Art by Medium: Lithograph

Untitled is an original Lithograph realized in 1963 by Alexander Calder from "Derrière Le Miroir" No signature. Very good condition including a white cardboard Passepartout. Alexa...

Alexander Calder (American, 1898-1976) The Red Sun (Soleil Rouge), 1965 Lithograph in Colors Sheet Size: 22” x 32” Printed by Maeght Editeur, Paris Edition: 10/90 Alexander Calder w...

Alexander CALDER Les Travestis du Reel, 1979 Original vintage lithograph poster Printed in Atelier Arts-Litho Printed signature in the plate 82 x 57 cm (c. 32.2 x 22.4 in) Excelle...

Alexander Calder Rocks and Sun, 1952 Original Lithograph (3 color stones) Printed in Mourlot workshop On vellum 31 x 24 cm (c. 12,2 x 9,5 in) Edited by San Lazzaro in 1952 Very goo...

Alexander Calder Lithographic cover: Derrière le miroir 1973: Lithographic cover sheet; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Por...

Untitled Double Page Illustration for DLM Color lithograph, 1968 Unsigned as issued in DLM Published in Derriere le Miroir (Behind the Mirror), calle...

Offset lithograph poster published by the Transworld Art Fair in Tel Aviv The work depicted in the image is Calder's "Boomerang", 1973 Plate (printed) signature Unframed ALEXANDER CA...

Photolithograph on paper, realized in 1963 for the french Art Review Derrière le Miroir. Not signed. Very good condition.

Artists Rights Today Ethel Scull's Place Scarce mid 1970s Offset lithograph poster Ethel Scull (and her husband Robert) who inherited and made their money as taxicab magnates, was on...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Spirales (Composition with Spirals), from the folio Derriere le miroir, No. 173, originates from the 1968 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1968. Composition aux Spirales exemplifies Calder’s mastery of rhythm and form, translating his sculptural language of balance and motion into vivid, dynamic compositions on paper that capture his signature sense of energy and harmony. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold, as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Spirales (Composition with Spirals), from the folio Derriere le miroir, No. 173 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold, as issued Inscription: Unsigned and unnumbered as issued Date: 1968 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 173, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1968 Notes: Excerpted from the folio (translated from French), The illustrations in this issue are original lithographs by Alexander Calder drawn in the workshops of the Arte printing shop. This issue of "Behind the Mirror" has a luxury edition drawn on velin de Lana and limited to CL examples numbered and signed by the artist on the colophon. The text of G. Carandente was translated from Italian by Alain Veinstein. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

Artist: Alexander Calder Title: Plate 6 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), originates from the 1972 album Calder autobiographie. Published by Maeght Editeur, Paris, and...

Alexander Calder's "Pinwheels and Pyramids," a lithograph from 1970, is a striking example of his signature style that blends abstraction with a sense of playfulness. Known for his i...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Alexander Calder The Flying Colors, 1974 Signed with artist's monogram and dated, from the edition of 250, published by State Street, New York for Braniff International Airline, with...

Artist: Alexander Calder (1898-1976) Title: Soleil sur la Vagues (Red Sun Above the Waves) Year: 1976 Medium: Lithograph on Arches paper Size: 22.75 x 30.75 inches Condition: Good No...

Artist: Alexander Calder Title: "Swirl" from The Flying Colors Collection, 1975 for Braniff Airlines Year: 1974 Signed in Plate Framed Dimensions: 28.75" x 22.5" Print Dimensions: 26...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...

'Stabiles', 1963 Alexander Calder Lithograph in colors 29.75 x 23 in. / 76 x 58 cm. Edition of 90, Signed by the Artist The specific information regarding edition will be provided a...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 15 x 22 inches, with centerfold, as issued. Notes: From Derrière le miroir, N° 113, published ...

Original poster for the 1959 exhibition at the Maeght Gallery (Paris) Alexander Calder 🇺🇸 (1898-1976) revolutionized #sculpture, the art of volume, by bringing movement and color! Close to the #populararts, this genius tinkerer started by making a miniature animated circus. Calder is best known for his #mobiles and #stabiles, sometimes monumental, which are one of the most daring expressions of sculpture in the 20th century...

1975 Color Lithograph by Alexander Calder from Our Unfinished Revolution portfolio One of 250 copies, with the printed signature and date on offset paper. This is not pencil signed ...

"Puppet Man, 1960. By Alexander Calder. "E.A" Written in pencil by the artist The "E.A." designation on the print likely indicates it's an artist's proof, o...

Alexander Calder (American, 1898-1976) Spider's Nest, 1975 Signed: Calder (Lower, Right) Lithograph in Colors on Wove Paper Sheet Size: 29 1/2" × 43" Numbered: XIX/L in Roman Numeral...

Photolithograph on paper, realized in 1963 for the french Art Review Derrière le Miroir. Not signed. Very good condition.

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Derriere Le Miroir-No. 190-Page 14-15 Color lithograph, 1971 Unsigned (as issued) From: Derriere Le Miroir, No. 190, 1971 Publisher: Aime Maeght, Paris Printer: L’Imprimerie Arts, Pa...

Lithograph realized in occasion of Calder's Exhibition at Galleria Rondanini, Rome, 1976. Not signed and not numbered, as issued. Edition of 500. Excellent condition

Artist: Alexander Calder Title: Derriere Le Miroir No. 141, Stabile 2 A double page lithograph from the Derriere le Miroir No. 141 publication. With vertical fold in the middle, as ...

