Art by Medium: Lithograph

Marc Chagall (1887-1985) - Boaz wakes up and sees Ruth Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Printemps Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Téri...

Marc Chagall (1887-1985) - The Clown with Flowers Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condit...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Salomon - Plate from The Bible I is an original artwork realized by Marc Chagall in 1960. Mixed colored lithograph. Mourlot 131 The artwork is from the series "The Bible". In 19...

Marc Chagall (1887-1985) - Couple sur fond noir Lithograph from 1974. This impression is notated as “Epreuve d’exposition H.C”. apart from the edition of 50 on Japon paper. Unsign...

Marc Chagall, Russian (1887 - 1985) - The Circus, Portfolio: Lithographs Book I, Year: 1960, Medium: Lithograph, Size: 13 x 9.75 in. (33.02 x 24.77 cm), Printer: Mourlot Freres, Par...

Marc Chagall (1887-1985) - And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them Lithograph from 1966. The edition of 20 ...

Marc Chagall (1887–1985) was one of the most celebrated artists of the 20th century, renowned for his distinctive fusion of modernism, folklore, and Jewish cultural motifs. Chagall’...

Marc Chagall "L'Artist Phoenix Poster" for Galerie Maeght from 1972. It is from the edition of 5000. 30 1/2" x 20" art 40 1/2" x 32 1/4" frame Marc Ch...

Original lithograph by Marc Chagall from The Bible of 1960 Sara et les Anges Unsigned 35 x 26 cm Excellent condition

6 x 6.5 inches, image 14.88 x 11 inches, paper 22.63 x 20.13 inches, frame Offset lithograph after the original drawing Framed to conservation standards using 100 percent silk-lined rag matting and museum glass, housed in a gold cassetta-style moulding with a gilded fillet insert Marc Chagall was born in Liozno, near Vitebsk, now in Belarus, the eldest of nine children in a close-knit Jewish family led by his father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Marc Chagall (1887-1985) - Lion Judah Lithograph from 1962. Printed by Mourlot.. Dimensions of work: 47 x 32 cm. Publisher: André Sauret, Monte Carlo. The work is in Excellent c...

Artist: Marc Chagall Title: Lovers With Red Sun Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/2" Image Size: 9 1/2" x...

Artist: Marc Chagall Title: Tamar, Daughter-in-Law of Judah Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Si...

Marc Chagall (1887-1985) - Ruth Gleaning Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shi...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Le Carrousel du Louvre Lithograph from 1954. Dimensions of sheet: 38 x 28 cm D...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Original lithograph by Marc Chagall from The Bible of 1960 "Adam et Eve et le fruit défendu" Unsigned 35 x 26 cm Excellent condition

Marc Chagall (1887-1985) - He wrote in the Tables the wordes of the covenant, even the Ten Commandments Lithograph from 1966. The edition of 20 on Japanese paper. Unsigned and un...

Esther Invites Ahasuerus to a Banquet is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 uns...

Marc Chagall (1887-1985) - Self-Portrait Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Artist: Marc Chagall Title: Christ in the Clock Portfolio: Chagall - Jacques Lassaigne Medium: Lithograph Year: 1957 Edition: 6,000 Sheet Size: 9" x 7 7/8" Image Size: 9" x 7 7/8" Si...

Framed 23 x 19.50 in This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Chagall. Andre Sauret, 1960. First Edition. Hardcover. Printed in F...

Rebekah Gives Drink  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs...

Lithograph on brown-toned cardboard, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

MARC CHAGALL (1887–1985) André Malraux, Et Sur la Terre... A complete artist's book from 1977, printed on BFK Rives wove paper. It includes 15 etchings with aquatint, along with the...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Artist: Marc Chagall Title: Acrobats at Play Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 20 3/4" x 17 1/2" Sheet Size: 12 3/4" x 9...

Marc Chagall (1887-1985) - David and Absalom Lithograph from 1956. Dimensions of work: 35 x 26 cm. Publisher: Tériade, Paris. Reference: Mourlot 133. On the reverse: ano...

Marc Chagall (1887-1985) - Job Praying Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condit...

Lithograph on Japan nacré paper. Signed by the artist in pencil, lower right. Numbered 19/50 in pencil, lower left. Catalogue raisonne reference: Mourlot 93

Framed 25.75 x 21.75 in No. 289 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Cha...

Marc Chagall (1887-1985) - Isaiah Lithograph from 1956. Dimensions of work: 35 x 26 cm. Publisher: Tériade, Paris. Reference: Mourlot 141. On the reverse: another original lithog...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Sarah And The Angels  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithograph...

Devastation of Locusts is an artwork realized by Marc Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithograph...

Marc Chagall, Russian (1887 - 1985) - Le Peintre from Derriere Le Miroir No 147, Portfolio:, Year: 1964, Medium: Lithograph, Image Size: 5 x 5.5 inches, Size: 13.75 x 10.75 in. (...

Marc Chagall (1887-1985) - L'Arbre Vert aux Amoureux Lithograph from 1980. Unsigned and unnumbered apart from the edition of 50. Dimensions of work: 64.5 x 48 cm. Reference: Chag...

Marc Chagall (1887-1985) - Jeremiah Lithograph from 1956. Dimensions of work: 35 x 26 cm. Publisher: Tériade, Paris. Reference: Mourlot 139. On the reverse: another original lith...

Original lithograph by Marc Chagall, printed during the artist's lifetime directly from Chagall's own lithographic stones.

Zao Wou-Ki (1921-2013) - Sans titre Lithograph from 1967. Edition 420/700. Dimensions of work: 31 x 23 cm Publisher: Galerie de France, Paris. Printed by: E. and J. Dejobert, Pa...

Marc Chagall (1887-1985) - Profile and Red Child Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent conditi...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Marc Chagall (1887-1985) - A Blue Fish Original Lithograph from 1957. Dimensions of work: 23 x 40 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Ruth at the feet of Boaz  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned li...

Marc Chagall (1887-1985) - The Artist in Front of his Picture Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Exce...

Marc Chagall (1887-1985) - And in those dayes, when Moses was growen, he went foorth unto his brethren, and looked on their burdens Lithograph from 1966. The edition of 20 on Japan...

Marc Chagall (1887-1985) - Cirque Lithograph from 1967. From the book edition of 250 (there was also a signed and numbered edition of 24). Unsigned and unnumbered, as issued. Di...

Miriam and the Prophetess  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned litho...

Rachel hides her father's housold gods  is a an artwork from the Series "The Bible", realized by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. ...

Marc Chagall (1887-1985) - Flowers in the Hand Original Lithograph from 1957. Dimensions of work: 23 x 20 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition...

Marc Chagall (1887-1985) - La Fortune et le Jeune Enfant Etching from 1952. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Reference: Cr...

Framed 23 x 19.75 in No. 393 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Chaga...