Art by Medium: Found Objects

Beautiful abstract expressionist collage by Bay Area artist Michael Pauker (American, b.1957). Composed of two contrasting sections of light blue and brown, this piece has layers of ...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

This is an abstract collage / painting created from acrylic and found objects. It is framed in a wide, dark wooden frame with gold accents. It includes several manipulated historic photograph of figures in many guises, arranged as if on stage. It is signed and dated by the artist lower left. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

SOME SPAIN 2021 Paris, France Graphically bold, yet cerebral, this textured, abstract piece offers a rich color palette. Painted using oil, acrylic and plaster, and executed on an ...

At Sea Between Fossils and Satellites 15 is a richly textured, mixed-media painting by Melisa Taylor Metzger from her decade-long series At Sea Between Fossils and Satellites (2015–2...

"Growth Rings IV" by Spanish artist Henar Iglesias is a one of a kind organic shaped abstract partridge feather and gold leaf work. This work mimics the growth rings of a tree. The f...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Vestiges spectrales I is a large-scale mixed-media painting on canvas that conjures a ghostly seascape where traces of time and matter converge. Using collage, impasto, and embedded ...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

"Angel Delgado (Cuba, 1965) 'Halar la cadena', 2010 silkscreen on toilet cover 17.6 x 14.8 in. (44.5 x 37.5 cm.) Edition of 10 ID: DEL-101"

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson ( 1899-1988) - one of the most revered and unique sculptors of the 20th century. Nevelson i...

This is a two-part wall mounted painting / sculpture this integrates found objects and photographs into an acrylic painting on the top, and a wooden shelf with bullet casings and coins below. This is a conceptual, abstract work of art that is a powerful homage to lives lost through calculated gun violence in American cites. signed by the artist. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

This is a shadow box construction approx. 13" x 9" x 2.5" with painted and collaged materials including historic photographs of Black figures and other found objects. Encased in a dark wood frame under glass. It is signed and dated along the lower edge. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Vestiges spectrales I is a large-scale mixed-media painting on canvas that conjures a ghostly seascape where traces of time and matter converge. Using collage, impasto, and embedded ...

It's 1945. What artists were making totally abstract, non-objective paintings like this? Work characterized by organic forms and flattened picture planes, with solid bold colors dr...

At Sea Between Fossils and Satellites 16 (vertical) is a richly textured mixed-media painting by Melisa Taylor Metzger, part of her decade-long series At Sea Between Fossils and Sate...

"At Sea Between Fossils and Satellites I1" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper ...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

"At Sea Between Fossils and Satellites" is a large-scaled textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, late...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

"In The Nick Of Time" is an abstract collage / painting created from acrylic and found objects on leather mounted on round MDF panel. The work itself is 20" diameter, framed to 23" diameter in a wide, dark brown round wooden frame with two bronze painted rings. It includes several photograph of figures. It is signed and dated along the lower edge. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars...

In Broken Vessels, Yektai continues to blur the edges of painting and sculpture. Recently he discovered that his father’s, Manoucher Yektai’s now empty studio was broken into, and th...

Jane Skingley paints seascapes and landscapes in oils. Her first exhibition was a huge success and since then she has gone from strength to strength exhibiting in galleries and art s...

This exquisite offset lithograph with collage additions after Jasper Johns (born 1930), titled Target, from the album Technics and Creativity, Gemini G.E.L., 1971, originates from th...

The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras...

A fine abstract expressionist assemblage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn...

A fine abstract expressionist assemblage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This three piece assemblage includes a Union Leader tobacco can...

Debra Smith Shifting Vision #4, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features bold red silk squares carefully stitched with with layers ...

Contemporary collage by Roxane Hollosi. In her art Hollosi documents the emotional, social and environmental energies she encounter in the moment of creation. The artist founds her ...

"Sunrise Over Money" is an acrylic painting of an abstracted, dream-like landscape with collaged found objects and photographs. It is an homage to Emmitt Till, who is pictured at ce...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel. Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso. There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

At Sea Between Fossils and Satellites 13 (horizontal) is a vivid mixed-media painting by Melisa Taylor Metzger from her long-term series At Sea Between Fossils and Satellites (2015–2...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

This fibers, drawing, and sculptural work titled "Soft Swirl" is an original artwork by Kelly Kozma made of hand-embroidery, colored pencil, and acrylic paint on paper. The artist us...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

"Confubius" by Spanish artist Henar Iglesias is a rare one of a kind abstract geometric partridge feather artwork with an optical illusion quality. The technique employed in the crea...

"QUEEN VICTORIA" is created and from acrylic and found objects on thick, round panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure...

Monochrome Accumulation No. 3001, 1988 by Arman (1928-2005) Acrylic paint tubes and acrylic paint on canvas 40 ¼ x 32 ⅞ inches framed (102.235 x 83.5025 cm) 36 ¼ x 28 ¾ inches unframed (92.075 x 73.025 cm) Inscribed (SA) and numbered (3001) on the reverse Provenance: A.H. Graphics, Stockholm Private Collection, Europe Sotheby's, London, Contemporary Art, 20 March 1997, Lot 74 Description: This mixed media work titled "Monochrome Accumulation No. 3001" by Armand Pierre Fernandez, typically styled as "Arman," is a brilliant collage of found objects and traditional painting techniques. The bright, monochromatic yellow...

Debra Smith Shifting Vision #5, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features graphic shapes crafted with layers of vintage silk in vari...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

This mixed media piece " Sweet Honey " ,explores texture and abstract color composition through layers of acrylic paint and found objects .The found objects add depth and intrigue cr...

Vestiges spectrales IV continues Melisa Taylor Metzger’s exploration of oceanic memory and material transformation through mixed media and impasto. This smaller-scale work, rich in t...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

At Sea Between Fossils and Satellites 14 is a vertical mixed-media work from Melisa Taylor Metzger’s decade-long series At Sea Between Fossils and Satellites (2015–2025). This piece ...

Abstract painting by Katherine Filice executed with ink, stucco, mica, charcoal, and found elements on a wood panel. Part of her "Common Ground" series, this painting emphasizes surf...

Abstract painting by Katherine Filice, created with ink, stucco, mica, charcoal, and found objects on a wood panel. Part of the artist’s "Common Ground" series, this work explores ma...

This is a shadow box construction approx. 13" x 9" x 2.5" with painted and collaged materials and found objects. Encased in a dark wood frame under glass. It is signed and dated twice, at different orientations. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Artist Commentary: An interactive hybrid of social experiment and sculptural object, envelopes the sitter into it’s cushiony softness, referencing a Victorian courting chair...

Abstract diptych painting by Katherine Filice created with layered ink, stucco, mica, charcoal, and found materials on two wood panels. Part of her "Common Ground" series, this work ...

Vestiges spectrales II is a large-scale mixed-media painting on canvas that transforms the surface into a textured terrain where the visible and invisible intermingle. Built from lay...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a yellow and black background, the artist has attached several objects, including plastic letters, cigar boxes, and glass slides. Unsigned, but was acquired with a collection of his work. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Vestiges spectrales II is a large-scale mixed-media painting on canvas that transforms the surface into a textured terrain where the visible and invisible intermingle. Built from lay...

Abstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...