Lithograph in colors on wove paper Edition 35 of 75 Signed and numbered in pencil lower right and left: Calder, edition of 75 Published by Maeght, Paris Titled in p...

Artist: Alexander Calder Title: Derriere Le Miroir No. 141, Cover Year: 1963 Dimensions: 15" x 11" Published by Maeght Editeur Excellent condition

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie No. 3 (double), Juin 1952, originates from the 1952...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Comètes, 1968 Lithograph in colors on wove paper 26.90 x 21.75 inches Signed and numbered in pencil, edition of 200 copies Professionally framed Alexander Calder was born in Ph...

Lithograph realized in occasion of Calder's Exhibition at Galleria Rondanini, Rome, 1976. Not signed and not numbered, as issued. Edition of 500. Excellent condition

Untitled By Alexander Calder Alexander Calder was a pioneering American sculptor known for his innovative mobiles and stabiles, which challenged traditional notions of sculpture b...

Created in 1975 by Alexander Calder as an original lithograph in colors on wove paper, Red and Blue Swirl with Sun is hand-signed in pencil and annotated "E.A.". Measuring 20 ½ x 29 ...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of un...

Alexander Calder Rain, 1972 Lithograph Hand signed lower right Numbered HC VIII / XX Printed by Arte Adrian Maeght, Paris

This exquisite lithograph by Alexander Calder (1898–1976), titled Deux pyramides et spirales (Two Pyramids and Spirals), from the folio Derriere le miroir, No. 69–70, originates from...

Untitled is a Lithograph on paper realized in second half of the 20th Century by Alexander Calder. Very good condition including a white cardboard passpartout (32 x 50 cm). Alexand...

The original exhibition poster by Calder at the Théâtre Français de la Danse in 1969 stands as a vibrant testament to the innovative spirit of both the artist and the venue. Created by the renowned American sculptor Alexander Calder, this poster not only advertises the event but also embodies Calder's distinctive artistic style and ethos. Calder, known for his pioneering work in kinetic sculpture and mobiles, brings his signature aesthetic to this poster. With bold, primary colors and playful geometric shapes, the design reflects Calder's fascination with movement and balance. The composition exudes a sense of dynamic energy, inviting viewers to engage with the artwork on multiple levels. At the heart of the poster is likely a depiction of one of Calder's iconic mobiles or stabiles, rendered with a sense of whimsy and sophistication. The surrounding typography, rendered in a simple yet impactful font, communicates essential details about the exhibition, including the artist's name and the venue. The choice of the Théâtre Français de la Danse as the location for the exhibition adds another layer of significance to the poster. Founded by the French dancer and choreographer Maurice Béjart...

Lithograph on cardboard realized by Alexander Calder in 1976, in occasion of his solo exhibition at Galleria Rondanini, Rome. Not signer nor numbered, as issued. Excellet condition.

Vintage original 1970s Alexander Calder Lithograph: 11x15 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Portfolio: Derriere le Miroir. Derrièr...

Cover for DLM No. 173 Color lithograph, 1968 Unsigned as issued in DLM Published in Derriere le Miroir (Behind the Mirror), called DLM From: DLM No. 173, published October 1968, whic...

Sun, 1975 - from Our Unfinished Revolution portfolio Lithograph in colors ***Professionally framed*** One of 250 copies, with the printed signature and date on offset paper. Print...

Alexander Calder Lithographic cover: Derrière le miroir 1973: Lithographic cover sheet; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Por...

Alexander Calder  Un drôle de poisson, 1965 Lithograph Hand Signed lower right Numbered 86/90  lower left Titled verso 'Un drôle de poisson,' Sheet size 50 × 65.5 cm Published by Ma...

Derriere Le Miroir-Page 6-7 Color lithograph, 1973 Unsigned (as issued) From: Derriere Le Miroir, No. 201, January 1973 Publisher: Maeght Editeur, Paris Printer: L’Imprimerie Arte, A...

Untitled Color lithograph, 1959 Unsigned (as issued) From: Derriere Le Miroir, No. 113, 1959 Publisher: Editions Pierre a Feu Editor: A. Maeght Small edition as it appeared in the ma...

Acrobat in Heels from Derriere Le Miroir by Alexander Calder, American (1898–1976) Date: 1975 Lithograph Size: 15 x 11 in. (38.1 x 27.94 cm) Printer: Maeght, Paris Publisher: Maeght ...

Color lithograph, 1970. Edition of 125. Signed by the artist in pencil in the image, lower right. The edition numbering in pencil partially erased, lower left. Sheet size, 31 x 2...

Artist: Alexander Calder Title: Plate 6 (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Year: 1966 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" I...

Artist: Alexander Calder, American (1898 - 1976) Title: Damier from Derriere Le Miroir Year: 1966 Medium: Lithograph Size: 14.5 x 10.5 in. (36.83 x 26.67 cm) Frame Size: 23 x 19 inches

1970s Alexander Calder Lithograph from Derriere le Miroir: Medium: Lithograph in colors. 1975. Dimensions: 15 x 22 inches. Center fold-line as issued; v...

Alexander Calder Lithographic cover c. 1971 from Derrière le miroir: Lithographic cover in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of u...

Signed in pencil and numbered 35 from an edition of 150. Marked in pencil on back “Affiches AC Zurich 1975” with the number 8863 or 8868. 27 1/2” x 19 5/8”. Unframed. Originally pu...

Alexander Calder Circus 4, Les Gueules Dégoulinantes (from Derrière le Miroir No. 156), 1966 Signed front of sheet Lithograph in colors on paper 47 x 65 cm 18.5 x 25.6 inches 61/90 ...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...