paris
Category
1930s Modern Art by Medium: Etching
Materials
Etching
Femme au lit avec visiteurs en costume du XVII
Located in Wien, 9
- with the stamped signature on the lower right, as issued
- numbered 15/50
- dated in the plate 29.3.71
- from the Suite 156
- published by Galerie Louise Leiris, Paris, 1978
- cat...
Category
1970s Modern Art by Medium: Etching
Materials
Etching
Combat pour Andromède entre Persée et Phinée - From "Les Métamorphoses d'Ovide"
Located in Roma, IT
Original etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in 1930.
Catalogue Bloch Vol. I n. 108.
Includes passepartout: cm. 49x34.
Category
20th Century Modern Art by Medium: Etching
Materials
Etching
Bullfighter (Torero), copper aquatint plate from 1949 Carmen
Located in Washington, DC
Artist: Pablo Picasso
Title: Bullfighter (Torero)
Portfolio: Carmen
Medium: Copper aquatint plate with cancellation marks
Date: 1949
Edition: One of a kind
Frame Size: 20 3/4" x 17"
...
Category
1940s Modern Art by Medium: Etching
Materials
Copper
In Profile (de Profil), copper aquatint plate from 1949 Carmen
Located in Washington, DC
Artist: Pablo Picasso
Title: In Profile (de Profil)
Portfolio: Carmen
Medium: Copper aquatint plate with cancellation marks
Date: 1949
Edition: One of a kind
Frame Size: 20 3/4" x 17...
Category
1940s Modern Art by Medium: Etching
Materials
Copper
Nello Stesso Istante (ripetuto 8 volte) - Etching by Leo Guida - 1970
By Leo Guida
Located in Roma, IT
Nello Stesso Istante (ripetuto 8 volte) is an artwork realized by Leo Guida in 1970.
Etching on paper. Titled lower side.
Good conditions.
Category
1970s Contemporary Art by Medium: Etching
Materials
Etching
Le peintre au cirque
Located in Wien, 9
- Plate 55 from the Suite 156
- with stamp signature
- dated in the plate 2.3.70
- edition 26/50
- cat. raisonné Bloch 1910
Category
1970s Modern Art by Medium: Etching
Materials
Drypoint, Etching
Maison close. Bavardages, avec perroque, Célestine, et le portrait de Degas
Located in Wien, 9
- stampsignature on the lower right
- numbered 27/50 lower left
- dated in the plate dimanche 4. avril 1971
- Plate 109 from the Suite 156
- cat.raisonné Bloch 1964
- cat.raisonné Ba...
Category
1970s Modern Art by Medium: Etching
Materials
Etching
Untitled, 1971
Located in Wien, 9
- Plate 118 from the Suite 156
- edition 48/50
- stamp signature
- dated in the plate 17.5.71
- cat. raisonné Bloch 1973; cat. raisonné Baer 1982
Category
1970s Modern Art by Medium: Etching
Materials
Etching, Drypoint
La fête de la patronne, petit chien, fleurs et potins, portrait de Degas au mur
Located in Wien, 9
- signed on the lower right
- dated in the plate in reverse: 17.5.71
- numbered on the lower left: 42/50
- plate 129 from the Suite 156
- cat. raisonné Bloch 198
- cat. raisonné Baer...
Category
1970s Modern Art by Medium: Etching
Materials
Etching
Le Viol II
Located in Wien, 9
- handsigned on the lower right
- dated and unreadable inscripted in the plate
- from the Suite Vollard
- plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm
- edition of 250
- cat. ...
Category
1930s Modern Art by Medium: Etching
Materials
Drypoint, Etching, Aquatint
Picasso Histoire de Sabartes et desa Voisine: Les Banderilles
Located in Laguna Beach, CA
From the unpublished series, “Histoire de Sabartés et de sa voisine: Les Banderilles" (History of Sabartés and his Neighbor: Les Banderilles). Picasso expert Brigitte Baer records 16...
Category
1950s Cubist Art by Medium: Etching
Materials
Aquatint
Peintre et Modele
Located in Fairlawn, OH
Peintre et Modele
Etching and aquatint on Rives wove paper, 1966
Signature stamp lower right (see photo)
Annotated in pencil lower left: "epreuve avant acierage" (see photo)
One of t...
Category
1960s Modern Art by Medium: Etching
Materials
Aquatint
Homme nu avec femme ivre et jeune flutiste
Located in Fairlawn, OH
Homme nu avec femme ivre et jeune flutiste
Etching, 1955
Signature stamp lower right (see photo)
Annotated in penci lower leftl: "epreuve d'artiste" (see photo)
Inventory number vers...
Category
1950s Modern Art by Medium: Etching
Materials
Etching
Fumeur à la Cigarette Blanche
Located in London, GB
Etching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...
