Art by Medium: Inkjet

Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and c...

On the edge of nothingness / n°4 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 40 x 60” External Dimension( with white border) Height:40.8 in.( 103.63 cm) Width:...

Audrey Hepburn, c19_17, 1953 -- Audrey Hepburn, ready in make-up and costume to play the title role in Paramount's Sabrina Fair. This shot is an out take from the photo essay in the ...

A quiet study in form and reflection, Tracing the Light captures the ephemeral meeting of ocean and shoreline. The gentle curves of wet sand illuminated by soft, angled light evoke t...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

Tea Time Bloom is a hand-painted Limited Edition by contemporary artist Shizico Yi, created on a deluxe matte-finish giclée aluminium panel. Each edition is 90% hand-painted with ori...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

23" x 22.75" Unframed Hand Embellished Giclée on Paper of 14 Hand Signed by Todd White COA Included Todd white captures restaurant, night and Hollywood scenes with contrasting color...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-en...

40" x 30" Unframed Limited Edition Giclee with Hand Embellishment of 100 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting color...

Elizabeth Taylor in Frills, Portrait with Bare Shoulder -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE ...

Limited edition print titled "Motorcycle & Biplane" by artist Scott Jacobs. This print is 819 out of 1500 created in a limited production, there is also a...

'The Girl In Union Square' shot Manhattan, 1984 by heralded New York downtown photographer, Fernando Natalici: The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print. 13 x 19 inches (image: 12 x 18 inches). Hand signed from an edition of 20. Excellent condition. Obtained directly from artist. Seller is a primary dealer rep of the artist. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories William Klein. Henri Cartier Bresson. Saul Leiter...

"#10, ICE" is part of Jerry Siege's ongoing "Black Belt Color" series. This photograph was taken during his quarantine in Selma during the COVID-19 pandemic. It features rich hues of...

Bruce Springsteen Photograph by Fernando Natalici A rare, striking photo of Bruce Springsteen at the age of 25 captured at The Bottom Line New York, 1975, by celebrated underground photographer, Fernando Natalici. Bruce and The East Street Band's 1975 shows at The Bottom Line were cited by Rolling Stone in 2004 as among the “50 Moments That Changed the History of Rock & Roll." Dimensions: 13 x 19 inches Medium: Archival Inkjet Print Hand signed & titled in ink from a limited edition of 25 Excellent condition Seller is a primary dealer rep of Fernando Natalici As Rolling Stone wrote... In August 1975, Bruce Springsteen and the E Street Band were booked to play ten shows at the tiny New York club the Bottom Line, near Washington Square Park in Greenwich Village. Springsteen was weeks away from releasing his third album, Born to Run, and his label, Columbia, invited more than 1,000 industry insiders to see what fans of the E Street Band's live shows had long known. As guitarist Steven Van...

Introducing "Abstract Cubist Portrait - HFC 12" - Limited Edition Textured Canvas Print Experience the fusion of abstract brilliance with "Abstract Cubist Portrait - HFC 12," a capt...

“Currents” captures the mesmerising movement of the Mediterranean Sea along the Italian Riviera during the winter of 2022. This large-format black and white photograph reflects the s...

MEDIUM: Original Storyboard Drawing IMAGE SIZE: 6" x 4.5" SKU: CCV1882 ABOUT THE IMAGE: Winnie the Pooh and Tigger Too is a 1974 animated featurette based on the third chapter of W...

Michelle - Signed limited edition archival pigment print, 1997 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then p...

Tree Study V by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 40 x 32 inches / 102cm x 81cm signed edition of 25...

Limited Edition Print of Brooklyn Bridge New York City NYC Skyline United States of America. This painting captures the New York Skyline with Brooklyn Bridge set against the backdrop...

Limited Edition Print of Westminster from Trafalgar Square with Big Ben, London, by leading British urban landscape artist, Angela Wakefield. Print measures 12.5 x 10.5 inches Pape...

This stunning version of Cafe Ravello is a limited edition embellished giclee on canvas. It is numbered 64/195 and signed by the artist Howard Behrens. Framing options are available.

Jimmy Carter photograph Detroit, 1976: This timeless, silhouette-like photograph of President Jimmy Carter was captured by the legendary Detroit photo-journalist & counter cultu...

Jackie sits at JFK’s senate desk in 1959 nb_048. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited edit...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Architecture becomes an abstract design statement as seen through the lens of Mitchell Funk Striking graphic design with found elements is a signature style of Mitchell Funk. He brin...

SANDRA CHEVRIER - La Cage. Je N'ai Pas Peur Date of creation: 2018 Medium: Giclée on Moab paper Edition: 837 Size: 80 x 62 cm Condition: In mint conditions and not framed Descriptio...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / 40 x 40 inches. Framed: 102 x 102 cm/ 41 x 41 inches approx. Edition of 5 + 2AP About the Artist George McLeod...

