Art by Medium: Gold

Richard Berner, The Stolen Kiss Giclee print on 330g Somerset paper with hand torn edges. Hand Finished with 24c Gold Leaf detail 80 x 60 cm (31.5 x 23.62 in) Signed by the artist...

The Fool and The Wizard, Diptych, 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 40 cm H x 60 cm W x 3 cm D Overall Image size: 27 cm H x 34 cm W Individual size: Frame size: 40 cm H x 30 cm W x 3 cm D Image size: 27 cm H x 17 cm W One of a kind Blackwood frame with plexiglass ______________ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fire Proof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Archival Pigment Print on Glass Plate Backed with 24kt Gold Leaf, Framed by the Artist GOLDEN STARDUST. The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. ...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Chatty Trees II, Pines and Migrant Birds is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink and gold leaf on Japanese paper mou...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Nocturn V is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, gold leaf on Japanese paper mounted on panel, dimensions are 53 × 45.5 cm (20...

Abstract Hanging Sculpture - Triangle by Mickey "Kano" Kane (American, 1939-2002). This simple yet striking piece can be viewed from both sides. On one side, the piece features a su...

Marilla Palmer Ethereal Filigree, 2025 pressed petals, Durabrite print, sequin, 12K gold leaf, acrylic on Ampersand panel 16 x 12 in. (pal249) Marilla Palmer lives and works in Broo...

'The Sap is Rising!' Original Artwork, Unframed _________________ Capturing the pulse and flush of fleeting youth, the maples are dressed in their iridescent finery. 'The Sap Is Ris...

A work of True quality by this master artist Sax BERLIN. Quote from Sax "….gaze into the face…with this piece the Buddha reveals himself to himself." Sax Berlin is creating the Gre...

Gold plated stainless steel outdoor sculpture. Abstract shapes in glossy red, orange, violet and blue with highlights of gold form a playful column in this outdoor sculpture by Vikto...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

The Empress and The High Priest, Diptych, 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 40 cm H x 60 cm W x 3 cm D Overall Image size: 27 cm H x 34 cm W Individual size: Frame size: 40 cm H x 30 cm W x 3 cm D Image size: 27 cm H x 17 cm W One of a kind Blackwood frame with plexiglass ______________ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fire Proof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and glass to add a very co...

Archival Pigment Print on Glass Plate Backed with 24kt Gold Leaf GOLDEN STARDUST . The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Steel, gold leaf, enamel paint, varnish. Richard Taylor says of his "Golden" sculpture series: "Gold is light, knowledge, power, sanctity, treasure, the s...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Signed by both Shepard Fairey and Arlene Mejorado. A portion of the proceeds benefited Black Lives Matter and the Immigrant Bail Fund. Photograph by Arlene Mejorado "I had a great experience collaborating with photographer Arlene Mejorado on the Defend Dignity...

Tom Otterness Gold-Plated Earrings, ca. 1995 Pair of gold-plated earrings Anatomically correct (man and woman) with penny Signed with incised signature TOM OTTERNESS on the verso of the circular penny shape. 1 3/4 × 1 1/4 × 1/4 inches Unframed An irrepressible and unforgettable gift. These anatomically correct, signed vintage gold plated earrings of figures dangling from a replica of a U.S. penny by public sculptor Tom Otterness are real collectors items. Although the edition is unnumbered, the artist has stated that approx 200 were created. The artist has also confirmed to us that these earrings were originally made as gifts to close personal friends and associates, so he did not sell them on the open market and did not make them again after the initial group. They are quite rare and desirable. In 2013, these works sold at Phillips auction house for US  $2,750. Wonderful, racy conversation pieces. Wearable art which would also look terrific framed hanging in a small shadow box. About Tom Otterness: Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York. Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission. In the U.S., Otterness has completed at least three dozen public commissions, including Life Underground (2004), his celebrated multi-figural bronze sculpture installation for the New York Metropolitan Transportation Agency at the 14th Street station on the Eighth Avenue subway lines. His international commissions include public plazas in Münster, Germany (1993), Toronto, Canada (2007), and Seoul, South Korea (2010), and a large public park in Scheveningen, the Netherlands (2004). In 2013, Creation Myth, a gateway park for the Memorial Art Gallery in Rochester, N.Y., was dedicated. Otterness has exhibited his work at John Berggruen Gallery in San Francisco, and other important contemporary art galleries. His most recent exhibition, Metal on Paper: Silverpoint, Copperpoint & Steelpoint Drawings, opened at Marlborough in September 2015. Works by Otterness are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others. He was elected a member of the National Academy in 1994. Most recently, Otterness has installed The Tables from the collection of the Whitney and 50 new sculptures in niches at the Cathedral of Saint John the Divine, as part of the group exhibition, The Value of Food. On a personal note, Otterness has practiced Tai Chi, martial arts, and boxing in the school of William C. C. Chen since the 1970s, and his studio features a boxing bag...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

This delicate botanical drawing is made with 14 karat gold on painted black paper. The exploration of ephemerality, and the fragility of a dandelion gone to seed, its leaves and buds...