Category
1960s Modern Art by Medium: Etching
Materials
Etching
Face with Two Images in the Eyes (Plate XXXVII), from Carmen
Located in Washington, DC
Artist: Pablo Picasso
Title: Face with Two Images in the Eyes (Plate XXXVII)
Portfolio: Carmen
Medium: Etching on Montval wove paper
Year: 1949
Edition: 289
Frame Size: 21" x 18"
She...
Category
1940s Cubist Art by Medium: Etching
Materials
Etching
Le Singe
Located in New York, NY
A very good impression of this aquatint, grattoir and drypoint. Edition of 225. Printed by Lacourière, Paris. Published by Martin Fabiani, Paris. From "Histoire Naturelle."
Catalogu...
Category
1930s Modern Art by Medium: Etching
Materials
Drypoint, Aquatint, Etching
Sculpteur, Modèle Accroupi et Tête Sculptée - Etching by Pablo Picasso - 1933
Located in Roma, IT
Sheet dimensions: 70x50 cm.
Hand Signed. Not Numbered. Edition of 250 pieces.
Belongs to the series "Suite Vollard", probably the most popular and appreciated graphic suite by Picass...
Category
1930s Cubist Art by Medium: Etching
Materials
Paper, Etching
Pablo Ruiz Picasso Spanish 1968 signed limited edition original art print n6
Located in Miami, FL
Pablo Ruiz Picasso (Spain, 1881-1973)
'Reitre raptando a una mujer por encargo de un caballero', 1968
aquatint, etching on paper
9.9 x 13 in. (25.1 x 32.8 cm.)
Unframed
ID: PIC2001-006
Hand-signed by author
The work is documented in the catalog raisonné Picasso Suite 347...
Category
1960s Cubist Art by Medium: Etching
Materials
Aquatint, Etching
Célestine, Young Girl and Client, 1968 (347 Series, B.1588)
Located in Greenwich, CT
"Celestine, Young Girl and Client," 1968 is an aquatint from Picasso's 347 Series. The image size is 3.5 x 5 inches and the framed size is 18.25 x 19.5 inches. Signed 'Picasso' lower...
Category
20th Century Modern Art by Medium: Etching
Materials
Paper, Aquatint
The Embrace, 1963 (B.1116)
Located in Greenwich, CT
"The Embrace" is an aquatint on paper, image size 13.75 x 16.75 inches, signed 'Picasso' lower right and annotated lower left, and framed in a Spanish-style, closed-corner, black and...
Category
20th Century Modern Art by Medium: Etching
Materials
Paper, Aquatint
Le Singe - Etching by Pablo Picasso - 1940s
Located in Roma, IT
Not Signed. Not Numbered. Edition of 225 pieces. Etching - aquatint.
Belongs to the Suite "Histoire Naturelle de Buffon".
Catalogue Bloch n.339.
Passepartout included.
Category
1940s Cubist Art by Medium: Etching
Materials
Etching, Paper
At the Circus with Dancing Odalisque, 1968 (347 Series, B.1696)
Located in Greenwich, CT
"At the Circus with Dancing Odalisque" is an etching from Picasso's 347 Series, image size 6.5 x 8.75 inches, signed 'Picasso' lower right and annotated lower left and framed in a Sp...
Category
20th Century Modern Art by Medium: Etching
Materials
Paper, Etching
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
Pablo Ruiz Picasso Spanish 1968 signed limited edition original art print n8
Located in Miami, FL
Pablo Ruiz Picasso (Spain, 1881-1973)
'Hombre sentado con pipa, maja y Celestina', 1968
aquatint, etching on paper
9.7 x 12.9 in. (24.5 x 32.7 cm.)
Edition of 50
Unframed
ID: PIC2001-008
Hand-signed by author
The work is documented in the catalog raisonné Picasso Suite 347...
Category
1960s Cubist Art by Medium: Etching
Materials
Aquatint, Etching
Sculpteur devant sa Sculpture - Etching by Pablo Picasso - 1927
Located in Roma, IT
B/w etching on Hollande Van Gelder Paper, with margins.
Hand Signed and numered in bistre ink. Edition of 99 pieces aside from the portfolio edition of 340.
Published by Ambrose Vo...
Category
1920s Cubist Art by Medium: Etching
Materials
Paper, Etching
Painter and Model with Necklace (B.1389), 1966
Located in Greenwich, CT
"Painter and Model with Necklace" is an intaglio print on paper, comprised of etching, aquatint and drypoint technique. The image size is 11.5 x 14.75 inches and the framed size meas...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
The Bull, 1942 (Histoire Naturelle - Textes de Buffon, B.331)
Located in Greenwich, CT
The Bull is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.15 x 8.5 inches...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
"Sueño y Mentira de Franco" Etching Pair, Edition 116/850, signed
Located in Austin, TX
By Pablo Picasso
Intaglio Etching pair, edition 116/850, Dated 1937
Signed and numbered in pencil
Image size 14" x 18" each
Frame Size: 25.5" X 29"
Entri...