Elizabeth Taylor in Frills, Portrait with Bare Shoulder -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy...

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

Peter Blake To Her Majesty, The Queen Elizabeth II, 2016 Color giclee print on wove paper with full margins 11 73/100 × 6 3/5 inches Pencil signed, titled, dated and numbered 119/150...

Photographed for Dior, Palais de Glace Dress, 1957. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a grey Dior dress outside by the Louvre metro. A model is wearing a dress with gloves...

Etem's pairing explores fluid condition between virtual and real through comparison: two different organic forms (varying colors, shapes) in atmospheric backgrounds demonstrating how...

Archival Pigment print Limited Edition of 25 18 x 24 inches Signed and numbered by the artist

Jaremi Picz (1955) - Orion Nebula M42 Giclée from 2025. The edition of 100. Dimensions of work: 50 x 50 cm. Hand signed. Publisher: Dell'Arte Foundation, Cracow. -- Jaremi Pic...

Tamara de Lempicka (1894-1980) - Saint Moritz, 1929 Giclée from 2023. The edition no. 3 out of 100. Dimensions of sheet: 70 x 52.5 cm Dimensions in frame: 87.5 x 69.8 cm Publish...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

Elizabeth Taylor Black Suit, Hands on Hips -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy award winnin...

SE 24/25 Giclee on Canvas

Picasso with Sword, Arm Out, 1955 -- Photographed for LIFE in 1955 in his new Cannes Villa, La Californie, Picasso celebrates his Fashion debut by clowning around with a fedora and a sword. Top French Model, Bettina Graziani wears an outfit by American Fashion Designer Claire McCardell. The shirt's pattern is in the style of a Picasso still life. All the Picasso paintings pictured had been completed within the past few months. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A photograph in color of Picasso with model Bettina Graziani. Picasso is wearing a blue collared shirt with brown shorts and a grey fedora. In his right hand, he has a sword. To his right is Bettina Graziani. She is wearing orange pants with an orange blouse and orange ascot. She faces Picasso...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Picasso with Sword, Arm Out, 1955 -- Photographed for LIFE in 1955 in his new Cannes Villa, La Californie, Picasso celebrates his Fashion debut by clowning around with a fedora and a sword. Top French Model, Bettina Graziani wears an outfit by American Fashion Designer Claire McCardell. The shirt's pattern is in the style of a Picasso still life. All the Picasso paintings pictured had been completed within the past few months. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A photograph in color of Picasso with model Bettina Graziani. Picasso is wearing a blue collared shirt with brown shorts and a grey fedora. In his right hand, he has a sword. To his right is Bettina Graziani. She is wearing orange pants with an orange blouse and orange ascot. She faces Picasso...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life...

The Kennedy Family Sailing on Nantucket Sound, nb_036_037 -- The Kennedy Family sailing on Nantucket Sound. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw print...

Jackie and John Jr. Palm Beach 1963, nb_148. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag...

Elizabeth Taylor Black Suit, Hand to Lapel -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy award winnin...

From the visual collaborative series between Bernie Taupin CBE and Terry O'Neill CBE, titled 'Two Sides of the 60s; Limited Edition of 50 Hand Signed by Bernie Taupin

Dior, H-LIne, "1955," 1954. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print i...

This abstract landscape limited edition print by Elwood Howell features a cool, green and pale blue palette. The artist's signature high horizon line forms a very slight valley at th...

Signed verso Zoe Hawk (b. St. Louis, 1982) holds a BFA from Missouri State University and an MFA from the University of Iowa, and has attended esteemed residencies in 5 countries. H...

Kennedy, Jackie Mark’s Camera, 1962 -- Jackie in Ravello, Italy as photographed by Mark Shaw on a private cruise, summer of 1962. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN ...

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

“Bryant Park” New York, Giclee Print, Limited Edition Creator: Hatice Besun Creation year: 2021 Dimension: 42 x 28 External Dimension( with white border) : Height: 43.6 inch Weigh...

Horses , Limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnem...

Black Glove (Michael Jackson) by Tom Schierlitz a highly detailed still life photograph of the front and back of the King of Pop 's iconic Swarovski crystal rhinestone glove 48 x 64 inches (122cm x 163cm) edition of 7 30 x 40 inches ( 76cm x 102 ) edition of 25 original archival fine art pigment print certificate of authenticity Photographer Tom Schierlitz has a discerning eye for details, managing to find striking visuals in the most ordinary objects, creating captivating images of cult accessories and other objects of desire. Tom grew up in Germany and lives and works in New York City. _________________________ Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2 inch L prints / 4 inch XL prints ]