Art by Medium: Gold

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

"Abstract I" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is believ...

"Union Jack (White)," 23 Karat Gold Leaf and Oil, 26 x 50 inches, is an elegant, Pop inspired painting of the British Union Jack flag. Other versions are available in red and gold ...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

Mixed Media (oil color, pigments, gold leaf, sand, lava) on canvas and wood Signature at the bottom right Murielle Argoud is a French artist born in...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

A line in the sky #7 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

A line in the sky #8 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

A line in the sky #5 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

Continuing on with the Unity series I am starting to feel even more connected to the theme which seems to unite us all. Looking at cultures and spiritual traditions from around the ...

The Unity series is best described by a short story found in the introduction to author Don Miguel Ruiz’s book The Four Agreements. Three thousand years ago there was a [man] just...

Sacred geometry is the tool that I use most in the Unity series to explore our relationship to the Divine and to the power and process of creation. Sacred geometry can be seen almo...

Another area of focus while exploring the number 3 has been the three centers within the body for creation; the mind, the heart, and the groin/sexual center. From the power center o...

Laden Table Abstract Still Life With Candle Grapes. Jacqueline Crofton born in London of Russian and Romanian extraction. At 13 she gained a sch...

Oil, tempera, acrylic, Japanese mineral pigment, gold leaf on paneled linen Hiromi Sengoku is a Japanese artist born in 1982 who lives and works in London, UK. Since 2008, she parti...

Mixed media on canvas

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

In crafting this piece, I poured my soul into each brushstroke, seeking to capture the essence of emotion in a bold yet refined visual language. The work interweaves the dynamism of ...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

Mixed media (oil color, pigments, gold leaf, sand, lava) on canvas Signature at the bottom right Murielle Argoud is a French artist born in 1954 who l...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

Lego, gold leaf, plastic model This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Wencke Uhl is a contemporary figurative paintress living and working in Germany. She draws inspiration from human beauty and the female form. As a teenager Uhl wanted to become a f...

"Bold 2" is a graphic abstract composition from Anita Loomis that examines the architectural aspects of natural forms in an intuitive manner. With a limited palette of rich mauve and...

"Bold 1" is a strong abstract composition from Anita Loomis that examines the architectural aspects of natural forms in an intuitive manner. Keeping to a limited palette of rich mauv...

48" x 36" Unframed Original - Oil and Acrylic on Canvas with Gold Leaf Hand Signed by Johnathan Ball

Padideh Dehdari’s practice is defined by a unique fusion of abstraction, calligraphic gesture, and layered surfaces that draw from both Persian artistic heritage and contemporary exp...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

«The cinema outings of The Three Musketeers, the tale of Monte Christo, make me want to immerse myself in the cloak-and-dagger novels that enchanted my childhood. I just wanted to su...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic i...

Original goblets made of porcelain, gold and Persian lusters by artist Carolyn Barlock. 5.5x2.25x2.25 inches each. Set of 6. Edition 1/6, 2/6, 3/6, 4/6, 5/6, 6/6.

"U.S. Flag in White and Gold" 23 Karat Gold Leaf (White and Yellow Gold) and Oil on Linen 26 x 50 Inches Charlotte Gibbs’ "flag" and "star" paintings often reference the artist's ...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI. The ...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 194...

I poured my passion into crafting this bold, geometric circle, gilded with shimmering gold leaf to capture light and elevate spirit. The textured surface pulses with quiet energy aga...

A finely-drawn Kano School watercolor and gouache showing figures in kimonos on a bridge and seated beside a stylized river flowing through a graceful garden. An elegantly formal com...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo Paoletti (1757-1834) and his son Pietro Paoletti (1801-1847). These ‘Grand Tour’ souvenirs were brought home by wealthy European travellers. Rome was the ultimate destination and a tour of the treasures contained in its many museums complemented a young man’s education. Collecting boxes and faux bindings containing plaster casts of ancient gems...

In crafting this piece, I poured my soul into each brushstroke, seeking to capture the essence of emotion in a bold yet refined visual language. The work interweaves the dynamism of ...

Abstract Composition in Blue & Gold 2 by Lélia Pissarro (b. 1963) Acrylic and gold on canvas 61 x 50 cm (24 x 19 ³/₄ inches) Signed and inscribed on the reverse Executed in 2017 Thi...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gol...

Original port glasses made of porcelain, gold and Persian lusters by artist Carolyn Barlock. 4.125 x 1.85 x 1.85 inches each. Set of 12.

Mixed media on canvas

Acrylic, pigments & gold leaves on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France....

Oil and on canvas

Oil and silver leaf on canvas

Lego, gold leaf (24k, 22.66k), copper wire, wood This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

This is a unique painting. It is an oil painting on 22 carat gold leaf gilded on a canvas. CS Art comprises of two artists, one French, the other Norwegian. Th...

Oil and gold leaf on canvas

Oil and gold leaf on canvas

This work is a unique piece. It is an oil painting on linen canvas gilded with 24 carat gold leaf. CS Art comprises of two artists, one French, the other Norwe...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

This piece is made by casting Hydrostone on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and gilding are applied to emphasize the texture on the surfac...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo ...