Art by Medium: Ink

In this contemporary botanical cyanotype painting in watercolor, gouache, India ink, and cyanotype on Arches platine paper, meticulously detailed flowers, including magnolia, proteus...

Artist: Mkrtich Sarkisyan (Mcho) Work: Original Drawing, Handmade Artwork, One of a Kind Medium: Ink on Paper Year: 2023 Style: Abstract Figurative Subject: Party, Size: 12" x 9" ...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Julia Adams The Cloister Garden Original Architectural Painting Mixed Media with Acrylic Inks on Canvas Board in painted white wood frame Canvas Size: H ...

Bold print of "Death Takes the Children" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 9 from a series...

Lush, maximalist still life photo by Lori Perbeck. Image size 18 x 12 in, paper size 22 x 16 in

Black Glove (Michael Jackson) by Tom Schierlitz a highly detailed still life photograph of the front and back of the King of Pop 's iconic Swarovski crystal rhinestone glove 48 x 64 inches (122cm x 163cm) edition of 7 30 x 40 inches ( 76cm x 102 ) edition of 25 original archival fine art pigment print certificate of authenticity Photographer Tom Schierlitz has a discerning eye for details, managing to find striking visuals in the most ordinary objects, creating captivating images of cult accessories and other objects of desire. Tom grew up in Germany and lives and works in New York City. _________________________ Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2 inch L prints / 4 inch XL prints ]

Damien Hirst is a British contemporary master artist and entrepreneur recognized for his iconic artworks that have defined the contemporary art world for over a decade. He is one of ...

Title: Reclining Male Nude Figure Study Ink And Red Chalk French Mid Century Medium: Ink and red chalk on artists paper, unframed Size: 12 x 17.75 inches (height x width) Signed low...

A magnificent and sensitively treated line drawing in coloured ink, heightened with white. It depicts Argan, the hypochondriac from Molière's play of the same name. Dating from circa...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Figure with Orange and Blue - Original Signed Abstract Expressionist Work Dynamic figural abstract piece by Felix Ruvolo (American, 1912-1992). In the center of the composition is a...

Pursuing dreams beyond borders is a journey fraught with complexities and challenges, yet it also offers profound opportunities for growth and transformation. "Finding Solace in Fore...

The Pagoda of Ninnaji Temple in Kyoto with Cherry Blossoms - Woodblock Print Beautifully executed Showa-era print by Japanese artist Benji Asada (b. 1899 d. 1984.) This print shows ...

A Delightful, 1950s Mid-Century Modern Ink Drawing of a Resting Cat by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 9 1/4” x 11 1/2” (Sheet), unframed, mat...

Fine English School Ink & Watercolor Cavalry Officer on Horseback Pointing Forward Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on ...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

Bold yet delicately portrayed, "So Plant, So Animal III" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence ...

Gustaf Tenggren (1896-1970) The Horn (1919) signed Tenggren. Ink, watercolor and gouache on cardboard unframed 29.5 x 30 cm (11 ⅝ x 11 ¾ in) framed 41.5 x 42 cm (16 ⅜ x 16 ½ in) h...

Primary Colour Series- Blue is Shizico Yi's on going project, inspired by Japanese woodblock Print and the a nod to calligraphy tradition. The series is a continuation of her "Sunli...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this w...

In carefully drawn dots and lines in soft shades of indigo blue with pink, green, yellow and dark red details, this intricate composition is inspired by patterns in nature. This cont...

Andreani, Andrea (Italian, about 1558–1610), after Andrea Mantegna (Italian, 1431-1506) Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and...

Salvador Dali Divine Comedy : Dante and Beatrice, 1952 Original watercolor Signed in lower center Dated 1952 On vellum lined on thin board 42 x 30 cm (c. 17 x 12in) REFERENCES : Th...

Geometric Line Studies C- 5 is an original mixed-media work on paper by Toronto artist Murray Duncan, part of his ongoing exploration of gestural geometry, spatial rhythm, and atmosp...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 21080 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Que font ces gens is a beautiful modern artwork realized by Salvador Dalì in 1945. China Ink Drawing on paper. Original outstanding drawing realized to illustrate the book "The Labyrinth" by Maurice Sandoz, published in 1945. Signed and dated on the lower right recto. Executed on thick cream wove paper, not laid down and taped to the mount along the upper edge. The upper, right and lower edges are slightly unevenly cut. There are two pinholes towards the upper right and upper left corners. The sheet is time stained and there is a spot of foxing beneath the lower edge of the drawing. There are some remnants from previous mounting at the upper two corners not visible when framed. There are handling marks to the perimeter of the sheet. The ink is strong and well preserved. The artwork is accompanied by authentication of Robert P. Descharnes, Paris 2003, reference archive: D-3461. Prov. Sotheby's Impressionist & Modern Art Sale...

New York Landscape - The High Line III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink, silver leaf and black leaf on Japane...

All of us can change the past. We cannot take back what has happened, who we love, what we have done. Just like we cannot change our current situation. I think life is a funny thing,...

Damien Hirst is a British contemporary master artist and entrepreneur recognized for his iconic artworks that have defined the contemporary art world for over a decade. He is one of ...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

"Fall to Grace" is an original ink and watercolor painting on paper mounted to wood by artist Robert Kraiza measuring 19in height x 9in width. Artist Statement // In my work I invoke a whimsical world inspired by Victorian and Edwardian eras. To me they represent a romantic time period that has roots that extend directly into the modern world, both good and bad. The customs and aesthetics of the period are both fascinating and breathtaking but a vast portion of the population was victim to subjugation. It has since been eradicated on paper but still permeates to this day. I am exploring an imagined supernatural world hidden just out of sight where these woman could escape. This is an evolution from my earlier work set in the same time period with a continuous thread of humans and their animal companions. Through witchcraft these women find strength in their abilities and each other to leave the oppressive world they inhabit behind and escape to the woods to their Covendom, the boundary that defines the territory of their coven. They shed their customs, their corsets, and their concerns at the edge of the forest and gather among the trees to explore their magical potential with their familiars at the side. This body of work is exploring multiple media with a consistent theme and setting; combining watercolor painting, pen and ink illustrations, and graphite drawings. All pieces are created in monochrome on hot press watercolor paper mounted on wood with a gold painted border reminiscent of daguerreotype frames. Watercolor allows me to achieve results ranging from soft ethereal layered washes similar to oil glazes to precise minute details I include in all of my works. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...

In Circumstance, Formento + Formento examine the human figure as a site of vulnerability shaped by social, economic, and emotional forces. The series emerged from an extended journey...

Eucalyptus I is an Archival Inkjet Print by contemporary photographer Morgan Silk. Eucalyptus I by Morgan Silk is available in this size of 32" x 44" in an Edition of 10. Taken du...

The project is a series of ink drawings on different surfaces, depicting the solstices and equinoxes of the year through the overlapping of shadows at various times of the day. ...

Artist: Mkrtich Sarkisyan (Mcho) Work: Original Drawing, Handmade Artwork, One of a Kind Medium: Ink on Paper Year: 2023 Style: Abstract Figurative Subject: Casting, Size: 12" x 9...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

In this meticulously detailed contemporary drawing in ink and watercolor on paper, carefully drawn dots and lines in yellow with violet blue, red and dark brown create an intricate c...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21204 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Paris rooftops 4th II is a unique painting by French contemporary artist Guillaume Chansarel. The painting is made with Ink and acrylic on old book pages mounted on canvas, dimension...

Rowing Figure in an Eerie Landscape is a 1929 watercolor-and-ink illustration by Swedish artist Einar Norelius. Created for the 22nd issue of Bland tomtar och troll, the cherished an...

Own a rare original vintage field study drawing by celebrated Colorado landscape artist Charles Partridge Adams (1858–1942). This expressive ink-on-paper composition vividly captures...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

Colorful abstract screen print of a circular composition with a seasonal theme by Deborah Rumer (American, 20th Century). Titled, numbered, signed, and dated ("The Wheel Ed140 © Debo...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio remai...

Greg Chann Agis, 2025 acrylic and ink 16 x 13 x 2.5 in. (cha037)

Mixed media on paper Hand signed and titled Unique piece Mint condition

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

Gwen Verdon "Redhead" Original Caricature Drawing NY Times Published Tony Awards Al Hirschfeld (1903 – 2003) Gwen Verdon in "Redhead" Sight: 14 1/2 x 19 inches Ink on board Signed l...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

This is an abstract 3D wall sculpture in wood, acrylic, rope, and ink. it is from artist Paul Cava's "Wood Work" series, which applies the collage aesthetic he has incorporated into ...

1780's-1800 Fine English School Ink & Watercolor Cavalry Crossing Bridge Pursuit Scene with Soldiers and Horses Late 18th / Early 19th Century English School circa 1780–1800 ink draw...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21146 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

An Alluring, Finely Drawn 1950s Mid-Century Modern Female Nude Figure Study by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Ink on paper, dating from 1951. Artwork size: ...

Gravesend. August 1928. Ink and watercolor on paper. 13 1/2 x 21. Signed and dated in ink, lower left; and titled in ink, verso. Housed in a 24 1/2 x 31-inch Whistler-style gold frame. Gravesend is a town in northwest Kent, England, on the south bank of the Thames, opposite Tilbury in Essex, about 15 miles southeast of London. Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...