Mina Karwanchi Göteborg, 2024 Porcelain sculpture with 18k Gold luster 31 x 23 x 24 cm 12 1/4 x 9 x 9 1/2 in

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

In this wall-mounted sculpture, glass bottles and a round, cylindrical jug are mirrored with white gold leaf on half the inside, creating a reflective inner side visible through the ...

The High Line II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink, Japanese pigments, gold leaf and black silver leaf on Japanese paper ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

Keishi paints with the classic Japanese technique called Nihonga - he prepares the paper with gold leaf, then paints on top with mineral pigments, thus creating a special perspective...

Sax Berlin has an affinity with Buddhism and his stunning representations of Buddha are a product of his knowledge and his empathy for the subject. Saffron Effulgence is a rich yet t...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

In the "Happiness Series: Journey to Inner Peace," each artwork is a profound exploration of the elusive yet essential quest for joy and tranquility amidst the tumultuous currents of...

To create this masterpiece, Kempken used a unique technique of painting multiple artworks and cutting them up to weave them back together. The process of weaving to her is meditativ...

"The Unknown," (2022) by wildlife artist Alexis Kandra is an oil painting gilded with metal foil on wood panel, measuring 36" X 36". Her newest piece, the painting features an earthy landscape appointed with beautiful wildlife -- a rooster, a bull frog, a pidgeon / dove, white horses, red robin...

This delicate botanical contemporary drawing is made with graphite on painted black paper. The exploration of ephemerality, and the fragility of a dandelion gone to seed, its leaves ...

In this wall-mounted sculpture, copper and brass plated bracket, or shelf fungi line the sides of a glass jug with a handle on the spout hanging upside down, mirrored with white gold...

Orotones leafed in 24kt gold, Price includes frame

Another from the artists Kate Moss series. Love it ! Gold leaf and ink on paper.

Camellia VIII is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with pigments, India ink and gold leaf on Japanese cardboard, dimensions are 1...

'Feeling of Being', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in London’s West End...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

Katrina Revenaugh Piccolo Giardino Numero 3 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 6 x 6 x 1.75 inches Signed: On Verso COA provided...

Lee Jaffe, American (1950 - ) - Four Skins, Year: 1983, Medium: Gold Leaf, Mink Skins, and Oil on Canvas, not signed, Size: 86 x 112 in. (218.44 x 284.48 cm)

'Blood in the Veins' Original Artwork, Unframed. _____________________ Capturing the flush of fleeting youth, the cherry blossoms blush crimson as the sap pulses through branches, b...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vas...

The blond figure, along with the floating peonies, combine to explore the dynamic between the eternal and the temporal, as well as our own relationship with nature. The gold leaf adds a three-dimensional softness as well as a glow upon which the female figure floats. Her skin is seductively painted; her teal dress falls off her shoulder; white peonies float by; the scene is set for a dreamy visual feast. The painting is framed in a gilt frame. Michael Van Zeyl Peonies in White Light oil and 12K gold leaf on linen wrapped panel 24h x 36w in 60.96h x 91.44w cm EDUCATION 1987-1990 American Academy of Art, Chicago, IL 1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing Art Students League, New York, NY - Painting EXHIBITIONS 2017 “Anne Harris...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

'Infanta' is a contemporary portrait of a young woman created in oil and gold leaf on wood panel. from Russian American Elena Zolotnitsky who is Inspired by the concepts of beauty, a...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli Uptown (4 East 77th Street) This is a unique work Frame Included: floated and framed in vintage wood frame under acrylic with Castelli label on back This unique mixed media Robert Petersen pigment collage, with drawing and gold leaf and acrylic painting is floated against beveled edges, then matted and framed in a gorgeous light wood museum frame. It bears the label of Castelli Uptown on the back. Petersen, an American contemporary artist born in 1945, worked as an assistant to Robert Rauschenberg for 10 years from 1970 to 1980. He is a versatile artist, working in painting, drawing, printmaking, sculpture and collages, but is perhaps best known as a collagist, Robert Petersen was born in 1943 in the small farm town of Le Mars, Iowa. Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY. Measurements: Framed: 31 inches x 38.25 inches x 1.75 inches Artwork: 25 inches x 32 inches More about Robert Petersen: Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon. In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen established the experimental print shop, Untitled Press, Inc., where they not only printed their own work but also for visiting artists including David Bradshaw, Brice Marden, Hisachika Takahashi, Cy Twombly, and Robert Whitman. Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. During the early 1970's Petersen predominately created monochromatic minimalist work and then began to explore the possibilities presented by his intricate sketch pages. In 1976, Petersen made his first monthly inspired journal drawing from the highlights of his sketchbook where he collected observations of daily surroundings, drawings for future work, musings, postcards, photographs, and ephemera such as calendar clippings and magazine illustrations. This technique continues to serve as the basis for his present work. In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY. Petersen currently works in Tivoli, NY where he lives with his wife, Cinda Sparling...

One of the 12 original works that the artist created to accompany his book, Arabian Love Story. “Wilderness is a lonely empty place thinking about the one you love.” Wadsworth's word...

Elsa Poppin - Platinum Palladium print over 24 carat Gold leaf on vellum paper Edition 1/8 or 2/8, plus 2 AP ( Medium size ) Unframed handmade photographic reproduction on sensit...