Art by Medium: Gold

''Ferrari'' is a mixed media artwork by Zacharie Vidal. His work is created using golden coins to create the background and then an acrylic layer cut to...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Antique sculpture of a female Moor with flowering cornucopia Venice, 19th century Carved, lacquered and gilded/silvered wood Total height 202 cm (column base 82 cm, figure 120 cm) ...

This work was inspired by Berlin's many visits to the Peace Pagoda during his sojourn to Nepal over the Winter. Sax prepares his canvasses and waits for the right conjunction of crea...

Oil on oak panel Image size: 25 1/2 x 19 inches (37.5 x 27 inches) 18th Century Auricular gilt frame Provenance New York private collection This portrait of the King Edward VI depicts the boy-king standing in a black and gold embroidered doublet, wearing a jewelled cap. King Edward holds a staff with a globus cruciger set on the table beside him. No expense has been spared in the making of this piece, with gold leaf being applied in many areas to give the effect of the costume's gold embroidery, chain of office and other metal accessories. As the precious male heir to the Tudor dynasty...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

Oil, acrylic and gold leaf on canvas For centuries, artisans and artists have turned to gold leaf as a way to make their creations shimmer and shine. Also many contemporary artists ...

This abstract floral encaustic painting by Linda Bigness features a cool green, blue, and violet palette, with large organic botanical forms as the central focus of the composition. ...

"3/3" by Conrado López is a delicate yet expressive 2024 artwork, utilizing acrylic, gold leaf and oil on a canvas sized at 15.75 x 15.75 in (40 x 40cm). This piece is a prime exa...

'Golden Grasses No.1 & No.2' Acrylic, moulding medium, Gesso and composite gold leaf on canvas board Each panel 25x50 cm I use the moulding paste to create the structure of the pict...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

This painting was inspired by the joyful light at sunset across the the South Downs, the glimmer of gold light glimmering of the white chalk paths and curves of landscape glowing in ...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract flowers with bold use of color and contrast. The gold leaf background and the brilliant deep crimson and violets from the florals allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes gold leaf to add elegant accents. This painting comes housed in a black oak floater frame with hanging wire on verso ready to be displayed. Art measures 47 x 63 inches Frame measures 48.5 x 64.5 inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Artist : Yoonjee Kwak Title : (5) The night of counting stars Materials : Porcelain, gold luster, Hand-building Date : 2020 Dimensions : Vessel – H8.25" W8.75" D8.75", Pedestal – H1.75" W4.5" D4.5" Inch Signed, COA provided Yoonjee Kwak makes sculptural vessels to represent human beings as iconic symbols from the Korean culture. In Korea, when people talk about someone’s personality, they often use...

The Magic forest of Harry Potter"interior landscape textured painting by Lilia Volskaya. I hope you remember how you felt about the book you read. or a watched movie. Everything secr...

'Lost in the Clouds' is a large acrylic and gold leaf on canvas landscape painting of square format created by American artist Jim Seitz in 2023. Featuring a gold, grey, white and blue palette, the painting gives great importance to the white tree. The lower part of the composition is occupied by the golden presence of the ground, accented by a luminous tree that leads our eye to the middle of the painting. Unframed, this horizontal landscape painting is signed lower right. Jim Seitz was born in Chicago and currently resides in Louisiana. He grew up in Texas and graduated from Stephen F. Austin State University with a Bachelor of Science Degree. He began showing talent and love for art as a young child, becoming more serious during his college years. During the time he worked for the university, providing medical illustrations for the Science Department, He has traveled extensively throughout his life, living for several years in the Middle East, before moving to South East Asia. His travel experiences have included everything from cave explorations in the mountains of Iran to working in the jungles of New Guinea and Borneo. His preferred medium during that time was ink and watercolor, as it was easy to transport to and from remote locations. While influenced by various 19th century landscape artists, Jim has developed a unique technique characterized by tonal, minimalist representation of his subject matter. Through this approach, less becomes more. His appreciation for color and his creative perspective lend to pieces that are traditional, moving to abstract. His utilization of gold leaf applied over heavy textured canvas and then glazed with multiple layers of acrylics provides an effect that is quickly becoming this artist’s signature style. Jim’s work...

Angel's Trumpet

Sunset Song Series stands as one of the most iconic works featured in the upcoming Summer Exhibition UK, 2025—a luminous collection of latest artworks we’re thrilled to present. Pain...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

"Insignia" #1 Hand Made Paper Aquatint Abstract Tactile Abstract on handmade paper by David Dodsworth (English, b-1952) David’s work is typified by his...

Dramatic mixed media composition of fabric, inlaid wood veneers, paint and gold leaf laid down on masonite. Circa 1950. Condition is very good. Ran Su Studio l...

Pedro Friedeberg’s screen prints are not just artworks—they're vibrant windows into a surreal, imaginative world that blends architectural prec...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This vertical format abstract painting by Modernist artist Stanley Bate measures at 26" x 50" framed. The original gold-hued floater frame pulls out the vibrant and warm pops of yell...

