Art by Medium: Ink

This drawing is one in a series of botanical line drawings depicting the seasonal flowers of English gardens and the countryside. ADDITIONAL INFORMATION: Colour Pencil on Paper Sold...

Cell 04, 2021 black ink on white paper 39 3/8 H x 27 9/16 w cm 100 H x 70 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic observation....

Title: Mid-20th Century Post-Impressionist Ink Drawing of Dovecote Pavilion and Tree by Anne Marie Migette Perard (French 1902-1977) Medium: ...

Title: Mid-20th Century Post-Impressionist Ink Drawing of Tree and Garden Pavilion by Anne Marie Migette Perard (French 1902-1977) Medium: In...

VERY IMPORTANT DRAWING BY JACQUES DUMONT called « LE ROMAIN" (Paris 1701-1781) Preparations for the fireworks display held in Piazza Navona in Rome on November 30, 1729, for the bi...

A miniature abstract expressionist etching by Russian artist R. Silvestrov (Russian, 20th Century). Very finely detailed lines create an abstracted image that has elements resembling a mechanical drawing...

Sir Kyffin Williams Retired Welsh Miner Medium: Watercolour and Ink on Paper Unframed size: 9 x 7.5 inches Framed size: 24.25 x 19.25 inches Signature: Signed Sir John "Kyffin"...

This is a unique Autograph Card Signed by Vittorio Gorresio (Modena, 1910 - Rome1982) to the Countess A.L. Pecci Blunt. Around 1954. In Italian. With ...

"Where do we come from? " This drawing (100 × 78 cm) unfolds as a visual ecosystem where human, animal, and botanical forms merge into a single composition. The artwork is created on...

Machina Mundi, Plate 2959, 2023 Archival Pigment Print, mounted and framed Edition of 5 Available sizes: 45 × 60 inches (120 × 150 cm) 64 × 80 inches (160 × 200 cm) Machina Mundi ...

Worker is an original drawing in pencil and watercolor realized by Gabriele Galantara, the state of preservation of the artwork is good and aged, applied on white cardboard. Image d...

China ink and Watercolour. With handwritten notes, indicating the place and date of the artwork in lower margin: "Fait proche de Turin, ce 13 Juin 1744". Numbered on the lower right ...

Studio Archive No. 87 is a seminal work that explores the visceral connection between human form and raw materiality. What makes this piece unique is the intentional dialogue between...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

"Vanessa Paradis" Photography 24 x 34 in Edition of 50 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Comes with COA issued by the artist Kat...

Original drawing on ivory colored paper, hand-signed and hand-dated "Vespignani 1953" with black ink on lower-right margin by the Italian artist. With autograph dedication, black ink...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board

Hand-signed in black ink on the lower margin at the center. A beautiful satiric illustration, from the volume 'Scènes de la vie privée et publique des animaux', published by Garner ...

The Evocation is a china ink drawing realized in the Mid-20th Century. Good condition. The artwork is strong through soft strokes with perfect hatchings in a well-balanced composit...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Louis Lesueur (1746-1803) A Fantasy Landscape with ancient ruins, 1789, signed and dated "L Lesueur 1789" in the bottom centre Pen and ink and ink wash on paper 14.8 x 22 cm In goo...

Femme assise by Jules Pascin (1885-1930) Ink and brush, pen and pencil on paper 25 x 20.1 cm (9 ⁷/₈ x 7 ⁷/₈ inches) Stamped with the estate stamp on the reverse Provenance: Estate o...

This pink and black abstract painting titled "Malignant" is an original artwork by Christine Larsen made of gouache & ink on wood. This piece measures 12"h x 12"w. Originating f...

Romain de Tirtoff, called ERTÉ (French/Russian, 1892-1990) Plus ca change – Plus c`est la meme chose, Décor; and Rideau du Coeur Ink pen Signed with studio stamp (lower right) 5 x 7 ...

Edward Julius Detmold (British, 1883 – 1957) Hornbill Pen and ink on paper Signed with initials’ ED’ (lower right) 16.3 x 15.8 cm. Edward Julius Detmold (21 November 1883 Putney, Wandsworth, Surrey - 1 July 1957 Montgomery) and his twin brother Charles Maurice Detmold (1883-1908) were prolific Victorian book illustrators. Their parents were Edward Detmold and Mary Agnes Luck. Their father, an electrical engineer was chronically ill, and they lived with their uncle and guardian, Dr Edward Barton Shuldham, who saw to their tuition and was a noted collector of porcelain and Japanese woodprints of plants and animals. Dr Shuldham occupied a house in Upper Richmond Road, Putney, where the twins had been born. He ensured their interest in natural history and art, and created a nurturing environment for their precocious talents. They also spent time with another uncle, the painter Henry E. Detmold, who encouraged them in their art. Most of their prodigious energy was expended on depicting animal subjects and their work showed great influence from traditional Japanese art, Albrecht Dürer and later the Art Nouveau movement. They were exhibiting watercolours at the Royal Academy and the Royal Institute of Painters in Water Colours at the age of 13. Edward Burne-Jones praised their work and warned against the dangers of uniformity inherent in art schools. The twins subsequently mastered the techniques of watercolour etching and of colour printing with copper plates, buying a printing press and producing their own proofs at home. In 1898 they compiled a portfolio of colour etchings of animals and flowering plants done in the Japanese style. These were much sought after and were rapidly sold out. They collaborated on the etchings and illustrations for their first book Pictures From Birdland published in 1899. This book resulted from a number of drawings being shown in the autumn of 1897, to the publisher J. M. Dent, who was so impressed that the two brothers were asked to provide coloured illustrations for a book of his. The first title mooted was Alphabet of Birds, eventually becoming Pictures from Birdland. "Particularly noticeable are the early influences in the paintings, Edward's design for an osprey, with its unusual water effects, testifying to a Japanese contribution. Already apparent is that style in which a searching study of natural forms, especially bird plumage, is subordinated to decorative arrangement" - David Larkin (The Fantastic Creatures of Edward Julius Detmold) This was followed in 1900, by an exhibition at the Fine Art Society's Gallery in London. Their next joint project was to produce a set of 16 watercolours for Rudyard Kipling's The Jungle Book published in 1903, by Macmillan. The success of their painting careers seemed assured, but Maurice ended his life by inhaling chloroform in April 1908, shortly before they were due to leave for a holiday in Sussex with Dr Shuldham, who had arranged that Maurice put down the household cats using the anaesthetic. Although stunned by the death of Maurice, Edward threw himself into his work. The recognition accorded the twins' illustrations of Kipling's classic tale was extraordinary. Consequently, in 1909 Edward illustrated The Fables of Aesop, producing 23 colour plates and a host of pen & ink drawings. This proved so popular that in 2006 The Folio Society of London published a facsimile of the original Hodder & Stoughton edition. In 1911, Detmold worked on illustrations for Maurice Maeterlinck's The Life of the Bee, Camille Lemonnier's Birds and Beasts and Florence Dugdale's Book of Baby Beasts. In the following year he worked on Maeterlinck's Hours of Gladness, in 1913, on Florence Dugdale's Book of Baby Birds and in 1919, on W. H. Hudson's Birds in Town and Village In 1919, he also produced a portfolio of Twenty Four Nature Pictures and, in 1921, on Our Little Neighbours and Jean-Henri...

Acrylic and ink on canvas

"Keys to My Heart" by Katharine Morling – Black and white porcelain sculpture of pop art surreal key chain with six handmade keys, charms and a locket. Delicate yet bold, "Keys to M...

The Painter is an ink and Watercolor Drawing realized by Mino Maccari (1924-1989) in 1956. Hand-signed on the lower and dated Good conditions. Mino Maccari (Siena, 1924-Rome, Jun...

Oriental Lamps is a beautiful original drawing on paper realized by Anonymous French artist of XIX century. Mixed media watercolor and china ink drawing. Good conditions except f...

Steven H. Rehfeld (American, born 1954) "Fragments", 2022 Oil paint, Newsprint, Ink, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "Fragments" is a...

Portrait is an original Modern artwork realized in the half of the 18th Century in France. Original watercolor on ivory paper. The work is surrounded by a colored frame. The sig...

Monument is a china ink drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, Ju...

Original multicolored hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 9"h x 11"w. This piece ships in the pictured black frame. Char...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically or horizontally and across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

Original hand-cut, layered paper and ink on illustration board by Charles Clary measuring 11"h x 16"w. This piece ships in the pictured black frame. Charles Clary was born in 1980 ...

Acrylic ink & marker on Fabriano paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Interna...

from a series of large scale photographs capturing a mesmerizing color palette of classic blue and sky tones SEASCAPE VI by Frank Schott 60 x 48 inches / 152cm x 122cm signed edit...

Bai Ming Untitled II 2013 Ink Wash on Hand-made Paper Size: approx. 25 x 39 inches (63.5 x 99.1 cm) Signed lower left Inscribed and dated lower left Gallery-issued COA upon request ...

Man at work is an original artwork realized by french artist Antoine Mayo ( Port-Said 1905 - Seine-Port 1990 ). China ink and pencil on paper, 1960-1970 s. Signed on the lower left. Passepartout cm 50x35 Good conditions. Mayo was born in Port Said, Egypt in 1905. His father was a Greek who worked on the Suez Canal as an engineer and his mother was French from the Bourgogne. He moved to France in 1914 and completed his studies in architecture in Paris in 1922. During the Twenties, Mayo frequented the Parisian avant-garde circles of Montparnasse and made the acquaintance, among many others, of Derain, Picasso, Pascin, Prévert, and Desnos. René Crevel introduced him to the Surrealists and for a short time he became friendly with André Breton, Max Ernst, Magritte, and Tanguy. During this period he was at odds with his family who disapproved of his intention to become an artist and he continued to paint independently of any group. The first exhibit of his work took place in 1929 at Galerie Quatre Chemins in tandem with De Chirico. The following year the same gallery hosted his first solo exhibit. In this same period, he became a member of “Grand Jeu” along with Roger Gilbert-Lecomte, Maurice Henry...

Summer Mists by Elaine Fox [2021] original Acrylic,Watercolour and ink on Paper Image size: H:24 cm x W:25 cm Sold Unframed Please note that insitu images are purely an indication o...

Secret Garden 2, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of micr...

Provincetown (Sunbathing) Sepia ink on tan paper, 1966 Signed in ink lower center (see photo) Exhibited: Art from Lexington Homes, Lincoln Massachusetts, May 14-22, 1966 (see label) ...

A color photograph of a blue and purple flower. Printed on 300gsm Archival Fine Art Paper. :: Photograph :: Color :: This piece comes with an official certificate of authenticity si...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Woman and Snakes is an original China drawing realized by an Italian artist oin the Early 20th Century. Good condition on a blue cardboard. The artwork represent a woman with big w...

Sunil Das - Horse - 9 x 6 inches ( unframed size ) Ink on Paper, 2012 Inclusive of shipment in ready to hang condition. Sunil Das ( 1939-2015) was a Master Modern Indian Artist fr...

The Street is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good condition, ex...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

The Couple is an original drawing in pencil and China Ink on paper realized by Angelo Griscelli (1893 - 1970) The state of preservation is good and aged. Han-signed on the lower ri...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

This is a Autograph Letter Signed by Jean Dubuffet and addressed to Nesto Jacometti. Vence, November 28th, 1957. One page, single-sided. On watermarked paper. In French. excellent c...

Programme de Concert is a drawing in blue pastel on paper realized by Adolphe Willette in the Late 19th Century. Very Good conditions. Monogrammed. Including a cardboard Passepart...

Blueprint - 2019 30x48cm, Edition of 10 plus 2 Artist Proofs. Archival Print based on the original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mounted. Exhibition: Reclaim Photography Festival: Reclaiming Our Cultural Landscape, Black Country...

An original woven paper and staple wall sculpture by Jozef Bajus. This piece is comprised of hundreds of pieces of old textile patterns created by the artist in his capacity as a fa...

"Un Rendez-vouz au café Flore" is the main request of this Autograph Letter Signed by Ossip Zadkine to Nesto Jacometti. Les Argues par Cazals, France, July...