Art by Medium: Latex

Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas Innovative and Contemporary Original New Medi...

Part of the Mångata series, "Sea Green" is an intimate, minimalist painting meticulously handcrafted on wood using diverse, layered techniques. This artwork combines the raw mark-mak...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Part of the Mångata series, "Baby Blue" is an intimate, minimalist painting meticulously handcrafted on wood using diverse, layered techniques. This artwork combines the raw mark-mak...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Death of the Ego" 2024 Oil paint, Acrylic paint, Canvas, Stretcher bars The artist signed the back of the painting. 'Dea...

In an Art Brut style New York City Dreamscapes, 2020 by a.muse is defined by bold colors and experimentation. The mixed-media collage "patchwork" painting 19.5” x 15.75” acrylic, oi...

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

"Challenge 22," a 36" x 48" mixed media canvas by Masri, captures the essence of contemporary abstract expressionism with its bold, chaotic brushstrokes and a vibrant collision of co...

This 20" x 30" contemporary abstract mixed media piece by Steven Rehfeld is a captivating exploration of form, color, and texture. The composition features a harmonious blend of soft pastel hues — calming blues, delicate pinks, and mellow yellows — juxtaposed against more assertive tones of deep magenta, vibrant orange, and charcoal gray. The painting showcases Rehfeld's signature style of blending geometric shapes, notably triangles and circles, with freer, more organic brushstrokes. The added depth is achieved through the inclusion of mixed media elements: fragments of paper with faint sketches, scribbles, and translucent overlays create a multidimensional visual experience. The smoky, sinuous black mark towards the center adds a hint of dynamism, while the layered application of paint and paper produces a tactile richness, making the piece an engaging visual journey. Steven is now one of the top emerging artists in the U.S. His works are groundbreaking, bold, and imbued with unflinching disregard for painting conventions. Many works are in collections and museums in the U.S. Steven is also part of the 'Outsiders' school of art, originating in France in the 19th century. Also known as the Naïve movement, and was comprised of people with no art training at all, who suddenly started to paint. Many of them are from very challenging backgrounds. All they had was talent that had never before been tapped. In no time this movement became a significant art phenomenon and spread all over the world. His work, however, has branched out past the movement and his use of earth elements renders a basic and raw interpretation of his message. Original, 1-of-1. Shown at the American Art Gallery, Carmel-By-The-Sea, California. Keywords: colorful, mixed media, contemporary, abstract, expressionism, blue, pink, yellow, magenta, orange, grey, Steven H...

Dive into the abstract depths of "Fond Memories," a thought-provoking 48" x 36" mixed media creation by the artist Lorraine Lawson. This piece exemplif...

"Que Sera, Sera," by Lorraine Lawson, is a stunning 48" x 48" mixed media abstract expressionist work that encapsulates the natural world's transformat...