Rare oblong mirror by French ceramicist Mithé Espelt, crafted in the 1950s in her atelier in Lunel, southern France. This striking piece features a richly textured ceramic frame, gil...

Mary Lai is a multifaceted Korean-American artist based in Los Angeles, California.  Her outlook is that “Art is a universal language that can speak to anyone...

Fred Wessel's "West Hartford Canna" is a stunning egg tempera painting on gold leaf. Created in 2022, this piece features a beautiful single stem of an orange Canna Hybrida lily, among its large leaves and stem. Painted underneath is a Victorian stone...

Henri-Camille Danger was a French Impressionist and Modern painter born in 1857. The artist died in 1937. His work has been featured in an exhibition at the Museo Nacional de Arte, ...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Charlotte Gibbs’ "flag" paintings often reference the artist's interest in Pop art and Geometric Abstractions, and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. With its depiction of a graphically idealized Scottish flag...

Contemporary gold toned abstract painting by Houston based artist Joseph Cohen. The work features a solid gold field that ends in drips off of the bottom edge of the piece. Signed an...

Artist: Ryan Wilks Title: Wrath Medium: Holy Water, Lapis Lazuli, watercolor, Gold Leaf, on 243 year old Bible page (1777) Year: 2019 Size: 9.75" x 15.5' De...

Illuminated Manuscript featuring a group scene of a crowd of men. A few of them dance in the middle of the crowd surrounded by spectators. Two men sitting in a stage structure watch ...

Primary Colour Series- Blue Cat is inspired by Japanese woodblock Print and the a nod to calligraphy tradition. With strokes of gilded gold leaves, gesso and acrylic, Shizico Yi pain...

This is a one-of-a-kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 5" x 70" x 2.5" in (L x H x D). It is unframed. A cer...

Walpi Hopi Village, Arizona First Mesa Landscape by Marion Kavanaugh Wachtel. Significant southwestern painting of Hopi at Walpi Mesa in Arizona...

This ceramic vase-like urn with a little golden ball on top is a unique piece handcrafted with care and passion. This beautiful memorial artwork combines aesthetic beauty with deep s...

Toy Dragon - an expressionist oil in muted pastel colours highlighted with gold leaf. A subtle work from this well collected artist.

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Roland Strasser (1895-1974) "Japanese Geisha" Signed lower right Oil and gold leaf on canvas, measures: 76 x 46 cm In fine white-wash wood frame. ...

"Estrada-Duran combines realism and surrealism in his work, the artists paintings are often monochromatic pencil drawings with overlays of gold paint that depict goddess-like women ...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 30" x 2" (HxWxD). It is Acrylic on panel, vintage silk paper,...

Melanie Sherman Cufflinks: Black Porcelain with Gold Pattern Sterling Silver & Brass Findings Dimensions: 27mm/20mm x 19mm x 19mm Materials: Porcelain, Glaze, Luster Decal Metal type: 925 Sterling Silver, Brass COA Provided Available on backorder Cufflinks Black Porcelain with Gold Pattern Sterling Silver & Brass quantity Melanie Sherman is a ceramic artist, born in Germany and currently residing and working in Kansas City, Missouri. She has a Bachelor of Fine Arts Degree in ceramics from the Kansas City Art Institute. Her background is in graphic design, where she developed an eye for pattern and decoration. In her ceramics she combines her love for ornamentation and her fascination with the history of ceramics, referencing 18th century European porcelain...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

Dramatic mixed media composition of fabric, inlaid wood veneers, paint and gold leaf laid down on masonite. Circa 1950. Condition is very good. Ran Su Studio l...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Portrait of A Man Wearing A Top Hat , attributed to Tom Roberts 1888 Thomas William Roberts ( 1856 – 1931) was an English-born Australian artist and a key member of the Heidelberg S...

This piece is stoked with imagery and icons. Immediately recognisable in this painting are the Statue of Liberty, and the Guardian Angels, but there are other, more subtle images thr...

"Estrada-Duran combines realism and surrealism in his work, the artists paintings are often monochromatic pencil drawings with overlays of gold paint that depict goddess-like women ...

This stunning Original Diptych paintings by Shizico Yi on Canvas includes: Blue Serie- Foxgloves Blue Purple Gold Blue Serie- Foxgloves Blue in Yellow these are a part of Shizico Yi'...

A weightless moment captured in form—Zura’s newest sculpture explores surrender, strength, and the poetry of gravity.

Interior design paintings. The diptych were done with oil, gold leaf pen 18 kt in turquoise and gold color on watercolor paper 300g. The works are 11 by 14 inches in size, framed (go...

"Big Tree, Birmingham, UK #2/20" (2011) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally ...

Katrina Revenaugh Piccolo Giardino Numero 11 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 12 x 12 x 1.75 inches (round) Signed: On Verso C...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...