Category
1930s Modern Art by Medium: Etching
Materials
Intaglio, Etching, Archival Paper
Femme Nue se Couronnant de Fleurs - Etching by Pablo Picasso - 1930
Located in Roma, IT
Etching on Montval with watermark "Vollard"
Hand Signed in pencil.
One of 260 proofs
Ref. Catalogue Bloch n.135; Baer 195 B.d.;
Belongs to the "Suite Vollard". Édition Ambroise V...
Category
1930s Cubist Art by Medium: Etching
Materials
Paper, Etching
Mon Dieu, quel homme, qu'il est petit… (347 Series, B.1629)
Located in Greenwich, CT
"Mon Dieu, quel homme, qu'il est petit..." is an aquatint from Picasso's 347 Series with an image size of 2.3 x 3.3 inches, signed 'Picasso' lower right, and ...
Category
20th Century Modern Art by Medium: Etching
Materials
Paper, Aquatint
The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
The Frog, 1942 (Histoire Naturelle - Textes de Buffon, B.357)
Located in Greenwich, CT
The Frog is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches,...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
Homme et Femme - Etching by Pablo Picasso - 1968
Located in Roma, IT
Hand signed and dated. With an handwritten dedication of the artist. Etching and Aquatint . Bloch n. 1385.
This beautiful etching is dedicated to Michel Lessens, the talented assist...
Category
1960s Cubist Art by Medium: Etching
Materials
Paper, Etching
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
Le Peintre et Son Modèle - Etching by Pablo Picasso - 1963
Located in Roma, IT
Hand Signed and numbered. Edition of 150 pieces.
Bloch 1139.
Excellent condition.
Category
1960s Cubist Art by Medium: Etching
Materials
Etching, Paper
Personnages Masqués et Femme Oiseau - Etching by Pablo Picasso - 1934
Located in Roma, IT
Hand Signed. Edition of 99 prints. Plate 24 from "La Suite Vollard".
Catalogue Bloch n.227.
Passepartout included (cm.50x70).
Prov. Private Collection, France.
Category
1930s Cubist Art by Medium: Etching
Materials
Paper, Etching
The Turkey, 1942 (Histoire Naturelle - Textes de Buffon, B.346)
Located in Greenwich, CT
The Turkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.8 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
The Ox, 1942 (Histoire Naturelle - Textes de Buffon, B.330)
Located in Greenwich, CT
The Ox is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.7 x 8.2 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
Nude Seated Cross-legged... (347 Series, B.1757)
Located in Greenwich, CT
"Nude Seated Cross-Legged and 'Grotesque' with Hand on Heart" is an etching from Picasso's 347 Series with an image size of 6 x 8 inches, signed 'Pic...
Category
20th Century Modern Art by Medium: Etching
Materials
Paper, Etching
19 September 1968 - Etching by Pablo Picasso - 1968
Located in Roma, IT
19 Septembre 1968 (Peintre et modèle qui se cache le visage) is an artwork realized by Pablo Picasso in 1968.
Black and white etching.
Hand signed and numbered on the lower margin....
Category
1960s Cubist Art by Medium: Etching
Materials
Etching
The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
Couple in the Fields, with a Cherub Crowned with Flowers (347 Series, B.1697)
Located in Greenwich, CT
"Couple in the Fields, with a Cherub Crowned with Flowers" is an etching from Picasso's 347 Series, with an image size of 12.75 x 12.25 inches, signed 'Picasso' lower right and frame...
Category
20th Century Modern Art by Medium: Etching
Materials
Paper, Etching
'Around the Unknown Masterpiece' 1968 (347 Series, B.1824)
Located in Greenwich, CT
"Around the Unknown Masterpiece" is an aquatint on paper from Picasso's 347 Series, with an image size of 9 x 12.75 inches, signed 'Picasso' lower right and annotated lower left, fra...
Category
20th Century Modern Art by Medium: Etching
Materials
Paper, Aquatint
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Category
20th Century Modern Art by Medium: Etching
Materials
Drypoint, Aquatint
Deux Femmes Accroupies - Etching by Pablo Picasso - 1956
Located in Roma, IT
Realized by Picasso in 1956. Original Lithograph.
Hand Signed and numbered.
Edition of 50 prints.
Ref. Bloch n.790.
Category
1950s Cubist Art by Medium: Etching
Materials
Etching, Paper
Dans l'Atelier - Etching by Pablo Picasso - 1965
Located in Roma, IT
Hand Signed. Aquatint and drypoint. Editions of 50 pieces. Hand numbered.
Catalogue Bloch n.1219; Cat. Baer 1201
Passepartout included 49x59 cm.
Category
1960s Cubist Art by Medium: Etching
Materials
Paper, Etching
Etching art for sale on 1stDibs.
Find a wide variety of authentic Etching art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 20th Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Salvador Dalí, Thomas Holloway, and Pablo Picasso. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching art, so small editions measuring 2.96 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $55 and tops out at $3,119, while the average work can sell for $330.