Art by Medium: Intaglio

Artist: Eileen Alice Soper (English, 1905-1990) Title: "Spring Song" *Signed by Soper in pencil lower right Year: 1924 Medium: Original Etching on cream laid paper Limited edition: 178 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157 Sheet size: 8.13" x 10.13" Image size: 6.63" x 9.63" Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Jose "Pepe" Contino (Cuba, 1933) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: CON-303 Hand...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "Blowing Bubbles" *Signed by Soper in pencil lower right Year: 1924 (fourth state of four) Medium: Original Etching on cream laid paper Limited edition: 240 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 67, page 117, 141, 157 Framing: Recently framed in a Louis XV style frame with 100% cotton rag matting and 99% UV protective Museum Glass Framed size: 13.25" x 15.13" Sheet size: 7.25" x 9.63" Image size: 4.5" x 7" Condition: In very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Artist: Georges Rouault Title: Jean-Francois ne Chante Alleluia (Jean-Francois Never Sings Alleluia) no. 25 from the Miserere et Guerre series Year: 1923 (published 1948) Medium: Aqu...

Artist: Gerald Leslie Brockhurst (English, 1890-1978) Title: "James McBey" *Signed by Brockhurst in pencil lower right. It is also signed, dated, and titled in the plate (printed si...

Photography of San Francisco, on aluminium panel, signed on the back.

Single photogravure from the Mexican Portfolio, 1932-33. Published by Da Capo Press, New York, 1967 Edition of 1,000 Printed 1967

The Ears is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Profiles and Fingers is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and ...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Known for his remarkable documentation of Native Americans in the early tw...

Landscape is a vintage Photolithograph, realized by an unknown artist in the mid-20th Century. The status of preservation Good. The artwork is depicted skillfully through confident...

President's Wilson Great Message is an original vintage poster, realized n 1917. The status of preservation is quite Good.

A Camp in the Desert is an original Photogravure realized by an anonymous artist in the Early 20th Century. Good Conditions. The artwork is depicted through confident strokes in a ...

Les Réfugiés is an original Rare Book illustrated by Frans Masereel (1889 – 1972) and written by Louis Piérard (Frameries,1886 - Paris, 1951) in 1942. Original First Edition. Published by Arthaud Editeur, Grenoble. Format: Small 8°. The dimensions and the weight are indicative. The book includes 116 pages with 9 full page reproductions of drawings. Good conditions. Frans Masereel (1889 – 1972). He was a Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such as war and capitalism. He completed over 40 wordless novels in his career, and among these, his greatest is generally said to be Passionate Journey. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as Clifford Harper, Eric Drooker, and Otto Nückel. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as George Walker, Clifford Harper, Eric Drooker, and New Yorker cartoonist Peter Arno. Masereel's woodcut series, mainly of sociocritical content and expressionistic in form, made Masereel internationally known. Among them were the wordless novels 25 Images of a Man's Passion (1918), Passionate Journey (1919), The Sun (1919), The Idea (1920), Story Without Words (1920), and Landscapes and Voices (1929). At that time Masereel also drew illustrations for famous works of world literature by Thomas Mann, Émile Zola, and Stefan Zweig.

Portrait of a Man is a wonderful phototype print realized in the second half of XIX century. Signed on the lower right margin. Fair conditions, with a browing of paper due to the t...

K. Laxma Goud Intaglio 13 x 10.5 inches 33 x 26.7 cm 2022 ( Set of 2 Works ) ( Framed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmakin...

K. Laxma Goud Intaglio 12 x 9 inches 30.5 x 22.9 cm 2022 ( Framed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaking, drawing, watercolour,...

The Ferry Boat by Alfred Stieglitz is a photogravure on tissue. The photograph depicts a ferry boat on the water with a crowd of people on the lower level o...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Tissue gravure Known for his remarkable documentation of Native Americans ...

Single photogravure from the Mexican Portfolio, 1932-33. Published by Da Capo Press, New York, 1967 Edition of 1,000 Printed 1967

Sorel Etrog (1933- 2014) is arguably Canada's most famous sculptor. His work can be found in numerous museum and private collections around the world including the Tate, the AGO and...

Dario Tironi is the artist that evades the classic canons of Besharat Gallery's sculptures. But we could not remain indifferent to his fantastic, incredi...

Signed Single photogravure from the Mexican Portfolio, 1932-33. Published by Da Capo Press, New York, 1967 Edition of 1,000 Printed 1967

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...